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Author: Charles M. Joseph
Publisher: Yale University Press
ISBN: 0300129343
Category : Performing Arts
Languages : en
Pages : 20
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Book Description
divdivIgor Stravinsky and George Balanchine, among the most influential artists of the twentieth century, together created the music and movement for many ballet masterpieces. This engrossing book is the first full-length study of one of the greatest artistic collaborations in history. Drawing on extensive new research, Charles M. Joseph discusses the Stravinsky-Balanchine ballets against a rich contextual backdrop. He explores the background and psychology of the two men, the dynamics of their interactions, their personal and professional similarities and differences, and the political and historical circumstances that conditioned their work. He describes the dancers, designers, and sponsors with whom they worked. He explains the two men’s approach to the creative process and the genesis of each of the collaborative ballets, demolishing much received wisdom on the subject. And he analyzes selected sections of music and dance, providing examples of Stravinsky’s working sketches and other helpful illustrative materials. Engagingly written, the book will be of great interest not only to music and dance historians but also to ballet lovers everywhere. /DIV/DIV
Author: Charles M. Joseph
Publisher: Yale University Press
ISBN: 0300129343
Category : Performing Arts
Languages : en
Pages : 20
Get Book Here
Book Description
divdivIgor Stravinsky and George Balanchine, among the most influential artists of the twentieth century, together created the music and movement for many ballet masterpieces. This engrossing book is the first full-length study of one of the greatest artistic collaborations in history. Drawing on extensive new research, Charles M. Joseph discusses the Stravinsky-Balanchine ballets against a rich contextual backdrop. He explores the background and psychology of the two men, the dynamics of their interactions, their personal and professional similarities and differences, and the political and historical circumstances that conditioned their work. He describes the dancers, designers, and sponsors with whom they worked. He explains the two men’s approach to the creative process and the genesis of each of the collaborative ballets, demolishing much received wisdom on the subject. And he analyzes selected sections of music and dance, providing examples of Stravinsky’s working sketches and other helpful illustrative materials. Engagingly written, the book will be of great interest not only to music and dance historians but also to ballet lovers everywhere. /DIV/DIV
Author: Charles M. Joseph
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 472
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Book Description
¿7FA study of the musical collaboration of Igor Stravinsky and George Balanchine, who created the music and movement for many ballet masterpieces. Drawing on extensive new research, Joseph discusses the Stravinsky-Balanchine ballets against a rich contextual backdrop."
Author: Charles M. Joseph
Publisher:
ISBN: 9780300118728
Category : Ballets
Languages : en
Pages : 0
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Book Description
"Joseph provides superb analyses of each of Stravinsky's ballet pieces, examining the composer's own drafts, notes and sketches to discover how he conceived of and developed each work."--Jacket.
Author: John Clifford
Publisher: University Press of Florida
ISBN: 0813072018
Category : Biography & Autobiography
Languages : en
Pages : 289
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Book Description
A talented young dancer and his brilliant teacher In this long-awaited memoir, dancer and choreographer John Clifford offers a highly personal look inside the day-to-day operations of the New York City Ballet and its creative mastermind, George Balanchine. Balanchine’s Apprentice is the story of Clifford—an exceptionally talented artist—and the guiding inspiration for his life’s work in dance. Growing up in Hollywood with parents in show business, Clifford acted in television productions such as The Danny Kaye Show, The Dinah Shore Show, and Death Valley Days. He recalls the beginning of his obsession with ballet: At age 11 he was cast as the Prince in a touring production of The Nutcracker. The director was none other than the legendary Balanchine, who would eventually invite Clifford to New York City and shape his career as both a mentor and artistic example. During his dazzling tenure with the New York City Ballet, Clifford danced the lead in 47 works, several created for him by Balanchine, Jerome Robbins, and others. He partnered famous ballerinas including Gelsey Kirkland and Allegra Kent. He choreographed eight ballets for the company, his first at age 20. He performed in Russia, Germany, France, and Canada. Afterward, he returned to the West Coast to found the Los Angeles Ballet, where he continued to innovate based on the Balanchine technique. In this book, Clifford provides firsthand insight into Balanchine’s relationships with his dancers, including Suzanne Farrell. Examining his own attachment to his charismatic teacher, Clifford explores questions of creative influence and integrity. His memoir is a portrait of a young dancer who learned and worked at lightning speed, who pursued the calls of art and genius on both coasts of America and around the world.
