Specimens of Chromatic Wood Type, Borders, &c. PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Specimens of Chromatic Wood Type, Borders, &c. PDF full book. Access full book title Specimens of Chromatic Wood Type, Borders, &c. by Esther K. Smith. Download full books in PDF and EPUB format.
Author: Esther K. Smith
Publisher: Rizzoli Publications
ISBN: 0847858685
Category : Design
Languages : en
Pages : 0
Get Book Here
Book Description
Specimens of Chromatic Wood Type, Borders, &c. is a vintage volume with an established cultlike status within the bibliophile, typographic, and design worlds. Originally published as a catalogue for William H. Page’s Connecticut wood type foundry— considered one of the best in the world—this 1874 type specimen book features elaborate display typefaces meant to announce tent revivals and circuses. In addition to the beautifully intricate typefaces and playful designs, the original author designed the pages in such a random sequence that the text reads as humorous and strange experimental poetry. Accidental or not, this beautiful book will delight readers with the humor and the beauty of each print. This edition reproduces all 102 pages of the original book. A charming gift or perfect addition to any serious art-book library, this volume will be loved by typographers, designers, artists, poets, DIYers, and anyone with a wicked sense of style.
Author: William H. Page
Publisher: Read Books Ltd
ISBN: 1528798732
Category : Design
Languages : en
Pages : 108
Get Book Here
Book Description
Having procured a cult-like following in the modern field of design, this extraordinary volume is brimming with over 100 intricate typeface examples, all skilfully produced and vibrantly coloured. In the world of typography, few titles hold higher esteem than William H. Page's Specimens of Chromatic Wood-Type (1874). First produced in 1874, the book was intended as a catalogue to showcase the capabilities of Page's world-renowned wood type foundry, William Page & Company, to sell the pieces of type to other printers. The elaborate fonts boast up to seven colours, each with labyrinthine borders and bold outlines. In this new facsimile edition, we have taken meticulous steps to preserve the original colour plates of the iconic volume, ensuring that the charm of Page's typographical masterpiece remains true to the original, first printed over 175 years ago. This prolific volume showcases the artistic magic that lies at the heart of letterpress printing in a rich celebration of a once-forgotten craft.
Author: Esther K. Smith
Publisher: Rizzoli Publications
ISBN: 0847858685
Category : Design
Languages : en
Pages : 0
Get Book Here
Book Description
Specimens of Chromatic Wood Type, Borders, &c. is a vintage volume with an established cultlike status within the bibliophile, typographic, and design worlds. Originally published as a catalogue for William H. Page’s Connecticut wood type foundry— considered one of the best in the world—this 1874 type specimen book features elaborate display typefaces meant to announce tent revivals and circuses. In addition to the beautifully intricate typefaces and playful designs, the original author designed the pages in such a random sequence that the text reads as humorous and strange experimental poetry. Accidental or not, this beautiful book will delight readers with the humor and the beauty of each print. This edition reproduces all 102 pages of the original book. A charming gift or perfect addition to any serious art-book library, this volume will be loved by typographers, designers, artists, poets, DIYers, and anyone with a wicked sense of style.
Author: David Shields
Publisher: University of Texas Press
ISBN: 1477327738
Category : Design
Languages : en
Pages : 415
Get Book Here
Book Description
The Rob Roy Kelly Wood Type Collection is a comprehensive collection of wood type manufactured and used for printing in nineteenth-century America. Comprising nearly 150 typefaces of various sizes and styles, it was amassed by noted design educator and historian Rob Roy Kelly starting in 1957 and is now held by the University of Texas. Although Kelly himself published a 1969 book on wood type and nineteenth-century typographic history, there has been little written about the creation of the wood type forms, the collection, or Kelly. In this book, David Shields rigorously updates and expands upon Kelly’s historical information about the types, clarifying the collection’s exact composition and providing a better understanding of the stylistic development of wood type forms during the nineteenth century. Using rich materials from the period, Shields provides a stunning visual context that complements the textual history of each typeface. He also highlights the non-typographic material in the collection—such as borders, rules, ornaments, and image cuts—that have not been previously examined. Featuring over 300 color illustrations, this written history and catalog is bound to spark renewed interest in the collection and its broader typographic period.
