Author: Sarah Ruhl
Publisher: Theatre Communications Group
ISBN: 1559364297
Category : Drama
Languages : en
Pages : 127
Book Description
"Wickedly clever . . . Ruhl's unique, breezily elegant dialogue is fully present, as is her pleasingly loopy logic."—Variety "In the smart, rollicking Stage Kiss . . . passion and fidelity engage in a kind of elegant pas de deux. . . . The play manages to be both wholly original and instantly recognizable . . . with its combination of hilarity and trenchancy."—The New Yorker Award-winning playwright Sarah Ruhl brings her unique mix of lyricism, sparkling humor, and fierce intelligence to her new romantic comedy, Stage Kiss. When estranged lovers He and She are thrown together as romantic leads in a long-forgotten 1930s melodrama, the line between off-stage and on-stage begins to blur. A "knockabout farce that channels Noël Coward and Michael Frayn" (Chicago Tribune), Stage Kiss is a thoughtful and clever examination of the difference between youthful lust and respectful love. Ruhl, one of America's most frequently produced playwrights, proves that a kiss is not just a kiss in this whirlwind romantic comedy, which will receive its New York premiere at Playwrights Horizons in winter 2014. Sarah Ruhl's other plays include the Pulitzer Prize finalists In the Next Room (or the vibrator play) and The Clean House, as well as Passion Play, Dead Man's Cell Phone, Demeter in the City, Eurydice, Melancholy Play, and Late: a cowboy song. She is the recipient of a Whiting Writers' Award, a PEN/Laura Pels Award, and a MacArthur Fellowship. Her plays have premiered on Broadway, Off-Broadway, and have been produced in many theaters around the world.
Stage Kiss
Author: Sarah Ruhl
Publisher: Theatre Communications Group
ISBN: 1559364297
Category : Drama
Languages : en
Pages : 127
Book Description
"Wickedly clever . . . Ruhl's unique, breezily elegant dialogue is fully present, as is her pleasingly loopy logic."—Variety "In the smart, rollicking Stage Kiss . . . passion and fidelity engage in a kind of elegant pas de deux. . . . The play manages to be both wholly original and instantly recognizable . . . with its combination of hilarity and trenchancy."—The New Yorker Award-winning playwright Sarah Ruhl brings her unique mix of lyricism, sparkling humor, and fierce intelligence to her new romantic comedy, Stage Kiss. When estranged lovers He and She are thrown together as romantic leads in a long-forgotten 1930s melodrama, the line between off-stage and on-stage begins to blur. A "knockabout farce that channels Noël Coward and Michael Frayn" (Chicago Tribune), Stage Kiss is a thoughtful and clever examination of the difference between youthful lust and respectful love. Ruhl, one of America's most frequently produced playwrights, proves that a kiss is not just a kiss in this whirlwind romantic comedy, which will receive its New York premiere at Playwrights Horizons in winter 2014. Sarah Ruhl's other plays include the Pulitzer Prize finalists In the Next Room (or the vibrator play) and The Clean House, as well as Passion Play, Dead Man's Cell Phone, Demeter in the City, Eurydice, Melancholy Play, and Late: a cowboy song. She is the recipient of a Whiting Writers' Award, a PEN/Laura Pels Award, and a MacArthur Fellowship. Her plays have premiered on Broadway, Off-Broadway, and have been produced in many theaters around the world.
Publisher: Theatre Communications Group
ISBN: 1559364297
Category : Drama
Languages : en
Pages : 127
Book Description
"Wickedly clever . . . Ruhl's unique, breezily elegant dialogue is fully present, as is her pleasingly loopy logic."—Variety "In the smart, rollicking Stage Kiss . . . passion and fidelity engage in a kind of elegant pas de deux. . . . The play manages to be both wholly original and instantly recognizable . . . with its combination of hilarity and trenchancy."—The New Yorker Award-winning playwright Sarah Ruhl brings her unique mix of lyricism, sparkling humor, and fierce intelligence to her new romantic comedy, Stage Kiss. When estranged lovers He and She are thrown together as romantic leads in a long-forgotten 1930s melodrama, the line between off-stage and on-stage begins to blur. A "knockabout farce that channels Noël Coward and Michael Frayn" (Chicago Tribune), Stage Kiss is a thoughtful and clever examination of the difference between youthful lust and respectful love. Ruhl, one of America's most frequently produced playwrights, proves that a kiss is not just a kiss in this whirlwind romantic comedy, which will receive its New York premiere at Playwrights Horizons in winter 2014. Sarah Ruhl's other plays include the Pulitzer Prize finalists In the Next Room (or the vibrator play) and The Clean House, as well as Passion Play, Dead Man's Cell Phone, Demeter in the City, Eurydice, Melancholy Play, and Late: a cowboy song. She is the recipient of a Whiting Writers' Award, a PEN/Laura Pels Award, and a MacArthur Fellowship. Her plays have premiered on Broadway, Off-Broadway, and have been produced in many theaters around the world.
