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Author: Cristina L. Ruotolo
Publisher: University Alabama Press
ISBN: 9780817317980
Category : Literary Criticism
Languages : en
Pages : 182
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Book Description
Examining American realist fiction as it was informed and shaped by the music of the period, Sounding Real sheds new light on the profound musical and cultural change at the turn of the twentieth century. Sounding Real by Cristina L. Ruotolo examines landmark changes in American musical standards and tastes in the late-nineteenth and early-twentieth centuries and the way they are reflected in American literature of the period. Whereas other interdisciplinary approaches to music and literature often focus on more recent popular music and black music that began with blues and jazz, Ruotolo addresses the literary response to the music that occurred in the decades before the Jazz Age. By bringing together canonical and lesser-known works by authors like Theodore Dreiser, Kate Chopin, Harold Fredric, James Weldon Johnson, Willa Cather, and Gertrude Atherton, Ruotolo argues that new, emerging musical forms were breaking free from nineteenth-century constraints, and that the elemental authenticity or real-ness that this new music articulated sparked both interest and anxiety in literature: What are the effects of an emancipated musicality on self and society? How can literature dramatize musical encounters between people otherwise segregated by class, race, ethnicity, or gender? By examining the influence of an increasingly aggressive and progressive musical marketplace on the realm of literature, Sounding Real depicts a dynamic dialogue between two art forms that itself leads to a broader discussion of how art speaks to society.
Author: Cristina L. Ruotolo
Publisher: University Alabama Press
ISBN: 9780817317980
Category : Literary Criticism
Languages : en
Pages : 182
Get Book Here
Book Description
Examining American realist fiction as it was informed and shaped by the music of the period, Sounding Real sheds new light on the profound musical and cultural change at the turn of the twentieth century. Sounding Real by Cristina L. Ruotolo examines landmark changes in American musical standards and tastes in the late-nineteenth and early-twentieth centuries and the way they are reflected in American literature of the period. Whereas other interdisciplinary approaches to music and literature often focus on more recent popular music and black music that began with blues and jazz, Ruotolo addresses the literary response to the music that occurred in the decades before the Jazz Age. By bringing together canonical and lesser-known works by authors like Theodore Dreiser, Kate Chopin, Harold Fredric, James Weldon Johnson, Willa Cather, and Gertrude Atherton, Ruotolo argues that new, emerging musical forms were breaking free from nineteenth-century constraints, and that the elemental authenticity or real-ness that this new music articulated sparked both interest and anxiety in literature: What are the effects of an emancipated musicality on self and society? How can literature dramatize musical encounters between people otherwise segregated by class, race, ethnicity, or gender? By examining the influence of an increasingly aggressive and progressive musical marketplace on the realm of literature, Sounding Real depicts a dynamic dialogue between two art forms that itself leads to a broader discussion of how art speaks to society.
Author: Davide Rocchesso
Publisher: Mondo Estremo
ISBN: 8890112603
Category : Auditory perception
Languages : en
Pages : 411
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Book Description
Author: Julian Murphet
Publisher: Edinburgh University Press
ISBN: 1474416373
Category : Performing Arts
Languages : en
Pages : 264
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Book Description
This volume brings together a range of essays by eminent and emergent scholars working at the intersection of modern literary, cinema and sound studies. The individual studies ask what specific sonorous qualities are capable of being registered by different modern media, and how sonic transpositions and transferences across media affect the ways in which human subjects attend to modern soundscapes. Script, groove, electrical current, magnetic imprint, phonographic vibration: as the contributors show, sound traverses these and other material platforms to become an insistent ground-note of modern aesthetics, one not yet adequately integrated into critical accounts of the period. This collection also provides a commanding and wide-ranging investigation of the conditions under which modernists tapped technically into the rhythms, echoes and sonic architectures of their worlds.
Author: Karel Janeček
Publisher: Wilfrid Laurier Univ. Press
ISBN: 1771126353
Category : Music
Languages : en
Pages : 547
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Book Description
Translated into English for the first time, Foundations of Modern Harmony, by composer and music theorist Karel Janec̆ek, addresses the analysis and composition of music not based on the tonal harmony that was common language until the early 20th century. Discussing this newer music requires a vocabulary in which all combinations of notes, or chords, can be named. Janec̆ek developed his theory of modern harmony over many years. In this book, he classifies chords according to their intervallic structure, their possible arrangements, and then based on their consonance and dissonance. His focus on what we hear leads to a discussion of “imaginary” pitches, those that are still heard after they are no longer sounding. Dealing with such issues as harmonizing a melody, resolving dissonant chords, and the formation and extinction of a sense of the tonic, Janeček’s work is an exciting complement to the theories of Schoenberg and Hindemith. His discussion of harmonic motion leads to the consideration of harmonic function, of establishing the tonic, of modulation, of atonal composition, and of static and kinetic conceptions of harmony. First published in 1965, Janeček’s concerns are of continuing importance to music theorists and composers.
