Storytelling, History, and the Postmodern South PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Storytelling, History, and the Postmodern South PDF full book. Access full book title Storytelling, History, and the Postmodern South by Jason Phillips. Download full books in PDF and EPUB format.
Author: Jason Phillips
Publisher: LSU Press
ISBN: 0807150355
Category : History
Languages : en
Pages : 239
Get Book Here
Book Description
On November 5, 1968, Ralph Ellison stood up at the Southern Historical Association meeting in New Orleans and called the members gathered there “respectable liars,” thus exposing the link between “official” history and the dominant consciousness of the time. Historian Jason Phillips refers to such scholarship as “master narratives”—stories masquerading as truth that promote the interests of white patriarchy past and present. In this innovative collection, Phillips and ten other historians and literary scholars explore an enduring dynamic between history, literature, and power in the American South. Blending analysis with storytelling, and professional insights with personal experiences, they “deconstruct Dixie,” insisting that writing the South’s history means harnessing, not criticizing, the inherent power of narrative. The contributors examine white southern narratives from multiple, fresh perspectives and consider ways in which storytelling helped shape identity and mold scholarship over time. Bertram Wyatt-Brown argues that William Percy’s life and work blurred fact and fiction as he negotiated the anti-intellectual conventions of a rural, hierarchical South as a cosmopolitan and homosexual. Orville Vernon Burton and Ian Binnington investigate nationalism, local allegiances, and the imagined community of the Confederacy. Farrell O’Gorman, Jewel L. Spangler, David A. Davis, Robert Jackson, Anne Marshall, K. Stephen Prince, and Jim Downs explore diverse topics such as southern Gothic fiction and the centrality of religion, white trash autobiographies, the “professional southerner” in literature and criticism, and the “one-drop rule” of racial taxonomy in America. Like Ellison, these writers look beyond ideology and race, including how often-overlooked, basic elements of a work—such as its form, plot, aesthetics, or genre—can re- or deconstruct white southern power. Showcasing new ways of interpreting texts, they encourage historians and literary scholars to move beyond theory to engage the historical context of southern stories and storytelling while reading evidence more deeply and stories more broadly.
Author: Jason Phillips
Publisher: LSU Press
ISBN: 0807150355
Category : History
Languages : en
Pages : 239
Get Book Here
Book Description
On November 5, 1968, Ralph Ellison stood up at the Southern Historical Association meeting in New Orleans and called the members gathered there “respectable liars,” thus exposing the link between “official” history and the dominant consciousness of the time. Historian Jason Phillips refers to such scholarship as “master narratives”—stories masquerading as truth that promote the interests of white patriarchy past and present. In this innovative collection, Phillips and ten other historians and literary scholars explore an enduring dynamic between history, literature, and power in the American South. Blending analysis with storytelling, and professional insights with personal experiences, they “deconstruct Dixie,” insisting that writing the South’s history means harnessing, not criticizing, the inherent power of narrative. The contributors examine white southern narratives from multiple, fresh perspectives and consider ways in which storytelling helped shape identity and mold scholarship over time. Bertram Wyatt-Brown argues that William Percy’s life and work blurred fact and fiction as he negotiated the anti-intellectual conventions of a rural, hierarchical South as a cosmopolitan and homosexual. Orville Vernon Burton and Ian Binnington investigate nationalism, local allegiances, and the imagined community of the Confederacy. Farrell O’Gorman, Jewel L. Spangler, David A. Davis, Robert Jackson, Anne Marshall, K. Stephen Prince, and Jim Downs explore diverse topics such as southern Gothic fiction and the centrality of religion, white trash autobiographies, the “professional southerner” in literature and criticism, and the “one-drop rule” of racial taxonomy in America. Like Ellison, these writers look beyond ideology and race, including how often-overlooked, basic elements of a work—such as its form, plot, aesthetics, or genre—can re- or deconstruct white southern power. Showcasing new ways of interpreting texts, they encourage historians and literary scholars to move beyond theory to engage the historical context of southern stories and storytelling while reading evidence more deeply and stories more broadly.
Author: K. Stephen Prince
Publisher: UNC Press Books
ISBN: 1469614189
Category : History
Languages : en
Pages : 334
Get Book Here
Book Description
In the immediate aftermath of the Civil War, the North assumed significant power to redefine the South, imagining a region rebuilt and modeled on northern society. The white South actively resisted these efforts, battling the legal strictures of Reconstruction on the ground. Meanwhile, white southern storytellers worked to recast the South's image, romanticizing the Lost Cause and heralding the birth of a New South. Prince argues that this cultural production was as important as political competition and economic striving in turning the South and the nation away from the egalitarian promises of Reconstruction and toward Jim Crow.
