Author: Pascal Richet
Publisher: John Wiley & Sons
ISBN: 1118799399
Category : Technology & Engineering
Languages : en
Pages : 1568
Book Description
This Encyclopedia begins with an introduction summarizing itsscope and content. Glassmaking; Structure of Glass, GlassPhysics,Transport Properties, Chemistry of Glass, Glass and Light,Inorganic Glass Families, Organic Glasses, Glass and theEnvironment, Historical and Economical Aspect of Glassmaking,History of Glass, Glass and Art, and outlinepossible newdevelopments and uses as presented by the best known people in thefield (C.A. Angell, for example). Sections and chapters arearranged in a logical order to ensure overall consistency and avoiduseless repetitions. All sections are introduced by a briefintroduction and attractive illustration. Newly investigatedtopics will be addresses, with the goal of ensuring that thisEncyclopedia remains a reference work for years to come.
Encyclopedia of Glass Science, Technology, History, and Culture Two Volume Set
Author: Pascal Richet
Publisher: John Wiley & Sons
ISBN: 1118799399
Category : Technology & Engineering
Languages : en
Pages : 1568
Book Description
This Encyclopedia begins with an introduction summarizing itsscope and content. Glassmaking; Structure of Glass, GlassPhysics,Transport Properties, Chemistry of Glass, Glass and Light,Inorganic Glass Families, Organic Glasses, Glass and theEnvironment, Historical and Economical Aspect of Glassmaking,History of Glass, Glass and Art, and outlinepossible newdevelopments and uses as presented by the best known people in thefield (C.A. Angell, for example). Sections and chapters arearranged in a logical order to ensure overall consistency and avoiduseless repetitions. All sections are introduced by a briefintroduction and attractive illustration. Newly investigatedtopics will be addresses, with the goal of ensuring that thisEncyclopedia remains a reference work for years to come.
Publisher: John Wiley & Sons
ISBN: 1118799399
Category : Technology & Engineering
Languages : en
Pages : 1568
Book Description
This Encyclopedia begins with an introduction summarizing itsscope and content. Glassmaking; Structure of Glass, GlassPhysics,Transport Properties, Chemistry of Glass, Glass and Light,Inorganic Glass Families, Organic Glasses, Glass and theEnvironment, Historical and Economical Aspect of Glassmaking,History of Glass, Glass and Art, and outlinepossible newdevelopments and uses as presented by the best known people in thefield (C.A. Angell, for example). Sections and chapters arearranged in a logical order to ensure overall consistency and avoiduseless repetitions. All sections are introduced by a briefintroduction and attractive illustration. Newly investigatedtopics will be addresses, with the goal of ensuring that thisEncyclopedia remains a reference work for years to come.
The Brilliant History of Color in Art
Author: Victoria Finlay
Publisher: Getty Publications
ISBN: 1606064290
Category : Art
Languages : en
Pages : 122
Book Description
The history of art is inseparable from the history of color. And what a fascinating story they tell together: one that brims with an all-star cast of characters, eye-opening details, and unexpected detours through the annals of human civilization and scientific discovery. Enter critically acclaimed writer and popular journalist Victoria Finlay, who here takes readers across the globe and over the centuries on an unforgettable tour through the brilliant history of color in art. Written for newcomers to the subject and aspiring young artists alike, Finlay’s quest to uncover the origins and science of color will beguile readers of all ages with its warm and conversational style. Her rich narrative is illustrated in full color throughout with 166 major works of art—most from the collections of the J. Paul Getty Museum. Readers of this book will revel in a treasure trove of fun-filled facts and anecdotes. Were it not for Cleopatra, for instance, purple might not have become the royal color of the Western world. Without Napoleon, the black graphite pencil might never have found its way into the hands of Cézanne. Without mango-eating cows, the sunsets of Turner might have lost their shimmering glow. And were it not for the pigment cobalt blue, the halls of museums worldwide might still be filled with forged Vermeers. Red ocher, green earth, Indian yellow, lead white—no pigment from the artist’s broad and diverse palette escapes Finlay’s shrewd eye in this breathtaking exploration.