Author: Robert Gottlieb
Publisher: Harper Collins
ISBN: 0060750707
Category : Biography & Autobiography
Languages : en
Pages : 228
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Book Description
Part of the Eminent Lives Series, this biography, written by the gifted author Robert Gottlieb, will describe the life of the dynamic George Balanchine, the foremost contemporary choreographer in ballet. Timed to coincide with the 2004 centenary of the artist's birth. The life and achievement of the great choreographer who both summed up everything that proceeded him in ballet, and extended the art form into radical yet inevitable new paths. Leaving Revolutionary Russia in 1924 (he was 20), he joined Serge Diaghilev's famous Ballets Russes, where he created his first enduring masterpiece, Apollo, cementing his lifelong collaboration with Stravinsky. In 1933 he arrived in America to found a school and a company, but the company as we know it – The New York City Ballet – didn't emerge until 1948. Meanwhile, he made ballets wherever opportunity allowed, while choreographing Broadway shows (four for Rodgers and Hart), movies (The Goldwyn Follies), even the circus – a ballet for elephants with a score by Stravinsky. By the time of his death, in 1983, he had been recognized as a member of the triad of the greatest modern masters, alongside Picasso and Stravinsky. Balanchine was married many times, always to outstanding ballerinas, but his truest muse always remained Terpsichore, the Muse of Dance.
Author: Graham Griffiths
Publisher: Cambridge University Press
ISBN: 0521191785
Category : Biography & Autobiography
Languages : en
Pages : 355
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Book Description
An unprecedented exploration of Stravinsky's use of the piano as the genesis of all his music - Russian, neoclassical and serial.
Author: Charles M. Joseph
Publisher: Yale University Press
ISBN: 030012936X
Category : Music
Languages : en
Pages : 342
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Book Description
Popularly known during his lifetime as “The World’s Greatest Living Composer,” Igor Stravinsky (1882–1971) not only wrote some of the twentieth century’s most influential music, he also assumed the role of cultural icon. This book reveals Stravinsky’s two sides—the public persona, preoccupied with his own image and place in history, and the private composer, whose views and beliefs were often purposely suppressed. Charles M. Joseph draws a richer and more human portrait of Stravinsky than anyone has done before, using an array of unpublished materials and unreleased film trims from the composer’s huge archive at the Paul Sacher Institute in Switzerland. Focusing on Stravinsky’s place in the culture of the twentieth century, Joseph situates the composer among the giants of his age. He discusses Stravinsky’s first American commission, his complicated relationship with his son, his professional relationships with celebrities ranging from T. S. Eliot to Orson Welles, his flirtations with Hollywood and television, and his love-hate attitude toward the critics and the media. In a close look at Stravinsky’s efforts to mold a public image, Joseph explores the complex dance between the composer and his artistic collaborator, Robert Craft, who orchestrated controversial efforts to protect Stravinsky and edit materials about him, both during the composer’s lifetime and after his death.
Author: Leda Schubert
Publisher: Macmillan
ISBN: 9781596430754
Category : Juvenile Nonfiction
Languages : en
Pages : 46
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Book Description
Describes the circus and the ballet of fifty elephants and dancers choreographed by George Ballanchine in 1942.
Author: James Steichen
Publisher:
ISBN: 0190607416
Category : Biography & Autobiography
Languages : en
Pages : 313
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Book Description
Challenging the mythologies surrounding the early years of the Balanchine-Kirstein enterprise, this book weaves a new and definitive account of a crucial period in dance history.
Author: Klara Moricz
Publisher: Univ of California Press
ISBN: 0520975529
Category : Music
Languages : en
Pages : 309
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Book Description
The Bolsheviks’ 1917 political coup caused a seismic disruption in Russian culture. Carried by the first wave of emigrants, Russian culture migrated West, transforming itself as it interacted with the new cultural environment and clashed with exported Soviet trends. In this book, Klára Móricz explores the transnational emigrant space of Russian composers Igor Stravinsky, Vladimir Dukelsky, Sergey Prokofiev, Nicolas Nabokov, and Arthur Lourié in interwar Paris. Their music reflected the conflict between a modernist narrative demanding innovation and a narrative of exile wedded to the preservation of prerevolutionary Russian culture. The emigrants’ and the Bolsheviks’ contrasting visions of Russia and its past collided frequently in the French capital, where the Soviets displayed their political and artistic products. Russian composers in Paris also had to reckon with Stravinsky’s disproportionate influence: if they succumbed to fashions dictated by their famous compatriot, they risked becoming epigones; if they kept to their old ways, they quickly became irrelevant. Although Stravinsky’s neoclassicism provided a seemingly neutral middle ground between innovation and nostalgia, it was also marked by the exilic experience. Móricz offers this unexplored context for Stravinsky’s neoclassicism, shedding new light on this infinitely elusive term.
