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Author: Susan Courtney
Publisher: Oxford University Press
ISBN: 0190663227
Category : Performing Arts
Languages : en
Pages : 400
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Book Description
Split Screen Nation traces an oppositional dynamic between the screen West and the screen South that was unstable and dramatically shifting in the decades after WWII, and has marked popular ways of imagining the U.S. ever since. If this dynamic became vivid in Quentin Tarantino's Django Unchained (2012), itself arguably a belated response to Easy Rider (1969), this book helps us understand those films, and much more, through an eclectic history of U.S. screen media from the postwar era. It deftly analyzes not only Hollywood films and television, but also educational and corporate films, amateur films (aka "home movies"), and military and civil defense films featuring "tests" of the atomic bomb in the desert. Attentive to sometimes profoundly different contexts of production and consumption shaping its varied examples, Split Screen Nation argues that in the face of the Cold War and the civil rights struggle an implicit, sometimes explicit, opposition between the screen West and the screen South nonetheless mediated the nation's most paradoxical narratives--namely, "land of the free"/land of slavery, conquest, and segregation. Whereas confronting such contradictions head-on could capsize cohesive conceptions of the U.S., by now familiar screen forms of the West and the South split them apart to offer convenient, discrete, and consequential imaginary places upon which to collectively project avowed aspirations and dump troubling forms of national waste. Pinpointing some of the most severe yet understudied postwar trends fueling this dynamic--including non-theatrical film road trips, feature films adapted from Tennessee Williams, and atomic test films--and mining their potential for more complex ways of thinking and feeling the nation, Split Screen Nation considers how the vernacular screen forms at issue have helped shape how we imagine not only America's past, but also the limits and possibilities of its present and future.
Author: Susan Courtney
Publisher: Oxford University Press
ISBN: 0190663227
Category : Performing Arts
Languages : en
Pages : 400
Get Book
Book Description
Split Screen Nation traces an oppositional dynamic between the screen West and the screen South that was unstable and dramatically shifting in the decades after WWII, and has marked popular ways of imagining the U.S. ever since. If this dynamic became vivid in Quentin Tarantino's Django Unchained (2012), itself arguably a belated response to Easy Rider (1969), this book helps us understand those films, and much more, through an eclectic history of U.S. screen media from the postwar era. It deftly analyzes not only Hollywood films and television, but also educational and corporate films, amateur films (aka "home movies"), and military and civil defense films featuring "tests" of the atomic bomb in the desert. Attentive to sometimes profoundly different contexts of production and consumption shaping its varied examples, Split Screen Nation argues that in the face of the Cold War and the civil rights struggle an implicit, sometimes explicit, opposition between the screen West and the screen South nonetheless mediated the nation's most paradoxical narratives--namely, "land of the free"/land of slavery, conquest, and segregation. Whereas confronting such contradictions head-on could capsize cohesive conceptions of the U.S., by now familiar screen forms of the West and the South split them apart to offer convenient, discrete, and consequential imaginary places upon which to collectively project avowed aspirations and dump troubling forms of national waste. Pinpointing some of the most severe yet understudied postwar trends fueling this dynamic--including non-theatrical film road trips, feature films adapted from Tennessee Williams, and atomic test films--and mining their potential for more complex ways of thinking and feeling the nation, Split Screen Nation considers how the vernacular screen forms at issue have helped shape how we imagine not only America's past, but also the limits and possibilities of its present and future.
Author: Susan Courtney
Publisher: Oxford University Press
ISBN: 0190459972
Category : Art
Languages : en
Pages : 337
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Book Description
Split Screen Nation traces an oppositional dynamic between the screen West and the screen South that was unstable and dramatically shifting in the decades after WWII, and has marked popular ways of imagining the U.S. ever since. If this dynamic became vivid in Quentin Tarantino's Django Unchained (2012), itself arguably a belated response to Easy Rider (1969), this book helps us understand those films, and much more, through an eclectic history of U.S. screen media from the postwar era. It deftly analyzes not only Hollywood films and television, but also educational and corporate films, amateur films (aka "home movies"), and military and civil defense films featuring "tests" of the atomic bomb in the desert. Attentive to sometimes profoundly different contexts of production and consumption shaping its varied examples, Split Screen Nation argues that in the face of the Cold War and the civil rights struggle an implicit, sometimes explicit, opposition between the screen West and the screen South nonetheless mediated the nation's most paradoxical narratives--namely, "land of the free"/land of slavery, conquest, and segregation. Whereas confronting such contradictions head-on could capsize cohesive conceptions of the U.S., by now familiar screen forms of the West and the South split them apart to offer convenient, discrete, and consequential imaginary places upon which to collectively project avowed aspirations and dump troubling forms of national waste. Pinpointing some of the most severe yet understudied postwar trends fueling this dynamic--including non-theatrical film road trips, feature films adapted from Tennessee Williams, and atomic test films--and mining their potential for more complex ways of thinking and feeling the nation, Split Screen Nation considers how the vernacular screen forms at issue have helped shape how we imagine not only America's past, but also the limits and possibilities of its present and future.