The Lone Hand
Author:
Publisher:
ISBN:
Category : Australian literature
Languages : en
Pages : 828
Book Description
Publisher:
ISBN:
Category : Australian literature
Languages : en
Pages : 828
Book Description
Contemporary Farce on the Global Stage
Author: David Gram
Publisher: Taylor & Francis
ISBN: 1040014356
Category : Performing Arts
Languages : en
Pages : 255
Book Description
Contemporary Farce on the Global Stage provides audiences and practitioners a detailed survey of how the genre of farce has evolved in the 21st century. Often dismissed as frivolous, farce speaks a universal language, with the power to incisively interrogate our world through laughter. Unlike farces of the past, where a successful resolution was a given and we could laugh uproariously at adulterous behaviour, farce no longer guarantees an audience a happy ending where everything works out. Contemporary farce is no longer ‘diverting us’ with laughter. It is reflecting the fractured world around us. With a foreword by award-winning playwright Ken Ludwig, the book introduces readers to the Mechanics of Farce, and the ‘Four Ps,’ which are key elements for understanding, appreciating, and exploring the form. The Five Doors to Contemporary Farce identify five major categories into which farces fall. Behind each door are a wide selection of plays, modern and contemporary examples from all over the world, written by a diverse group of playwrights who traverse gender, race, ethnicity, and sexual orientation. Supplementing each section are comments, observations, and reflections from award-winning playwrights, directors, actors, designers, dramaturgs, and scholars. Designed specifically to give theatre-makers a rounded understanding that will underpin their own productions, this book will also be of use to theatre and performance studies students.
Publisher: Taylor & Francis
ISBN: 1040014356
Category : Performing Arts
Languages : en
Pages : 255
Book Description
Contemporary Farce on the Global Stage provides audiences and practitioners a detailed survey of how the genre of farce has evolved in the 21st century. Often dismissed as frivolous, farce speaks a universal language, with the power to incisively interrogate our world through laughter. Unlike farces of the past, where a successful resolution was a given and we could laugh uproariously at adulterous behaviour, farce no longer guarantees an audience a happy ending where everything works out. Contemporary farce is no longer ‘diverting us’ with laughter. It is reflecting the fractured world around us. With a foreword by award-winning playwright Ken Ludwig, the book introduces readers to the Mechanics of Farce, and the ‘Four Ps,’ which are key elements for understanding, appreciating, and exploring the form. The Five Doors to Contemporary Farce identify five major categories into which farces fall. Behind each door are a wide selection of plays, modern and contemporary examples from all over the world, written by a diverse group of playwrights who traverse gender, race, ethnicity, and sexual orientation. Supplementing each section are comments, observations, and reflections from award-winning playwrights, directors, actors, designers, dramaturgs, and scholars. Designed specifically to give theatre-makers a rounded understanding that will underpin their own productions, this book will also be of use to theatre and performance studies students.
Queering the Stage
Author: Adi Cabral
Publisher: CRC Press
ISBN: 1040253733
Category : Performing Arts
Languages : en
Pages : 217
Book Description
Queering the Stage: Inclusive Approaches to Performing Gender and Sexuality addresses a history of stereotyping and provides inclusive approaches to navigating gender and sexuality in a way that does not reduce the broad spectrum of LGBTQ+ communities into a single monolith. Butch it up! Be more manly! Add a little swish! Queen out! These instructions make performers feel minimized, erased, and forced to fit in a binary that encourages underdeveloped portrayals of queer identities. This book will guide the reader in performance techniques for confidently embodying the masculine/ feminine, gay/ straight binaries – as concepts of chosen choreography rather than reductive prescriptions – while also providing non- binary exercises to explore and expand the use of the body, voice, heart, and mind to bring life to characters of sexual orientations and gender identities that do and do not align with the actors’ lived experiences. The reader will be presented with multiple tools for analyzing, developing, and embodying a diverse array of characters, empowering them to make their own choices when it comes to performance. While there is no “right” way to teach performance, this book will present tools rooted in trauma- informed practices that aim to prevent and undo harm in a group setting with a facilitator, or individually. This book is written for instructors of theatre performance and acting wishing to expand their curriculum to include queer concepts in their classroom, and actors working in the industry who want to improve their ability performing characters of diverse genders and sexualities. A companion website, available at www.adicabral.com/queering-the-stage, provides additional materials to support exercises given throughout the book.
