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Author: Sydney Anglo
Publisher: Clarendon Press
ISBN:
Category : History
Languages : en
Pages : 392
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Book Description
This standard work, long out of print, discusses every English royal entry, festival, disguising, masque, and tournament, from the accession of Henry VII to the coronation celebrations of Elizabeth I. The study of court festivals, spectacle, and civic pageantry in Renaissance Europe has nowdeveloped into a major academic industry, so that the market for authoritative works on these themes extends far beyond the boundaries of conventional scholarly disciplines. Spectacle, Pageantry and Early Tudor Policy was a pioneering work and remains the only comprehensive and analytical treatmentof its subject.
Author: Sydney Anglo
Publisher: Clarendon Press
ISBN:
Category : History
Languages : en
Pages : 392
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Book Description
This standard work, long out of print, discusses every English royal entry, festival, disguising, masque, and tournament, from the accession of Henry VII to the coronation celebrations of Elizabeth I. The study of court festivals, spectacle, and civic pageantry in Renaissance Europe has nowdeveloped into a major academic industry, so that the market for authoritative works on these themes extends far beyond the boundaries of conventional scholarly disciplines. Spectacle, Pageantry and Early Tudor Policy was a pioneering work and remains the only comprehensive and analytical treatmentof its subject.
Author: Paul Whitfield White
Publisher: Cambridge University Press
ISBN: 9780521034302
Category : Drama
Languages : en
Pages : 340
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Book Description
During the past quarter of a century, the study of patronage-theatre relations in early modern England has developed considerably. This, however, is an extensive, wide-ranging and representative 2002 study of patronage as it relates to Shakespeare and the theatrical culture of his time. Twelve distinguished theatre historians address such questions as: What important functions did patronage have for the theatre during this period? How, in turn, did the theatre impact and represent patronage? Where do paying spectators and purchasers of printed drama fit into the discussion of patronage? The authors also show how patronage practices changed and developed from the early Tudor period to the years in which Shakespeare was the English theatre's leading artist. This important book will appeal to scholars of Renaissance social history as well as those who focus on Shakespeare and his playwriting contemporaries.
Author: Anita Hewerdine
Publisher: Bloomsbury Publishing
ISBN: 0857722514
Category : History
Languages : en
Pages : 336
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Book Description
The Queen's Body Guard of the Yeomen of the Guard is the world's oldest surviving royal bodyguard, having been founded by Henry VII in 1485. Today it is purely a ceremonial body, but in the past it was a true bodyguard and the nucleus of a fighting force at a time when England had no standing army. Nevertheless, even in its early years, its ceremonial role was also of great importance, supplying a richly arrayed retinue to enhance the King's status. Anita Hewerdine here provides the first comprehensive study of the early years of the Yeomen of the Guard during the reigns of Henry VII and Henry VIII, examining the variety of roles performed by the Guard, both within and outside the Court, as well as detailing the apparel worn by the yeomen and the weaponry with which they were equipped. Hewerdine's book is the result of intensive research, using numerous unpublished documents, as well as a variety of printed sources not readily accessible to the general public. It will be essential reading for researchers of Early Modern Military History and sheds light on a previously overlooked aspect of the Tudor Court.
Author: David M. Bergeron
Publisher: University of Georgia Press
ISBN: 0820338435
Category : Literary Criticism
Languages : en
Pages : 262
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Book Description
Pageantry in the Shakespearean Theater focuses on political, social, and aesthetic issues to reveal the enormous influence of civic celebration on Renaissance theater. Ranging across Shakespeare's canon and including the work of his fellow playwrights, this collection of twelve essays considers tournaments, royal entries, Lord Mayor's Shows, funeral processions progress entertainments, court masques, and more.
Author: J.R. Mulryne
Publisher: Routledge
ISBN: 1317168917
Category : History
Languages : en
Pages : 412
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Book Description
The fourteen essays that comprise this volume concentrate on festival iconography, the visual and written languages, including ephemeral and permanent structures, costume, dramatic performance, inscriptions and published festival books that ’voiced’ the social, political and cultural messages incorporated in processional entries in the countries of early modern Europe. The volume also includes a transcript of the newly-discovered Register of Lionardo di Zanobi Bartholini, a Florentine merchant, which sets out in detail the expenses for each worker for the possesso (or Entry) of Pope Leo X to Rome in April 1513.