Publisher: Getty Publications
ISBN: 1606064290
Category : Art
Languages : en
Pages : 122
Book Description
The history of art is inseparable from the history of color. And what a fascinating story they tell together: one that brims with an all-star cast of characters, eye-opening details, and unexpected detours through the annals of human civilization and scientific discovery. Enter critically acclaimed writer and popular journalist Victoria Finlay, who here takes readers across the globe and over the centuries on an unforgettable tour through the brilliant history of color in art. Written for newcomers to the subject and aspiring young artists alike, Finlay’s quest to uncover the origins and science of color will beguile readers of all ages with its warm and conversational style. Her rich narrative is illustrated in full color throughout with 166 major works of art—most from the collections of the J. Paul Getty Museum. Readers of this book will revel in a treasure trove of fun-filled facts and anecdotes. Were it not for Cleopatra, for instance, purple might not have become the royal color of the Western world. Without Napoleon, the black graphite pencil might never have found its way into the hands of Cézanne. Without mango-eating cows, the sunsets of Turner might have lost their shimmering glow. And were it not for the pigment cobalt blue, the halls of museums worldwide might still be filled with forged Vermeers. Red ocher, green earth, Indian yellow, lead white—no pigment from the artist’s broad and diverse palette escapes Finlay’s shrewd eye in this breathtaking exploration.
The House with the Stained-Glass Window
Author: Zanna Sloniowska
Publisher: Hachette UK
ISBN: 0857057154
Category : Fiction
Languages : en
Pages : 220
Book Description
"Zanna Sloniowska writes beautifully; with empathy, sensitivity, and with real political impact . . . an important new voice in Polish literature" OLGA TOKARCZUK, Nobel Prize-winning author of Flights "Remarkable, a gripping, Lvivian evocation of a city and a family across a long and painful century . . . A novel of life and survival across the ages" PHILIPPE SANDS, author of East West Street Amid the turbulence of 20th century Lviv, meet four generations of women from the same fractious family, living beneath one roof and each striving to find their way across the decades of upheaval in an ever-shifting city. First there is Great-Granma, tiny and terrifying, shaped by a life of exile, hardship and doomed love, now fighting to keep her iron grip on the lives of her daughter, granddaughter and great-granddaughter. Then there is Aba, arthritic but devoted; cowed and despised by her mother, her one chance of happiness thwarted and her hopes of studying painting crushed. Thirdly, Marianna, the brilliant opera star: bold, beautiful and a fearless crusader for Ukrainian independence, who is shot during a demonstration and whose life and martyrdom casts a shadow upon the young life of the fourth and final woman, her daughter. More important even than these four women though is the character of the city of Lviv (or Lwów, or Lvov, depending on the point in history). A city of markets and monuments, streets and spires, where history and the present collide, civilisations clash and stories rise up on every corner. Translated from the Polish by Antonia Lloyd-Jones
Publisher: Hachette UK
ISBN: 0857057154
Category : Fiction
Languages : en
Pages : 220
Book Description
"Zanna Sloniowska writes beautifully; with empathy, sensitivity, and with real political impact . . . an important new voice in Polish literature" OLGA TOKARCZUK, Nobel Prize-winning author of Flights "Remarkable, a gripping, Lvivian evocation of a city and a family across a long and painful century . . . A novel of life and survival across the ages" PHILIPPE SANDS, author of East West Street Amid the turbulence of 20th century Lviv, meet four generations of women from the same fractious family, living beneath one roof and each striving to find their way across the decades of upheaval in an ever-shifting city. First there is Great-Granma, tiny and terrifying, shaped by a life of exile, hardship and doomed love, now fighting to keep her iron grip on the lives of her daughter, granddaughter and great-granddaughter. Then there is Aba, arthritic but devoted; cowed and despised by her mother, her one chance of happiness thwarted and her hopes of studying painting crushed. Thirdly, Marianna, the brilliant opera star: bold, beautiful and a fearless crusader for Ukrainian independence, who is shot during a demonstration and whose life and martyrdom casts a shadow upon the young life of the fourth and final woman, her daughter. More important even than these four women though is the character of the city of Lviv (or Lwów, or Lvov, depending on the point in history). A city of markets and monuments, streets and spires, where history and the present collide, civilisations clash and stories rise up on every corner. Translated from the Polish by Antonia Lloyd-Jones
Studies in the Art and Imagery of the Middle Ages
Author: Richard Marks
Publisher:
ISBN: 9781904597384
Category : Art, Medieval
Languages : en
Pages : 0
Book Description
Professor Marks has been a curator at the British Museum, Keeper of the Burrell Collection, Glasgow, and Director of the Royal Pavilion and Museums in Brighton. Subsequently he held a Personal Chair in the History of Art Department at the University of York, and is now Emeritus Professor; he also currently has an Honorary Professorship in the History of Art at Cambridge University. He has held honorary posts as Vice-President of The Society of Antiquaries of London and International President of the Corpus Vitrearum Medii Aevi project. He has worked on a number of major exhibitions, including Gothic. Art for England 1400-1547 (Victoria & Albert Museum, 2003-4), which he curated. Professor Marks' main interest is the religious imagery of medieval Europe, in all the visual arts. Much of his research has been on English stained glass, and, more recently, on the function and reception of devotional images. His works here include Stained Glass in England during the Middle Ages (1993), The Medieval Stained Glass of Northamptonshire (1998), The Golden Age of English Manuscript Painting 1200-1500 (1981) and Image and Devotion in Late Medieval England (2004). This volume brings together thirty-one of Professor Marks' studies, encompassing historiography, stained glass, manuscript illumination, screen and wall painting, sculpture and funerary monuments.
