Author: Ron Engle
Publisher: Cambridge University Press
ISBN: 9780521412384
Category : Drama
Languages : en
Pages : 346
Book Description
This book focuses on the economic and social forces which shaped American theatre throughout its history. Alone or as a collection, these essays, written by leading theatre historians and critics of the American theatre, will stimulate discussions concerning the traditionally held views of America's theatrical heritage.
The American Stage
The Cambridge Guide to American Theatre
Author: Don B. Wilmeth
Publisher: Cambridge University Press
ISBN: 9780521564441
Category : Drama
Languages : en
Pages : 448
Book Description
"This new and updated Guide, with over 2,700 cross-referenced entries, covers all aspects of the American theatre from its earliest history to the present. Entries include people, venues and companies scattered through the U.S., plays and musicals, and theatrical phenomena. Additionally, there are some 100 topical entries covering theatre in major U.S. cities and such disparate subjects as Asian American theatre, Chicano theatre, censorship, Filipino American theatre, one-person performances, performance art, and puppetry. Highly illustrated, the Guide is supplemented with a historical survey as introduction, a bibliography of major sources published since the first edition, and a biographical index covering over 3,200 individuals mentioned in the text."--BOOK JACKET.
Publisher: Cambridge University Press
ISBN: 9780521564441
Category : Drama
Languages : en
Pages : 448
Book Description
"This new and updated Guide, with over 2,700 cross-referenced entries, covers all aspects of the American theatre from its earliest history to the present. Entries include people, venues and companies scattered through the U.S., plays and musicals, and theatrical phenomena. Additionally, there are some 100 topical entries covering theatre in major U.S. cities and such disparate subjects as Asian American theatre, Chicano theatre, censorship, Filipino American theatre, one-person performances, performance art, and puppetry. Highly illustrated, the Guide is supplemented with a historical survey as introduction, a bibliography of major sources published since the first edition, and a biographical index covering over 3,200 individuals mentioned in the text."--BOOK JACKET.
The Emergence of the Modern American Theater, 1914-1929
Author: Ronald Harold Wainscott
Publisher: Yale University Press
ISBN: 9780300067767
Category : Performing Arts
Languages : en
Pages : 298
Book Description
Exploring the emergence of the modern American theatre in New York during a period of immense creative output and experimentation and against a backdrop of conflicting cultural, economic and political events, this text draws upon material from plays and productions in between 1914-1929.
Publisher: Yale University Press
ISBN: 9780300067767
Category : Performing Arts
Languages : en
Pages : 298
Book Description
Exploring the emergence of the modern American theatre in New York during a period of immense creative output and experimentation and against a backdrop of conflicting cultural, economic and political events, this text draws upon material from plays and productions in between 1914-1929.
Pittsburgh in Stages
Author: Lynne Thompson Conner
Publisher: University of Pittsburgh Press
ISBN: 0822977753
Category : Performing Arts
Languages : en
Pages : 301
Book Description
Pittsburgh has a rich and diverse theatrical tradition, from early frontier performances by officers stationed at Fort Pitt through experimental theater at the end of the twentieth century. Pittsburgh in Stages offers the first comprehensive history of theater in Pittsburgh, placing it within the context of cultural development in the city and the history of theater nationally.By the time the first permanent theater was built in 1812, Pittsburgh had already established itself as a serious patron of the theatrical arts. The city soon hosted New York and London-based traveling companies, and gained a national reputation as a proving ground for touring productions. By the early twentieth century, numerous theaters hosted 'popular-priced' productions of vaudeville and burlesque, and theater was brought to the masses. Soon after, Pittsburgh witnessed the emergence of myriad community-based theater groups and the formation of the Federation of Non-Commercial Theatres and the New Theater League, guilds designed to share resources among community producers. The rise of local theater was also instrumental to the growth of African American theatrical groups. Though victims of segregation, their art flourished, and was only later recognized and blended into Pittsburgh's theatrical melting pot.Pittsburgh in Stages relates the significant influence and interpretation of urban socioeconomic trends in the theatrical arts and the role of the theater as an agent of social change. Dividing Pittsburgh's theatrical history into distinct eras, Lynne Conner details the defining movements of each and analyzes how public tastes evolved over time. She offers a fascinating study of regional theatrical development and underscores the substantial contribution of regional theater in the history of American theatrical arts.