Author: Jason Phillips
Publisher: LSU Press
ISBN: 0807150363
Category : Literary Criticism
Languages : en
Pages : 266
Get Book Here
Book Description
In this innovative collection, Jason Phillips and ten other historians and literary scholars explore the enduring dynamic between history, literature, and power in the American South. Blending analysis with storytelling, and professional insights with personal experiences, they "deconstruct Dixie," insisting that writing the South's history means harnessing, not criticizing, the inherent power of narrative. Contributors examine white southern texts from multiple, fresh perspectives and consider ways in which storytelling helped shape identity and mold scholarship over time. Bertram Wyatt-Brown argues that William Percy's life and work blurred fact and fiction to reconcile the anti-intellectual conventions of a rural, hierarchical South with his cosmopolitan mindset. Orville Vernon Burton and Ian Binnington investigate nationalism, local allegiances, and the imagined community of the Confederacy. Farrell O'Gorman, Jewel L. Spangler, David A. Davis, Robert Jackson, Anne Marshall, K. Stephen Prince, and Jim Downs explore diverse topics such as southern Gothic fiction and the centrality of religion, white trash autobiographies, the "professional southerner" in literature and criticism, and the "one-drop rule" of racial taxonomy in America. These writers look beyond ideology and race, showcasing new ways of interpreting texts and encouraging scholars to move beyond theory to engage the historical context of southern stories and storytelling.
Author: Maggi M. Morehouse
Publisher: Routledge
ISBN: 1317665341
Category : History
Languages : en
Pages : 520
Get Book Here
Book Description
The Routledge History of the American South looks at the major themes that have developed in the interdisciplinary field of Southern Studies. With fifteen original essays from experts in their respective fields, the handbook addresses such diverse topics as southern linguistics, music (secular and non-secular), gender, food, and history and memory. The chapters present focused historiographical analyses that, taken together, offer a clear sense of the evolution and contours of Southern Studies. This volume is valuable both as a dynamic introduction to Southern Studies and as an entry point into more recent research for those already familiar with the subfield.
Author: Mario Dunkel
Publisher: Hollitzer Wissenschaftsverlag
ISBN: 3990128957
Category : Music
Languages : en
Pages : 406
Get Book Here
Book Description
New Orleans jazz, Dixieland, Chicago jazz, swing, bebop, cool jazz, hard bop, and free jazz: up until today, the history of jazz is told as a "tradition" consisting of fixed components including a succession of jazz styles. How did this construction of music history emerge? What were the alternative perspectives? And why did the narrative of a fixed tradition catch on? In this study, Mario Dunkel examines narratives of jazz history from the beginnings of jazz until the late 1950s. According to Dunkel, the jazz tradition is simultaneously an attempt to approach historical reality and the product of competition between different narratives and cultural myths. From the middlebrow culture of the 1920s to the New Deal, the African American civil rights movement and the role of the U.S. in the Cold War, Dunkel shows in detail how the jazz tradition, as a global narrative of the twentieth century, is intertwined with greater social and cultural developments.
Author: Kimberly Anne Coles
Publisher: Springer
ISBN: 1137338210
Category : History
Languages : en
Pages : 255
Get Book Here
Book Description
The essays of this collection explore how ideas about 'blood' in science and literature have supported, at various points in history and in various places in the circum-Atlantic world, fantasies of human embodiment and human difference that serve to naturalize existing hierarchies.
Author: John Mayfield
Publisher: Univ of South Carolina Press
ISBN: 1611177294
Category : History
Languages : en
Pages : 587
Get Book Here
Book Description
Current research on the history and evolution of moral standards and their role in Southern society For more than thirty years, the study of honor has been fundamental to understanding southern culture and history. Defined chiefly as reputation or public esteem, honor penetrated virtually every aspect of southern ethics and behavior, including race, gender, law, education, religion, and violence. In The Field of Honor: Essays on Southern Character and American Identity, editors John Mayfield and Todd Hagstette bring together new research by twenty emerging and established scholars who study the varied practices and principles of honor in its American context, across an array of academic disciplines. Following pathbreaking works by Bertram Wyatt-Brown, Dickson D. Bruce, and Edward L. Ayers, this collection notes that honor became a distinctive mark of southern culture and something that—alongside slavery—set the South distinctly off from the rest of the United States. This anthology brings together the work of a variety of writers who collectively explore both honor's range and its limitations, revealing a South largely divided between the demands of honor and the challenges of an emerging market culture—one common to the United States at large. They do so by methodologically examining legal studies, market behaviors, gender, violence, and religious and literary expressions. Honor emerges here as a tool used to negotiate modernity's challenges rather than as a rigid tradition and set of assumptions codified in unyielding rules and rhetoric. Some topics are traditional for the study of honor, some are new, but all explore the question: how different really is the South from America writ large? The Field of Honor builds an essential bridge between two distinct definitions of southern—and, by extension, American—character and identity.
