Author: Derek R. Sweet
Publisher: McFarland
ISBN: 0786477644
Category : Performing Arts
Languages : en
Pages : 225
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Book Description
Speculative science fiction, with its underlying socio-political dialogue, represents an important intersection of popular culture and public discourse. As a pop culture text, the animated series Star Wars: The Clone Wars offers critical commentary on contemporary issues, marking a moment of interplay whereby author and audience come together in what Russian philosopher Mikhail Bakhtin called collaborative meaning making. This book critically examines the series as a voice in the political dialogues concerning human cloning, torture, just war theory, peace and drone warfare.
Author: Derek R. Sweet
Publisher: McFarland
ISBN: 1476623473
Category : Performing Arts
Languages : en
Pages : 225
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Book Description
Speculative science fiction, with its underlying socio-political dialogue, represents an important intersection of popular culture and public discourse. As a pop culture text, the animated series Star Wars: The Clone Wars offers critical commentary on contemporary issues, marking a moment of interplay whereby author and audience come together in what Russian philosopher Mikhail Bakhtin called collaborative meaning making. This book critically examines the series as a voice in the political dialogues concerning human cloning, torture, just war theory, peace and drone warfare.
Author: J. Budziszewski
Publisher:
ISBN:
Category : Religion
Languages : en
Pages : 228
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Book Description
In this work, J. Budziszewski examines evangelical political thought over the past fifty years through four key figures--Carl F. H. Henry, Abraham Kuyper, Francis Schaeffer, and John Howard Yoder--to argue that, in addition to Scripture, the evangelical political movement should be informed by the tradition of natural law. David L. Weeks (Azusa Pacific University) responds on Henry, William Edgar (Westminster Seminary) responds to the Schaeffer section, John Bolt (Calvin Seminary) comments on Kuyper, and Ashley Woodiwiss (Wheaton College) offers remarks on the Yoder portion. Jean Bethke Elshtain (University of Chicago) provides the afterword, summarizing the dialogue and offering her own observations. In addition, the book includes an introduction by Michael Cromartie of the Ethics and Public Policy Center.
Author: David Marquand
Publisher: Princeton University Press
ISBN: 1400838053
Category : History
Languages : en
Pages : 226
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Book Description
Has Europe's extraordinary postwar recovery limped to an end? It would seem so. The United Kingdom, Belgium, France, Italy, and former Soviet Bloc countries have experienced ethnic or religious disturbances, sometimes violent. Greece, Ireland, and Spain are menaced by financial crises. And the euro is in trouble. In The End of the West, David Marquand, a former member of the British Parliament, argues that Europe's problems stem from outdated perceptions of global power, and calls for a drastic change in European governance to halt the continent's slide into irrelevance. Taking a searching look at the continent's governing institutions, history, and current challenges, Marquand offers a disturbing diagnosis of Europe's ills to point the way toward a better future. Exploring the baffling contrast between postwar success and current failures, Marquand examines the rebirth of ethnic communities from Catalonia to Flanders, the rise of xenophobic populism, the democratic deficit that stymies EU governance, and the thorny questions of where Europe's borders end and what it means to be European. Marquand contends that as China, India, and other nations rise, Europe must abandon ancient notions of an enlightened West and a backward East. He calls for Europe's leaders and citizens to confront the painful issues of ethnicity, integration, and economic cohesion, and to build a democratic and federal structure. A wake-up call to those who cling to ideas of a triumphalist Europe, The End of the West shows that the continent must draw on all its reserves of intellectual and political creativity to thrive in an increasingly turbulent world, where the very language of "East" and "West" has been emptied of meaning.
Author: Richard A. Hall
Publisher: Bloomsbury Publishing USA
ISBN: 1440873852
Category : Social Science
Languages : en
Pages : 361
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Book Description
Robots in Popular Culture: Androids and Cyborgs in the American Imagination seeks to provide one go-to reference for the study of the most popular and iconic robots in American popular culture. In the last 10 years, technology and artificial intelligence (AI) have become not only a daily but a minute-by-minute part of American life—more integrated into our lives than anyone would have believed even a generation before. Americans have long known the adorable and helpful R2-D2 and the terrible possibilities of Skynet and its army of Terminators. Throughout, we have seen machines as valuable allies and horrifying enemies. Today, Americans cling to their mobile phones with the same affection that Luke Skywalker felt for the squat R2-D2. Meanwhile, our phones, personal computers, and cars have attained the ability to know and learn everything about us. This volume opens with essays about robots in popular culture, followed by 100 A–Z entries on the most famous AIs in film, comics, and more. Sidebars highlight ancillary points of interest, such as authors, creators, and tropes that illuminate the motives of various robots. The volume closes with a glossary of key terms and a bibliography providing students with resources to continue their study of what robots tell us about ourselves.