Author: Steven Chung
Publisher: U of Minnesota Press
ISBN: 1452941513
Category : Art
Languages : en
Pages : 240
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Book Description
Shin Sang-ok (1926–2006) was arguably the most important Korean filmmaker of the postwar era. Over seven decades, he directed or produced nearly 200 films, including A Flower in Hell (1958) and Pulgasari (1985), and his career took him from late-colonial Korea to postwar South and North Korea to Hollywood. Notoriously crossing over to the North in 1978, Shin made a series of popular films under Kim Jong-il before seeking asylum in 1986 and resuming his career in South Korea and Hollywood. In Split Screen Korea, Steven Chung illuminates the story of postwar Korean film and popular culture through the first in-depth account in English of Shin’s remarkable career. Shin’s films were shaped by national division and Cold War politics, but Split Screen Korea finds surprising aesthetic and political continuities across not only distinct phases in modern South Korean history but also between South and North Korea. These are unveiled most dramatically in analysis of the films Shin made on opposite sides of the DMZ. Chung explains how a filmmaking sensibility rooted in the South Korean market and the global style of Hollywood could have been viable in the North. Combining close readings of a broad range of films with research on the industrial and political conditions of Korean film production, Split Screen Korea shows how cinematic styles, popular culture, and intellectual discourse bridged the divisions of postwar Korea, raising new questions about the implications of political partition.
Author: Stephan Thernstrom
Publisher: Simon and Schuster
ISBN: 9781439129098
Category : Social Science
Languages : en
Pages : 704
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Book Description
In a book destined to become a classic, Stephan and Abigail Thernstrom present important new information about the positive changes that have been achieved and the measurable improvement in the lives of the majority of African-Americans. Supporting their conclusions with statistics on education, earnings, and housing, they argue that the perception of serious racial divisions in this country is outdated -- and dangerous.
Author: Tara Westover
Publisher: Random House
ISBN: 039959051X
Category : Biography & Autobiography
Languages : en
Pages : 352
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Book Description
#1 NEW YORK TIMES, WALL STREET JOURNAL, AND BOSTON GLOBE BESTSELLER • One of the most acclaimed books of our time: an unforgettable memoir about a young woman who, kept out of school, leaves her survivalist family and goes on to earn a PhD from Cambridge University “Extraordinary . . . an act of courage and self-invention.”—The New York Times NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY THE NEW YORK TIMES BOOK REVIEW • ONE OF PRESIDENT BARACK OBAMA’S FAVORITE BOOKS OF THE YEAR • BILL GATES’S HOLIDAY READING LIST • FINALIST: National Book Critics Circle’s Award In Autobiography and John Leonard Prize For Best First Book • PEN/Jean Stein Book Award • Los Angeles Times Book Prize Born to survivalists in the mountains of Idaho, Tara Westover was seventeen the first time she set foot in a classroom. Her family was so isolated from mainstream society that there was no one to ensure the children received an education, and no one to intervene when one of Tara’s older brothers became violent. When another brother got himself into college, Tara decided to try a new kind of life. Her quest for knowledge transformed her, taking her over oceans and across continents, to Harvard and to Cambridge University. Only then would she wonder if she’d traveled too far, if there was still a way home. “Beautiful and propulsive . . . Despite the singularity of [Westover’s] childhood, the questions her book poses are universal: How much of ourselves should we give to those we love? And how much must we betray them to grow up?”—Vogue NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The Washington Post • O: The Oprah Magazine • Time • NPR • Good Morning America • San Francisco Chronicle • The Guardian • The Economist • Financial Times • Newsday • New York Post • theSkimm • Refinery29 • Bloomberg • Self • Real Simple • Town & Country • Bustle • Paste • Publishers Weekly • Library Journal • LibraryReads • Book Riot • Pamela Paul, KQED • New York Public Library
Author: American Bar Association. House of Delegates
Publisher: American Bar Association
ISBN: 9781590318737
Category : Law
Languages : en
Pages : 216
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Book Description
The Model Rules of Professional Conduct provides an up-to-date resource for information on legal ethics. Federal, state and local courts in all jurisdictions look to the Rules for guidance in solving lawyer malpractice cases, disciplinary actions, disqualification issues, sanctions questions and much more. In this volume, black-letter Rules of Professional Conduct are followed by numbered Comments that explain each Rule's purpose and provide suggestions for its practical application. The Rules will help you identify proper conduct in a variety of given situations, review those instances where discretionary action is possible, and define the nature of the relationship between you and your clients, colleagues and the courts.
