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Author: Florence Howe Hall
Publisher:
ISBN:
Category : Battle hymn of the republic (Song)
Languages : en
Pages : 146
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Book Description
Author: Florence Howe Hall
Publisher:
ISBN:
Category : Battle hymn of the republic (Song)
Languages : en
Pages : 146
Get Book Here
Book Description
Author: S. C. Gwynne
Publisher: Simon and Schuster
ISBN: 150111624X
Category : History
Languages : en
Pages : 432
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Book Description
From the New York Times bestselling and award-winning author of Empire of the Summer Moon and Rebel Yell comes “a masterwork of history” (Lawrence Wright, author of God Save Texas), the spellbinding, epic account of the last year of the Civil War. The fourth and final year of the Civil War offers one of the most compelling narratives and one of history’s great turning points. Now, Pulitzer Prize finalist S.C. Gwynne breathes new life into the epic battle between Robert E. Lee and Ulysses S. Grant; the advent of 180,000 black soldiers in the Union army; William Tecumseh Sherman’s March to the Sea; the rise of Clara Barton; the election of 1864 (which Lincoln nearly lost); the wild and violent guerrilla war in Missouri; and the dramatic final events of the war, including Lee’s surrender at Appomattox and the murder of Abraham Lincoln. “A must-read for Civil War enthusiasts” (Publishers Weekly), Hymns of the Republic offers many surprising angles and insights. Robert E. Lee, known as a great general and Southern hero, is presented here as a man dealing with frustration, failure, and loss. Ulysses S. Grant is known for his prowess as a field commander, but in the final year of the war he largely fails at that. His most amazing accomplishments actually began the moment he stopped fighting. William Tecumseh Sherman, Gwynne argues, was a lousy general, but probably the single most brilliant man in the war. We also meet a different Clara Barton, one of the greatest and most compelling characters, who redefined the idea of medical care in wartime. And proper attention is paid to the role played by large numbers of black union soldiers—most of them former slaves. Popular history at its best, Hymns of the Republic reveals the creation that arose from destruction in this “engrossing…riveting” (Kirkus Reviews, starred review) read.
Author: John Stauffer
Publisher: Oxford University Press
ISBN: 0199339589
Category : History
Languages : en
Pages : 391
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Book Description
It was sung at Ronald Reagan's funeral, and adopted with new lyrics by labor radicals. John Updike quoted it in the title of one of his novels, and George W. Bush had it performed at the memorial service in the National Cathedral for victims of September 11, 2001. Perhaps no other song has held such a profoundly significant--and contradictory--place in America's history and cultural memory than the "The Battle Hymn of the Republic." In this sweeping study, John Stauffer and Benjamin Soskis show how this Civil War tune has become an anthem for cause after radically different cause. The song originated in antebellum revivalism, with the melody of the camp-meeting favorite, "Say Brothers, Will You Meet Us." Union soldiers in the Civil War then turned it into "John Brown's Body." Julia Ward Howe, uncomfortable with Brown's violence and militancy, wrote the words we know today. Using intense apocalyptic and millenarian imagery, she captured the popular enthusiasm of the time, the sense of a climactic battle between good and evil; yet she made no reference to a particular time or place, allowing it to be exported or adapted to new conflicts, including Reconstruction, sectional reconciliation, imperialism, progressive reform, labor radicalism, civil rights movements, and social conservatism. And yet the memory of the song's original role in bloody and divisive Civil War scuttled an attempt to make it the national anthem. The Daughters of the Confederacy held a contest for new lyrics, but admitted that none of the entries measured up to the power of the original. "The Battle Hymn" has long helped to express what we mean when we talk about sacrifice, about the importance of fighting--in battles both real and allegorical--for the values America represents. It conjures up and confirms some of our most profound conceptions of national identity and purpose. And yet, as Stauffer and Soskis note, the popularity of the song has not relieved it of the tensions present at its birth--tensions between unity and discord, and between the glories and the perils of righteous enthusiasm. If anything, those tensions became more profound. By following this thread through the tapestry of American history, The Battle Hymn of the Republic illuminates the fractures and contradictions that underlie the story of our nation.
