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Author: Deyan Sudjic
Publisher: MIT Press
ISBN: 0262369443
Category : Architecture
Languages : en
Pages : 401
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Book Description
The story of Boris Iofan—designer of the iconic but unbuilt Palace of the Soviets—whose buildings came to define the language of Soviet architecture. What would an architect do for the chance to build the tallest building in the world? What would he sacrifice to stay alive in the midst of Stalin’s murderous purges? This is the first major publication on the remarkable life and career of Boris Iofan (1891–1976), state architect to Joseph Stalin. Iofan’s story is an insight into the troubled relationship of all successful architects with power. A gifted designer and a committed Communist, Iofan became the Soviet Union’s most celebrated architect after Alexei Rykov, Lenin’s successor, persuaded him to return to Moscow from Rome with his aristocratic wife, Olga Sasso-Ruffo. Iofan was at the heart of political life in the Soviet Union and his work is key to understanding its official culture. When Stalin’s henchmen crushed the architectural avant-garde, it was Iofan who created the new national style, from the grand projects he realized—including the House on the Embankment, a megastructure of 505 homes for the Soviet elite—to even more ambitious unbuilt projects, in particular the Palace of the Soviets, a baroque Stalinist dream whose image was reproduced throughout the Soviet Union. His career took him to New York and Paris, and to the destroyed city of Stalingrad. He was a friend of Frank Lloyd Wright; a rival of Le Corbusier, Walter Gropius, and Erich Mendelsohn; and an enemy of Hitler’s architect Albert Speer, whose Nazi pavilion faced Iofan’s Soviet one at the Paris Expo in 1937. He kept silent when Stalin executed his friends, including Rykov; he also sacrificed his own talent by following the dictator’s instructions to the letter in creating the regime’s landmarks. Generously illustrated, with a wide range of previously unpublished material, this book is an exploration of architecture as an instrument of statecraft. It is an insight into the key moments of 20th-century politics and culture from a unique perspective, and the personal story of a remarkable individual who witnessed many of the most dramatic turning points of modern history.
Author: Deyan Sudjic
Publisher: MIT Press
ISBN: 0262369443
Category : Architecture
Languages : en
Pages : 401
Get Book Here
Book Description
The story of Boris Iofan—designer of the iconic but unbuilt Palace of the Soviets—whose buildings came to define the language of Soviet architecture. What would an architect do for the chance to build the tallest building in the world? What would he sacrifice to stay alive in the midst of Stalin’s murderous purges? This is the first major publication on the remarkable life and career of Boris Iofan (1891–1976), state architect to Joseph Stalin. Iofan’s story is an insight into the troubled relationship of all successful architects with power. A gifted designer and a committed Communist, Iofan became the Soviet Union’s most celebrated architect after Alexei Rykov, Lenin’s successor, persuaded him to return to Moscow from Rome with his aristocratic wife, Olga Sasso-Ruffo. Iofan was at the heart of political life in the Soviet Union and his work is key to understanding its official culture. When Stalin’s henchmen crushed the architectural avant-garde, it was Iofan who created the new national style, from the grand projects he realized—including the House on the Embankment, a megastructure of 505 homes for the Soviet elite—to even more ambitious unbuilt projects, in particular the Palace of the Soviets, a baroque Stalinist dream whose image was reproduced throughout the Soviet Union. His career took him to New York and Paris, and to the destroyed city of Stalingrad. He was a friend of Frank Lloyd Wright; a rival of Le Corbusier, Walter Gropius, and Erich Mendelsohn; and an enemy of Hitler’s architect Albert Speer, whose Nazi pavilion faced Iofan’s Soviet one at the Paris Expo in 1937. He kept silent when Stalin executed his friends, including Rykov; he also sacrificed his own talent by following the dictator’s instructions to the letter in creating the regime’s landmarks. Generously illustrated, with a wide range of previously unpublished material, this book is an exploration of architecture as an instrument of statecraft. It is an insight into the key moments of 20th-century politics and culture from a unique perspective, and the personal story of a remarkable individual who witnessed many of the most dramatic turning points of modern history.
Author: Deyan Sudjic
Publisher: Thames & Hudson
ISBN: 0500777365
Category : Biography & Autobiography
Languages : en
Pages : 401
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Book Description
This is a history of architecture, politics and power. Boris Iofan (18911976) made his mark as Stalins architect, both in the grand projects he achieved, such as the House on the Embankment, a megastructure of 505 homes for the Soviet elite, and through his unbuilt designs, in particular the Palace of the Soviets, a baroque Stalinist dream whose iconic image was reproduced throughout the Soviet Union. Iofans life and designs offer a unique perspective into the politics of twentieth-century architecture and the history of the Soviet Union.
