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Author: Christopher H. Sterling
Publisher: Univ of North Carolina Press
ISBN: 0807877557
Category : Social Science
Languages : en
Pages : 336
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Book Description
When it first appeared in the 1930s, FM radio was a technological marvel, providing better sound and nearly eliminating the static that plagued AM stations. It took another forty years, however, for FM's popularity to surpass that of AM. In Sounds of Change, Christopher Sterling and Michael Keith detail the history of FM, from its inception to its dominance (for now, at least) of the airwaves. Initially, FM's identity as a separate service was stifled, since most FM outlets were AM-owned and simply simulcast AM programming and advertising. A wartime hiatus followed by the rise of television precipitated the failure of hundreds of FM stations. As Sterling and Keith explain, the 1960s brought FCC regulations allowing stereo transmission and requiring FM programs to differ from those broadcast on co-owned AM stations. Forced nonduplication led some FM stations to branch out into experimental programming, which attracted the counterculture movement, minority groups, and noncommercial public and college radio. By 1979, mainstream commercial FM was finally reaching larger audiences than AM. The story of FM since 1980, the authors say, is the story of radio, especially in its many musical formats. But trouble looms. Sterling and Keith conclude by looking ahead to the age of digital radio--which includes satellite and internet stations as well as terrestrial stations--suggesting that FM's decline will be partly a result of self-inflicted wounds--bland programming, excessive advertising, and little variety.
Author: Christopher H. Sterling
Publisher: Univ of North Carolina Press
ISBN: 0807877557
Category : Social Science
Languages : en
Pages : 336
Get Book Here
Book Description
When it first appeared in the 1930s, FM radio was a technological marvel, providing better sound and nearly eliminating the static that plagued AM stations. It took another forty years, however, for FM's popularity to surpass that of AM. In Sounds of Change, Christopher Sterling and Michael Keith detail the history of FM, from its inception to its dominance (for now, at least) of the airwaves. Initially, FM's identity as a separate service was stifled, since most FM outlets were AM-owned and simply simulcast AM programming and advertising. A wartime hiatus followed by the rise of television precipitated the failure of hundreds of FM stations. As Sterling and Keith explain, the 1960s brought FCC regulations allowing stereo transmission and requiring FM programs to differ from those broadcast on co-owned AM stations. Forced nonduplication led some FM stations to branch out into experimental programming, which attracted the counterculture movement, minority groups, and noncommercial public and college radio. By 1979, mainstream commercial FM was finally reaching larger audiences than AM. The story of FM since 1980, the authors say, is the story of radio, especially in its many musical formats. But trouble looms. Sterling and Keith conclude by looking ahead to the age of digital radio--which includes satellite and internet stations as well as terrestrial stations--suggesting that FM's decline will be partly a result of self-inflicted wounds--bland programming, excessive advertising, and little variety.
Author:
Publisher: Wide Eyed Editions
ISBN: 1786033275
Category : Juvenile Nonfiction
Languages : en
Pages : 25
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Book Description
Travel the world with the Sounds of Nature series – press the note in each of the 10 forest habitats to hear vivid recordings of over 60 different animal sounds. The Sounds of Nature series brings the natural world to life with the sounds of real animals recorded in the wild. Captivating edge-to-edge illustrations show animals in action in their habitats around the globe. The animals are numbered in the order they can be heard, with fascinating facts and descriptions of the sounds they make, so you can listen out for each one. A speaker set into the back cover plays a sound clip when you press firmly on the note in each illustration. The battery is already installed, so simply open and explore. In World of Forests, discover these amazing habitats: evergreen forest of Germany; redwood forest of California, USA; deciduous forest of England, UK; Amazon rainforest of South America; cloud forest of the Virunga mountains, Africa; desert forest of Socotra Island, Yemen; beech forest in Brussels, Belgium; mangrove forest in the Sundarbans, India; and boreal forest of Alaska, USA. Listen to these wooded places come to life as you hear the: Low-pitched growls of the Eurasian lynx (evergreen forest) Flute-like sound of the varied thrush (redwood forest) Neighing and snorting of a wild pony (deciduous forest) Raucous howls and grunts of the red howler monkey (rainforest) Scratchy sound of a blue-baboon spider moving to find an insect meal (desert forest) Chewing and snapping sounds of a giant panda having a meal (bamboo forest) Step under the trees, where 80 percent of the world's land species make their home, to take in the glorious sights and sounds!
Author: Denise Von Glahn
Publisher: University of Illinois Press
ISBN: 0252052951
Category : Music
Languages : en
Pages : 569
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Book Description
Composers like Charles Ives, Duke Ellington, Aaron Copland, and Ellen Taaffe Zwilich created works that indelibly commemorated American places. Denise Von Glahn analyzes the soundscapes of fourteen figures whose "place pieces" tell us much about the nation's search for its own voice and about its ever-changing sense of self. She connects each composer's feelings about the United States and their reasons for creating a piece to the music, while analyzing their compositional techniques, tunes, and styles. Approaching the compositions in chronological order, Von Glahn reveals how works that celebrated the wilderness gave way to music engaged with humanity's influence--benign and otherwise--on the landscape, before environmentalism inspired a return to nature themes in the late twentieth century. Wide-ranging and astute, The Sounds of Place explores high art music's role in the making of national myth and memory.
