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Author: Noreen Masud
Publisher: Oxford University Press
ISBN: 0192895893
Category : Literary Criticism
Languages : en
Pages : 209
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Book Description
This volume argues that aphorism represents a tool for the social management of emotion. Rhetorically corralled into a slick, collectable shape, the aphorism promises arresting and instantaneous epiphany. However, the accomplished elegance which positions the aphorism's message as self-evidently true in fact works to repel further enquiry, and ultimately ensures that it will be forgotten or bypassed in favour of another aphorism: no less eagerly embraced for the earlier disappointment. Aphorism, therefore, is a form in which dangerous ideas and emotions can be safely displayed and, simultaneously, effaced. Because aphorism's style defuses the imperative to act on what is clearly known, writers like Stevie Smith can use the form to stage a withdrawal from the burden of making an impact on the world. This book finds that Smith's use of aphorism and its related forms (proverb, epitaph, caption, and fragment) offers a route into her texts. With her disconcerting pen-and-ink drawings, dark comedy, and social ventriloquism which stops short of satire, the rhetorical force of Smith's poetry fascinates and arrests its readers, but nevertheless leaves them unable to react coherently or identify the use-value which her writing appears to promise. Drawing on hitherto unpublished archival material, this project argues that Smith's texts resist analysis because, like the aphorisms embedded throughout them, they offer and exemplify a mode of clearly-declared revelation which, at the same time, makes itself unusable.
Author: Noreen Masud
Publisher: Oxford University Press
ISBN: 0192895893
Category : Literary Criticism
Languages : en
Pages : 209
Get Book Here
Book Description
This volume argues that aphorism represents a tool for the social management of emotion. Rhetorically corralled into a slick, collectable shape, the aphorism promises arresting and instantaneous epiphany. However, the accomplished elegance which positions the aphorism's message as self-evidently true in fact works to repel further enquiry, and ultimately ensures that it will be forgotten or bypassed in favour of another aphorism: no less eagerly embraced for the earlier disappointment. Aphorism, therefore, is a form in which dangerous ideas and emotions can be safely displayed and, simultaneously, effaced. Because aphorism's style defuses the imperative to act on what is clearly known, writers like Stevie Smith can use the form to stage a withdrawal from the burden of making an impact on the world. This book finds that Smith's use of aphorism and its related forms (proverb, epitaph, caption, and fragment) offers a route into her texts. With her disconcerting pen-and-ink drawings, dark comedy, and social ventriloquism which stops short of satire, the rhetorical force of Smith's poetry fascinates and arrests its readers, but nevertheless leaves them unable to react coherently or identify the use-value which her writing appears to promise. Drawing on hitherto unpublished archival material, this project argues that Smith's texts resist analysis because, like the aphorisms embedded throughout them, they offer and exemplify a mode of clearly-declared revelation which, at the same time, makes itself unusable.
Author:
Publisher: BRILL
ISBN: 9004400060
Category : Literary Criticism
Languages : en
Pages : 293
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Book Description
For the first time in scholarship, this essay collection interprets modernity through the literary micro-genres of the aphorism, the epigram, the maxim, and the fragment. Situating Friedrich Nietzsche and Oscar Wilde as forerunners of modern aphoristic culture, the collection analyses the relationship between aphoristic consciousness and literary modernism in the expanded purview of the long twentieth century, through the work of a wide range of authors, including Samuel Beckett, Max Beerbohm, Jorge Luis Borges, Katherine Mansfield, and Stevie Smith. From the romantic fragment to the tweet, Aphoristic Modernity offers a compelling exploration of the short form's pervasive presence both as a standalone artefact and as part of a larger textual and cultural matrix.
Author: Stevie Smith
Publisher: New Directions Publishing
ISBN: 9780811211109
Category : Art
Languages : en
Pages : 100
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Book Description
The British poet Stevie Smith, as her many readers well know, sprinkled her drawings throughout her poetry collections. In this sketchbook, Some Are More Human Than Others, she did the opposite--she spiced her drawings with words. Together they resound with what Robert Lowell described as Smith's "unique and cheerfully gruesome voice" and open up a little world of peculiar experience: something somber and something gay, innocent and cruel--truths of our world trapped off guard.
Author: Jessica Fay
Publisher: Oxford University Press
ISBN: 0192548166
Category : Literary Criticism
Languages : en
Pages : 309
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Book Description
This is the first extended study of Wordsworth's complex, subtle, and often conflicted engagement with the material and cultural legacies of monasticism. It reveals that a set of topographical, antiquarian, and ecclesiastical sources consulted by Wordsworth between 1806 and 1822 provided extensive details of the routines, structures, landscapes, and architecture of the medieval monastic system. In addition to offering a new way of thinking about religious dimensions of Wordsworth's work and his views on Roman Catholicism, the book offers original insights into a range of important issues in his poetry and prose, including the historical resonances of the landscape, local attachment and memorialization, gardening and cultivation, Quakerism and silence, solitude and community, pastoral retreat and national identity. Wordsworth's interest in monastic history helps explain significant stylistic developments in his writing. In this often-neglected phase of his career, Wordsworth undertakes a series of generic experiments in order to craft poems capable of reformulating and refining taste; he adapts popular narrative forms and challenges pastoral conventions, creating difficult, austere poetry that, he hopes, will encourage contemplation and subdue readers' appetites for exciting narrative action. This book thus argues for the significance and innovative qualities of some of Wordsworth's most marginalized writings. It grants poems such as The White Doe of Rylstone, The Excursion, and Ecclesiastical Sketches the centrality Wordsworth believed they deserved, and reveals how Wordsworth's engagement with the monastic history of his local region inflected his radical strategies for the creation of taste.