Author: Thomas Betteridge
Publisher: OUP Oxford
ISBN: 0191651516
Category : Drama
Languages : en
Pages : 710
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Book Description
The Oxford Handbook to Tudor Drama is the authoritative secondary text on Tudor drama. It both integrates recent important research across different disciplines and periods and sets a new agenda for the future study of Tudor drama, questioning a number of the central assumptions of previous studies. Balancing the interests and concerns of scholars in theatre history, drama, and literary studies, its scope reflects the broad reach of Tudor drama as a subject, inviting readers to see the Tudor century as a whole, rather than made up of artificial and misleading divisions between 'medieval' and 'renaissance', religious and secular, pre- and post-Shakespeare. The contributors, both the established leaders in their fields and the brightest young scholars, attend to the contexts, intellectual, theatrical and historical within which drama was written, produced and staged in this period, and ask us to consider afresh this most vital and complex of periods in theatre history. The book is divided into four sections: Religious Drama; Interludes and Comedies, Entertainments, Masques, and Royal Entries; and Histories and political dramas.
Author: Delloyd J. Guth
Publisher: Cambridge University Press
ISBN: 9780521091275
Category : History
Languages : en
Pages : 442
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Book Description
The work of G. R. Elton has inspired its own 'Tudor Revolution' in the historiography of Tudor and Stuart government and society. In this volume a distinguished gathering of eighteen historians, all now resident in North America, pay tribute to Professor Elton's broad influence in shaping modern interpretations of the sixteenth- and seventeenth-century constitution. Each contributor to this volume has addressed, directly or indirectly, some aspect of that tempestuous age which has been dubbed 'Elton's era', and each of the sections relates directly to particular problems or topics which have figured prominently in Professor Elton's own work. Most extend his findings in new directions and with new evidence from archival researches. Others take issue with some of his tentative conclusions, though admitting the extent to which his work has made such advances possible.
Author: Michael A. Winkelman
Publisher: Routledge
ISBN: 0429559542
Category : Literary Criticism
Languages : en
Pages : 412
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Book Description
Originally published in 2005. While several recent studies have investigated the political dimensions of sixteenth-century English drama, until now there has not been a monograph that tells the story of how and why royal marital selection was examined. By linking court interludes, neoclassical university tragedies, and popular plays by late Elizabethan dramatists Christopher Marlowe, John Lyly, Thomas Kyd, and William Shakespeare to the inflammatory topic of Tudor marriage, Michael Winkelman demonstrates their cultural centrality. This new work interrogates the symbolic, allusive, and mimetic aspects of marital relationships in such plays. Winkelman argues that they were crucial battlegrounds for a series of consequential debates about the future of the monarchy, especially during the reigns of the oft-married King Henry VIII and his unmarried daughter, the Virgin Queen Elizabeth I. Marriage, as a critically important political metaphor as well as a pressing realpolitik quandary, was the subject of major debate in the drama and government of Tudor England. Royal conduct in the domestic sphere had a tremendous impact on the entire English social order, and in an age before widespread freedom of speech, court drama was often the only venue where the voicing of criticism was tolerated. The fascinating soap-opera story of Tudor marriage thus provides the author with a reference point for an interdisciplinary study of sixteenth-century theatre and politics. Drawing on evidence from playbooks and historical chronicles as well as contemporary work in gender studies, audience-response theory, and anthropology, this book explores how during a time of anxiety-inducing change, playwrights discussed controversies and propounded remedies; theatre played a pivotal role in shaping society.
Author: Gilbert Tournoy
Publisher: Leuven University Press
ISBN: 9789061862550
Category : Foreign Language Study
Languages : en
Pages : 364
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Book Description
Volume 36
Author: Kristin M.S. Bezio
Publisher: Routledge
ISBN: 1317050762
Category : Literary Criticism
Languages : en
Pages : 303
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Book Description
Staging Power in Tudor and Stuart English History Plays examines the changing ideological conceptions of sovereignty and their on-stage representations in the public theaters during the Elizabethan and early Stuart periods (1580-1642). The study examines the way in which the early modern stage presented a critical dialogue concerning the nature of sovereignty through the lens of specifically English history, focusing in particular on the presentation and representation of monarchy. It presents the subgenre of the English history play as a specific reaction to the surrounding political context capable of engaging with and influencing popular and elite conceptions of monarchy and government. This project is the first of its kind to specifically situate the early modern debate on sovereignty within a 'popular culture' dramatic context; its purpose is not only to provide an historical timeline of English political theory pertaining to monarchy, but to situate the drama as a significant influence on the production and dissemination thereof during the Tudor and Stuart periods. Some of the plays considered here, notably those by Shakespeare and Marlowe, have been extensively and thoroughly studied. But others-such as Edmund Ironside, Sir Thomas Wyatt, and King John and Matilda-have not previously been the focus of much critical attention.