Author: Richard M. Gamble
Publisher: Cornell University Press
ISBN: 1501736426
Category : Music
Languages : en
Pages : 296
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Book Description
Since its composition in Washington's Willard Hotel in 1861, Julia Ward Howe's "Battle Hymn of the Republic" has been used to make America and its wars sacred. Few Americans reflect on its violent and redemptive imagery, drawn freely from prophetic passages of the Old and New Testaments, and fewer still think about the implications of that apocalyptic language for how Americans interpret who they are and what they owe the world. In A Fiery Gospel, Richard M. Gamble describes how this camp-meeting tune, paired with Howe's evocative lyrics, became one of the most effective instruments of religious nationalism. He takes the reader back to the song's origins during the Civil War, and reveals how those political and military circumstances launched the song's incredible career in American public life. Gamble deftly considers the idea behind the song—humming the tune, reading the music for us—all while reveling in the multiplicity of meanings of and uses to which Howe's lyrics have been put. "The Battle Hymn of the Republic" has been versatile enough to match the needs of Civil Rights activists and conservative nationalists, war hawks and peaceniks, as well as Europeans and Americans. This varied career shows readers much about the shifting shape of American righteousness. Yet it is, argues Gamble, the creator of the song herself—her Abolitionist household, Unitarian theology, and Romantic and nationalist sensibilities—that is the true conductor of this most American of war songs. A Fiery Gospel depicts most vividly the surprising genealogy of "The Battle Hymn of the Republic," and its sure and certain position as a cultural piece in the uncertain amalgam that was and is American civil religion.
Author: Florence Howe Hall
Publisher:
ISBN: 9781465664662
Category :
Languages : en
Pages : 0
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Book Description
Author: Florence Howe Hall
Publisher:
ISBN:
Category :
Languages : en
Pages : 129
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Book Description
Author: Elaine Showalter
Publisher: Simon and Schuster
ISBN: 1451645902
Category : Biography & Autobiography
Languages : en
Pages : 320
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Book Description
"Authorship of the Battle Hymn of the Republic made [19th-century aspiring poet and playwright Julia Ward Lowe] celebrated and revered. But Julia was also continuing to fight a civil war at home; she became a pacifist, suffragist, and world traveler. She came into her own as a tireless campaigner for women's rights and social reform ... Elaine Showalter tells the story of Howe's determined self-creation and brings to life the society she inhabited and the obstacles she overcame"--Amazon.com.
Author: Hall Florence Howe 1845-1922
Publisher: Hardpress Publishing
ISBN: 9781314435092
Category :
Languages : en
Pages : 146
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Book Description
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
Author: Florence Howe Hall
Publisher: BoD – Books on Demand
ISBN: 3387301251
Category : Fiction
Languages : en
Pages : 134
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Book Description
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
Author: Florence Howe Hall
Publisher: CreateSpace
ISBN: 9781507867372
Category : Music
Languages : en
Pages : 138
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Book Description
An excerpt from the beginning: A In order to understand how this song of our "THE BATTLE HYMN OF THE REPUBLIC" nation sprang into sudden being we must study that stormy past — the prelude of the Civil War. How greatly it affected my mother we shall see from her own record, as well as from the story of the events that touched her so nearly. My own memory of them dates back to childhood's days. Yet they moved and stirred my soul as few things have done in a long life. Therefore I have striven to give to the present generation some idea of the fervor and ferment, the exaltation of spirit, that prevailed at that epoch among the soldiers of a great cause, especially as I saw it in our household. Let the Hero, born of woman, crush the serpent with his heel. So many years have elapsed since the evil monster of slavery was done to death that we sometimes forget its awful power in the middle of the last century. The fathers of the Republic believed that it would soon perish. They forbade its entrance into the Territories and were careful to make no mention of it in the Constitution. The invention of the cotton-gin changed the whole situation. It was found that slave labor could be used with profit in the cultivation of the cotton crop. But slave labor with its wasteful methods exhausted the soil. Slavery could only be made profitable by constantly increasing its area. Hence, the Southern leaders departed from the policy of the fathers of the Republic. Instead of allowing slavery to die out, they determined to make it perpetual. Instead of keeping it within the limits prescribed by the ancient law of the land, they resolved to extend it. The Missouri Compromise of 1820 gave the first extension of slavery, opening the great Territory of Missouri to the embrace of the serpent. The fugitive-slave law was signed in 1850. Before this time the return of runaway negroes had been an uncertain obligation. The new law took away from State magistrates the decision in cases of this sort and gave it to United States Commissioners. It imposed penalties on rescues and denied a jury trial to black men arrested as fugitives, thus greatly endangering the liberties of free negroes. The Dred Scott decision (see page 10), denying that negroes could be citizens, was made in 1854. In 1856 the Missouri Compromise was repealed by the Kansas and Nebraska law.* Additional territory was thrown open to the sinister institution which now threatened to become like the great Midgard snake, holding our country in its suffocating embrace, as that creature of fable surrounded the earth. It was necessary to fling off the deadly coils of slavery if we were to endure as a free nation. * Abraham Lincoln said of this law: "I look upon that enactment not as a law, but as a violence from the beginning. It was conceived in violence and is being executed in violence" (letter to Joshua F. Speed, August 24, 1856).