Publisher: CRC Press
ISBN: 1040253733
Category : Performing Arts
Languages : en
Pages : 217
Book Description
Queering the Stage: Inclusive Approaches to Performing Gender and Sexuality addresses a history of stereotyping and provides inclusive approaches to navigating gender and sexuality in a way that does not reduce the broad spectrum of LGBTQ+ communities into a single monolith. Butch it up! Be more manly! Add a little swish! Queen out! These instructions make performers feel minimized, erased, and forced to fit in a binary that encourages underdeveloped portrayals of queer identities. This book will guide the reader in performance techniques for confidently embodying the masculine/ feminine, gay/ straight binaries – as concepts of chosen choreography rather than reductive prescriptions – while also providing non- binary exercises to explore and expand the use of the body, voice, heart, and mind to bring life to characters of sexual orientations and gender identities that do and do not align with the actors’ lived experiences. The reader will be presented with multiple tools for analyzing, developing, and embodying a diverse array of characters, empowering them to make their own choices when it comes to performance. While there is no “right” way to teach performance, this book will present tools rooted in trauma- informed practices that aim to prevent and undo harm in a group setting with a facilitator, or individually. This book is written for instructors of theatre performance and acting wishing to expand their curriculum to include queer concepts in their classroom, and actors working in the industry who want to improve their ability performing characters of diverse genders and sexualities. A companion website, available at www.adicabral.com/queering-the-stage, provides additional materials to support exercises given throughout the book.
KISS
Author: Lynn Goldsmith
Publisher: Rizzoli Publications
ISBN: 0847860124
Category : Music
Languages : en
Pages : 338
Book Description
Published in conjunction with the band, KISS: 1977 - 1980 is the definitive photographic chronicle of KISS at the height of their popularity, showcasing the band on and off stage, in the photo studio, and in unguarded candid moments. From her archive, Goldsmith has compiled fan favorites as well as many never-before-seen photographs, all which perfectly capture the enduring phenomenon that is KISS. Chances are you've seen numerous iconic pictures by award-winning photographer Lynn Goldsmith, who has photographed every important rock musician and band of the late twentieth century: The Rolling Stones, Bruce Springsteen, The Police, Talking Heads, Frank Zappa, Bob Dylan, and Patti Smith, among many others. KISS rose to meteoric prominence with their extravagant live performances featuring fire-breathing, blood spitting, guitars bursting into flames, shooting rockets, levitating drum kits, and pyrotechnic showpieces. With makeup and costumes, Paul Stanley, Gene Simmons, Peter Criss, and Ace Frehley created characters and origin stories similar to comic book characters: the Starchild, the Demon, the Space Ace, and the Catman. When put all together, it wasn’t just a stadium rock concert, it was dynamic performance art that is still on the road today! Goldsmith, Stanley, and Simmons have created this book as a thanks to the KISS Army, many of whom have been devoted to the band for more than 40 years and have brought their children and grandchildren into appreciating the music, as well as the spectacle of the band’s live performances. With a simple matte white laminated padded cover that highlights the KISS logo and edged with gilding, the end result could be compared to a kind of bible, holding the relics that their supporters cherish.
Publisher: Rizzoli Publications
ISBN: 0847860124
Category : Music
Languages : en
Pages : 338
Book Description
Published in conjunction with the band, KISS: 1977 - 1980 is the definitive photographic chronicle of KISS at the height of their popularity, showcasing the band on and off stage, in the photo studio, and in unguarded candid moments. From her archive, Goldsmith has compiled fan favorites as well as many never-before-seen photographs, all which perfectly capture the enduring phenomenon that is KISS. Chances are you've seen numerous iconic pictures by award-winning photographer Lynn Goldsmith, who has photographed every important rock musician and band of the late twentieth century: The Rolling Stones, Bruce Springsteen, The Police, Talking Heads, Frank Zappa, Bob Dylan, and Patti Smith, among many others. KISS rose to meteoric prominence with their extravagant live performances featuring fire-breathing, blood spitting, guitars bursting into flames, shooting rockets, levitating drum kits, and pyrotechnic showpieces. With makeup and costumes, Paul Stanley, Gene Simmons, Peter Criss, and Ace Frehley created characters and origin stories similar to comic book characters: the Starchild, the Demon, the Space Ace, and the Catman. When put all together, it wasn’t just a stadium rock concert, it was dynamic performance art that is still on the road today! Goldsmith, Stanley, and Simmons have created this book as a thanks to the KISS Army, many of whom have been devoted to the band for more than 40 years and have brought their children and grandchildren into appreciating the music, as well as the spectacle of the band’s live performances. With a simple matte white laminated padded cover that highlights the KISS logo and edged with gilding, the end result could be compared to a kind of bible, holding the relics that their supporters cherish.
