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Author: Claudia Walde
Publisher:
ISBN: 9780500294161
Category : Graffiti
Languages : en
Pages : 320
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Book Description
Classic graffiti lettering and experimental typographical forms lie at the heart of street culture and have long inspired designers in many different fields. But graffiti artists, who tend to paint the same letters of their tag again and again, rarely design complete alphabets. Claudia Walde has spent over two years collecting alphabets by 154 artists from 30 countries with a view to showing the many different styles and approaches to lettering within the graffiti and street art cultures. All of the artists have roots in graffiti. Some are world renowned such as 123 Klan (Canada), Faith47 (South Africa) and Hera (Germany); others are lesser known or only now starting to emerge. Each artist received the same brief: to design all 26 letters of the Latin alphabet within the limits of a single page of the book. How they approached this task and selected the media with which to express their ideas was entirely up to them. The results are a fascinating insight into the creative process.
Author: Claudia Walde
Publisher:
ISBN: 9780500294161
Category : Graffiti
Languages : en
Pages : 320
Get Book Here
Book Description
Classic graffiti lettering and experimental typographical forms lie at the heart of street culture and have long inspired designers in many different fields. But graffiti artists, who tend to paint the same letters of their tag again and again, rarely design complete alphabets. Claudia Walde has spent over two years collecting alphabets by 154 artists from 30 countries with a view to showing the many different styles and approaches to lettering within the graffiti and street art cultures. All of the artists have roots in graffiti. Some are world renowned such as 123 Klan (Canada), Faith47 (South Africa) and Hera (Germany); others are lesser known or only now starting to emerge. Each artist received the same brief: to design all 26 letters of the Latin alphabet within the limits of a single page of the book. How they approached this task and selected the media with which to express their ideas was entirely up to them. The results are a fascinating insight into the creative process.
Author: Simon Garfield
Publisher: Penguin
ISBN: 1101577819
Category : Design
Languages : en
Pages : 388
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Book Description
A hugely entertaining and revealing guide to the history of type that asks, What does your favorite font say about you? Fonts surround us every day, on street signs and buildings, on movie posters and books, and on just about every product we buy. But where do fonts come from, and why do we need so many? Who is responsible for the staid practicality of Times New Roman, the cool anonymity of Arial, or the irritating levity of Comic Sans (and the movement to ban it)? Typefaces are now 560 years old, but we barely knew their names until about twenty years ago when the pull-down font menus on our first computers made us all the gods of type. Beginning in the early days of Gutenberg and ending with the most adventurous digital fonts, Simon Garfield explores the rich history and subtle powers of type. He goes on to investigate a range of modern mysteries, including how Helvetica took over the world, what inspires the seeming ubiquitous use of Trajan on bad movie posters, and exactly why the all-type cover of Men are from Mars, Women are from Venus was so effective. It also examines why the "T" in the Beatles logo is longer than the other letters and how Gotham helped Barack Obama into the White House. A must-have book for the design conscious, Just My Type's cheeky irreverence will also charm everyone who loved Eats, Shoots & Leaves and Schott's Original Miscellany.
Author: Claudia Walde
Publisher:
ISBN: 9780500515693
Category : Alphabet in art
Languages : en
Pages : 0
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Book Description
An international survey of graffiti and street art, and a unique typographical sourcebook as well.
Author: Claudia Walde
Publisher: National Geographic Books
ISBN: 0500239304
Category : Art
Languages : en
Pages : 0
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Book Description
The first book to focus on the new trend in graffiti and street art: permanent murals on a gigantic scale Once upon a time, illegal graffiti and street art were modest in scale, hastily created in hours or even minutes and destroyed just as quickly by authorities, vandals, or the weather. Now, however, architects, urban planners, and development companies have begun to support the creation of large murals, allowing street artists and graffiti artists to make carefully planned, more permanent works, sometimes covering entire buildings, and adding a whole new visual dimension to the world’s cities. For this spectacular volume, Claudia Walde, whose own recent 1,800-square-foot, brilliantly colored mural on the Alte Messe, Leipzig, was created in just one grueling week of work, has selected more than 200 of the best XXL mural works from around the world and profiled thirty artists who pioneered this trend. Working in dangerous conditions, hundreds of yards above the ground, yet always keenly aware of the viewer’s perspective from street level, these new street muralists are as fearless and technically skilled as they are brilliant and creative. With exclusive commentary from the practitioners as well as detailed information about their planning, methods, challenges, and inspirations, Mural XXL also includes a map identifying exciting murals around the world.
