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Author: Susan Cushman
Publisher: Univ. Press of Mississippi
ISBN: 1496815017
Category : Literary Collections
Languages : en
Pages : 204
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Book Description
Contributions by Julie Cantrell, Katherine Clark, Susan Cushman, Jim Dees, Clyde Edgerton, W. Ralph Eubanks, John M. Floyd, Joe Formichella, Patti Callahan Henry, Jennifer Horne, Ravi Howard, Suzanne Hudson, River Jordan, Harrison Scott Key, Cassandra King, Alan Lightman, Sonja Livingston, Corey Mesler, Niles Reddick, Wendy Reed, Nicole Seitz, Lee Smith, Michael Farris Smith, Sally Palmer Thomason, Jacqueline Allen Trimble, M. O. Walsh, and Claude Wilkinson The South is often misunderstood on the national stage, characterized by its struggles with poverty, education, and racism, yet the region has yielded an abundance of undeniably great literature. In Southern Writers on Writing, Susan Cushman collects twenty-six writers from across the South whose work celebrates southern culture and shapes the landscape of contemporary southern literature. Contributors hail from Mississippi, Alabama, Louisiana, Tennessee, Georgia, South Carolina, North Carolina, Virginia, and Florida. Contributors such as Lee Smith, Michael Farris Smith, W. Ralph Eubanks, and Harrison Scott Key, among others, explore issues like race, politics, and family and the apex of those issues colliding. It discusses landscapes, voices in the South, and how writers write. The anthology is divided into six sections, including “Becoming a Writer;” “Becoming a Southern Writer;” “Place, Politics, People;” “Writing about Race;” “The Craft of Writing;” and “A Little Help from My Friends.”
Author: Susan Cushman
Publisher: Univ. Press of Mississippi
ISBN: 1496815017
Category : Literary Collections
Languages : en
Pages : 204
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Book Description
Contributions by Julie Cantrell, Katherine Clark, Susan Cushman, Jim Dees, Clyde Edgerton, W. Ralph Eubanks, John M. Floyd, Joe Formichella, Patti Callahan Henry, Jennifer Horne, Ravi Howard, Suzanne Hudson, River Jordan, Harrison Scott Key, Cassandra King, Alan Lightman, Sonja Livingston, Corey Mesler, Niles Reddick, Wendy Reed, Nicole Seitz, Lee Smith, Michael Farris Smith, Sally Palmer Thomason, Jacqueline Allen Trimble, M. O. Walsh, and Claude Wilkinson The South is often misunderstood on the national stage, characterized by its struggles with poverty, education, and racism, yet the region has yielded an abundance of undeniably great literature. In Southern Writers on Writing, Susan Cushman collects twenty-six writers from across the South whose work celebrates southern culture and shapes the landscape of contemporary southern literature. Contributors hail from Mississippi, Alabama, Louisiana, Tennessee, Georgia, South Carolina, North Carolina, Virginia, and Florida. Contributors such as Lee Smith, Michael Farris Smith, W. Ralph Eubanks, and Harrison Scott Key, among others, explore issues like race, politics, and family and the apex of those issues colliding. It discusses landscapes, voices in the South, and how writers write. The anthology is divided into six sections, including “Becoming a Writer;” “Becoming a Southern Writer;” “Place, Politics, People;” “Writing about Race;” “The Craft of Writing;” and “A Little Help from My Friends.”
Author: Karen Strong
Publisher: Simon & Schuster Books for Young Readers
ISBN: 1534419381
Category : Juvenile Fiction
Languages : en
Pages : 320
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Book Description
A Kirkus Reviews Best Middle Grade Book of 2019 “A stirring Southern middle grade book that burns brighter than fireworks on the Fourth.” —Kirkus Reviews (starred review) “A must for readers who appreciate a heartfelt mystery.” —Booklist (starred review) “An intricate mix of Southern mystery, history, and a ghost story that creeps but doesn’t scare.” —School Library Journal (starred review) Cousins Sarah and Janie unearth a tragic event in their small Southern town’s history in this witty middle grade novel that’s perfect for fans of Stella by Starlight, The Ghosts of Tupelo Landing, and As Brave as You. Twelve-year-old Sarah is finally in charge. At last, she can spend her summer months reading her favorite science books and bossing around her younger brother, Ellis, instead of being worked to the bone by their overly strict grandmother, Mrs. Greene. But when their cousin, Janie arrives for a visit, Sarah’s plans are completely squashed. Janie has a knack for getting into trouble and asks Sarah to take her to Creek Church: a landmark of their small town that she heard was haunted. It’s also off-limits. Janie’s sticky fingers lead Sarah, Ellis, and his best friend, Jasper, to uncover a deep-seated part of the town’s past. With a bit of luck, this foursome will heal the place they call home and the people within it they call family.