Author: Richard Copping
Publisher: Herridge & Sons, Ltde.
ISBN: 9781906133993
Category : Transportation
Languages : en
Pages : 0
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Book Description
The Story of the VW Transporter Split-Screen Models, 1949-1967, tells the story of one of the most recognizable vehicles ever built
Author: Daniel Eagan
Publisher: A&C Black
ISBN: 0826429777
Category : Performing Arts
Languages : en
Pages : 848
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Book Description
Collection of the five hundred films that have been selected, to date, for preservation by the National Film Preservation Board, and are thereby listed in the National Film Registry.
Author: Brent Hartinger
Publisher: Harper Collins
ISBN: 0061906042
Category : Juvenile Fiction
Languages : en
Pages : 158
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Book Description
It's a horror-movie extravaganza in this companion to Brent Hartinger's Geography Club! Two books in one recount the stories of best friends Min and Russel who sign up to be extras on the set of a zombie film – then learn that there's nothing scarier than high school romance! Read one story, flip the book over, and read the other! In Attack of the Soul-Sucking Brain Zombies, Russel must choose between his long-distance boyfriend and a close-to-home ex who wants to get back together. In Bride of the Soul-Sucking Brain Zombies, Min struggles to accept her cheerleader girlfriend's decision to stay in the closet. Russel and Min's separate stories affect each other in surprising ways – but you'll have to read both books to find out how!
Author: Kevin A. Sabet
Publisher: Simon and Schuster
ISBN: 1948677881
Category : Law
Languages : en
Pages : 269
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Book Description
From the leading authority on marijuana—a man who has served as White House advisor on drugs to three different administrations and who NBC News once called “the prodigy of drug politics"—comes the remarkable and shocking exposé about how 21st century pot, today’s new and highly potent form of the drug, is on the rise, spreading rapidly across America by an industry intent on putting rising profits over public health. Smokescreen: What the Marijuana Industry Doesn't Want You to Know examines the inside story behind the headlines, containing accounts from Sabet’s time in the Obama administration to stunning revelations from whistleblowers speaking out for the first time. What it finds is how the marijuana industry is running rampant without proper oversight, leaving Americans’ health seriously at risk. Included are interviews with industry insiders who reveal the hidden dangers of a product they had once worshipped. Also contained in these pages are insights from a major underground-market dealer who admits that legalization is hastening the growth of the illicit drug trade. And more to the heart of the issue are the tragic stories of those who have suffered and died as a result of marijuana use, and in many cases, as a result of its mischaracterization. Readers will learn how power brokers worked behind the scenes to market marijuana as a miracle plant in order to help it gain widespread acceptance and to set the stage for the lucrative expansion of recreational pot. The author of this compelling first-person narrative leading the national fight against the legalization of cannabis through his nonprofit, Smart Approaches to Marijuana (aka SAM) is Kevin Sabet. As a policy advisor to everyone from county health commissioners to Pope Francis, and a frequent public speaker on television, radio and through other media outlets, his analysis is consistently relied upon by those who recognize what’s at stake as marijuana lobbyists downplay the risks of massive commercialization. A book several years in the making, filled with vivid characters and informed by hundreds of interviews and scores of confidential documents, Sabet's Smokescreen lays bare the unvarnished truth about marijuana in America.
