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Author: Thadious M. Davis
Publisher: Univ of North Carolina Press
ISBN: 0807835218
Category : Literary Criticism
Languages : en
Pages : 472
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Book Description
In this innovative approach to southern literary cultures, Thadious Davis analyzes how black southern writers use their spatial location to articulate the vexed connections between society and environment, particularly under segregation and its legacies.<
Author: Thadious M. Davis
Publisher: Univ of North Carolina Press
ISBN: 0807835218
Category : Literary Criticism
Languages : en
Pages : 472
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Book Description
In this innovative approach to southern literary cultures, Thadious Davis analyzes how black southern writers use their spatial location to articulate the vexed connections between society and environment, particularly under segregation and its legacies.<
Author: Margaret Mitchell
Publisher: Simon and Schuster
ISBN: 1416548947
Category : Fiction
Languages : en
Pages : 1476
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Book Description
The story of the tempestuous romance between Rhett Butler and Scarlet O'Hara is set amid the drama of the Civil War.
Author: Kathryn B. McKee
Publisher: LSU Press
ISBN: 0807170615
Category : Literary Criticism
Languages : en
Pages : 385
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Book Description
Kathryn B. McKee’s Reading Reconstruction situates Mississippi writer Katharine Sherwood Bonner McDowell (1849–1883) as an astute cultural observer throughout the 1870s and 1880s who portrayed the discord and uneasiness of the Reconstruction era in her fiction and nonfiction works. McKee reveals conflicts in Bonner’s writing as her newfound feminism clashes with her resurgent racism, two forces widely prevalent and persistently oppositional throughout the late nineteenth century. Reading Reconstruction begins by tracing the historical contexts that defined Bonner’s life in postwar Holly Springs. McKee explores how questions of race, gender, and national citizenship permeated Bonner’s social milieu and provided subject matter for her literary works. Examining Bonner’s writing across multiple genres, McKee finds that the author’s wry but dark humor satirizes the foibles and inconsistencies of southern culture. Bonner’s travel letters, first from Boston and then from the capitals of Europe, show her both embracing and performing her role as a southern woman, before coming to see herself as simply “American” when abroad. Like unto Like, the single novel she published in her lifetime, directly engages with Mississippi’s postbellum political life, especially its racial violence and the rise of Lost Cause ideology. Her two short story collections, including the raucously comic pieces in Dialect Tales and the more nostalgic Suwanee River Tales, indicate her consistent absorption in the debates of her time, as she ponders shifting definitions of citizenship, questions the evolving rhetoric of postwar reconciliation, and readily employs humor to disrupt conventional domestic scenarios and gender roles. In the end, Bonner’s writing offers a telling index of the paradoxes and irresolution of the period, advocating for a feminist reinterpretation of traditional gender hierarchies, but verging only reluctantly on the questions of racial equality that nonetheless unsettle her plots. By challenging traditional readings of postbellum southern literature, McKee offers a long-overdue reassessment of Sherwood Bonner’s place in American literary history.
Author: Jean W. Cash
Publisher: Univ. Press of Mississippi
ISBN: 149683335X
Category : Literary Criticism
Languages : en
Pages : 183
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Book Description
Contributions by Destiny O. Birdsong, Jean W. Cash, Kevin Catalano, Amanda Dean Freeman, David Gates, Richard Gaughran, Rebecca Godwin, Joan Wylie Hall, Dixon Hearne, Phillip Howerton, Emily D. Langhorne, Shawn E. Miller, Melody Pritchard, Nick Ripatrazone, Bes Stark Spangler, Scott Hamilton Suter, Melanie Benson Taylor, Jay Varner, and Scott D. Yarbrough Twenty-First-Century Southern Writers: New Voices, New Perspectives, an anthology of critical essays, introduces a new group of fiction writers from the American South. These fresh voices, like their twentieth-century predecessors, examine what it means to be a southerner in the modern world. These writers’ works cover wide-ranging subjects and themes: the history of the region, the continued problems of the working-class South, the racial divisions that have continued, the violence of the modern world, and the difficulties of establishing a spiritual identity in a modern context. The approaches and styles vary from writer to writer, with realistic, place-centered description as the foundation of many of their works. They have also created new perspectives regarding point of view, and some have moved toward the inclusion of “magic realism” and even science fiction in their work. The nineteen essays in Twenty-First-Century Southern Writers feature a handful of fiction writers who are already well known, such as National Book Award–winner Jesmyn Ward, Tayari Jones, Michael Farris Smith, and Inman Majors. Others deserve greater recognition, and, in many cases, works in this anthology will be the first pieces of analysis dedicated to writers and their work. Twenty-First-Century Southern Writers aims to alert scholars of southern literature, as well as the reading public, to an exciting and varied group of writers, while laying a foundation for future examination of these works.
