Author: Samuel TAYLOR (Teacher of Stenography.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 152
Book Description
Système universel et complèt de Sténographie ... inventé par S. Taylor ... et adapté à la langue françoise par T. P. Bertin. Seconde édition
Sémiographie ou sténographie perfectionée
Author: Clément GOURJU
Publisher:
ISBN:
Category :
Languages : en
Pages : 46
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 46
Book Description
Catalogue of the Educational Division of the South Kensington Museum
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 704
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 704
Book Description
Catalogue of the educational division of the South Kensington museum
Author: Victoria and Albert museum
Publisher:
ISBN:
Category :
Languages : en
Pages : 702
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 702
Book Description
Das allgemeine System der Stenographie des Samuel Taylor angewendet auf die deutsche Sprache. Nebst einem Auszuge aus der Bearb. für die franz. Sprache des Th. P. Bertin und einem ähnlichen aus dem Originalwerke des S. Taylor
Author: J ..... C ..... Danzer
Publisher:
ISBN:
Category :
Languages : un
Pages : 154
Book Description
Publisher:
ISBN:
Category :
Languages : un
Pages : 154
Book Description
Polytechnisches Centralblatt
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 656
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 656
Book Description
Dickens and the Stenographic Mind
Author: Hugo Bowles
Publisher: Oxford University Press
ISBN: 0192564331
Category : Literary Criticism
Languages : en
Pages : 212
Book Description
Initially described by Dickens as a 'savage stenographic mystery', shorthand was to become an essential and influential part of his toolkit as a writer. In this ground-breaking interdisciplinary study, Hugo Bowles tells the story of Dickens's stenographic journey from his early encounters with the 'despotic' shorthand symbols of Gurney's Brachygraphy in 1828 to his lifelong commitment to shorthand for reporting, letter writing, copying, and note-taking. Drawing on empirical evidence from Dickens's shorthand notebooks, Dickens and the Stenographic Mind forensically explores Dickens's unique ability to write in two graphic codes, offering an original critique of the impact of shorthand on Dickens's mental processing of language. The author uses insights from morphology, phonetics, and the psychology of reading to show how Dickens's biscriptal habits created a unique stenographic mindset that was then translated into novel forms of creative writing. The volume argues that these new scriptal arrangements, which include phonetic speech, stenographic patterns of letters in individual words, phonaesthemes, and literary representations of shorthand-related acts of reading and writing, created reading puzzles that bound Dickens and his readers together in a new form of stenographic literacy. Clearly written and cogently argued, Dickens and the Stenographic Mind not only opens up new evidence from a little known area of Dickens's professional life to expert scrutiny, but is highly relevant to a number of important debates in Victorian studies including orality and literacy in the nineteenth century, the role of voice and voicing in Dickens's writing process, his relationship with his readers, and his various writing personae as law reporter, sketch-writer, journalist, and novelist.
Publisher: Oxford University Press
ISBN: 0192564331
Category : Literary Criticism
Languages : en
Pages : 212
Book Description
Initially described by Dickens as a 'savage stenographic mystery', shorthand was to become an essential and influential part of his toolkit as a writer. In this ground-breaking interdisciplinary study, Hugo Bowles tells the story of Dickens's stenographic journey from his early encounters with the 'despotic' shorthand symbols of Gurney's Brachygraphy in 1828 to his lifelong commitment to shorthand for reporting, letter writing, copying, and note-taking. Drawing on empirical evidence from Dickens's shorthand notebooks, Dickens and the Stenographic Mind forensically explores Dickens's unique ability to write in two graphic codes, offering an original critique of the impact of shorthand on Dickens's mental processing of language. The author uses insights from morphology, phonetics, and the psychology of reading to show how Dickens's biscriptal habits created a unique stenographic mindset that was then translated into novel forms of creative writing. The volume argues that these new scriptal arrangements, which include phonetic speech, stenographic patterns of letters in individual words, phonaesthemes, and literary representations of shorthand-related acts of reading and writing, created reading puzzles that bound Dickens and his readers together in a new form of stenographic literacy. Clearly written and cogently argued, Dickens and the Stenographic Mind not only opens up new evidence from a little known area of Dickens's professional life to expert scrutiny, but is highly relevant to a number of important debates in Victorian studies including orality and literacy in the nineteenth century, the role of voice and voicing in Dickens's writing process, his relationship with his readers, and his various writing personae as law reporter, sketch-writer, journalist, and novelist.
The National Stenographer
Author:
Publisher:
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Category : Shorthand
Languages : en
Pages : 722
Book Description
Publisher:
ISBN:
Category : Shorthand
Languages : en
Pages : 722
Book Description
House documents
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 1038
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 1038
Book Description
ROMEO UND JULIA
Author: ADOLF SCHOTTNER
Publisher:
ISBN:
Category :
Languages : en
Pages : 124
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 124
Book Description