Stage Fright in the Actor PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Stage Fright in the Actor PDF full book. Access full book title Stage Fright in the Actor by Linda Brennan. Download full books in PDF and EPUB format.
Author: Linda Brennan
Publisher:
ISBN: 9781138680685
Category : Acting
Languages : en
Pages : 0
Get Book Here
Book Description
Stage Fright in the Actor explores the phenomena of stage fright-a universal experience that ranges in intensity from a relatively easy-to-conceal sense of anxiety to an overwhelming feeling of terror-from the actor's perspective, unearthing its social, cultural, and personal roots. Drawing on her experience as both an actor trainer and a licensed psychotherapist, Linda Brennan recounts the testimonies of professional actors to paint a clear picture of the artistic, behavioral, cognitive, physiological, and psychological characteristics of stage fright. This book encourages the reader to reflect on their own experiences while guided by the stories of fellow actors. Their personal accounts, combined with clinical research and practical exercises, will help readers to identify, manage, and even conquer this "demon in the wings." Stage Fright in the Actor is an essential tool for actors and acting students. Its insight into the many manifestations of stage fright also renders it as valuable reading for acting/performing arts teachers and directors, as well as anyone who fears stepping "onstage."
Author: Nicholas Ridout
Publisher: Cambridge University Press
ISBN: 1139458272
Category : Drama
Languages : en
Pages : 127
Get Book Here
Book Description
Why do actors get stage fright? What is so embarrassing about joining in? Why not work with animals and children, and why is it so hard not to collapse into helpless laughter when things go wrong? In trying to answer these questions - usually ignored by theatre scholarship but of enduring interest to theatre professionals and audiences alike - Nicholas Ridout attempts to explain the relationship between these apparently unwanted and anomalous phenomena and the wider social and political meanings of the modern theatre. This book focuses on the theatrical encounter - those events in which actor and audience come face to face in a strangely compromised and alienated intimacy - arguing that the modern theatre has become a place where we entertain ourselves by experimenting with our feelings about work, social relations and about feelings themselves.
Author: Sara Solovitch
Publisher: Bloomsbury Publishing USA
ISBN: 1620400928
Category : Biography & Autobiography
Languages : en
Pages : 289
Get Book Here
Book Description
This cultural history and memoir of stage fright will resonate with anyone terrified of speaking or performing in public.Stage fright is one of the human psyche's deepest fears, challenging actors, musicians, professional athletes, and people from all walks of life. Surveys in the United States repeatedly rank public speaking as one of the top fears, affecting up to 74 percent of people. Sara Solovitch studied piano as a young child and fell in love with music. At ten, she played Bach and Mozart in her hometown's annual music festival, but was overwhelmed by fear. As a teen, she attended Eastman School of Music, where stage fright led her to give up aspirations of becoming a professional pianist. In her late fifties, Sara gave herself a one-year deadline to tame performance anxiety and play before an audience. She resumed music lessons, while exploring meditation, exposure therapy, cognitive therapy, biofeedback, beta blockers, and other remedies. She performed in airports, hospitals, and retirement homes before renting a public hall and performing for fifty guests on her sixtieth birthday. Using her own journey as inspiration, Solovitch has written a thoughtful and insightful examination of the myriad causes of stage fright and the equally diverse ways to overcome it, and a tribute to pursuing personal growth at any age.
Author: Martin Puchner
Publisher: JHU Press
ISBN: 9780801868559
Category : Drama
Languages : en
Pages : 258
Get Book Here
Book Description
An exploration of the conflict between avant-garde theatre and modernism. It shows that modernism's ambivalence about the theatre was shared by playwrights and directors and thus was a productive force responsible for some great achievements in dramatic literature and theatre.
Author: Linda Brennan
Publisher: Routledge
ISBN: 131719019X
Category : Performing Arts
Languages : en
Pages : 348
Get Book Here
Book Description
Stage Fright in the Actor explores the phenomena of stage fright—a universal experience that ranges in intensity from a relatively easy-to-conceal sense of anxiety to an overwhelming feeling of terror—from the actor’s perspective, unearthing its social, cultural, and personal roots. Drawing on her experience as both an actor trainer and a licensed psychotherapist, Linda Brennan recounts the testimonies of professional actors to paint a clear picture of the artistic, behavioral, cognitive, physiological, and psychological characteristics of stage fright. This book encourages the reader to reflect on their own experiences while guided by the stories of fellow actors. Their personal accounts, combined with clinical research and practical exercises, will help readers to identify, manage, and even conquer this "demon in the wings." Stage Fright in the Actor is an essential tool for actors and acting students. Its insight into the many manifestations of stage fright also renders it as valuable reading for acting/performing arts teachers and directors, as well as anyone who fears stepping "onstage."