Publisher: University of Pittsburgh Press
ISBN: 0822977753
Category : Performing Arts
Languages : en
Pages : 301
Book Description
Pittsburgh has a rich and diverse theatrical tradition, from early frontier performances by officers stationed at Fort Pitt through experimental theater at the end of the twentieth century. Pittsburgh in Stages offers the first comprehensive history of theater in Pittsburgh, placing it within the context of cultural development in the city and the history of theater nationally.By the time the first permanent theater was built in 1812, Pittsburgh had already established itself as a serious patron of the theatrical arts. The city soon hosted New York and London-based traveling companies, and gained a national reputation as a proving ground for touring productions. By the early twentieth century, numerous theaters hosted 'popular-priced' productions of vaudeville and burlesque, and theater was brought to the masses. Soon after, Pittsburgh witnessed the emergence of myriad community-based theater groups and the formation of the Federation of Non-Commercial Theatres and the New Theater League, guilds designed to share resources among community producers. The rise of local theater was also instrumental to the growth of African American theatrical groups. Though victims of segregation, their art flourished, and was only later recognized and blended into Pittsburgh's theatrical melting pot.Pittsburgh in Stages relates the significant influence and interpretation of urban socioeconomic trends in the theatrical arts and the role of the theater as an agent of social change. Dividing Pittsburgh's theatrical history into distinct eras, Lynne Conner details the defining movements of each and analyzes how public tastes evolved over time. She offers a fascinating study of regional theatrical development and underscores the substantial contribution of regional theater in the history of American theatrical arts.
The Elusive Prominence of Maxwell Anderson in the American Theater
Author: Russell Dinapoli
Publisher: Universitat de València
ISBN: 8437085330
Category : Literary Criticism
Languages : en
Pages : 115
Book Description
Instructivo, ameno y documentado de manera soberbia, este libro constituye el primer estudio relevante sobre Maxwell Anderson publicado en España. El trabajo de DiNapoli ofrece una excelente introducción a este interesante aunque controvertido dramaturgo
Publisher: Universitat de València
ISBN: 8437085330
Category : Literary Criticism
Languages : en
Pages : 115
Book Description
Instructivo, ameno y documentado de manera soberbia, este libro constituye el primer estudio relevante sobre Maxwell Anderson publicado en España. El trabajo de DiNapoli ofrece una excelente introducción a este interesante aunque controvertido dramaturgo
Anton Chekhov and American Theater in the Fifties
Author: Mary Ann Walters
Publisher:
ISBN:
Category : American drama
Languages : en
Pages : 462
Book Description
Publisher:
ISBN:
Category : American drama
Languages : en
Pages : 462
Book Description
Songwriting
Author: Stephen Citron
Publisher: Hal Leonard Corporation
ISBN: 0879103574
Category : Music
Languages : en
Pages : 355
Book Description
"Songwriting" is both a comprehensive course for beginning and experienced songwriters and a rich source of new ideas, inspiration, and tricks of the trade for those who have already achieved professional standing. This new edition not only contains all of the original volume's cogent advice on how to write the always-popular genres - the country song, the ballad, and the love song - but it has been revised to include: examples of hard rock, acid, heavy metal, bubblegum, hip-hop, salsa, rap, gangsta, reggae, ska, soul, and many other of today's most recorded styles; finding a song concept, distilling the hook, choosing a form, adding harmony and selecting rhythm; an appendix telling how to copyright, computerize, notate, record, and sell your song; and full glossary of musical and songwriting terms, an explanation of rap-speak with a useful section on rhyme for rap songs, many musical examples of well-known songs, and a complete index. For the novice, Stephen Citron goes step-by-step through the writing of a song presupposing no prior knowledge of notation, harmony, rhythmic values, or rhyme. For the more experienced songwriter, "Songwriting" will serve as a one-stop reference and as an endless source of fresh ideas.
Publisher: Hal Leonard Corporation
ISBN: 0879103574
Category : Music
Languages : en
Pages : 355
Book Description
"Songwriting" is both a comprehensive course for beginning and experienced songwriters and a rich source of new ideas, inspiration, and tricks of the trade for those who have already achieved professional standing. This new edition not only contains all of the original volume's cogent advice on how to write the always-popular genres - the country song, the ballad, and the love song - but it has been revised to include: examples of hard rock, acid, heavy metal, bubblegum, hip-hop, salsa, rap, gangsta, reggae, ska, soul, and many other of today's most recorded styles; finding a song concept, distilling the hook, choosing a form, adding harmony and selecting rhythm; an appendix telling how to copyright, computerize, notate, record, and sell your song; and full glossary of musical and songwriting terms, an explanation of rap-speak with a useful section on rhyme for rap songs, many musical examples of well-known songs, and a complete index. For the novice, Stephen Citron goes step-by-step through the writing of a song presupposing no prior knowledge of notation, harmony, rhythmic values, or rhyme. For the more experienced songwriter, "Songwriting" will serve as a one-stop reference and as an endless source of fresh ideas.
Broadway and Corporate Capitalism
Author: M. Schwartz
Publisher: Springer
ISBN: 0230623328
Category : History
Languages : en
Pages : 224
Book Description
Through an examination of plays, actors, reviews, and audience response of the period, this study traces the development of Broadway as a source of 'mature' American drama, and the simultaneous development of Professional-Managerial Class consciousness and habitus.