Author: Graffiti Diplomacy
Publisher: Createspace Independent Pub
ISBN: 9780988777293
Category : Art
Languages : en
Pages : 282
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Book Description
Teaches a variety of graffiti word designs. Includes step-by-step instructions, in both pictures and text that will guide one through the process of creating a graffiti masterpiece.
Author: Daniel Bellon
Publisher: Simon and Schuster
ISBN: 1440309868
Category : Design
Languages : en
Pages : 522
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Book Description
Street + Art = Inspiration Designers Daniel and Klaus Bellon have been photographing street signage around the world for more than 17 years. This book celebrates their love of typography, and highlights the beauty of type in its truest form; not as a profession but as a necessity of everyday life. The images captured here are at times humorous, unexpected and even charming. But for those who understand the rules that are being broken, these explorations of type design are refreshing and inspiring. Even though graphic designers often think of themselves as the keepers of letterforms and typography, they do not own them. Typography belongs to everyone. Typography belongs to the people. Includes a royalty-free CD with 15 original fonts inspired by signs in the book. Type images were collected from countries around the world, including the United States, Dominican Republic, Puerto Rico, Belize, Canada, Colombia, Venezuela, Hong Kong, China, Singapore, and Malaysia.
Author: Christian P. Acker
Publisher: Gingko Press Editions
ISBN: 9781584234609
Category : Graffiti
Languages : en
Pages : 0
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Book Description
Distinctive hand style lettering is an essential skill for artists and designers. Deftly executed hand crafted letter forms are a nearly forgotten art in an age of endless free fonts. Graffiti is one of the last reservoirs of highly refined, well-practiced penmanship. Within the pages of FLIP THE SCRIPT, the best hand styles are analysed, contextualising the work of graffiti writers from around America. Author Acker presents the various lettering samples in a clean organized format, giving the material a proper, formal treatment evoking classic typography books.
Author: Minelli Press
Publisher:
ISBN:
Category :
Languages : en
Pages : 83
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Book Description
- GRAFFITI AND STREET ART COLORING BOOK (Second Version) Enjoy hours of meditative relaxation and creativity by coloring beautiful Graffiti illustrations. This coloring book is ready to decorate with markers, colored pencils, gel pens, watercolors, brush pens, or any coloring implements you prefer. Coloring Book Details : Each coloring page is printed on a separate page to avoid bleed through Designs of various styles for all levels of coloring enthusiasts Large 8.5 x 11" format Professional quality designs This adult coloring book makes a great and beautiful gift idea for Graffiti and Street Art lovers. ENJOY !
Author: Steve Grody
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 312
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Book Description
This comprehensive and visual history of graffiti in Los Angeles examines the myriad styles and techniques used by writers today.A.Us most prolific and infamous writers provide insight into the lives of these fugitive artists.
Author: Paul Shaw
Publisher: National Geographic Books
ISBN: 026201548X
Category : Design
Languages : en
Pages : 0
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Book Description
How New York City subways signage evolved from a “visual mess” to a uniform system with Helvetica triumphant. For years, the signs in the New York City subway system were a bewildering hodge-podge of lettering styles, sizes, shapes, materials, colors, and messages. The original mosaics (dating from as early as 1904), displaying a variety of serif and sans serif letters and decorative elements, were supplemented by signs in terracotta and cut stone. Over the years, enamel signs identifying stations and warning riders not to spit, smoke, or cross the tracks were added to the mix. Efforts to untangle this visual mess began in the mid-1960s, when the city transit authority hired the design firm Unimark International to create a clear and consistent sign system. We can see the results today in the white-on-black signs throughout the subway system, displaying station names, directions, and instructions in crisp Helvetica. This book tells the story of how typographic order triumphed over chaos. The process didn't go smoothly or quickly. At one point New York Times architecture writer Paul Goldberger declared that the signs were so confusing one almost wished that they weren't there at all. Legend has it that Helvetica came in and vanquished the competition. Paul Shaw shows that it didn't happen that way—that, in fact, for various reasons (expense, the limitations of the transit authority sign shop), the typeface overhaul of the 1960s began not with Helvetica but with its forebear, Standard (AKA Akzidenz Grotesk). It wasn't until the 1980s and 1990s that Helvetica became ubiquitous. Shaw describes the slow typographic changeover (supplementing his text with more than 250 images—photographs, sketches, type samples, and documents). He places this signage evolution in the context of the history of the New York City subway system, of 1960s transportation signage, of Unimark International, and of Helvetica itself.