Author: Wyatt Prunty
Publisher: LSU Press
ISBN: 0807126527
Category : Literary Criticism
Languages : en
Pages : 0
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Book Description
For two weeks every year, literary figures from throughout the country gather in rural Sewanee, Tennessee, to lead the Sewanee Writers’ Conference, a series of workshops and colloquia aimed at cultivating the craft of writing. Gleaned from the first ten conferences, the “craft” lectures collected in Sewanee Writers on Writing offer a range of perspectives on writing as practiced by various playwrights, poets, and fiction writers whose gifts have made the Sewanee conference a mecca for developing talent. The essays offer a banquet of topics that will whet the appetite of all authors, professional and amateur. Russell Banks ponders the role of research in the constitutive power of the imagination, John Casey considers simultaneity in art, and Ellen Douglas describes how a writer confronts the changing shape of memory. Reviewing the many changes he has witnessed in his distinguished career as a playwright, Horton Foote offers his perspective on the collaborative spirit of the theater, and Ernest Gaines explains why his subject matter must always remain the people of Louisiana. Anthony Hecht responds to W. H. Auden, revealing the ways both poets pair talent with subject, and in a discussion of Robert Frost, John Hollander explores the delicate subtleties of Frost’s figurative thought. Diane Johnson offers a witty and frank answer to the question all writers face at one time or another: “Write what?” Donald Justice expounds on the virtues of obscurity in poetry, and Romulus Linney offers practical guidelines for using dramatic action to revise a play. In her examination of Nabokov's Bend Sinister, Alice McDermott demonstrates that fiction writers are bound by no rules other than “do whatever you can get away with.” Marsha Norman provides a witty list of the dos and don'ts of playwriting and Francine Prose stresses the importance of detail to a story’s credibility. Finally, volume editor Wyatt Prunty discusses the figure of vacancy in the stories of Flannery O’Connor and Peter Taylor.
Author: Patricia Yaeger
Publisher: University of Chicago Press
ISBN: 0226944921
Category : Social Science
Languages : en
Pages : 342
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Book Description
The story of southern writing—the Dixie Limited, if you will—runs along an iron path: an official narrative of a literature about community, about place and the past, about miscegenation, white patriarchy, and the epic of race. Patricia Yaeger dynamites the rails, providing an entirely new set of categories through which to understand southern literature and culture. For Yaeger, works by black and white southern women writers reveal a shared obsession with monstrosity and the grotesque and with the strange zones of contact between black and white, such as the daily trauma of underpaid labor and the workings of racial and gender politics in the unnoticed yet all too familiar everyday. Yaeger also excavates a southern fascination with dirt—who owns it, who cleans it, and whose bodies are buried in it. Yaeger's brilliant, theoretically informed readings of Zora Neale Hurston, Harper Lee, Carson McCullers, Toni Morrison, Flannery O'Connor, Alice Walker, and Eudora Welty (among many others) explode the mystifications of southern literary tradition and forge a new path for southern studies. The book won the Barbara Perkins and George Perkins Award given by the Society for the Study of Narrative Literature.
Author: Clarence Hugh Holman
Publisher:
ISBN: 9780608158075
Category : American literature
Languages : en
Pages : 250
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Book Description
Author: Fred C. Hobson
Publisher: University of Georgia Press
ISBN: 9780820312750
Category : Literary Criticism
Languages : en
Pages : 148
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Book Description
In The Southern Writer in the Postmodern World Fred Hobson offers a witty and engaging 'preliminary estimate' of some of the most prominent new figures in southern fiction. Although he discouvers no shortage of talent, he does find 'various and conflicting attitudes toward the southe and the contemporary world.' Especially concermed with the relationship of these new writers to their literary predecessors, he traces the continuity--or lack of continuity--or lack of continuity--of certain attitudes, fictional approaches, and even values that informed southern writing during its earlier flowering in the 1920s, 1930s, and 1940s.
Author: J. A. BryantJr.
