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Author: Jonathan Sterne
Publisher: Duke University Press
ISBN: 0822384256
Category : Technology & Engineering
Languages : en
Pages : 469
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Book Description
The Audible Past explores the cultural origins of sound reproduction. It describes a distinctive sound culture that gave birth to the sound recording and the transmission devices so ubiquitous in modern life. With an ear for the unexpected, scholar and musician Jonathan Sterne uses the technological and cultural precursors of telephony, phonography, and radio as an entry point into a history of sound in its own right. Sterne studies the constantly shifting boundary between phenomena organized as "sound" and "not sound." In The Audible Past, this history crisscrosses the liminal regions between bodies and machines, originals and copies, nature and culture, and life and death. Blending cultural studies and the history of communication technology, Sterne follows modern sound technologies back through a historical labyrinth. Along the way, he encounters capitalists and inventors, musicians and philosophers, embalmers and grave robbers, doctors and patients, deaf children and their teachers, professionals and hobbyists, folklorists and tribal singers. The Audible Past tracks the connections between the history of sound and the defining features of modernity: from developments in medicine, physics, and philosophy to the tumultuous shifts of industrial capitalism, colonialism, urbanization, modern technology, and the rise of a new middle class. A provocative history of sound, The Audible Past challenges theoretical commonplaces such as the philosophical privilege of the speaking subject, the visual bias in theories of modernity, and static descriptions of nature. It will interest those in cultural studies, media and communication studies, the new musicology, and the history of technology.
Author: Jonathan Sterne
Publisher: Duke University Press
ISBN: 0822384256
Category : Technology & Engineering
Languages : en
Pages : 469
Get Book Here
Book Description
The Audible Past explores the cultural origins of sound reproduction. It describes a distinctive sound culture that gave birth to the sound recording and the transmission devices so ubiquitous in modern life. With an ear for the unexpected, scholar and musician Jonathan Sterne uses the technological and cultural precursors of telephony, phonography, and radio as an entry point into a history of sound in its own right. Sterne studies the constantly shifting boundary between phenomena organized as "sound" and "not sound." In The Audible Past, this history crisscrosses the liminal regions between bodies and machines, originals and copies, nature and culture, and life and death. Blending cultural studies and the history of communication technology, Sterne follows modern sound technologies back through a historical labyrinth. Along the way, he encounters capitalists and inventors, musicians and philosophers, embalmers and grave robbers, doctors and patients, deaf children and their teachers, professionals and hobbyists, folklorists and tribal singers. The Audible Past tracks the connections between the history of sound and the defining features of modernity: from developments in medicine, physics, and philosophy to the tumultuous shifts of industrial capitalism, colonialism, urbanization, modern technology, and the rise of a new middle class. A provocative history of sound, The Audible Past challenges theoretical commonplaces such as the philosophical privilege of the speaking subject, the visual bias in theories of modernity, and static descriptions of nature. It will interest those in cultural studies, media and communication studies, the new musicology, and the history of technology.
Author: Laurence Sterne
Publisher: Oxford, Blackwell, publisher to the Shakespeare Head Press of Stratford-upon-Avon
ISBN:
Category : Novelists, English
Languages : en
Pages : 358
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Book Description
Author: Ian Campbell Ross
Publisher: Oxford University Press, USA
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 520
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Book Description
Laurence Sterne was in his mid-forties when the publication of Tristram Shandy catapulted him from obscurity into unprecedented literary fame. The story of how a provincial clergyman became the most fashionable writer of his day is extraordinary, and all the more remarkable for having beenengineered by its subject. 'I wrote not to be fed, but to be famous', Laurence Sterne declared of his comic masterpiece, and in order to achieve his ambition he became an assiduous networker, as astute a self-publicist as any modern author could hope to be. Shocked critics of Tristram Shandydenounced his bawdy novel as a scandal to the cloth but Sterne revelled in the celebrity his age's obsession with novelty and fashion allowed him. He at last found compensation for a life characterized by alternating moods of gaiety and gloom. Unhappily married to a woman who suffered a nervousbreakdown and at one time believed herself to be the Queen of Bohemia, Sterne became notorious for his sexual and sentimental liaisons with other women. His second book, A Sentimental Journey, transmuted his experiences into literary expressions of moral feeling. Dependent for so much of his life on patrons, it was the patronage of the reading public that was to secure his livelihood. Tristram Shandy remains one of the most innovative and influential novels in world literature, and Ian Campbell Ross makes full use of important new materials to examineSterne's life and career and the cult of the celebrity author.
Author: Helen Williams
Publisher: Cambridge University Press
ISBN: 1108912834
Category : Literary Criticism
Languages : en
Pages : 229
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Book Description
Scrutinising Sterne's fiction through a book history lens, Helen Williams creates novel readings of his work based on meticulous examination of its material and bibliographical conditions. Alongside multiple editions and manuscripts of Sterne's own letters and works, a panorama of interdisciplinary sources are explored, including dance manuals, letter-writing handbooks, newspaper advertisements, medical pamphlets and disposable packaging. For the first time, this wealth of previously overlooked material is critically analysed in relation to the design history of Tristram Shandy, conceptualising the eighteenth-century novel as an artefact that developed in close conjunction with other media. In examining the complex interrelation between a period's literature and the print matter of everyday life, this study sheds new light on Sterne and eighteenth-century literature by re-defining the origins of his work and of the eighteenth-century novel more broadly, whilst introducing readers to diverse print cultural forms and their production histories.
