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Author: Norman L. Kleeblatt
Publisher: Prestel Publishing
ISBN:
Category : Art
Languages : en
Pages : 216
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Book Description
Born near Minsk in White Russia, the painter Chaim Soutine (1894-1943) created his major works in France between the two World Wars. He is identified with the School of Paris, the group of artists, many of them foreign-born and Jewish, who lived and worked in the French capital between the wars. Known as a "painter's painter", Soutine worked with unreserved gesture and emotion, using exuberant color, thickly applied paint, and sweeping brushwork. Chaim Soutine is a comprehensive, ground-breaking book that rediscovers this important artist, providing an overview of his life, work, and aesthetic influence, as well as his critical reception. Essays by leading scholars and curators assess Soutine's art from new vantage points, including the changing critical reception of his work in Paris between the wars, as well as in the US and France in the aftermath of World War II and the Holocaust. The essays also examine the influence of Soutine's Jewish and French immigrant background on his work and reception, and introduce us to his important patrons and major collectors. These included Albert Barnes, the famous Philadelphia collector, who discovered Soutine's work in 1922-23 and purchased 52 of his paintings. The book features presentations and information never published before, including a photo-essay composed of rare photographs of the artist, newly discovered correspondence between Soutine and the French art historian Elie Faure, and the first radiographic analysis of the artist's work, which brings to light new evidence about Soutine's use of materials and his process of painting.
Author: Norman L. Kleeblatt
Publisher: Prestel Publishing
ISBN:
Category : Art
Languages : en
Pages : 216
Get Book Here
Book Description
Born near Minsk in White Russia, the painter Chaim Soutine (1894-1943) created his major works in France between the two World Wars. He is identified with the School of Paris, the group of artists, many of them foreign-born and Jewish, who lived and worked in the French capital between the wars. Known as a "painter's painter", Soutine worked with unreserved gesture and emotion, using exuberant color, thickly applied paint, and sweeping brushwork. Chaim Soutine is a comprehensive, ground-breaking book that rediscovers this important artist, providing an overview of his life, work, and aesthetic influence, as well as his critical reception. Essays by leading scholars and curators assess Soutine's art from new vantage points, including the changing critical reception of his work in Paris between the wars, as well as in the US and France in the aftermath of World War II and the Holocaust. The essays also examine the influence of Soutine's Jewish and French immigrant background on his work and reception, and introduce us to his important patrons and major collectors. These included Albert Barnes, the famous Philadelphia collector, who discovered Soutine's work in 1922-23 and purchased 52 of his paintings. The book features presentations and information never published before, including a photo-essay composed of rare photographs of the artist, newly discovered correspondence between Soutine and the French art historian Elie Faure, and the first radiographic analysis of the artist's work, which brings to light new evidence about Soutine's use of materials and his process of painting.
Author: Chaim Soutine
Publisher:
ISBN: 9780413309402
Category :
Languages : en
Pages : 14
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Book Description
Author: Museum of Modern Art (New York, N.Y.). Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 700
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Book Description
Author: George Heard Hamilton
Publisher: Yale University Press
ISBN: 9780300056495
Category : Art
Languages : en
Pages : 628
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Book Description
This new edition of 'a book that offers the best available grounding in its huge subject,' as the Sunday Times called it, includes color plates and a revised and expanded bibliography. Professor Hamilton traces the origins and growth of modern art, assessing the intrinsic qualities of individual works and describing the social forces in play. The result is an authoritative guide through the forest of artistic labels-Impressionism and Expressionism, Symbolism, Cubism, Constructivism, Surrealism, etc.-and to the achievements of Degas and Cezanne, Ensor and Munch, Matisse and Kandinsky, Picasso, Braque, and Epstein, Mondrian, Dali, Modigliani, Utrillo and Chagall, Klee, Henry Moore, and many other artists in a revolutionary age.
Author: Samella S. Lewis
Publisher: Univ of California Press
ISBN: 9780520239357
Category : Art
Languages : en
Pages : 364
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Book Description
Examines the lives and works of African American artists from the eighteenth century to the present, with biographical and critical text and illustrated examples of their work.