Publisher: Springer
ISBN: 0230623328
Category : History
Languages : en
Pages : 224
Book Description
Through an examination of plays, actors, reviews, and audience response of the period, this study traces the development of Broadway as a source of 'mature' American drama, and the simultaneous development of Professional-Managerial Class consciousness and habitus.
Contemporary African American Female Playwrights
Author: Dana A. Williams
Publisher: Bloomsbury Publishing USA
ISBN: 0313064954
Category : Literary Criticism
Languages : en
Pages : 148
Book Description
Lorraine Hansberry's A Raisin in the Sun (1959) was a major dramatic success and brought to the world's attention the potential talent of African American women playwrights. But in spite of Hansberry's landmark contribution, both the theater and the literary world have often failed to include contemporary African American female playwrights within the circle of production, publication, and criticism. In African American drama anthologies, female playwrights are seldom given the degree of attention that is accorded their male counterparts. And because of space constraints, anthologies of works by women playwrights are forced to exclude numerous female dramatists, including African Americans. Meanwhile, some scholars have argued that the works of African American female playwrights are seldom produced in the mainstream theater because these plays frequently challenge the views of white America. But as A Raisin in the Sun demonstrates, plays by African American women dramatists can have a powerful message and are worthy of attention. A comprehensive research tool, this annotated bibliography sheds light on the often neglected works of contemporary African American female playwrights. Included within its scope are those dramatists who have had at least one work published since 1959, the year of Hansberry's monumental achievement. The first section provides a listing of anthologies that include one or more plays written by an African American female dramatist. The second gives entries for reference works and for scholarly and critical studies of the dramatists and their plays. The third presents a listing of published plays by individual dramatists, along with a summary of each drama; the works of each playwright that are related to drama; and secondary sources that treat the dramatists and their plays. Entries are accompanied by concise but informative annotations, and the volume closes with a list of periodicals that frequently publish criticism of African American female playwrights, a section of brief biographical sketches of the dramatists, and extensive indexes.
Publisher: Bloomsbury Publishing USA
ISBN: 0313064954
Category : Literary Criticism
Languages : en
Pages : 148
Book Description
Lorraine Hansberry's A Raisin in the Sun (1959) was a major dramatic success and brought to the world's attention the potential talent of African American women playwrights. But in spite of Hansberry's landmark contribution, both the theater and the literary world have often failed to include contemporary African American female playwrights within the circle of production, publication, and criticism. In African American drama anthologies, female playwrights are seldom given the degree of attention that is accorded their male counterparts. And because of space constraints, anthologies of works by women playwrights are forced to exclude numerous female dramatists, including African Americans. Meanwhile, some scholars have argued that the works of African American female playwrights are seldom produced in the mainstream theater because these plays frequently challenge the views of white America. But as A Raisin in the Sun demonstrates, plays by African American women dramatists can have a powerful message and are worthy of attention. A comprehensive research tool, this annotated bibliography sheds light on the often neglected works of contemporary African American female playwrights. Included within its scope are those dramatists who have had at least one work published since 1959, the year of Hansberry's monumental achievement. The first section provides a listing of anthologies that include one or more plays written by an African American female dramatist. The second gives entries for reference works and for scholarly and critical studies of the dramatists and their plays. The third presents a listing of published plays by individual dramatists, along with a summary of each drama; the works of each playwright that are related to drama; and secondary sources that treat the dramatists and their plays. Entries are accompanied by concise but informative annotations, and the volume closes with a list of periodicals that frequently publish criticism of African American female playwrights, a section of brief biographical sketches of the dramatists, and extensive indexes.
American Playwrights Since 1945
Author: Philip Kolin
Publisher: Greenwood
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 630
Book Description
This is a study of the state of research on and history of performances of 40 American playwrights, including major mainstream, ethnic, and regional playwrights. The essays list their published and unpublished plays, as well as their other works; document the performances; identify bibliographies, biographies, critical studies, and analyses of the plays; and discuss the critical reception. The volume deals with production histories, covering critics, actors, directors, and theater companies that have contributed as much to theater as the playwrights themselves. It also discusses original screenplays and identifies writing on younger playwrights on whom research has just begun. ISBN 0-313-25543-1: $66.00 (For use only in the library).
Publisher: Greenwood
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 630
Book Description
This is a study of the state of research on and history of performances of 40 American playwrights, including major mainstream, ethnic, and regional playwrights. The essays list their published and unpublished plays, as well as their other works; document the performances; identify bibliographies, biographies, critical studies, and analyses of the plays; and discuss the critical reception. The volume deals with production histories, covering critics, actors, directors, and theater companies that have contributed as much to theater as the playwrights themselves. It also discusses original screenplays and identifies writing on younger playwrights on whom research has just begun. ISBN 0-313-25543-1: $66.00 (For use only in the library).