Author: Raymond Hickey
Publisher: John Wiley & Sons
ISBN: 1119131294
Category : Language Arts & Disciplines
Languages : en
Pages : 439
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Book Description
An in-depth exploration of the sound systems of varieties of English around the world, written by a renowned authority in the field In Sounds of English Worldwide, Raymond Hickey delivers a rigorous overview of the sound systems of varieties of English throughout the world. Beginning with an overview of the history and contexts of global varieties of English, this book guides readers through the spread of English during the colonial era leading up to the present day. The second section of the book broadly considers developments in the English-speaking world, accounting for the factors that triggered regional changes and resulted in diverse scenarios for English, including language contact and shift, new dialect formation , and the use of English in non-anglophone contexts. To assist students in learning how to approach the study of varieties of English, this valuable text addresses research questions of general interest to linguists and explores a variety of fieldwork methods commonly used by researchers in the area. This useful book offers: A thorough introduction to English today, including its geographical and social distribution, focusing on variation and change around the world Practical discussions of key changes in late modern English that determined the unique phonetic profile of different varieties of the language In-depth examination of present-day scenarios and how they might pan out in the future development of English, considering the many factors which may shape global forms of the language Includes useful summaries of varieties of English with a glossary and timeline, providing a quick reference of the key features of English around the world for students Considers research issues and methods to aid students in applying the material of the book to their own studies Perfect for graduate students, advanced undergraduate students, and researchers studying varieties of Englishes, Sounds of English Worldwide will earn a place in the libraries of linguists and students studying Englishes worldwide from a sociolinguistic perspective as well as langague contact , bilingualism, the rise of new varieties along with English phonetics and phonology more generally.
Author: R. SERGE DENISOFF
Publisher:
ISBN:
Category :
Languages : en
Pages : 348
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Book Description
Author: Fainos Mangena
Publisher: Cambridge Scholars Publishing
ISBN: 1443888567
Category : Performing Arts
Languages : en
Pages : 305
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Book Description
Music narrates personal, communal and national experiences. It is a rich repository of a people’s deepest fears, hopes, and achievements, especially as it communicates spirituality, economic, and political realities. This volume examines the multiple roles of music in Zimbabwe, showing how Zimbabwean music has addressed the socio-economic, political and spiritual crisis that the country has endured in the last one and a half decades. While concentrating on the tumultuous 2000–2013 period, the themes that are addressed here are enduring. Thus, the book explores the interplay between music and gender, music and politics, and music and identity construction in Zimbabwe, and it interacts with most of the dominant genres in Zimbabwean music, including Sungura, ZORA, Chimurenga, Gospel and the Urban Grooves. This volume will interest specialists in the study of ethnomusicology, in addition to scholars of literature, religious studies, philosophy, theatre arts, political science, and history.
Author: Elizabeth C. Zsiga
Publisher: John Wiley & Sons
ISBN: 1405191031
Category : Language Arts & Disciplines
Languages : en
Pages : 502
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Book Description
The Sounds of Language is an introductory guide to the linguistic study of speech sounds, which provides uniquely balanced coverage of both phonology and phonetics. Features exercises and problem sets, as well as supporting online resources at www.wiley.com/go/zsiga, including additional discussion questions and exercises, as well as links to further resources such as sound files, video files, and useful websites Creates opportunities for students to practice data analysis and hypothesis testing Integrates data on sociolinguistic variation, first language acquisition, and second language learning Explores diverse topics ranging from the practical, such as how to make good digital recordings, make a palatogram, solve a phoneme/allophone problem, or read a spectrogram; to the theoretical, including the role of markedness in linguistic theory, the necessity of abstraction, features and formal notation, issues in speech perception as distinct from hearing, and modelling sociolinguistic and other variations Organized specifically to fit the needs of undergraduate students of phonetics and phonology, and is structured in a way which enables instructors to use the text both for a single semester phonetics and phonology course or for a two-course sequence
Author: George Leslie Brook
Publisher: Manchester University Press
ISBN: 9780719001116
Category : Language Arts & Disciplines
Languages : en
Pages : 36
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Book Description
Author: Timothy D. Taylor
Publisher: University of Chicago Press
ISBN: 0226791149
Category : History
Languages : en
Pages : 367
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Book Description
From the early days of radio through the rise of television after World War II to the present, music has been used more and more to sell goods and establish brand identities. And since the 1920s, songs originally written for commercials have become popular songs, and songs written for a popular audience have become irrevocably associated with specific brands and products. Today, musicians move flexibly between the music and advertising worlds, while the line between commercial messages and popular music has become increasingly blurred. Timothy D. Taylor tracks the use of music in American advertising for nearly a century, from variety shows like The Clicquot Club Eskimos to the rise of the jingle, the postwar upsurge in consumerism, and the more complete fusion of popular music and consumption in the 1980s and after. The Sounds of Capitalism is the first book to tell truly the history of music used in advertising in the United States and is an original contribution to this little-studied part of our cultural history.
Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 1714
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Book Description