Publisher:
ISBN: 9781904597384
Category : Art, Medieval
Languages : en
Pages : 0
Book Description
Professor Marks has been a curator at the British Museum, Keeper of the Burrell Collection, Glasgow, and Director of the Royal Pavilion and Museums in Brighton. Subsequently he held a Personal Chair in the History of Art Department at the University of York, and is now Emeritus Professor; he also currently has an Honorary Professorship in the History of Art at Cambridge University. He has held honorary posts as Vice-President of The Society of Antiquaries of London and International President of the Corpus Vitrearum Medii Aevi project. He has worked on a number of major exhibitions, including Gothic. Art for England 1400-1547 (Victoria & Albert Museum, 2003-4), which he curated. Professor Marks' main interest is the religious imagery of medieval Europe, in all the visual arts. Much of his research has been on English stained glass, and, more recently, on the function and reception of devotional images. His works here include Stained Glass in England during the Middle Ages (1993), The Medieval Stained Glass of Northamptonshire (1998), The Golden Age of English Manuscript Painting 1200-1500 (1981) and Image and Devotion in Late Medieval England (2004). This volume brings together thirty-one of Professor Marks' studies, encompassing historiography, stained glass, manuscript illumination, screen and wall painting, sculpture and funerary monuments.
American Glass
Author: John Stuart Gordon
Publisher: Yale University Press
ISBN: 0300226691
Category : Antiques & Collectibles
Languages : en
Pages : 327
Book Description
"Glass can be decorative or utilitarian, and its forms often reflect technological innovations and social change. Drawing on an insightful selection from the Yale University Art Gallery and other collections at Yale, American Glass illuminates the vital and often intimate roles that glass has played in the nation's art and culture. Spectacularly illustrated, the publication showcases eighteenth-century mold-blown vessels, nineteenth-century pressed glass, innovative studio work, and luminous stained-glass windows by John La Farge and Louis Comfort Tiffany, the latter reproduced as a lush gatefold. These are considered alongside beguiling objects that broaden our expectations of glass and speak to the centrality of the medium in American life, including one of the oldest complex microscopes in the United States, an early Edison light bulb, glass-plate photography, jewelry, and more. With an essay on the history of collecting American glass and discussions of each object that present new scholarship, this engaging book tells the long and rich history of glass in America--from prehistoric minerals to contemporary sculptures"--Dust jacket front flap.
Publisher: Yale University Press
ISBN: 0300226691
Category : Antiques & Collectibles
Languages : en
Pages : 327
Book Description
"Glass can be decorative or utilitarian, and its forms often reflect technological innovations and social change. Drawing on an insightful selection from the Yale University Art Gallery and other collections at Yale, American Glass illuminates the vital and often intimate roles that glass has played in the nation's art and culture. Spectacularly illustrated, the publication showcases eighteenth-century mold-blown vessels, nineteenth-century pressed glass, innovative studio work, and luminous stained-glass windows by John La Farge and Louis Comfort Tiffany, the latter reproduced as a lush gatefold. These are considered alongside beguiling objects that broaden our expectations of glass and speak to the centrality of the medium in American life, including one of the oldest complex microscopes in the United States, an early Edison light bulb, glass-plate photography, jewelry, and more. With an essay on the history of collecting American glass and discussions of each object that present new scholarship, this engaging book tells the long and rich history of glass in America--from prehistoric minerals to contemporary sculptures"--Dust jacket front flap.