Author: Dmitrij Chmelnizki
Publisher:
ISBN: 9783869224749
Category :
Languages : en
Pages : 144
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Book Description
Alexey Shchusev (1873-1949) was one of the most celebrated architects of the Soviet Union, famous for Lenin's Mausoleum in Moscow. Not only a gifted designer of many prominent buildings, his career was quite unique and closely intertwined with the turbulent course of Russian and Soviet history. He was one of the very few architects who managed to rise to the top of the architectural hierarchy under the tsars and then to repeat this success under Soviet rule. Already before the Revolution of 1917, Shchusev was an acclaimed Revivalist architect, wellknown for his church designs and Moscow's Kazan Station. In the 1920s, he became a renowned Constructivist. Following the official renunciation of Avant-Garde architecture ordered by Stalin, Shchusev swiftly became an advocate of Socialist Classicism, designing many projects in the dictator's favoured Empire Style in order to satisfy the Stalinist state's needs for monumental representation. Combining a scholarly study of Shchusev's career with stunning photographs this book traces the development of this artistically and politically gifted architect through the architectural and historical changes in the first half of the twentieth century.
Author: Maya Vinokour
Publisher: Cornell University Press
ISBN: 1501773682
Category : Political Science
Languages : en
Pages : 384
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Book Description
Work Flows investigates the emergence of "flow" as a crucial metaphor within Russian labor culture since 1870. Maya Vinokour frames concern with fluid channeling as immanent to vertical power structures—whether that verticality derives from the state, as in Stalin's Soviet Union and present-day Russia, or from the proliferation of corporate monopolies, as in the contemporary Anglo-American West. Originating in pre-revolutionary bio-utopianism, the Russian rhetoric of liquids and flow reached an apotheosis during Stalin's First Five-Year Plan and re-emerged in post-Soviet "managed democracy" and Western neoliberalism. The literary, philosophical, and official texts that Work Flows examines give voice to the Stalinist ambition of reforging not merely individual bodies, but space and time themselves. By mobilizing the understudied thematic of fluidity, Vinokour offers insight into the nexus of philosophy, literature, and science that underpinned Stalinism and remains influential today. Work Flows demonstrates that Stalinism is not a historical phenomenon restricted to the period 1922-1953, but a symptom of modernity as it emerged in the twentieth century. Stalinism's legacy extends far beyond the bounds of the former Soviet Union, emerging in seemingly disparate settings like post-Soviet Russia and Silicon Valley.
Author: Danilo Udovicki-Selb
Publisher: Bloomsbury Publishing
ISBN: 1474299857
Category : Architecture
Languages : en
Pages : 265
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Book Description
Conventional readings of the history of Soviet art and architecture show modernist utopian aspirations as all but prohibited by 1932 under Stalin's totalitarianism. Soviet Architectural Avant-Gardes challenges that view. Radically redefining the historiography of the period, it reveals how the relationship between the Party and practicing architects was much more complex and contradictory than previously believed, and shows, in contrast to the conventional scholarly narrative, how the architectural avant-garde was able to persist at a time when it is widely considered to have been driven underground. In doing so, this book provides an essential perspective on how to analyse, evaluate, and “re-imagine” the history of modernist expression in its cultural context. It offers a new understanding of ways in which 20th century social revolutions and their totalitarian sequels inflected the discourse of both modernity and modernism. The book relies on close analyses of archival documents and architectural works. Many of the documents have been rarely – if ever – discussed in English before, while the architectural projects include iconic works such as the Palace of Soviets and the Soviet Pavilion at the Paris 1937 World Exposition, as well as remarkable works that until now have been neglected by architectural historians inside and outside Russia. In a fascinating final chapter, it also reveals for the first time the details of Frank Lloyd Wright's triumphant welcome at the First Congress of Soviet Architects in Moscow in 1937, at the height of Stalin's Terror.