Author: Katherine Norman
Publisher: Routledge
ISBN: 1135304319
Category : Music
Languages : en
Pages : 191
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Book Description
First published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Lester K. Spence
Publisher: U of Minnesota Press
ISBN: 0816669872
Category : Social Science
Languages : en
Pages : 257
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Book Description
Critiquing the true impact of hip-hop culture on politics.
Author:
Publisher:
ISBN:
Category : Arctic regions
Languages : en
Pages : 104
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Book Description
Author: Jared C. Wilson
Publisher: Zondervan
ISBN: 0310155746
Category : Religion
Languages : en
Pages : 220
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Book Description
When writers write, they are getting in touch with the image of God in them. This is true in some way of all artistry, but writers especially create worlds, characters, histories, and transformation--all ex nihilo ("out of nothing"). In The Storied Life, veteran author Jared C. Wilson explores the ins and outs of writers and writing, exploring the myriad ways the craft is more about transformation than simply communication. From decades of experience and with his signature wit, Wilson brings well-earned insight, autobiographical reflections, and meaningful meditations to the topic of writing as a way of life and as a way of worship, showing how the concept of Story--our personal stories and God's grand story of redemption--shapes fiction and non-fiction writers alike. Chapters focus on topics like: The liturgy of story. Writing as a spiritual act. Perseverance and endurance. Writing as a calling. Promotion, publishing, and platform. Whether you're a long-time writer or a beginning author, a daily journaler or an occasional dabbler, The Storied Life will help you improve your craft. It will lead you to think more deeply about the disciplines and dispositions needed to write for transformation.
Author: Carl Weber
Publisher: Urban Books
ISBN: 1645565572
Category : Fiction
Languages : en
Pages : 321
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Book Description
New York Times bestselling author Carl Weber and Essence(R) bestseller La Jill Hunt return with a story of love, money, power, and respect in the next edition of the popular Family Business series. Five years ago, Orlando Duncan created the perfect drug in HEAT. It made the Duncans more than two hundred and fifty million dollars and was on its way to making them billionaires. However, they abruptly stopped manufacturing the drug when it was proven to cause cancer in rats. Yes, even as drug distributors, they still had a moral compass, placing lives over profit despite the overwhelming demand. When Orlando is awakened by an alarm in his old lab, he discovers that not only have all his computers, equipment, and notes been stolen, but the robbers have also taken over a million tabs of HEAT that he'd left behind for future experiments--tabs that he had sworn to his family he would destroy. Dr. Brandi Richardson is one of the most brilliant research chemists in the world, but her propensity for cutting corners led to her firing from both Dow Chemicals and Dupont. She's now working at CVS as a clerk, but things are about to change for her in a big way. Billionaire Alexander Cora is known as the Moor by business associates and enemies. His company, Cora International, is a publicly traded EU defense contractor. It is also a front for one of the largest weapons, drugs, and illegal contraband smuggling rings in the world. For some reason, he has set his sights on the Duncan family. That can't be good, because Alexander plays for keeps, and he has not been known to lose. Niles Monroe, the handsome hitman and Paris Duncan's one true love, is back from the dead, and it's only a matter of time before he comes looking for her. These rich and powerful people are on a collision course. When the dust settles, who will still be alive, and who will be on top?
Author: Leigh Landy
Publisher: Taylor & Francis
ISBN: 1003814069
Category : Music
Languages : en
Pages : 292
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Book Description
Experiencing Organised Sounds investigates a wide horizon of sound-based works using a template consistently across its 16 studies. It has been written for both specialist and non-specialist readers aiming to address means of increasing appreciation and understanding related to the experience of sonic creativity (music involving any sounds, not just musical notes) across this repertoire, as well as to launch a discussion about how the reception of sonic creativity can be influenced by the circumstances of listening – in particular, regarding the qualitative difference between the in-situ as opposed to mediated experience. Although listening is the volume’s focus, complementary information from the musicians is offered to facilitate holistic work overviews. As the first composition presented was composed by a 15-year-old, the intention is to demonstrate that what might be considered a niche area of the contemporary arts is one in which both increased appreciation and participation could and should easily be achieved. The book’s work discussions are divided over three central chapters focused on fixed-medium compositions, performed and sound artworks. Experiencing Organised Sounds can be used as an undergraduate textbook, by experienced readers or those new to the area. All works discussed and related materials are available to readers online.