Author: Jonathan Sterne
Publisher: Duke University Press
ISBN: 0822352877
Category : Computers
Languages : en
Pages : 359
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Book Description
Jonathan Sterne shows that understanding the historical meaning of the MP3, the world's most common format for recorded audio, involves rethinking the place of digital technologies in the broader universe of twentieth-century communication history.
Author: Arthur Cash
Publisher: Taylor & Francis
ISBN: 1000784517
Category : Literary Criticism
Languages : en
Pages : 373
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Book Description
First published in 1986, Laurence Sterne follows Sterne’s life and career from the moment of recognition brought by the successful publication of the first two volumes of Tristram Shandy, to the publication in 1768 of A Sentimental Journey and its author’s death three weeks later. Sterne, a consumptive who knew that he would meet an early death, was determined to pack into his life all the writing, adventure and play he could, believing implicitly ‘that every time a man smiles, -- but much more so, when he laughs, that it adds something to this Fragment of Life.’ We see him in his study at Shandy Hall, among the philosophes in Paris, with his family at Toulouse and Montpellier, preaching before the villagers of Coxworld or before the duke of York, and entertaining the bluestockings, the intellectuals, the wits and rakes of 18th century London. We witness Sterne’s struggle, after sailing through the early volumes of Tristram Shandy, to find ways to continue or complete the novel. We watch the disintegration of any meaningful relationship with his wife, his secret amours, his public sentimental flirtations and his hopeless passion for Eliza Draper. This book will be of interest to students of literature, literary history as well as to any casual reader of Sterne’s novels.
Author: Ryan J. Stark
Publisher: Bloomsbury Publishing
ISBN: 1350177792
Category : Literary Criticism
Languages : en
Pages : 198
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Book Description
Is Laurence Sterne one of the great Christian apologists? Ryan Stark recommends him as such, perhaps to the detriment of the parson's roguish reputation. The book's aim, however, is not to dispel roguishness but rather to discern the theological motives behind Sterne's comic rhetoric, from Tristram Shandy and the sermons to A Sentimental Journey. To this end, Stark reveals a veritable avalanche of biblical themes and allusions to be found in Sterne, often and seemingly awkwardly in the middle of sex jokes, and yet the effect is not to produce irreverence. On the contrary, we find an irreverently reverent apologetic, Stark argues, and a priest who knows how to play gracefully with religious ideas. Through Sterne, in fact, we might rethink humour's role in the service of religion.
Author: David Pierce
Publisher: BRILL
ISBN: 9004658815
Category : History
Languages : en
Pages : 213
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Book Description
Laurence Sterne's Tristram Shandy is the most wayward -- and in some respects the most powerful -- critique of Locke's theory of knowledge, while his interest in the gulf between biological and clock time makes him a contemporary of Proust and Bergson. In obscuring the fine line between autobiography and fiction, Sterne belongs to the generation of modern writers that includes Joyce and Nabokov. In his deliberate refusal to construct a 'goahead plot' Sterne commends himself to contemporary narratologists. In his concern with personal identity, he anticipates the Derridean stress on 'trace'. In his promiscuous borrowings from past authors, he offers himself as a suitably perverse model for the school of postmodern theory. In his attention to matters of typography and to a visual language, he provides a running commentary on almost every aspect of the relationship between word and image. Himself influenced by Rabelais, Montaigne, Cervantes and Burton, Sterne has influenced writers as diverse as Cabrera Infante, Kundera, Márquez, Rushdie and Beckett. And James Joyce. These influences are traced here by sixteen scholars from Europe and the USA, proof if any were needed that Laurence Sterne today is as rewardingly puzzling as he was in his own century.
Author: Laurence Sterne
Publisher:
ISBN:
Category :
Languages : en
Pages : 824
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Book Description
Author: W.B. Gerard
Publisher: Routledge
ISBN: 1351922963
Category : Literary Criticism
Languages : en
Pages : 263
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Book Description
The first full-length and comprehensive study of the illustrations of Sterne's work, this book explores the ability of Sterne's texts to inspire the visual imagination. It helps to explain why scores of editions of his fiction have been illustrated, some profusely: to fulfill the reader's desire, as well as the artist's compulsion, to visualize Sterne's words. Gerard places his subject in a clear and innovative theoretical framework which opens the field to general word and image studies. The author begins by examining the distinct varieties of pictorialism in Sterne's texts. The remainder of the study takes into account three remarkable series of illustrations-representing Trim reading the sermon, didactic sentimentalism in A Sentimental Journey and Henry Mackenzie's Man of Feeling, and the many and diverse portrayals of 'poor Maria' - to demonstrate the ways in which culture projects these texts differently through the various artists.