Author: Os Guinness
Publisher: InterVarsity Press
ISBN: 0830837671
Category : Religion
Languages : en
Pages : 241
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Book Description
Recognizing that tyranny takes on secular as well as traditional guises, Os Guinness seeks a return to the first principles of religious and political freedom. Hearkening back to the "soul liberty" of English Puritan Roger Williams, Guinness argues that a society's greatest bulwark against abuse lies in its people's freedom of conscience.
Author: Richard A. Hall
Publisher: Bloomsbury Publishing USA
ISBN:
Category : Literary Criticism
Languages : en
Pages : 303
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Book Description
The American Villain: Encyclopedia of Bad Guys in Comics, Film, and Television seeks to provide one go-to reference for the study of the most popular and iconic villains in American popular culture. Since the 1980s, pop culture has focused on what makes a villain a villain. The Joker, Darth Vader, and Hannibal Lecter have all been placed under the microscope to get to the origins of their villainy. Additionally, such bad guys as Angelus from Buffy the Vampire Slayer and Barnabas Collins from Dark Shadows have emphasized the desire for redemption—in even the darkest of villains. Various incarnations of Lucifer/Satan have even gone so far as to explore the very foundations of what we consider "evil." The American Villain: Encyclopedia of Bad Guys in Comics, Film, and Television seeks to collect all of those stories into one comprehensive volume. The volume opens with essays about villains in popular culture, followed by 100 A–Z entries on the most notorious bad guys in film, comics, and more. Sidebars highlight ancillary points of interest, such as authors, creators, and tropes that illuminate the motives of various villains. A glossary of key terms and a bibliography provide students with resources to continue their study of what makes the "baddest" among us so bad.
Author: Elizabeth Rae Coody
Publisher: Taylor & Francis
ISBN: 1000852377
Category : Religion
Languages : en
Pages : 275
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Book Description
Understanding Religion and Popular Culture 2nd edition provides an accessible introduction to this exciting and rapidly evolving field. Divided into two parts, Issues in Religion and Genres in Popular Culture, it encourages readers to think critically about the ways in which popular cultural practices and products, especially those considered as forms of entertainment, are laden with religious ideas, themes, and values. This edition has been thoroughly revised and includes five new chapters, updated case studies, and contemporary references. Among the areas covered are religion and film, food, violence, music, television, cosplay, and fandom. Each chapter also includes a helpful summary, glossary, bibliography, discussion questions, and suggestions for further reading/viewing. Providing a set of practical and theoretical tools for learning and research, this book is an essential read for all students of Religion and Popular Culture, or Religion and Media more broadly.
Author: George A. Gonzalez
Publisher: Rowman & Littlefield
ISBN: 1498591868
Category : Political Science
Languages : en
Pages : 121
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Book Description
Reality is made up of the Absolute and Causality. The absolute (most saliently philosophized about by Georg Hegel) is where normative values inhere. Causality can be described as the measurable effects of the normative values of the absolute and the laws of physics (also ostensibly a product of the absolute). Humans are special insofar as they access the higher aspects of the Absolute – altruism, compassion, love, humor, science, engineering, etc. The Absolute also contains what can be considered the less attractive values or impulses: greed, lust for power, hate, self-centeredness, conceit, etc. Predicating society on what I deem the lower (spirits) aspects of the absolute (most prominently, greed) results in personal, social dysfunction and ultimately the end of civilization. Conversely, a society based on justice is stable and vibrant. Justice is a classless society, free of gender and ethnic biases. My argument is based on popular culture – especially the Star Trek franchise. One implication of my thesis is that capitalist values generate psychological neurosis and societal instability – even catastrophe. Additionally, the political values that dominate the current neoliberalist world system (and especially the American government) are the other, the will to power – resulting in war, and global political instability. Popular culture is germane to philosophy and contemporary politics because television/movie creators frequently try to attract viewers by conveying authentic philosophical and political motifs. Conversely, viewers seek out authentic movies and television shows. This is in contrast to opinion surveys (for instance), as the formation of the data begins with the surveyor seeking to directly solicit an opinion – however impromptu or shallow
Author: Dominic J. Nardi
Publisher: Palgrave Macmillan
ISBN: 9783030529574
Category : Performing Arts
Languages : en
Pages : 204
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Book Description
While previous work on the Star Wars universe charts the Campbellian mythic arcs, political representations, and fan reactions associated with the films, this volume takes a transmedial approach to the material, recognizing that Star Wars TV projects interact with and relate to other Star Wars texts. The chapters in this volume take as a basic premise that the televisual entrants into the Star Wars transmedia storyworld are both important texts in the history of popular culture and also key to understanding how the Star Wars franchise—and, thus, industry-wide transmedia storytelling strategies—developed. The book expands previous work to consider television studies and sharp cultural criticism together in an effort to bring both long-running popular series, long-ignored texts, and even toy commercials to bear on the franchise’s complex history.
