Author: Andrew Ashenden
Publisher: Universal-Publishers
ISBN: 1612331726
Category : Performing Arts
Languages : en
Pages : 135
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Book Description
The single sword is the most-used weapon on both stage and screen. The techniques used in single sword stage combat are derived from real combative methods used historically, and modified for acting. Basics of Stage Combat: Single Sword instructs the reader about the foundations of safe, skillful single sword use in theater, film, and television. Actors both wishing to refresh their old skills and those new to stage combat will learn how to parry with a sword, move with a sword, and perfect the various movements required of them to perform a safe and realistic stage combat scene. Basics of Stage Combat: Single Sword will also help drama students who are taking stage combat classes or stage combat exams gain the confidence to embrace the complexities of working with a sword. Among the swords discussed are the single rapier, sabre, and the eighteenth-century small sword; this book does not discuss broadsword techniques. Chapters provide illustration and instruction about thrusts, lunges, hand positions, advancing and retreating, passing steps, binds, beats, and cutting with the sword, as well as basic fighting positions. A brief fight choreography sequence is included at the conclusion of the book.
Author: William Hobbs
Publisher:
ISBN: 9780713640229
Category : Performing Arts
Languages : en
Pages : 143
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Book Description
William Hobbs has written his book as a guide to the inexperienced, so they are able to put their ideas into action more smoothly. The author's aim is to promote a more professional attitude and way of thinking about the task of performing and arranging fights that will demonstrate the range of exciting challenges which are open to directors, actors and fight arrangers alike. Both amateurs and professionals will find the problems and dangers of stage combat dealt with by the author. There is a fully illustrated glossary of strokes, a chapter on battle scenes and mass fighting, and an account of how to arrange comic and symbolic fights and how to stage unarmed fights. The author explains his system of notation for recording the moves of a fight, and includes a 6short chapter on weapons. The final chapter covers slapstick - a deceptively simple art. Forewords by Laurence Olivier and Roman Polanski. The author's first fight direction was for Franco Zefferelli's Romeo and Juliet at the Old Vic and he was Fight Director to Olivier's National Theatre Company for 9 years. He has worked at the National Theatre with Peter Hall, the RSC, the Royal Opera House and the ENO and on many productions in Europe. His many TV productions include Olivier's King Lear and the recent BBC series, Clarissa. Fight direction on feature films includes Cyrano de Bergerac, Dangerous Liaisons, Hamlet, The Duellists, Excalibur and many others. He has just finished shooting the film Rob Roy."
Author: Brian LeTraunik
Publisher: Routledge
ISBN: 1351382012
Category : Performing Arts
Languages : en
Pages : 117
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Book Description
A History of Contemporary Stage Combat chronicles the development of stage combat from the origins of the Society of British Fight Directors in 1969 to the modern day. Featuring interviews with some of the pioneers of this art form, the book analyzes how stage combat developed in response to the needs of the industry and the changing social mores in the United States, United Kingdom, Canada, the European Continent, Australia, and New Zealand. It also explores the quality of theatrical weaponry, as well as outcropping of stage combat such as intimacy design and theatrical jousting. A History of Contemporary Stage Combat is an excellent resource for actors, directors, stage combatants, theatre historians, and anyone with a love of action on stage and film.
Author: Robert Najarian
Publisher: CRC Press
ISBN: 1317804899
Category : Performing Arts
Languages : en
Pages : 476
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Book Description
The Art of Unarmed Stage Combat is a guide to the principles and techniques of theatrical violence, combining detailed discussions of the mechanics of stage fighting with the nuances of acting decisions to make fighting styles reflect character and story. Expert Fight Director Robert Najarian offers never-before-published games and exercises that allows actors to develop the skills and concepts for performing violence for stage and screen. This title utilizes a unique system of training techniques that result in stage violence that is both physically engaging for the performer, while remaining viscerally engaging for the audience. This book is written for the actor and fight director.
Author: F. Braun McAsh
Publisher: Crowood Press (UK)
ISBN: 9781847972231
Category : Choreography
Languages : en
Pages : 0
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Book Description
We are so familiar with fight scenes on our screens that they are almost taken for granted, but how do they come about? This comprehensive book explains the artistic process of creating the fight scene from scripted page to finished performance. Fight choreography is the art of creating scenes of illusionary violence for an entertainment medium. It must tell the story of the fight in a manner that is safe for the performer. To do this, the choreographer has to consider everything that directly impinges on physical movement. Fight Choreography looks at each of these factors and draws on the author's own experiences to illustrate the excitement and range of the genre. * Introduces the fight choreography, the performer, characterization and the director * Looks at working with sets, costumes, lighting and special effects * Advises on the variety of armour and weapons, including photographic reference sections * Explains how to choreograph fights with phrases, logic and rhythm * Gives specific advice on subjects ranging from symbolism to blood effects and from battle scenes to motion capture AUTHOR F Braun McAsh has been a professional fight choreographer since 1976. He has over 120 professional credits in film, television and on stage, with over 400 fights on film alone. He is best known as the swordmaster for the hit TV series Highlander and the fourth Highlander movie Endgame. He has directed fights for every artistic medium including opera, motion-capture and animation SELLING POINTS * A comprehensive guide that explains the artistic process of creating the flight scene from scripted page to finished performance * Aimed at novice or experienced fight choreographers, actors, directors and designers * Superbly illustrated with 86 colour photos * Packed with examples * Author a professional fight choreographer for over thirty years and has over 120 professional credits on stage, in film and on television.
