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Author: Society for Pure English
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 688
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Book Description
Author: Society for Pure English
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 688
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 496
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Book Description
Author: Robert Bridges
Publisher: University of Delaware Press
ISBN: 9780874132045
Category : Poets, English
Languages : en
Pages : 516
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Book Description
Author: Sarah Ogilvie
Publisher: Cambridge University Press
ISBN: 1107021839
Category : Language Arts & Disciplines
Languages : en
Pages : 261
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Book Description
Demonstrates that the Oxford English Dictionary is an international product in both its content and its making.
Author: Society for Pure English
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 370
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Book Description
Author:
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 546
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Book Description
Author: Society for Pure English
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 678
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Book Description
Author: Robert Bridges
Publisher:
ISBN:
Category : S.P.E. tract
Languages : en
Pages : 484
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Book Description
Author: Logan Pearsall Smith
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 366
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Book Description
Author: Walter J. Ong
Publisher: Cornell University Press
ISBN: 080146630X
Category : Literary Criticism
Languages : en
Pages : 353
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Book Description
Drawing on a wide range of disciplines—linguistics, phenomenological analysis, cultural anthropology, media studies, and intellectual history—Walter J. Ong offers a reasoned and sophisticated view of human consciousness different in many respects from that of structuralism. The essays in Interfaces of the Word are grouped around the dialectically related themes of change or alienation and growth or integration. Among the subjects Ong covers are the origins of speech in mother tongues; the rise and final erosion of nonvernacular learned languages; and the fictionalizing of audiences that is enforced by writing. Other essays treat the idiom of African talking drums, the ways new media interface with the old, and the various connections between specific literary forms and shifts in media that register in the work of Shakespeare and Milton and in movements such as the New Criticism. Ong also discusses the paradoxically nonliterary character of the Bible and the concerted blurring of fiction and actuality that marked much drama and narrative toward the close of the twentieth century.
