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Author: Seamus Heaney
Publisher:
ISBN:
Category : Beowulf
Languages : en
Pages : 44
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Author: Seamus Heaney
Publisher:
ISBN:
Category : Beowulf
Languages : en
Pages : 44
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Book Description
Author: U.S. Coast and Geodetic Survey
Publisher:
ISBN:
Category : Deep-sea sounding
Languages : en
Pages : 352
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Book Description
"[Report contains] twenty-five heliotype plates showing the ship, Sigsbee's sounding machines and various deck photographs of how to place it in operation...[This is] an example of a lavishly illustrated report. The industrial photography in this book is of the highest quality and is striking in its directness."--Hanson Collection catalog, p. 72.
Author: Charles D. Sigsbee
Publisher:
ISBN:
Category : History
Languages : en
Pages : 358
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Author: Great Britain. Hydrographic Office
Publisher:
ISBN:
Category :
Languages : en
Pages : 42
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Book Description
Author: Erich Nunn
Publisher: University of Georgia Press
ISBN: 082034835X
Category : Music
Languages : en
Pages : 232
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Book Description
Sounding the Color Line explores how competing understandings of the U.S. South in the first decades of the twentieth century have led us to experience musical forms, sounds, and genres in racialized contexts. Yet, though we may speak of white or black music, rock or rap, sounds constantly leak through such barriers. A critical disjuncture exists, then, between actual interracial musical and cultural forms on the one hand and racialized structures of feeling on the other. This is nowhere more apparent than in the South. Like Jim Crow segregation, the separation of musical forms along racial lines has required enormous energy to maintain. How, asks Nunn, did the protocols structuring listeners' racial associations arise? How have they evolved and been maintained in the face of repeated transgressions of the musical color line? Considering the South as the imagined ground where conflicts of racial and national identities are staged, this book looks at developing ideas concerning folk song and racial and cultural nationalism alongside the competing and sometimes contradictory workings of an emerging culture industry. Drawing on a diverse archive of musical recordings, critical artifacts, and literary texts, Nunn reveals how the musical color line has not only been established and maintained but also repeatedly crossed, fractured, and reformed. This push and pull--between segregationist cultural logics and music's disrespect of racially defined boundaries--is an animating force in twentieth-century American popular culture.
Author:
Publisher:
ISBN:
Category : Hydrography
Languages : en
Pages : 238
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Author:
Publisher:
ISBN:
Category : Pilot guides
Languages : en
Pages : 452
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Author: U.S. Coast and Geodetic Survey
Publisher:
ISBN:
Category : Geodesy
Languages : en
Pages : 230
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Author: Military Service Institution of the United States
Publisher:
ISBN:
Category : Military art and science
Languages : en
Pages : 540
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Author: Military Service Institution of the United States
Publisher:
ISBN:
Category : Military art and science
Languages : en
Pages : 464
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