Author: Ann M. Martin
Publisher: Open Road Media
ISBN: 1453298053
Category : Juvenile Fiction
Languages : en
Pages : 128
Get Book Here
Book Description
Can Sara overcome her shyness to perform in the school play? Sara is extremely timid—she only has two friends, and one of them is her cousin. Her mother is constantly pushing her to leave the safety of her room and be more social, but for Sara, being in public is a punishment worse than death. When Sara’s teacher insists that everyone this year—shy or not—participate in the school play, Sara is filled with terror. To top it off, she finds out her best friend, the one person who understands her, might be moving away. More than ever, Sara wants to climb into her shell, but the play is looming and there’s no place to hide. This ebook features an illustrated personal history of Ann M. Martin, including rare images from the author’s collection.
Author: Stephen Aaron
Publisher: Chicago : University of Chicago Press
ISBN: 9780226000183
Category : Performing Arts
Languages : en
Pages : 156
Get Book Here
Book Description
Discusses the symptoms and causes of stage fright, looks at how actors and actresses make use of their fears, and examines the art of acting
Author: Deb Gottesman
Publisher: Berkley Trade
ISBN:
Category : Business & Economics
Languages : en
Pages : 216
Get Book Here
Book Description
Provides expert advice on public speaking; includes exercises designed to help people develop the skills needed to make presentations and speeches more effective.
Author: Kedar Chandrasekar Hubli
Publisher: Perfect Writer Publishing
ISBN: 8119288688
Category : Comics & Graphic Novels
Languages : en
Pages : 133
Get Book Here
Book Description
In "Myths and Facts about Acting," we delve into the world of acting and debunk common misconceptions surrounding this art form. From the belief that actors are born with natural talent to the notion that acting is all about pretending, this book sets out to separate fact from fiction. By exploring the various techniques, training methods, and skills required for acting, we aim to provide aspiring actors and curious readers with a comprehensive understanding of the craft. This book challenges the myth that acting is an easy profession. We explore the rigorous training and dedication required to become a successful actor, shedding light on the hard work and perseverance that goes into honing one's craft. Through interviews with experienced actors, we uncover the realities of the industry, offering valuable insights and advice for those considering a career in acting. "Myths and Facts about Acting" also addresses common misconceptions about the emotional and psychological aspects of acting. We explore the idea that actors must always draw from personal experiences to portray characters authentically, and we provide alternative approaches to emotional connection and character development. By debunking these myths, we hope to inspire actors to explore new techniques and expand their range, ultimately enhancing their performances on stage and screen.
Author: David Barrouk
Publisher: Bloomsbury Publishing
ISBN: 1350404063
Category : Performing Arts
Languages : en
Pages : 454
Get Book Here
Book Description
Written by a highly influential post-Stanislavskian practitioner, this book offers an accessible and contemporary interpretation of The Method, setting out techniques and exercises to train and develop actors today. Going back to the roots of Method Acting and the work of Lee Strasberg and Stanislavski, and using Barrouk's own unique practice as a lens through which to view it, The Method here is refreshed as something nuanced, contemporary, safe and practical that will benefit all actors - even those most skeptical of it. Through making a case for the relevance of Method Acting to our modern times and preserving its essence while updating its notions, the book covers the full range of the acting process, including character analysis questions, active analysis, actions, individual and group exploration, identifying actions, and developing/creating a scene in rehearsal. Practical exercises and activities are woven throughout the text, offering a modern framework in which to consider this practice. The benefits of looking at Stanislavski through both a contemporary and a different cultural lens is invaluable for students and actors alike, and they will appreciate the playful, lively and provocative approach in contrast to the sacred tone of other books on the same topic.
Author: Meredith Anne Skura
Publisher: University of Chicago Press
ISBN: 9780226761800
Category : Drama
Languages : en
Pages : 348
Get Book Here
Book Description
For the Renaissance, all the world may have been a stage and all its people players, but Shakespeare was also an actor on the literal stage. Meredith Anne Skura asks what it meant to be an actor in Shakespeare's England and shows why a knowledge of actual theatrical practices is essential for understanding both Shakespeare's plays and the theatricality of everyday life in early modern England. Despite the obvious differences between our theater and Shakespeare's, sixteenth-century testimony suggests that the experience of acting has not changed much over the centuries. Beginning with a psychoanalytically informed account of acting today, Skura shows how this intense and ambivalent experience appears not only in literal references to acting in Shakespearean drama but also in recurring narrative concerns, details of language, and dramatic strategies used to engage the audience. Looking at the plays in the context of both public and private worlds outside the theater, Skura rereads the canon to identify new configurations in the plays and new ways of understanding theatrical self-consciousness in Renaissance England. Rich in theatrical, psychoanalytic, biographical, and historical insight, this book will be invaluable to students of Shakespeare and instructive to all readers interested in the dynamics of performance.