Author: E. C. Bigmore
Publisher:
ISBN:
Category :
Languages : en
Pages : 440
Get Book Here
Book Description
Author: Paul Shaw
Publisher: Yale University Press
ISBN: 0300219296
Category : Design
Languages : en
Pages : 257
Get Book Here
Book Description
An illuminating account of the design inspirations and technical transformations that have shaped the digital typefaces of the 21st century In this fascinating tour through typographic history, Paul Shaw provides a visually rich exploration of digital type revival. Many typefaces from the pre-digital past have been reinvented for use on computers and mobile devices, while other new font designs are revivals of letterforms, drawn from inscriptions, calligraphic manuals, posters, and book jackets. Revival Type deftly introduces these fonts, many of which are widely used, and engagingly tells their stories. Examples include translations of letterforms not previously used as type, direct revivals of metal and wood typefaces, and looser interpretations of older fonts. Among these are variations on classic designs by John Baskerville, Giambattista Bodoni, William Caslon, Firmin Didot, Claude Garamont, Robert Granjon, and Nicolas Jenson, as well as typefaces inspired by less familiar designers, including Richard Austin, Philippe Grandjean, and Eudald Pradell. Updates and revisions of 20th-century classics such as Palatino, Meridien, DIN, Metro, and Neue Haas Grotesk (Helvetica) are also discussed. Handsomely illustrated with annotated examples, archival material depicting classic designs, and full character sets of modern typefaces, Revival Type is an essential introduction for designers and design enthusiasts into the process of reinterpreting historical type.
Author:
Publisher:
ISBN:
Category : Printing
Languages : en
Pages : 364
Get Book Here
Book Description
Author: Edward Clements Bigmore
Publisher:
ISBN:
Category :
Languages : en
Pages : 464
Get Book Here
Book Description
Author: David Shields
Publisher: University of Texas Press
ISBN: 1477323686
Category : Design
Languages : en
Pages : 415
Get Book Here
Book Description
The Rob Roy Kelly Wood Type Collection is a comprehensive collection of wood type manufactured and used for printing in nineteenth-century America. Comprising nearly 150 typefaces of various sizes and styles, it was amassed by noted design educator and historian Rob Roy Kelly starting in 1957 and is now held by the University of Texas. Although Kelly himself published a 1969 book on wood type and nineteenth-century typographic history, there has been little written about the creation of the wood type forms, the collection, or Kelly. In this book, David Shields rigorously updates and expands upon Kelly’s historical information about the types, clarifying the collection’s exact composition and providing a better understanding of the stylistic development of wood type forms during the nineteenth century. Using rich materials from the period, Shields provides a stunning visual context that complements the textual history of each typeface. He also highlights the non-typographic material in the collection—such as borders, rules, ornaments, and image cuts—that have not been previously examined. Featuring over 300 color illustrations, this written history and catalog is bound to spark renewed interest in the collection and its broader typographic period.
Author: Rob Roy Kelly
Publisher:
ISBN: 9780978588175
Category : Design
Languages : en
Pages : 352
Get Book Here
Book Description
The first and most authoritative history of wood type in the United States is now reissued in paperback. This book tells the complete story of wood type, beginning with the history of wood as a printing material, the development of decorated letters and large letters, and the invention of machinery for mass-producing wood letters. The 19th-century heyday of wood type is explored in great detail, including all aspects of design, manufacture, and marketing, and the evolution of styles. Many related trades interacted with wood type production; the book examines the influence of lithography, letterpress, metal-plate and wood engraving, sign painting and calligraphy, poster printing, and type-founding. Long out of print, the book is still regarded by scholars and designers as an invaluable resource for a rich legacy of typographic art. More than 600 specimens of wood type are classified and annotated, as are more than 100 specimens of complete fonts. This reissue includes a new foreword by David Shields, Design Curator of the Rob Roy Kelly Wood Type Collection at the University of Texas at Austin, discussing the renewed interest in the subject since the mid-1990s as well as ongoing research into the history of wood type.
Author: William Edward Loy
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 180
Get Book Here
Book Description
In 1896 William E. Loy, a San Francisco printing equipment salesman and scholar, had the idea of writing a series of profiles of type designers. Loy took a long view of history, and realized that it was important to document the men in the background who created the nineteenth century's fanciful types, even as the furiously competing type foundries got the credit for introducing them to the printing trade. His work was serialized in The Inland Printer over the next three years and included biographies, photographs of the artists, and lists of the type they had designed or cut, which Loy had painstakingly compiled through correspondence with the type founders and other craftsmen. Unfortunately, due to the technical limitations of a monthly periodical, it was not possible to show the typefaces mentioned. Finally here is the work as Loy envisioned it, with over 800 illustrations of typefaces designed by the craftsmen he discusses. Loy traces their personal stories adding much incidental detail about the politics & business practices of the time and the innovations of each of these thirty men. Now, a century later, typographical historians Alastair Johnston and Stephen Saxe have realized Loy's vision, fully illustrated and annotated. This is one of the first reference books on nineteenth-century American type design, and as such is an important addition to typographical history.
