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Author: David Herbert Lawrence
Publisher: Macmillan Company of Canada
ISBN:
Category : Allegory
Languages : en
Pages : 230
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Book Description
Two stories using Arizona and New Mexico as backgrounds, show free life versus civilization.
Author: David Herbert Lawrence
Publisher: Macmillan Company of Canada
ISBN:
Category : Allegory
Languages : en
Pages : 230
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Book Description
Two stories using Arizona and New Mexico as backgrounds, show free life versus civilization.
Author: David Herbert Lawrence
Publisher: New York : A. A. Knopf
ISBN:
Category :
Languages : en
Pages : 124
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Book Description
Lawrence's credo and philosophy of life expressed in religious terminology.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 230
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Book Description
Author: D. H. Lawrence
Publisher: Atlântico Press
ISBN: 9898559721
Category : Literary Collections
Languages : en
Pages : 91
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Book Description
The Virgin and the Gypsy is a short story by English author D. H. Lawrence, about personal and sexual liberation. It was written in 1926 and published posthumously in 1930. The Virgin and the Gypsy has become a classic and is one of Lawrence’s most vibrant short novels.
Author: P. J. Stylianou
Publisher: Oxford University Press
ISBN: 9780198152392
Category : History
Languages : en
Pages : 672
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Book Description
For long stretches of Greek history in the classical period, Diodorus Siculus provides the only surviving continuous narrative of events. This study, the fullest ever undertaken of Diodorus, examines his aims, sources, and methods in detail. The findings of this investigation are then applied in commenting on Book 15, which deals with the crucial years between the King's Peace, concluded in 387/6 BC, and the aftermath of the battle of Mantinea fought in 362 BC.
Author: D. H. Lawrence
Publisher: Cambridge University Press
ISBN: 9780521294300
Category : Fiction
Languages : en
Pages : 560
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Book Description
These thirteen short stories were written between 1924 and 1928. Eleven were collected in The Woman Who Rode Away (1928), though 'The Man Who Loved Islands' appeared in the American edition only and the other two in The Lovely Lady (1933). An unpublished fragment 'A Pure Witch' is also included.
Author: Vasileios Liotsakis
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110659972
Category : Literary Criticism
Languages : en
Pages : 296
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Book Description
Arrian’s Alexandrou Anabasis constitutes the most reliable account at our disposal about Alexander the Great's campaign in Asia. However, whereas the work has been thoroughly studied as a historical source, its literary qualities have been relatively neglected, with no autonomous monograph existing on this matter. Vasileios Liotsakis fills this gap in the studies of Alexander the Great’s literary tradition, by offering the first monograph on Arrian’s compositional strategies. Liotsakis focuses on the narrative techniques and verbal choices, through which Arrian allows praise and criticism to intermingle in his portrait of the Macedonian king. His main point of argument is that Arrian systematically exploits an abundance of narrative means (military descriptions, presentation of peoples, march-narratives, anachronies, and epic elements) in order to draw the reader’s attention not only to Alexander’s intellectual skills but also to the fact that the king was gradually corrupted by his success. This book puts Arrian’s literary contrivances under the microscope, sheds new light on unexplored aspects of the Anabasis’ narrative arrangement, and contributes to the studies of Alexander’s prosopography in Classical historiography.
Author: Geneva M. Gano
Publisher: Edinburgh University Press
ISBN: 1474439772
Category : Literary Criticism
Languages : en
Pages : 320
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Book Description
This book is first to historicise and theorise the significance of the early twentieth-century little art colony as a uniquely modern social formation within a global network of modernist activity and production.
Author: Andrew C. Johnston
Publisher: Harvard University Press
ISBN: 0674979362
Category : History
Languages : en
Pages : 431
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Book Description
Histories of ancient Rome have long emphasized the ways in which the empire assimilated the societies it conquered, bringing civilization to the supposed barbarians. Yet interpretations of this “Romanization” of Western Europe tend to erase local identities and traditions from the historical picture, leaving us with an incomplete understanding of the diverse cultures that flourished in the provinces far from Rome. The Sons of Remus recaptures the experiences, memories, and discourses of the societies that made up the variegated patchwork fabric of the western provinces of the Roman Empire. Focusing on Gaul and Spain, Andrew Johnston explores how the inhabitants of these provinces, though they willingly adopted certain Roman customs and recognized imperial authority, never became exclusively Roman. Their self-representations in literature, inscriptions, and visual art reflect identities rooted in a sense of belonging to indigenous communities. Provincials performed shifting roles for different audiences, rehearsing traditions at home while subverting Roman stereotypes of druids and rustics abroad. Deriving keen insights from ancient sources—travelers’ records, myths and hero cults, timekeeping systems, genealogies, monuments—Johnston shows how the communities of Gaul and Spain balanced their local identities with their status as Roman subjects, as they preserved a cultural memory of their pre-Roman past and wove their own narratives into Roman mythology. The Romans saw themselves as the heirs of Romulus, the legendary founder of the eternal city; from the other brother, the provincials of the west received a complicated inheritance, which shaped the history of the sons of Remus.
Author: Margot Norris
Publisher: JHU Press
ISBN: 1421431335
Category : Literary Criticism
Languages : en
Pages : 313
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Book Description
Originally published in 1985. Beasts of the Modern Imagination explores a specific tradition in modern thought and art: the critique of anthropocentrism at the hands of "beasts"—writers whose works constitute animal gestures or acts of fatality. It is not a study of animal imagery, although the works that Margot Norris explores present us with apes, horses, bulls, and mice who appear in the foreground of fiction, not as the tropes of allegory or fable, but as narrators and protagonists appropriating their animality amid an anthropocentric universe. These beasts are finally the masks of the human animals who create them, and the textual strategies that bring them into being constitute another version of their struggle. The focus of this study is a small group of thinkers, writers, and artists who create as the animal—not like the animal, in imitation of the animal—but with their animality speaking. The author treats Charles Darwin as the founder of this tradition, as the naturalist whose shattering conclusions inevitably turned back on him and subordinated him, the rational man, to the very Nature he studied. Friedrich Nietzsche heeded the advice implicit in his criticism of David Strauss and used Darwinian ideas as critical tools to interrogate the status of man as a natural being. He also responded to the implications of his own animality for his writing by transforming his work into bestial acts and gestures. The third, and last, generation of these creative animals includes Franz Kafka, the Surrealist artist Max Ernst, and D. H. Lawrence. In exploring these modern philosophers of the animal and its instinctual life, the author inevitably rebiologizes them even against efforts to debiologize thinkers whose works can be studied profitably for their models of signification.