Author: Erick Vaughn Wolfe
Publisher: Taylor & Francis
ISBN: 1040003109
Category : Performing Arts
Languages : en
Pages : 188
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Book Description
The Art of Broadsword Fighting for Stage and Screen provides historical and contemporary techniques and styles for the safe training and use of the European broadsword in a theatrical setting. This book starts with a brief breakdown of the history of broadswords, the time periods associated with their use, and the influences of historical masters and their manuscripts. After the brief history section, this book presents the basic techniques of broadsword fighting, starting with grip and body postures. Readers will then move fluidly into the basic actions of cuts, parries, blocks, and disarms. During this process, actors explore the connection between body and weapon and start learning the elements of storytelling through choreography. Special attention is given throughout the text on techniques which need to be approached in a physically and/or mentally safe way by directors, choreographers, performers, teachers, and students. The final chapter focuses on choreographing a fight and utilizing all the material previously covered in this book, with special notes for actors, directors, and teachers about what makes a good fight, how to keep it safe, and how to create the "wow factor" in choreography. The Art of Broadsword Fighting for Stage and Screen is intended for directors, choreographers, actors, students of acting, martial artists, and enthusiasts of stage combat and historical martial arts.
Author: Michael Kirkland
Publisher: Bloomsbury Publishing USA
ISBN: 0313089051
Category : Literary Criticism
Languages : en
Pages : 362
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Book Description
This book is designed to educate the reader about the evolution and development of arms, armor, and personal combat for the stage. It is the perfect guide for locating books, articles, and videos for those involved in the historical reenactment of duels and battles. It simultaneously offers historical context and points the reader toward useful and easily obtainable resources to inform their fights, costumes, and stage weaponry. This resource text is a must have for fight directors, teachers of stage combat, historical re-enactors, costumers, and weapons makers. The body of the work is divided up into five chapters and a series of appendices containing a compendium of useful information for fight directors and weapons makers. Chapter one surveys the evolution and development of arms, armor, and personal combat. Chapters two, three, and four consist of annotations of books, articles, and videos respectively. Chapter five offers concluding remarks on the project.
Author: Christopher DuVal
Publisher: Bloomsbury Publishing
ISBN: 1472532554
Category : Performing Arts
Languages : en
Pages : 305
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Book Description
The art of armed and unarmed stage combat thrills actors and audiences alike the world over. This book details many of the foundational techniques used by actors studying stage combat and actor-movement disciplines. A variety of specific training exercises are described that connect the actor's imagination to a cohesive and meaningful actor-training curriculum – integrating stage combat with the actor's process of developing a fully embodied awareness of the physical life of the character. Developing physical awareness and dexterity is an essential component of an actor's training and rehearsal processes. Engagement, connection, the ability to listen and respond with authenticity, clarity, flexibility, intentionality, tactical response, variety are all helpful aspects for the actor studying combat movement. With practical exercises and expert advice, Stage Combat Arts allows the actor to further hone their emotional connection and extension, breath and voice, intention and focus, movement and freedom, and their ability to connect physically to imagery and text – disciplines that are at the foundation of actor-training – all through the art of combat movement.
Author: Philip d'Orleans
Publisher: The Crowood Press
ISBN: 1785007866
Category : Performing Arts
Languages : en
Pages : 552
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Book Description
Stage combat is a constantly evolving craft, responsive to the growing demands of an ever changing industry and an ever more perceptive audience. Experienced fight director, teacher and examiner Philip d'Orleans shows how to respond to this challenge through innovative techniques and original choreography. Unarmed Stage Combat explores the fundamental performance principles of violence on stage, before a dedicated series of chapters focus on over forty specific unarmed combat techniques, including non-contact slaps, punches, kicks and chokes as well as controlled contact and the illusion of falling. Each technique is beautifully illustrated with step-by-step photos and detailed practical guidance through the preparation, action and reaction to the movement, as well as the key safety principles, common pitfalls and staging variables. Supported by stunning fight photos from professional productions, this indispensable handbook is equally as valuable for beginners at the start of their career or preparing for their fight performance exam as it will be for seasoned professionals seeking to refresh their knowledge.
Author: Jenn Boughn
Publisher: Simon and Schuster
ISBN: 1581158254
Category : Performing Arts
Languages : en
Pages : 276
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Book Description
The most complete guide on an essential stagecraft available! Wanna fight, buddy? This comprehensive guide covers everything performers, directors, theater teachers, fight choreographers, and others need to know to stage believable, safe action for theater and other performing arts. From basic falls, rolls, and tumbling to punches, kicks, hair pulls, and head slams, to advanced handling of weapons, Stage Combat provides in-depth instruction for realistic-looking fights and physical comedy. Grappling, slapping, pushing, choking—they were forbidden on the playground, but they’re needed for the play, and they’re all in here. So are basic drills for the quarterstaff, European rapier, and Japanese katana-style swordplay, and much more. Complete with illustrations and step-by-step directions, this book is a must-have for any actor spoiling for a fight—or the appearance of one. • Basics and more advanced techniques for the beginner and beyond • Emphasis on personal safety • Step-by-step directions and 200 illustrations for combat with and without weapons Allworth Press, an imprint of Skyhorse Publishing, publishes a broad range of books on the visual and performing arts, with emphasis on the business of art. Our titles cover subjects such as graphic design, theater, branding, fine art, photography, interior design, writing, acting, film, how to start careers, business and legal forms, business practices, and more. While we don't aspire to publish a New York Times bestseller or a national bestseller, we are deeply committed to quality books that help creative professionals succeed and thrive. We often publish in areas overlooked by other publishers and welcome the author whose expertise can help our audience of readers.