Investigations in Medieval Stained Glass
Author:
Publisher: BRILL
ISBN: 9004395717
Category : History
Languages : en
Pages : 488
Book Description
With many excellent books on medieval stained glass available, the reader of this anthology may well ask: “what is the contribution of this collection?” In this book, we have chosen to step away from national, chronological, and regional models. Instead, we started with scholars doing interesting work in stained glass, and called upon colleagues to contribute studies that represent the diversity of approaches to the medium, as well as up-to-date bibliographies for work in the field. Contributors are: Wojciech Balus, Karine Boulanger, Sarah Brown, Elizabeth Carson Pastan, Madeline H. Caviness, Michael W. Cothren, Francesca Dell’Acqua, Uwe Gast, Françoise Gatouillat, Anne Granboulan, Anne F. Harris, Christine Hediger, Michel Hérold, Timothy B. Husband, Alyce A. Jordan, Herbert L. Kessler, David King, Brigitte Kurmann-Schwarz, Claudine Lautier, Ashley J. Laverock, Meredith P. Lillich, Isabelle Pallot-Frossard, Hartmut Scholz, Mary B. Shepard, Ellen M. Shortell, Nancy M. Thompson.
Publisher: BRILL
ISBN: 9004395717
Category : History
Languages : en
Pages : 488
Book Description
With many excellent books on medieval stained glass available, the reader of this anthology may well ask: “what is the contribution of this collection?” In this book, we have chosen to step away from national, chronological, and regional models. Instead, we started with scholars doing interesting work in stained glass, and called upon colleagues to contribute studies that represent the diversity of approaches to the medium, as well as up-to-date bibliographies for work in the field. Contributors are: Wojciech Balus, Karine Boulanger, Sarah Brown, Elizabeth Carson Pastan, Madeline H. Caviness, Michael W. Cothren, Francesca Dell’Acqua, Uwe Gast, Françoise Gatouillat, Anne Granboulan, Anne F. Harris, Christine Hediger, Michel Hérold, Timothy B. Husband, Alyce A. Jordan, Herbert L. Kessler, David King, Brigitte Kurmann-Schwarz, Claudine Lautier, Ashley J. Laverock, Meredith P. Lillich, Isabelle Pallot-Frossard, Hartmut Scholz, Mary B. Shepard, Ellen M. Shortell, Nancy M. Thompson.
Mapping Our World
Author: Peter Barber
Publisher: National Library of Australia
ISBN: 0642278091
Category : Reference
Languages : en
Pages : 291
Book Description
The cover image, World Map by Fra Mauro c. 1450, is one of the most important and famous maps of all time. This monumental map of the world was created by the monk Fra Mauro in his monastery on the island of San Michele in the Venetian lagoon. Now the centrepiece of the Biblioteca Nazionale Marciana in St Marc’s Square in Venice, the map in its nearly 600-year history has never left Venice – until now. Renowned for its sheer size - over 2.3 metres square - and stunning colours, the map was made at a time of transition between the medieval world view and new knowledge uncovered by the great voyages of discovery. Brilliantly painted and illuminated on sheets of oxhide, the sphere of the Earth is surrounded by the sphere of the Ocean in the ancient way. Yet Fra Mauro included the latest information on exploration by Portuguese and Arab navigators. Commissioned by King Afonso V of Portugal, it is the last of the great medieval world maps to inspire navigators in the Age of Discovery to explore beyond the Indian Ocean.
Publisher: National Library of Australia
ISBN: 0642278091
Category : Reference
Languages : en
Pages : 291
Book Description
The cover image, World Map by Fra Mauro c. 1450, is one of the most important and famous maps of all time. This monumental map of the world was created by the monk Fra Mauro in his monastery on the island of San Michele in the Venetian lagoon. Now the centrepiece of the Biblioteca Nazionale Marciana in St Marc’s Square in Venice, the map in its nearly 600-year history has never left Venice – until now. Renowned for its sheer size - over 2.3 metres square - and stunning colours, the map was made at a time of transition between the medieval world view and new knowledge uncovered by the great voyages of discovery. Brilliantly painted and illuminated on sheets of oxhide, the sphere of the Earth is surrounded by the sphere of the Ocean in the ancient way. Yet Fra Mauro included the latest information on exploration by Portuguese and Arab navigators. Commissioned by King Afonso V of Portugal, it is the last of the great medieval world maps to inspire navigators in the Age of Discovery to explore beyond the Indian Ocean.
Stained Glass
Author: Virginia Chieffo Raguin
Publisher:
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 296
Book Description
Raguin and Pongracz offer a detailed and lavish review of the styles, designs, practitioners, tools, and techniques of stained glass and give the complete history of this exquisite medium.
Publisher:
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 296
Book Description
Raguin and Pongracz offer a detailed and lavish review of the styles, designs, practitioners, tools, and techniques of stained glass and give the complete history of this exquisite medium.
