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Author: Hella Skowronski
Publisher:
ISBN:
Category : Crafts & Hobbies
Languages : en
Pages : 108
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Book Description
"What is Sprang? It is a technique for twisting yarn on a simple frame or loom to form decorative and useful fabrics in hundreds of patterns. Get the simple materials - a few pieces of wood or an old picture frame, some sticks, a ball of thread or yarn. Try sprang yourself. Complete step-by-step instructions and easy-to-follow diagrams are provided. See what happens: wall hangings, handbags, capes, pillow covers, mats, caps, skirts, vests and much more." -- www.amazon.com.
Author: Hella Skowronski
Publisher:
ISBN:
Category : Crafts & Hobbies
Languages : en
Pages : 108
Get Book Here
Book Description
"What is Sprang? It is a technique for twisting yarn on a simple frame or loom to form decorative and useful fabrics in hundreds of patterns. Get the simple materials - a few pieces of wood or an old picture frame, some sticks, a ball of thread or yarn. Try sprang yourself. Complete step-by-step instructions and easy-to-follow diagrams are provided. See what happens: wall hangings, handbags, capes, pillow covers, mats, caps, skirts, vests and much more." -- www.amazon.com.
Author: Peter Collingwood
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 332
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Book Description
The definite work on an ancient fabric-making process
Author: Carol James
Publisher: Sashweaver
ISBN: 9780978469528
Category : Sprang
Languages : en
Pages : 80
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Book Description
Author:
Publisher:
ISBN:
Category : Handicraft
Languages : en
Pages : 136
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Book Description
Author: Irene Waller
Publisher: Penguin Putnam
ISBN:
Category : Art
Languages : en
Pages : 192
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Book Description
Author:
Publisher:
ISBN:
Category : Hand weaving
Languages : en
Pages : 496
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Book Description
Author:
Publisher:
ISBN:
Category : Hand weaving
Languages : en
Pages : 426
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Book Description
Author: Frances Pritchard
Publisher: Oxbow Books
ISBN: 1789257603
Category : Social Science
Languages : en
Pages : 353
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Book Description
New research into the techniques of tablet weaving, sprang, braiding, knotting and lace is presented in this lavishly illustrated volume written by leading specialists from Austria, Canada, Denmark, France, Germany, Sweden, Switzerland, the UK, and USA. Drawing inspiration from the pioneering work of Peter Collingwood, this publication explores aspects of these craft skills in the prehistoric, Roman, and medieval world through scientific, object-based analysis and 'research through making'. Chapters include the growth of patterned tablet weaving for trimming garments in prehistoric Central Europe; recently identified styles of headdress worn in the Roman Rhineland and pre-Islamic Egypt; Viking-age Dublin as a production center for tablet-woven bands; a new interpretation of the weaving technique used to make luxurious gold bands in the twelfth to late thirteenth centuries; and the development out of plaiting of bobbin lace borders in gold and silver threads from the fifteenth to early seventeenth centuries. Practical experiments test methods of hand spinning and the production of figure-hugging hose in ancient Greece and Renaissance Italy. A typology of braid and knotting structures in late medieval Europe is also set out for the first time. Diagrams, illustrations, and photographs enrich each chapter with a wealth of visual source material. The work is the outcome of recent discoveries of archaeological textile finds from excavations as well as fresh examination of material recovered in the past, or preserved in treasuries. Early textiles form an increasingly popular subject of interest and this publication, which is a landmark in the study of various specialized textile techniques, aims to provide the reader with a better understanding of these virtuoso craft skills in antiquity.
Author: Alexandra Lester-Makin
Publisher: Boydell & Brewer
ISBN: 1837650136
Category : Antiques & Collectibles
Languages : en
Pages : 244
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Book Description
An examination of the uses, meanings, and social impact of Viking Age textiles. This volume offers the first full study of archaeological fabrics and their decoration found in the North Atlantic region and dating broadly from the Viking or Norse period. With contributions from both academic scholars and practitioners, it shows how approaching early medieval textiles from archaeological, historical and literary contexts, and through the processes of learning and employing the traditional skills of making them, brings about a more nuanced understanding of early medieval cloths: their creation, use and meanings within their respective societies. The book is divided into two parts. The first, "Textiles and their Interpretation", takes the reader on a journey from how wool was processed in the Viking Age, and the conservator's role in preserving and interpreting archaeological textiles, to different types of analyses that researchers use to understand and explain textiles from across the wide area of the Viking-influenced North Atlantic region. The second, "Understanding through Replicating", investigates the results of practical experiments in the reconstruction of surviving medieval fabrics and the resulting empirical conclusions that can be made about their manufacture and wider cultural implications.
Author: E. J.W. Barber
Publisher: Princeton University Press
ISBN: 0691201412
Category : Social Science
Languages : en
Pages : 508
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Book Description
This pioneering work revises our notions of the origins and early development of textiles in Europe and the Near East. Using innovative linguistic techniques, along with methods from palaeobiology and other fields, it shows that spinning and pattern weaving began far earlier than has been supposed. Prehistoric Textiles made an unsurpassed leap in the social and cultural understanding of textiles in humankind's early history. Cloth making was an industry that consumed more time and effort, and was more culturally significant to prehistoric cultures, than anyone assumed before the book's publication. The textile industry is in fact older than pottery--and perhaps even older than agriculture and stockbreeding. It probably consumed far more hours of labor per year, in temperate climates, than did pottery and food production put together. And this work was done primarily by women. Up until the Industrial Revolution, and into this century in many peasant societies, women spent every available moment spinning, weaving, and sewing. The author, Elizabeth Wayland Barber, demonstrates command of an almost unbelievably disparate array of disciplines--from historical linguistics to archaeology and paleobiology, from art history to the practical art of weaving. Her passionate interest in the subject matter leaps out on every page. Barber, a professor of linguistics and archaeology, developed expert sewing and weaving skills as a small girl under her mother's tutelage. One could say she had been born and raised to write this book. Because modern textiles are almost entirely made by machines, we have difficulty appreciating how time-consuming and important the premodern textile industry was. This book opens our eyes to this crucial area of prehistoric human culture.