Author: Rob Chapman
Publisher: Da Capo Press
ISBN: 0306819368
Category : Music
Languages : en
Pages : 482
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Book Description
“I don't think I'm easy to talk about. I've got a very irregular head. And I'm not anything that you think I am anyway.”—Syd Barrett’s last interview, Rolling Stone, 1971 Roger Keith “Syd” Barrett (1946–2006) was, by all accounts, the very definition of a golden boy. Blessed with good looks and a natural aptitude for painting and music, he was a charismatic, elfin child beloved by all, who fast became a teenage leader in Cambridge, England, where a burgeoning bohemian scene was flourishing in the early 1960s. Along with three friends and collaborators—Roger Waters, Richard Wright, and Nick Mason—he formed what would soon become Pink Floyd, and rock ’n’ roll was never the same. Starting as a typical British cover band aping approximations of American rhythm ’n’ blues, they soon pioneered an entirely new sound, and British psychedelic rock was born. With early, trippy, Barrett-penned pop hits such as “Arnold Layne” (about a clothesline-thieving cross-dresser) and “See Emily Play” (written specifically for the epochal “Games For May” concert), Pink Floyd, with Syd Barrett as their main creative visionary, captured the zeitgeist of “Swinging” London in all its Technicolor glory. But there was a dark side to all this new-found freedom. Barrett, like so many around him, began ingesting large quantities of a revolutionary new drug, LSD, and his already-fragile mental state—coupled with a personality inherently unsuited to the life of a pop star—began to unravel. The once bright-eyed lad was quickly replaced, seemingly overnight, by a glowering, sinister, dead-eyed shadow of his former self, given to erratic, highly eccentric, reclusive, and sometimes violent behavior. Inevitably sacked from the band, Barrett retreated from London to his mother’s house in Cambridge, where he would remain until his death, only rarely seen or heard, further fueling the mystery. In the meantime, Pink Floyd emerged from the underground to become one of the biggest international rock bands of all time, releasing multi-platinum albums, many that dealt thematically with the loss of their friend Syd Barrett: The Dark Side of the Moon, Wish You Were Here, and The Wall are all, on many levels, about him. In A Very Irregular Head, journalist Rob Chapman lifts the veil of secrecy that has surrounded the legend of Syd Barrett for nearly four decades, drawing on exclusive access to family, friends, archives, journals, letters, and artwork to create the definitive portrait of a brilliant and tragic artist. Besides capturing all the promise of Barrett’s youthful years, Chapman challenges the oft-held notion that Barrett was a hopelessly lost recluse in his later years, and creates a portrait of a true British eccentric who is rightfully placed within a rich literary lineage that stretches through Kenneth Graham, Hilaire Belloc, Edward Lear, Lewis Carroll, John Lennon, David Bowie, and on up to the pioneers of Britpop. A tragic, affectionate, and compelling portrait of a singular artist, A Very Irregular Head will stand as the authoritative word on this very English genius for years to come.
Author: New edition revised by Lavinia Cohn-Sherbok
Publisher: Routledge
ISBN: 1134509774
Category : Religion
Languages : en
Pages : 589
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Book Description
From Karl Marx to the Marx brothers, the Routledge Who's Who in Jewish History presents a complete and thoroughly updated reference guide to over a thousand prominent men and women who have shaped Jewish culture. Covering twenty centuries of Jewish history it provides: * detailed biographical information on each leading figure * analysis of their role and significance both in Jewish life and the wider culture * a comprehensive chronological table displaying the history of the Jewish race * a series of maps * a useful glossary giving precise definitions of Jewish words.
Author: H G Kippenberg
Publisher: BRILL
ISBN: 9004668632
Category : Art
Languages : en
Pages : 335
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Book Description
Author: Pepe Karmel
Publisher: The Museum of Modern Art
ISBN: 9780870700378
Category : Art
Languages : en
Pages : 288
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Book Description
Published to accompany the exhibition Jackson Pollock held the Museum of Modern Art, New York, from 1 November 1998 to 2 February 1999.
Author: Marcel Cornis-Pope
Publisher: John Benjamins Publishing
ISBN: 9027293406
Category : Literary Criticism
Languages : en
Pages : 539
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Book Description
Continuing the work undertaken in Vol. 1 of the History of the Literary Cultures of East-Central Europe, Vol. 2 considers various topographic sites—multicultural cities, border areas, cross-cultural corridors, multiethnic regions—that cut across national boundaries, rendering them permeable to the flow of hybrid cultural messages. By focusing on the literary cultures of specific geographical locations, this volume intends to put into practice a new type of comparative study. Traditional comparative literary studies establish transnational comparisons and contrasts, but thereby reconfirm, however inadvertently, the very national borders they play down. This volume inverts the expansive momentum of comparative studies towards ever-broader regional, European, and world literary histories. While the theater of this volume is still the literary culture of East-Central Europe, the contributors focus on pinpointed local traditions and geographic nodal points. Their histories of Riga, Plovdiv, Timişoara or Budapest, of Transylvania or the Danube corridor – to take a few examples – reveal how each of these sites was during the last two-hundred years a home for a variety of foreign or ethnic literary traditions next to the one now dominant within the national borders. By foregrounding such non-national or hybrid traditions, this volume pleads for a diversification and pluralization of local and national histories. A genuine comparatist revival of literary history should involve the recognition that “treading on native grounds” means actually treading on grounds cultivated by diverse people.
