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Author: Miriam Haughton
Publisher: Springer
ISBN: 1137536632
Category : Performing Arts
Languages : en
Pages : 250
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Book Description
This book investigates contemporary British and Irish performances that stage traumatic narratives, histories, acts and encounters. It includes a range of case studies that consider the performative, cultural and political contexts for the staging and reception of sexual violence, terminal illness, environmental damage, institutionalisation and asylum. In particular, it focuses on 'bodies in shadow' in twenty-first century performance: those who are largely written out of or marginalised in dominant twentieth-century patriarchal canons of theatre and history. This volume speaks to students, scholars and artists working within contemporary theatre and performance, Irish and British studies, memory and trauma studies, feminisms, performance studies, affect and reception studies, as well as the medical humanities.
Author: Miriam Haughton
Publisher: Springer
ISBN: 1137536632
Category : Performing Arts
Languages : en
Pages : 250
Get Book Here
Book Description
This book investigates contemporary British and Irish performances that stage traumatic narratives, histories, acts and encounters. It includes a range of case studies that consider the performative, cultural and political contexts for the staging and reception of sexual violence, terminal illness, environmental damage, institutionalisation and asylum. In particular, it focuses on 'bodies in shadow' in twenty-first century performance: those who are largely written out of or marginalised in dominant twentieth-century patriarchal canons of theatre and history. This volume speaks to students, scholars and artists working within contemporary theatre and performance, Irish and British studies, memory and trauma studies, feminisms, performance studies, affect and reception studies, as well as the medical humanities.
Author: Donna G Blankenbaker
Publisher: Elsevier Health Sciences
ISBN: 0323442951
Category : Medical
Languages : en
Pages : 1122
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Book Description
More than 200 trauma-related diagnoses that are delineated, referenced, and lavishly illustrated highlight the second edition of Diagnostic Imaging: Musculoskeletal Trauma. Comprehensive coverage of musculoskeletal trauma imaging keeps you current with what’s new in the field. Succinct text, outstanding illustrations, and up-to-date content make this title a must-have reference for both general radiologists and musculoskeletal imaging specialists who need a single, go-to clinical guide in this rapidly evolving area. Concise, bulleted text provides efficient information on more than 200 diagnoses that are clearly illustrated with 3,400 superb images Meticulously updated throughout, with new literature, new images, expanded ultrasound content, and updates to pearls and pitfalls in every chapter Expert guidance on ischiofemoral impingement and femoral acetabular impingement (FAI), as well as new information on sports medicine injuries and hip and pelvic imaging techniques and treatment options All-new chapters on elbow posterior impingement, fracture healing, and tibia-fibula shaft fractures In-depth coverage of traumatic cases support the surgeon’s preoperative and postoperative imaging requirements
Author: Catherine Silverstone
Publisher: Routledge
ISBN: 1135178313
Category : Art
Languages : en
Pages : 182
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Book Description
This study explores the relationship between performances of Shakespeare’s plays and the ways in which they engage with traumatic events and histories. It investigates the ethical and political implications of attempts to represent trauma in performance, and interrogates a range of narratives about Shakespeare, gender, sexuality, ethnicity, colonization and violence.
Author: Maria M. Delgado
Publisher: Taylor & Francis
ISBN: 1003828310
Category : Performing Arts
Languages : en
Pages : 302
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Book Description
This collection of original essays brings together museum, theatre, and performance case studies with a focus on their distinctive and overlapping modes of producing memory for transnational audiences. Whether this is through narrative, object, embodied encounter or a combination of the three, this volume considers distinctions and interactions between memory and history specifically through the lenses of theatre and performance studies, visual culture, and museum and curator studies. This book is underpinned by three areas of research enquiry: How are contemporary theatre makers and museum curators staging historical narratives of difficult pasts? How might comparisons between theatre and museum practices offer new insights into the role objects play in generating and representing difficult pasts? What points of overlap, comparison, and contrast among these constructions of history and memory of authoritarianism, slavery, colonialism, genocide, armed conflict, fascism, and communism might offer an expanded understanding of difficult pasts in these transnational cultural contexts? This collection is designed for any scholar of its central disciplines, as well as for those interested in cultural geography, memory studies, and postcolonial theory. The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons Attribution-NoDerivatives (CC-BY-ND) 4.0 license.