Author: Tanya Long Bennett
Publisher: Univ. Press of Mississippi
ISBN: 149683688X
Category : Literary Criticism
Languages : en
Pages : 186
Get Book Here
Book Description
Contributions by Tanya Long Bennett, David Brauer, Cameron Williams Crawford, Emily Pierce Cummins, April Conley Kilinski, Justin Mellette, and Wendy Kurant Rollins As a white woman of means living in segregated Georgia in the first half of the twentieth century, Lillian Smith (1897–1966) surprised readers with stories of mixed-race love affairs, mob attacks on “outsiders,” and young female campers exploring their sexuality. Critical Essays on the Writings of Lillian Smith tracks the evolution of Smith from a young girls’ camp director into a courageous artist who could examine controversial topics frankly and critically while preserving a lifelong connection to the north Georgia mountains and people. She did not pull punches in her portrayals of the South and refused to obsess on an idealized past. Smith took seriously the artist’s role as she saw it—to lead readers toward a better understanding of themselves and a more fulfilling existence. Smith’s perspective cut straight to the core of the neurotic behaviors she observed and participated in. To draw readers into her exploration of those behaviors, she created compelling stories, using carefully chosen literary techniques in powerful ways. With words as her medium, she drew maps of her fictionalized southern places, revealing literally and metaphorically society’s disfunctions. Through carefully crafted points of view, she offers readers an intimate glimpse into her own childhood as well as the psychological traumas that all southerners experience and help to perpetuate. Comprised of seven essays by contemporary Smith scholars, this volume explores these fascinating aspects of Smith’s writings in an attempt to fill in the picture of this charismatic figure, whose work not only was influential in her time but also is profoundly relevant to ours.
Author: Y?lmaz, Recep
Publisher: IGI Global
ISBN: 1522553584
Category : Social Science
Languages : en
Pages : 633
Get Book Here
Book Description
Transmedia storytelling is defined as a process where integral elements of fiction get dispersed systematically across multiple delivery channels to create a unified and coordinated entertainment experience. This process and its narrative models have had an increasing influence on the academic world in addressing both theoretical and practical dimensions of transmedia storytelling. The Handbook of Research on Transmedia Storytelling and Narrative Strategies is a critical scholarly resource that explores the connections between consumers of media content and information parts that come from multimedia platforms, as well as the concepts of narration and narrative styles. Featuring coverage on a wide range of topics such as augmented reality, digital society, and marketing strategies, this book explores narration as a method of relating to consumers. This book is ideal for advertising professionals, creative directors, academicians, scriptwriters, researchers, and upper-level graduate students seeking current research on narrative marketing strategies.
Author: Farhat Iftekharrudin
Publisher: Bloomsbury Publishing USA
ISBN: 0313052468
Category : Literary Criticism
Languages : en
Pages : 293
Get Book Here
Book Description
Short stories are usually defined in terms of characteristics of modernism, in which the story begins in the middle, develops according to a truncated plot, and ends with an epiphany. This approach tends to ignore postmodernism, a movement often characterized by a negation of objective reality where plots are seemingly abandoned, surfaces are extraordinary, and symbols turn inward on themselves. This book examines postmodern forms and characteristic themes by analyzing a group of short stories that make use of postmodern narrative strategies, including nonfictional fiction, gender profiling, and death as an image. The volume begins with a discussion of the blurred lines between fiction and nonfiction in the short story and imaginative personal essay. It then looks at the role of women in works by such authors as Sandra Cisneros, Leslie Marmon Silko, Joyce Carol Oates, and Lorrie Moore. This is followed by a section of chapters on postmodern masculinity and short fiction. The next section focuses on death as an image and theme in works by Richard Ford, Richard Brautigan, and James Joyce. The final set of chapters considers postmodern short fiction from South Africa and Canada.