The Icon Curtain
Author: Yuliya Komska
Publisher: University of Chicago Press
ISBN: 022615422X
Category : History
Languages : en
Pages : 299
Book Description
The Iron Curtain did not exist—at least not as we usually imagine it. Rather than a stark, unbroken line dividing East and West in Cold War Europe, the Iron Curtain was instead made up of distinct landscapes, many in the grip of divergent historical and cultural forces for decades, if not centuries. This book traces a genealogy of one such landscape—the woods between Czechoslovakia and West Germany—to debunk our misconceptions about the iconic partition. Yuliya Komska transports readers to the western edge of the Bohemian Forest, one of Europe’s oldest borderlands, where in the 1950s civilians set out to shape the so-called prayer wall. A chain of new and repurposed pilgrimage sites, lookout towers, and monuments, the prayer wall placed two long-standing German obsessions, forest and border, at the heart of the century’s most protracted conflict. Komska illustrates how civilians used the prayer wall to engage with and contribute to the new political and religious landscape. In the process, she relates West Germany’s quiet sylvan periphery to the tragic pitch prevalent along the Iron Curtain’s better-known segments. Steeped in archival research and rooted in nuanced interpretations of wide-ranging cultural artifacts, from vandalized religious images and tourist snapshots to poems and travelogues, The Icon Curtain pushes disciplinary boundaries and opens new perspectives on the study of borders and the Cold War alike.
Publisher: University of Chicago Press
ISBN: 022615422X
Category : History
Languages : en
Pages : 299
Book Description
The Iron Curtain did not exist—at least not as we usually imagine it. Rather than a stark, unbroken line dividing East and West in Cold War Europe, the Iron Curtain was instead made up of distinct landscapes, many in the grip of divergent historical and cultural forces for decades, if not centuries. This book traces a genealogy of one such landscape—the woods between Czechoslovakia and West Germany—to debunk our misconceptions about the iconic partition. Yuliya Komska transports readers to the western edge of the Bohemian Forest, one of Europe’s oldest borderlands, where in the 1950s civilians set out to shape the so-called prayer wall. A chain of new and repurposed pilgrimage sites, lookout towers, and monuments, the prayer wall placed two long-standing German obsessions, forest and border, at the heart of the century’s most protracted conflict. Komska illustrates how civilians used the prayer wall to engage with and contribute to the new political and religious landscape. In the process, she relates West Germany’s quiet sylvan periphery to the tragic pitch prevalent along the Iron Curtain’s better-known segments. Steeped in archival research and rooted in nuanced interpretations of wide-ranging cultural artifacts, from vandalized religious images and tourist snapshots to poems and travelogues, The Icon Curtain pushes disciplinary boundaries and opens new perspectives on the study of borders and the Cold War alike.
How to Look at Stained Glass
Author: Jane Brocket
Publisher: Tauris Parke
ISBN: 9781838602185
Category : Art
Languages : en
Pages : 0
Book Description
The magical qualities of stained glass have an enduring appeal, but church windows tend to be ignored as a form of creative and artistic expression. How to Look at Stained Glass is a fresh, unstuffy guide, which explores the medium by themes, patterns, designs, and effects. Using an A-Z format to reveal a multitude of fascinating details - all the way from apples to zig-zags - it makes looking at gloriously colourful, artistically important windows entertaining and rewarding. This layman's guide requires no previous historical, artistic or religious knowledge and the A-Z miscellany is in keeping with the pot-luck mix of windows to be found in most churches. It covers all the major periods and styles from medieval to modern, Victorian to post-war, eighteenth century to Arts and Crafts, figurative to abstract, and examines the fascinating and evolving iconography of stained glass. Illustrated in black & white and colour and with a list of the top 30 places to see outstanding examples, How to Look at Stained Glass is all that is needed to make sense of and enjoy the array of stained glass windows in the churches of England.
Publisher: Tauris Parke
ISBN: 9781838602185
Category : Art
Languages : en
Pages : 0
Book Description
The magical qualities of stained glass have an enduring appeal, but church windows tend to be ignored as a form of creative and artistic expression. How to Look at Stained Glass is a fresh, unstuffy guide, which explores the medium by themes, patterns, designs, and effects. Using an A-Z format to reveal a multitude of fascinating details - all the way from apples to zig-zags - it makes looking at gloriously colourful, artistically important windows entertaining and rewarding. This layman's guide requires no previous historical, artistic or religious knowledge and the A-Z miscellany is in keeping with the pot-luck mix of windows to be found in most churches. It covers all the major periods and styles from medieval to modern, Victorian to post-war, eighteenth century to Arts and Crafts, figurative to abstract, and examines the fascinating and evolving iconography of stained glass. Illustrated in black & white and colour and with a list of the top 30 places to see outstanding examples, How to Look at Stained Glass is all that is needed to make sense of and enjoy the array of stained glass windows in the churches of England.