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Author: Michael Blakemore
Publisher: Faber & Faber
ISBN: 0571311237
Category : Performing Arts
Languages : en
Pages : 256
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Book Description
In 1971, Michael Blakemore joined the National Theatre as Associate Director under Laurence Olivier. The National, still based at the Old Vic, was at a moment of transition awaiting the move to its vast new home on the South Bank. Relying on generous subsidy, it would need an extensive network of supporters in high places. Olivier, a scrupulous and brilliant autocrat from a previous generation, was not the man to deal with these political ramifications. His tenure began to unravel and, behind his back, Peter Hall was appointed to replace him in 1973. As in other aspects of British life, the ethos of public service, which Olivier espoused, was in retreat. Having staged eight productions for the National, Blakemore found himself increasingly uncomfortable under Hall's regime. Stage Blood is the candid and at times painfully funny story of the events that led to his dramatic exit in 1976. He recalls the theatrical triumphs and flops, his volatile relationship with Olivier including directing him in Long Day's Journey into Night, the extravagant dinners in Hall's Barbican flat with Harold Pinter, Jonathan Miller and the other associates, the opening of the new building, and Blakemore's brave and misrepresented decision to speak out. He would not return to the National for fifteen years.
Author: Michael Blakemore
Publisher: Faber & Faber
ISBN: 0571311237
Category : Performing Arts
Languages : en
Pages : 256
Get Book Here
Book Description
In 1971, Michael Blakemore joined the National Theatre as Associate Director under Laurence Olivier. The National, still based at the Old Vic, was at a moment of transition awaiting the move to its vast new home on the South Bank. Relying on generous subsidy, it would need an extensive network of supporters in high places. Olivier, a scrupulous and brilliant autocrat from a previous generation, was not the man to deal with these political ramifications. His tenure began to unravel and, behind his back, Peter Hall was appointed to replace him in 1973. As in other aspects of British life, the ethos of public service, which Olivier espoused, was in retreat. Having staged eight productions for the National, Blakemore found himself increasingly uncomfortable under Hall's regime. Stage Blood is the candid and at times painfully funny story of the events that led to his dramatic exit in 1976. He recalls the theatrical triumphs and flops, his volatile relationship with Olivier including directing him in Long Day's Journey into Night, the extravagant dinners in Hall's Barbican flat with Harold Pinter, Jonathan Miller and the other associates, the opening of the new building, and Blakemore's brave and misrepresented decision to speak out. He would not return to the National for fifteen years.
Author: Roxana Stuart
Publisher: Popular Press
ISBN: 9780879726607
Category : Drama
Languages : en
Pages : 396
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Book Description
Stuart's study approaches the subject primarily from the viewpoint of literary criticism but also includes production history, providing the reader with a useful look at theatre practices. Additionally, insight is provided into the popular taste and imagination of different periods and cultures, as reflected in changing representations of the vampire, from the relative innocence of the Romantics to the evolving patterns of sadism, misogyny, and xenophobia of the end of the century. Annotation copyright by Book News, Inc., Portland, OR
Author: Amnon Kabatchnik
Publisher: Scarecrow Press
ISBN: 0810883554
Category : Performing Arts
Languages : en
Pages : 648
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Book Description
Discussing more than 80 full-length plays, this volume provides an overview of the most important and memorable theatrical works of crime and detection produced between 1975 and 2000. Each entry includes a plot synopsis, production data, and the opinions of well-known and respected critics and scholars.
Author: Amnon Kabatchnik
Publisher: Scarecrow Press
ISBN: 0810877848
Category : Performing Arts
Languages : en
Pages : 706
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Book Description
Discussing more than 120 full-length plays, this volume provides an overview of the most important and memorable theatrical works of crime and detection produced between 1950 and 1975.
Author: Amnon Kabatchnik
Publisher: Rowman & Littlefield
ISBN: 1538106183
Category : Performing Arts
Languages : en
Pages : 738
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Book Description
This volume examines the key representations of transgression drama produced between 1800 and 1900. Arranged in chronological order, the entries consist of plot summary (often including significant dialogue), performance data (if available), opinions by critics and scholars, and other features.
Author: Amnon Kabatchnik
Publisher: Rowman & Littlefield
ISBN: 1538106167
Category : Performing Arts
Languages : en
Pages : 830
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Book Description
This volume examines the key representations of transgression drama produced between 1600 and 1800. Arranged in chronological order, the entries consist of plot summary (often including significant dialogue), performance data (if available), opinions by critics and scholars, and other features.
Author: Amnon Kabatchnik
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 440
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Book Description
Acts of crime and criminal minds have always fascinated the world's authors. During 1900-1925, world stages were full of plays in which transgression and lawbreaking were the common denominators. In Blood on the Stage: Milestone Plays of Crime, Mystery, and Detection, An Annotated Repertoire, 1900 - 1925, Amnon Kabatchnik examines the key representations of transgression drama produced in the 20th century's first quarter. This volume covers 80 plays written and produced between 1900-1925 that had at least one public performance in the English language, with an emphasis on New York and London performances. Each of the entries revolves around murder, theft, chicanery, kidnapping, political intrigue, or espionage. Works by Nobel Prize winners Jacinto Benavente, John Galsworthy, and Eugene O'Neill are examined, along with plays by David Belasco, Earl Derr Biggers, George M. Cohan, Arthur Conan Doyle, Elmer Rice, and Mary Roberts Rinehart. The volume includes standards of the genre such as The Bat, The Cat and the Canary, The Last of Mrs. Cheney, Madame X, and The Scarlet Pimpernel. The emphasis is on manuscripts of enduring importance, pioneering contributions, singular innovations, outstanding success, and representative works by prolific playwrights in the genre. The entries are arranged in chronological order, each consisting of plot summary (often including significant dialogue), production and performance data, opinions by critics and scholars, and other features.
Author: Rufus King
Publisher: Samuel French, Inc.
ISBN: 9780573610745
Category : California, Southern
Languages : en
Pages : 140
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Book Description
Author: Melissa Urban
Publisher: Houghton Mifflin Harcourt
ISBN: 0544609719
Category : Cooking
Languages : en
Pages : 435
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Book Description
Millions of people visit Whole30.com every month and share their stories of weight loss and lifestyle makeovers. Hundreds of thousands of them have read It Starts With Food, which explains the science behind the program. At last, The Whole30 provides the step-by-step, recipe-by-recipe guidebook that will allow millions of people to experience the transformation of their entire life in just one month.
Author: Ariane M. Balizet
Publisher: Routledge
ISBN: 1317961951
Category : Literary Criticism
Languages : en
Pages : 210
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Book Description
In this volume, the author argues that blood was, crucially, a means by which dramatists negotiated shifting contours of domesticity in 16th and 17th century England. Early modern English drama vividly addressed contemporary debates over an expanding idea of "the domestic," which encompassed the domus as well as sex, parenthood, household order, the relationship between home and state, and the connections between family honor and national identity. The author contends that the domestic ideology expressed by theatrical depictions of marriage and household order is one built on the simultaneous familiarity and violence inherent to blood. The theatrical relation between blood and home is far more intricate than the idealized language of the familial bloodline; the home was itself a bloody place, with domestic bloodstains signifying a range of experiences including religious worship, sex, murder, birth, healing, and holy justice. Focusing on four bleeding figures—the Bleeding Bride, Bleeding Husband, Bleeding Child, and Bleeding Patient—the author argues that the household blood of the early modern stage not only expressed the violence and conflict occasioned by domestic ideology, but also established the home as a site that alternately reified and challenged patriarchal authority.