Author: Emily Klein
Publisher: Routledge
ISBN: 1135087733
Category : Drama
Languages : en
Pages : 177
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Book Description
American adaptations of Aristophanes’ enduring comedy Lysistrata have used laughter to critique sex, war, and feminism for nearly a century. Unlike almost any other play circulating in contemporary theatres, Lysistrata has outlived its classical origins in 411 BCE and continues to shock and delight audiences to this day. The play’s "make love not war" message and bawdy humor render it endlessly appealing to college campuses, activist groups, and community theatres – so much so that none of Aristophanes’ plays are performed in the West as frequently as Lysistrata. Starting with the play’s first mainstream production in the U.S. in 1930, Emily B. Klein explores the varied iterations of Lysistrata that have graced the American stage, page, and screen since the Great Depression. These include the Federal Theatre’s 1936 Negro Repertory production, the 1955 movie musical The Second Greatest Sex and Spiderwoman Theater’s openly political Lysistrata Numbah!, as well as Douglas Carter Beane’s Broadway musical, Lysistrata Jones, and the international Lysistrata Project protests, which updated the classic in the contemporary context of the Iraq War. Although Aristophanes’ oeuvre has been the subject of much classical scholarship, Lysistrata has received little attention from feminist theatre scholars or performance theorists. In response, this book maps current debates over Lysistrata’s dubious feminist underpinnings and uses performance theory, cultural studies, and gender studies to investigate how new adaptations reveal the socio-political climates of their origins. Emily B. Klein is Assistant Professor of English and Drama at Saint Mary's College of California. Her work has appeared in Women and Performance and Frontiers as well as Political and Protest Theater After 9/11: Patriotic Dissent (Routledge, 2012).
Author: Laura Gail Pettler
Publisher: CRC Press
ISBN: 1498711197
Category : Law
Languages : en
Pages : 410
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Book Description
Individuals who perpetrate murder sometimes pose or reposition victims, weapons, and evidence to make it look like events happened in a different way than what actually transpired. Until now, there has been scarce literature published on crime scene staging.Crime Scene Staging Dynamics in Homicide Cases is the first book to look at this practice, p
Author: Robert F. Dondelinger
Publisher: Springer Science & Business Media
ISBN: 9783540652120
Category : Medical
Languages : en
Pages : 744
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Book Description
This excellently illustrated reference work provides a comprehensive overview of the imaging and management of abdominal trauma. Detailed attention is paid to pathophysiology, clinical symptoms and findings, all relevant imaging modalities and other tests employed to evaluate abdominal injuries at the time of admission of the trauma victim. Types of management described in depth include: surgical, conservative, interventional radiological, and endoscopic. Posttraumatic complications are discussed, including those arising from treatment. There are also general chapters on patient resuscitation, logistics, and medicolegal issues.
Author: James Robert Allard
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754667582
Category : Performing Arts
Languages : en
Pages : 236
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Book Description
This collection foregrounds two crucial moments in the histories of pain, trauma, and their staging in British Theater: the establishment of secular and professional theater in London in the 1580s, and the growing dissatisfaction with theatrical modes of public punishment by 1800. Whether focused on individual plays or broad concerns, these essays offer a new and important contribution to the increasingly interrelated histories of pain, the body, and the theater.
Author: Flávio Kapczinski
Publisher: Oxford University Press (UK)
ISBN: 0198709994
Category : Medical
Languages : en
Pages : 357
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Book Description
Neuroprogression and Staging in Bipolar Disorder provides a comprehensive and scholarly overview of clinical staging systems in the management of bipolar disorder. The book covers the theoretical basis, the neurobiological underpinnings, the current evidence base, limitations, future directions and the clinical implications and recommendations.
Author: Tanya Goodman
Publisher: Routledge
ISBN: 1317251482
Category : Social Science
Languages : en
Pages : 209
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Book Description
The South African Truth and Reconciliation Commission (TRC) is a modern social drama that enabled the nation's apartheid past to be constructed as a cultural trauma, and by doing so created a new collective narrative of diversity and inclusion. The TRC relied primarily on testimonies from victims and perpetrators of apartheid violence who came forward to tell their stories in a public forum. Rather than simply serving as data for setting the historical record straight, this book shows that it was not only the content of these testimonies but also how these stories were told and what values were attached to them that became significant. Goodman argues that the performative nature of the TRC process effectively designated the past as profane and simultaneously imagined a sacred future community based on democratic idealism and universal solidarity.