Author: Brian Higgins
Publisher: LSU Press
ISBN: 0807149063
Category : Literary Criticism
Languages : en
Pages : 288
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Book Description
Herman Melville's Pierre; or. The Ambiguities has a storied place in the history of American publishing. Melville began writing this follow-up to Moby-Dick in October 1851, thinking that it might prove even more significant than its predecessor. The 1852 publication of Pierre was catastrophic, however. Melville lost his English publisher, and American reviewers derided the book and called the author mad. InReading Melville's "Pierre; or, The Ambiguities," noted Melville authorities Brian Higgins and Hershel Parker probe the daunting story behind a deeply flawed but revealing work, one that directly reflects the major crisis of Melville's authorial life. Weighed down by huge debts, Melville took the manuscript of Pierre to his New York publisher, Harper and Brothers, desperately needing the new work to be a financial success. The Harpers balked at publishing such a dangerous psychological novel (incest was a theme) and offered him less than half the royalties they had paid for his previous books. The anguished Melville accepted the contract but subsequently added new passages to his manuscript -- passages that disparage the publishing industry and reflect his agony at the looming loss of his career. Higgins and Parker examine what can plausibly be reconstructed of Melville's original version of Pierreand explore the consequences of his belated decision to expand his work, showing in detail how his hastily written and awkwardly inserted additions marred much of what he had brilliantly achieved in the shorter version. They demonstrate that to understand Pierre, and Melville himself at this crisis, one must first understand the compositional history that resulted in the book as published. Setting Pierre in the context of Melville's literary life, Higgins and Parker's study is an illuminating demonstration of biographical and textual scholarship by two of the field's finest practitioners.
Author: Tamara Bhalla
Publisher: University of Illinois Press
ISBN: 0252098927
Category : Social Science
Languages : en
Pages : 277
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Book Description
Often thought of as a solitary activity, the practice of reading can in fact encode the complex politics of community formation. Engagement with literary culture represents a particularly integral facet of identity formation--and expresses of a sense of belonging--within the South Asian diaspora in the United States. Tamara Bhalla blends a case study with literary and textual analysis to illuminate this phenomenon. Her fascinating investigation considers institutions from literary reviews to the marketplace to social media and other technologies, as well as traditional forms of literary discussion like book clubs and academic criticism. Throughout, Bhalla questions how her subjects' circumstances, desires, and shared race and class, limit the values they ascribe to reading. She also examines how ideology circulating around a body of literature or a self-selected, imagined community of readers shapes reading itself and influences South Asians' powerful, if contradictory, relationship with ideals of cultural authenticity.
Author: Beth Barton Schweiger
Publisher: Yale University Press
ISBN: 0300245394
Category : Literary Criticism
Languages : en
Pages : 285
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Book Description
A provocative examination of literacy in the American South before emancipation, countering the long-standing stereotype of the South’s oral tradition Schweiger complicates our understanding of literacy in the American South in the decades just prior to the Civil War by showing that rural people had access to a remarkable variety of things to read. Drawing on the writings of four young women who lived in the Blue Ridge Mountains, Schweiger shows how free and enslaved people learned to read, and that they wrote and spoke poems, songs, stories, and religious doctrines that were circulated by speech and in print. The assumption that slavery and reading are incompatible—which has its origins in the eighteenth century—has obscured the rich literate tradition at the heart of Southern and American culture.
Author: Patricia Yaeger
Publisher: University of Chicago Press
ISBN: 0226944921
Category : Social Science
Languages : en
Pages : 342
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Book Description
The story of southern writing—the Dixie Limited, if you will—runs along an iron path: an official narrative of a literature about community, about place and the past, about miscegenation, white patriarchy, and the epic of race. Patricia Yaeger dynamites the rails, providing an entirely new set of categories through which to understand southern literature and culture. For Yaeger, works by black and white southern women writers reveal a shared obsession with monstrosity and the grotesque and with the strange zones of contact between black and white, such as the daily trauma of underpaid labor and the workings of racial and gender politics in the unnoticed yet all too familiar everyday. Yaeger also excavates a southern fascination with dirt—who owns it, who cleans it, and whose bodies are buried in it. Yaeger's brilliant, theoretically informed readings of Zora Neale Hurston, Harper Lee, Carson McCullers, Toni Morrison, Flannery O'Connor, Alice Walker, and Eudora Welty (among many others) explode the mystifications of southern literary tradition and forge a new path for southern studies. The book won the Barbara Perkins and George Perkins Award given by the Society for the Study of Narrative Literature.