Author: Stevie Smith
Publisher: Virago Press
ISBN: 9780860681465
Category : Fiction
Languages : en
Pages : 252
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Book Description
Stevie's alter ego Pompey is young, in love and working as a secretary for the magnificent Sir Phoebus Ullwater, Bt. In between making coffee and typing letters for Sir Phoebus, Pompey scribbles down - on yellow office paper - her quirky thoughts. Her flights of imagination take in Euripedes, sex education, Nazi Germany and the Catholic Church in England, shattering conventions in their wake.
Author: Stevie Smith
Publisher: Virago
ISBN: 0349005834
Category : Fiction
Languages : en
Pages : 165
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Book Description
Celia works at the Ministry in the post-war England of 1949 and lives in a London suburb. Witty, fragile, quixotic, Celia is preoccupied with love - for her friends, her colleagues, her relations, and especially for her adored cousin Casmilus, with whom she goes on holiday to visit Uncle Heber, the vicar. Here they talk endlessly, argue, eat, tell stories, love and hate - moments of wild humour alternating with waves of melancholy as Celia ponders obsessively on the inevitable pain of love. In everything she wrote, Stevie Smith captured the paradox of pain in all human affections - nowhere more so than in this wry, strongly autobiographical tale.
Author: Ioannis Ziogas
Publisher:
ISBN: 0198845146
Category : History
Languages : en
Pages : 435
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Book Description
Law and Love in Ovid challenges the view that legal language in poetry is a sign of frivolity and argues that it signals a radical return to the roots of law's creation.
Author: Suzanne Keen
Publisher: Oxford University Press
ISBN: 0199884145
Category : Literary Criticism
Languages : en
Pages : 395
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Book Description
Does empathy felt while reading fiction actually cultivate a sense of connection, leading to altruistic actions on behalf of real others? Empathy and the Novel presents a comprehensive account of the relationships among novel reading, empathy, and altruism. Drawing on psychology, narrative theory, neuroscience, literary history, philosophy, and recent scholarship in discourse processing, Keen brings together resources and challenges for the literary study of empathy and the psychological study of fiction reading. Empathy robustly enters into affective responses to fiction, yet its role in shaping the behavior of emotional readers has been debated for three centuries. Keen surveys these debates and illustrates the techniques that invite empathetic response. She argues that the perception of fictiveness increases the likelihood of readers' empathy in part by releasing them from the guarded responses necessitated by the demands of real others. Narrative empathy is a strategy and subject of contemporary novelists from around the world, writers who tacitly endorse the potential universality of human emotions when they call upon their readers' empathy. If narrative empathy is to be taken seriously, Keen suggests, then women's reading and responses to popular fiction occupy a central position in literary inquiry, and cognitive literary studies should extend its range beyond canonical novels. In short, Keen's study extends the playing field for literature practitioners, causing it to resemble more closely that wide open landscape inhabited by readers.
Author: Andrew Bennett
Publisher: Taylor & Francis
ISBN: 1003816703
Category : Literary Criticism
Languages : en
Pages : 150
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Book Description
What is this thing called literature? Why study it? And how? Relating literature to topics such as dreams, politics, life, death, the ordinary and the uncanny, This Thing Called Literature establishes a sense of why and how literature is an exciting and rewarding subject to study. Andrew Bennett and Nicholas Royle expertly weave an essential love of literature into an account of what literary texts do, how they work and the sort of questions and ideas they provoke. The book’s three parts reflect the fundamental components of studying literature: reading, thinking and writing. The authors use helpful and wide-ranging examples and summaries, offering rich reflections on the question ‘What is literature?’ and on what they term ‘creative reading’. The new edition has been revised throughout with extensive updates to the further reading and a new chapter on creative non-fiction. Bennett and Royle’s accessible and thought-provoking style encourages a deep engagement with literary texts. This essential guide to the study of literature is an eloquent celebration of the value and pleasure of reading.
Author: Simon Armitage
Publisher: eBook Partnership
ISBN: 190758742X
Category : Poetry
Languages : en
Pages : 59
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Book Description
This book brings together three verse form pieces each of which was created to be part of a broader form. 'Out of the Blue' itself is a powerful, award-winning, poem-film created five years after the attacks which destroyed the twin towers in NewYork. With a title from a speech of Churchill, 'We May Allow Ourselves a Brief Period of Rejoicing' was a Channel 5 commission for a broadcast celebrating the 60th anniversary of VE Day. The third, 'Cambodia', comes from the radio drama The Violence of Silence set 30 years after the Khmer Rouge
