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Author: Standish Lawder
Publisher: Eyewash Books
ISBN:
Category : Art
Languages : en
Pages : 140
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Book Description
Standish Lawder was a film artist. In November 1965 at the Film-Makers' Cinematheque, he participated in an early “expanded cinema” event organized by Jonas Mekas and the "New American Cinema Group.” Over the following decade, Lawder made a series of provocative, visually ingenious films which are as compelling now as they were a half century ago. Standish Lawder was an art historian. If the activity of Mekas and the New York “underground” have now come to be seen as the beginning of the second major chapter in the history of experimental film, unquestionably the first chapter was the European avant-garde of the 1920s. Lawder was a pioneer in serious art historical research on the subject. This book is an attempt to appreciate Lawder as an artist and make his singular achievement as an art historian more available.
Author: Standish Lawder
Publisher: Eyewash Books
ISBN:
Category : Art
Languages : en
Pages : 140
Get Book Here
Book Description
Standish Lawder was a film artist. In November 1965 at the Film-Makers' Cinematheque, he participated in an early “expanded cinema” event organized by Jonas Mekas and the "New American Cinema Group.” Over the following decade, Lawder made a series of provocative, visually ingenious films which are as compelling now as they were a half century ago. Standish Lawder was an art historian. If the activity of Mekas and the New York “underground” have now come to be seen as the beginning of the second major chapter in the history of experimental film, unquestionably the first chapter was the European avant-garde of the 1920s. Lawder was a pioneer in serious art historical research on the subject. This book is an attempt to appreciate Lawder as an artist and make his singular achievement as an art historian more available.
Author: Standish D. Lawder
Publisher: New York : New York University Press
ISBN: 9780814749579
Category : Art and motion pictures
Languages : en
Pages : 265
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Book Description
Author: Bill Nichols
Publisher: Univ of California Press
ISBN: 9780520054097
Category : Film criticism
Languages : en
Pages : 770
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Book Description
VOLUME 2: "Movies and Methods," Volume II, captures the developments that have given history and genre studies imaginative new models and indicates how feminist, structuralist, and psychoanalytic approaches to film have achieved fresh, valuable insights. In his thoughtful introduction, Nichols provides a context for the paradoxes that confront film studies today. He shows how shared methods and approaches continue to stimulate much of the best writing about film, points to common problems most critics and theorists have tried to resolve, and describes the internal contraditions that have restricted the usefulness of post-structuralism. Mini-introductions place each essay in a larger context and suggest its linkages with other essays in the volume. A great variety of approaches and methods characterize film writing today, and the final part conveys their diversity--from statistical style analysis to phenomenology and from gay criticisms to neoformalism. This concluding part also shows how the rigorous use of a broad range of approaches has helped remove post-structuralist criticism from its position of dominance through most of the seventies and early eighties. -- Publisher description.
Author: Standish D. Lawder
Publisher: New York : New York University Press
ISBN:
Category : Art and motion pictures
Languages : en
Pages : 290
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Book Description
Standish D. Lawder, in The Cubist Cinema, correlates the history of film with its impact on modern art. Here is a definitive examination of the interrelationships between the Cubist movement in painting and its manifestations in film. The Cubist Cinema explores such questions as: What is the nature of early filmic expression and its significance to early twentieth-century art? How might the earliest films have been perceived by modern artists? How has film influenced modern art? Which films in themselves have made notable contributions to early twentieth-century art, particularly Cubism? The scope of the book covers such giants as Picasso, Survage, Kandinsky and Schonberg and their fascination with film, and then moves into the surrealist Bauhaus aesthetic and the hallucinatory content of Surrealistic painting of the late 1920s as a background for the abstract movement in film, beginning with Hans Richter, Viking Eggeling, and Walter Ruttman. Standish Lawder offers much original research as a basis for analysis of Richter, Eggeling and Leger, as well as other seminal figures of the avant-garde film movement of the 20s. Leger's famous Ballet Mecanique (1924) is studied in comprehensive detail - its sources, its position with Leger's painted oeuvre, and its nature as a work of art are analysed and documented. As film has come to be regarded as the art of our time, The Cubist Cinema is exclusively relevant as a source of the earliest alliance between film and modern art.
Author: Malte Hagener
Publisher: Amsterdam University Press
ISBN: 9053569618
Category : Performing Arts
Languages : en
Pages : 374
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Book Description
This book, the first full critical overview of the film avant-garde, ushers in a new approach—and in the process creates its own subject. While many books have studied particular aspects of the European film avant-garde of the 1920s and 1930s, Moving Forward, Looking Back provides a much-needed summary of the theory and practice of the movement, while also emphasizing aspects of the period that have been overlooked. Arguing that a European perspective is the only way to understand the transnational movement, the book also pioneers a new approach to the alternative cinema network that sustained the avant-garde, paying particular attention to the emergence of film culture as visible in screening clubs, film festivals, and archives. It will be essential to anyone interested in the influential movement and the film culture it created.
Author: Joseph Garrett Glover
Publisher: Ann Arbor, Mich. : UMI Research Press
ISBN:
Category : Art
Languages : en
Pages : 184
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Book Description
Author: P. Gaal-Holmes
Publisher: Springer
ISBN: 1137369388
Category : Performing Arts
Languages : en
Pages : 250
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Book Description
This comprehensive historical account demonstrates the rich diversity in 1970s British experimental filmmaking, acting as a form of reclamation for films and filmmakers marginalized within established histories. An indispensable book for practitioners, historians and critics alike, it provides new interpretations of this rich and diverse history.
Author: Kim Knowles
Publisher: Springer Nature
ISBN: 3031552563
Category :
Languages : en
Pages : 611
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Book Description
Author: Krešimir Purgar
Publisher: Routledge
ISBN: 0429557574
Category : Art
Languages : en
Pages : 255
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Book Description
This book uncovers how we make meaning of abstraction, both historically and in present times, and examines abstract images as a visual language. The contributors demonstrate that abstraction is not primarily an artistic phenomenon, but rather arises from human beings’ desire to imagine, understand and communicate complex, ineffable concepts in fields ranging from fine art and philosophy to technologies of data visualization, from cartography and medicine to astronomy. The book will be of interest to scholars working in image studies, visual studies, art history, philosophy and aesthetics.
Author: Philip Rosen
Publisher: U of Minnesota Press
ISBN: 9780816636372
Category : Performing Arts
Languages : en
Pages : 446
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Book Description
Exploring the modern category of history in relation to film theory, film textuality, and film history, Change Mummified makes a persuasive argument for the centrality of historicity to film as well as the special importance of film in historical culture. What do we make of the concern for recovering the past that is consistently manifested in so many influential modes of cinema, from Hollywood to documentary and postcolonial film? How is film related to the many modern practices that define themselves as configuring pastness in the present, such as architectural preservation, theme parks, and, above all, professional historical research? What is the relation of history in film to other media such as television and digital imaging? How does emphasizing the connection between film and modern historicity affect the theorization and historicization of film and modern media culture? Pursuing the full implications of film as cultural production, Philip Rosen reconceptualizes modern historicity as a combination of characteristic epistemological structures on the one hand, and the social imperative to regulate or manage time on the other. Emphasizing a fundamental constellation of pursuit of the real, indexical signification and the need to control time, he interrogates a spectrum of film theory and film texts. His argument refocuses the category of temporality for film and cultural theory while rethinking the importance of historicity. An original and sustained meditation on the historiographic status of cinematic signs, Change Mummified is both an intervention in film and media studies and an argument for the continuing necessity of modern historical thinking in its contradictions.