Author: Neil Larsen
Publisher: U of Minnesota Press
ISBN: 0816625832
Category : History
Languages : en
Pages : 249
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Book Description
Author: Yigal Bronner
Publisher: Univ of California Press
ISBN: 0520384474
Category : History
Languages : en
Pages : 284
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Book Description
Introduction / Yigal Bronner and Charles Hallisey -- Shriharsha's Sanskrit Life of Naishadha : translator's note and text -- Points and progression : how to read Shriharsha's Life of Naishadha / Gary Tubb -- "If I'm reading you right..." : reading bodies, minds and poetry in the Life of Naishadha / Thibaut d'Hubert -- Ativirarama Pandyan's Tamil Life of Naidatha : translator's note and text -- Hearing and madness : reading Ativirarama Pandyan's Life of Naidatha / N. Govindarajan -- How we read / Sheldon Pollock -- Malamangala Kavi's Malalyalam Naishadha in our language : translator's note and text -- I talk to the wind : Malamangala Kavi's Naishadha in our language / Sivan Goren-Arzony -- In the garden of love : an essay on Naishadha in our language / Meir Shahar -- "Khwaja the Dog-Worshiper" from The story of the four dervishes : translator's note and text -- How not to see a dog-worshiper / Jamal Jones -- A historian reads a fable / Muzaffar Alam -- "Touch" by Abburi Chayadevi : translator's note and text -- How to touch "Touch" / Gautham Reddy -- "Don't stand so close to me!" : remarks on Chayadevi's "Touch" / Sanjay Subrahmanyam -- "A street pump in Anantapuram" and five other poems by Ismail : translator's note and text -- Speaking of landscapes, revolutionaries, and donkeys : Ismail's words and images / Afsar Mohammad -- Between sky and road : the wandering scholar, modernism and the poetry of Ismail / Gabriel Levin -- The music contest from Tiruttakkatevar's Tamil Chivakan's gem : translator's note and text -- Love in defeat / Talia Arlav -- Sweetness that melts the heart / Kesavan Veluthat -- What's gained in translation / Sonam Kachru -- Two songs by Muttuswami Dikshitar performed by T.M. Krishna and Eileen Shulman : translator's note, texts, and recordings -- Beyond passion, beyond even the Raga / T.M. Krishna -- Reading as an act of trust / Donald R. Davis -- Desire and passion ride to war (unknown artist) : selector's note -- Pillars of love : a dialogic reading of temple sculpture / Anna Lise Seastrand -- Side observation of a small portion of Varadaraja-svami Temple / Tawfiq Da'adli -- Ravana visits Sita at night in the Ashoka Grove, from Kamban's Tamil Ramayana : translator's note and text -- Kamban's Tamil as a kind of Sanskrit / Whitney Cox -- Can darkness stand before light? : encountering an episode from a medieval Tamil masterpiece / Yehoshua Granat -- When a mountain rapes a river, from Bhattumurti's Telugu Vasu's Life : translator's note and text -- Irreconcilable differences and (un)conventional love in Bhattumurti's Vasu's Life / Ilanit Loewy Schacham -- Desire, perception, and the poetry of desire : a reading of Vasu's life / Deven Patel -- "The ten on the wild boar" : translator's note and text -- Reading "Ten on the wild boar" / Archana Venkatesan -- Three poems about love's inner modes : translator's note and text -- Between us : reading Tamil Akam poems / Jennifer Clare -- The unbaked clay pot in pouring rain : reading Sangam poetry today / R. Cheran -- Nammalvar's Tamil A hundred measures of time : translator's note and text -- "You came so that we may live" / Anand Venkatkrishnan -- Taking the measure of A hundred measures / Andrew Ollett -- A Persian Ghazal by Hafez and an Urdu Ghazal by Ghaleb : translator's note and text -- How a Ghazal thinks / Rajeev Kinra -- The Ghazal of What's more than real / Peter Cole -- Afterword / Wendy Doniger.