Author: Katherine Zubovich
Publisher: Princeton University Press
ISBN: 0691202729
Category : Architecture
Languages : en
Pages : 288
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Book Description
"An in-depth history of the Stalinist skyscraper"--
Author: Anita Pisch
Publisher: ANU Press
ISBN: 176046063X
Category : Design
Languages : en
Pages : 538
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Book Description
From 1929 until 1953, Iosif Stalin’s image became a central symbol in Soviet propaganda. Touched up images of an omniscient Stalin appeared everywhere: emblazoned across buildings and lining the streets; carried in parades and woven into carpets; and saturating the media of socialist realist painting, statuary, monumental architecture, friezes, banners, and posters. From the beginning of the Soviet regime, posters were seen as a vitally important medium for communicating with the population of the vast territories of the USSR. Stalin’s image became a symbol of Bolshevik values and the personification of a revolutionary new type of society. The persona created for Stalin in propaganda posters reflects how the state saw itself or, at the very least, how it wished to appear in the eyes of the people. The ‘Stalin’ who was celebrated in posters bore but scant resemblance to the man Iosif Vissarionovich Dzhugashvili, whose humble origins, criminal past, penchant for violent solutions and unprepossessing appearance made him an unlikely recipient of uncritical charismatic adulation. The Bolsheviks needed a wise, nurturing and authoritative figure to embody their revolutionary vision and to legitimate their hold on power. This leader would come to embody the sacred and archetypal qualities of the wise Teacher, the Father of the nation, the great Warrior and military strategist, and the Saviour of first the Russian land, and then the whole world. This book is the first dedicated study on the marketing of Stalin in Soviet propaganda posters. Drawing on the archives of libraries and museums throughout Russia, hundreds of previously unpublished posters are examined, with more than 130 reproduced in full colour. The personality cult of Stalin in Soviet posters, 1929–1953 is a unique and valuable contribution to the discourse in Stalinist studies across a number of disciplines.
Author: Geoffrey Roberts
Publisher: Random House Incorporated
ISBN: 1400066921
Category : Biography & Autobiography
Languages : en
Pages : 409
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Book Description
A major profile of the Soviet general credited with a decisive role in key World War II victories compares his legend with his achievements while surveying his eventful post-war experiences as Krushchev's disgraced defense minister. 15,000 first printing.
Author: Christina E. Crawford
Publisher: Cornell University Press
ISBN: 1501759213
Category : History
Languages : en
Pages : 422
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Book Description
Spatial Revolution is the first comparative parallel study of Soviet architecture and planning to create a narrative arc across a vast geography. The narrative binds together three critical industrial-residential projects in Baku, Magnitogorsk, and Kharkiv, built during the first fifteen years of the Soviet project and followed attentively worldwide after the collapse of capitalist markets in 1929. Among the revelations provided by Christina E. Crawford is the degree to which outside experts participated in the construction of the Soviet industrial complex, while facing difficult topographies, near-impossible deadlines, and inchoate theories of socialist space-making. Crawford describes how early Soviet architecture and planning activities were kinetic and negotiated and how questions about the proper distribution of people and industry under socialism were posed and refined through the construction of brick and mortar, steel and concrete projects, living laboratories that tested alternative spatial models. As a result, Spatial Revolution answers important questions of how the first Soviet industrialization drive was a catalyst for construction of thousands of new enterprises on remote sites across the Eurasian continent, an effort that spread to far-flung sites in other socialist states—and capitalist welfare states—for decades to follow. Thanks to generous funding from Emory University and its participation in TOME (Toward an Open Monograph Ecosystem), the ebook editions of this book are available as Open Access volumes from Cornell Open (cornellpress.cornell.edu/cornell-open) and other repositories.
Author: Geoffrey Roberts
Publisher: Yale University Press
ISBN: 9780300112047
Category : History
Languages : en
Pages : 524
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Book Description
This breakthrough book provides a detailed reconstruction of Stalin’s leadership from the outbreak of the Second World War in 1939 to his death in 1953. Making use of a wealth of new material from Russian archives, Geoffrey Roberts challenges a long list of standard perceptions of Stalin: his qualities as a leader; his relationships with his own generals and with other great world leaders; his foreign policy; and his role in instigating the Cold War. While frankly exploring the full extent of Stalin’s brutalities and their impact on the Soviet people, Roberts also uncovers evidence leading to the stunning conclusion that Stalin was both the greatest military leader of the twentieth century and a remarkable politician who sought to avoid the Cold War and establish a long-term detente with the capitalist world. By means of an integrated military, political, and diplomatic narrative, the author draws a sustained and compelling personal portrait of the Soviet leader. The resulting picture is fascinating and contradictory, and it will inevitably change the way we understand Stalin and his place in history. Roberts depicts a despot who helped save the world for democracy, a personal charmer who disciplined mercilessly, a utopian ideologue who could be a practical realist, and a warlord who undertook the role of architect of post-war peace.