Publisher: University Press of Kentucky
ISBN: 0813187400
Category : Literary Collections
Languages : en
Pages : 451
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Book Description
Authors discussed include: Wendell Berry, Erskine Caldwell, Truman Capote, Ralph Ellison, William Faulkner, Shelby Foote, Zora Neal Hurston, Bobbie Ann Mason, Cormac McCarthy, Flannery O'Connor, William Styron, Anne Tyler, Alice Walker, Robert Penn Warren, Eudora Welty, Tennessee Williams, Thomas Wolfe, Richard Wright, and many more. By World War II, the Southern Renaissance had established itself as one of the most significant literary events of the century, and today much of the best American fiction is southern fiction. Though the flowering of realistic and local-color writing during the first two decades of the century was a sign of things to come, the period between the two world wars was the crucial one for the South's literary development: a literary revival in Richmond came to fruition; at Vanderbilt University a group of young men produced The Fugitive, a remarkable, controversial magazine that published some of the century's best verse in its brief run; and the publication and widespread recognition of Faulkner (among others) inaugurated the great flood of southern writing that was to follow in novels, short stories, poetry, and plays. With more than forty years of experience writing and reading about the subject, and friendships with many of the figures discussed, J. A. Bryant is uniquely qualified to provide the first comprehensive account of southern American literature since 1900. Bryant pays attention to both the cultural and the historical context of the works and authors discussed, and presents the information in an enjoyable, accessible style. No lover of great American literature can afford to be without this book.
Author: Lee Smith
Publisher: Algonquin Books
ISBN: 1616206462
Category : Biography & Autobiography
Languages : en
Pages : 225
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Book Description
ÒA memoir that shines with a bright spirit, a generousÊheart and an entertaining knack for celebrating absurdity.ÓÑThe New York Times Book Review ÒThis is Smith at her finest.ÓÑLibrary Journal, starred review Set deep in the mountains of Virginia, the Grundy of Lee SmithÕs youth was a place of coal miners, tent revivals, mountain music, drive-in theaters, and her daddyÕs dimestore. When she was sent off to college to gain some Òculture,Ó she understood that perhaps the richest culture she would ever know was the one she was leaving. Lee SmithÕs fiction has always lived and breathed with the rhythms and people of the Appalachian South. But never before has she written her own story.Ê DimestoreÕs fifteen essays are crushingly honest, wise and perceptive, and superbly entertaining. Together, they create an inspiring story of the birth of a writer and a poignant look at a way of life that has all but vanished.
Author: Robert H. Brinkmeyer
Publisher: University of Georgia Press
ISBN: 9780820337012
Category : Literary Criticism
Languages : en
Pages : 164
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Book Description
The fiction of Doris Betts, Barry Hannah, Cormac McCarthy, Madison Smartt Bell, Richard Ford, Rick Bass, Barbara Kingsolver, Chris Offutt, Frederick Barthelme, Dorothy Allison, and Clyde Edgerton, among others, challenges long-standing definitions of Southern fiction and regional identity and reconfigures the myths of the West that have shaped American life." "In Remapping Southern Literature, Brinkmeyer proposes that today's Southern writers are not by this shift abandoning Southern culture but are instead expanding its reach by seeking to balance the ideals of the South and West."--BOOK JACKET.
Author: Carolyn Perry
Publisher: LSU Press
ISBN: 9780807127537
Category : Literary Criticism
Languages : en
Pages : 724
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Book Description
Many of America’s foremost, and most beloved, authors are also southern and female: Mary Chesnut, Kate Chopin, Ellen Glasgow, Zora Neale Hurston, Eudora Welty, Harper Lee, Maya Angelou, Anne Tyler, Alice Walker, and Lee Smith, to name several. Designating a writer as “southern” if her work reflects the region’s grip on her life, Carolyn Perry and Mary Louise Weaks have produced an invaluable guide to the richly diverse and enduring tradition of southern women’s literature. Their comprehensive history—the first of its kind in a relatively young field—extends from the pioneer woman to the career woman, embracing black and white, poor and privileged, urban and Appalachian perspectives and experiences. The History of Southern Women’s Literature allows readers both to explore individual authors and to follow the developing arc of various genres across time. Conduct books and slave narratives; Civil War diaries and letters; the antebellum, postbellum, and modern novel; autobiography and memoirs; poetry; magazine and newspaper writing—these and more receive close attention. Over seventy contributors are represented here, and their essays discuss a wealth of women’s issues from four centuries: race, urbanization, and feminism; the myth of southern womanhood; preset images and assigned social roles—from the belle to the mammy—and real life behind the facade of meeting others’ expectations; poverty and the labor movement; responses to Uncle Tom’s Cabin and the influence of Gone with the Wind. The history of southern women’s literature tells, ultimately, the story of the search for freedom within an “insidious tradition,” to quote Ellen Glasgow. This teeming volume validates the deep contributions and pleasures of an impressive body of writing and marks a major achievement in women’s and literary studies.