Sketch
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 536
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 536
Book Description
Staging Sex
Author: Chelsea Pace
Publisher: Routledge
ISBN: 0429946457
Category : Performing Arts
Languages : en
Pages : 135
Book Description
Staging Sex lays out a comprehensive, practical solution for staging intimacy, nudity, and sexual violence. This book takes theatre practitioners step-by-step through the best practices, tools, and techniques for crafting effective theatrical intimacy. After an overview of the challenges directors face when staging theatrical intimacy, Staging Sex offers practical solutions and exercises, provides a system for establishing and discussing boundaries, and suggests efficient and effective language for staging intimacy and sexual violence. It also addresses production and classroom specific concerns and provides guidance for creating a culture of consent in any company or department. Written for directors, choreographers, movement coaches, stage managers, production managers, professional actors, and students of acting courses, Staging Sex is an essential tool for theatre practitioners who encounter theatrical intimacy or instructional touch, whether in rehearsal or in the classroom.
Publisher: Routledge
ISBN: 0429946457
Category : Performing Arts
Languages : en
Pages : 135
Book Description
Staging Sex lays out a comprehensive, practical solution for staging intimacy, nudity, and sexual violence. This book takes theatre practitioners step-by-step through the best practices, tools, and techniques for crafting effective theatrical intimacy. After an overview of the challenges directors face when staging theatrical intimacy, Staging Sex offers practical solutions and exercises, provides a system for establishing and discussing boundaries, and suggests efficient and effective language for staging intimacy and sexual violence. It also addresses production and classroom specific concerns and provides guidance for creating a culture of consent in any company or department. Written for directors, choreographers, movement coaches, stage managers, production managers, professional actors, and students of acting courses, Staging Sex is an essential tool for theatre practitioners who encounter theatrical intimacy or instructional touch, whether in rehearsal or in the classroom.
Frank Leslie's Illustrated Newspaper
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 1266
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 1266
Book Description
The Green Book Magazine
Author:
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 1306
Book Description
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 1306
Book Description
Blossoming Act
Author: Rebecca Thein
Publisher: Rebecca Thein
ISBN:
Category : Fiction
Languages : en
Pages : 195
Book Description
Act 1 When Sirenity Freeman moved to New York to begin a new life a decade earlier, she never imagined that she would return to San Francisco. She had left her past behind and moved on to pursue her dream of a better life. Act 2 The longing to rectify and heal her deep emotional wounds led her to try and seek solace in forgiveness. It beckoned her back to San Francisco, the city where she grew up. The only way she could ever truly be free was to understand why things happened the way they did and confront the one person with the answers. Act 3 Upon her quest for closure, Sirenity’s best laid out plan got detoured. The roadmap took a turn directing her right into the arms of the leading man opposite her in the play they were performing in. Act 4 Falling in love was never part of her plan. However, Keefe’s charm penetrated the walls she constructed around herself and left her wanting more than just answers. This budding relationship could force her to disclose her own dark repressed secrets and confront the truth she has kept hidden from everyone. Will it send her running back to New York more damaged and emotionally destroyed? Or will she finally face her inner turmoil and free herself to live a life she never allowed herself to dream of?
Publisher: Rebecca Thein
ISBN:
Category : Fiction
Languages : en
Pages : 195
Book Description
Act 1 When Sirenity Freeman moved to New York to begin a new life a decade earlier, she never imagined that she would return to San Francisco. She had left her past behind and moved on to pursue her dream of a better life. Act 2 The longing to rectify and heal her deep emotional wounds led her to try and seek solace in forgiveness. It beckoned her back to San Francisco, the city where she grew up. The only way she could ever truly be free was to understand why things happened the way they did and confront the one person with the answers. Act 3 Upon her quest for closure, Sirenity’s best laid out plan got detoured. The roadmap took a turn directing her right into the arms of the leading man opposite her in the play they were performing in. Act 4 Falling in love was never part of her plan. However, Keefe’s charm penetrated the walls she constructed around herself and left her wanting more than just answers. This budding relationship could force her to disclose her own dark repressed secrets and confront the truth she has kept hidden from everyone. Will it send her running back to New York more damaged and emotionally destroyed? Or will she finally face her inner turmoil and free herself to live a life she never allowed herself to dream of?