Author: Louise Meintjes
Publisher: Duke University Press
ISBN: 9780822330141
Category : Business & Economics
Languages : en
Pages : 364
Book Description
DIVAn ethnography of the recording of Mbaqanga music, that examines its relation to issues of identity, South African politics, and global political economy./div
Sound of Africa!
Author: Louise Meintjes
Publisher: Duke University Press
ISBN: 9780822330141
Category : Business & Economics
Languages : en
Pages : 364
Book Description
DIVAn ethnography of the recording of Mbaqanga music, that examines its relation to issues of identity, South African politics, and global political economy./div
Publisher: Duke University Press
ISBN: 9780822330141
Category : Business & Economics
Languages : en
Pages : 364
Book Description
DIVAn ethnography of the recording of Mbaqanga music, that examines its relation to issues of identity, South African politics, and global political economy./div
Sound of Africa!
Author: Louise Meintjes
Publisher: Duke University Press
ISBN: 0822384639
Category : Music
Languages : en
Pages : 361
Book Description
Boosting the bass guitar, blending the vocals, overdubbing percussion while fretting over shoot-outs in the street. Grumbling about a producer, teasing a white engineer, challenging an artist to feel his African beat. Sound of Africa! is a riveting account of the production of a mbaqanga album in a state-of-the-art recording studio in Johannesburg. Made popular internationally by Mahlathini and the Mahotella Queens, mbaqanga's distinctive style features a bass solo voice and soaring harmonies of a female frontline over electric guitar, bass, keyboard, and drumset. Louise Meintjes chronicles the recording and mixing of an album by Izintombi Zesimanje, historically the rival group of the Mahotella Queens. Set in the early 1990s during South Africa’s tumultuous transition from apartheid to democratic rule, Sound of Africa! offers a rare portrait of the music recording process. It tracks the nuanced interplay among South African state controls, the music industry's transnational drive, and the mbaqanga artists' struggles for political, professional, and personal voice. Focusing on the ways artists, producers, and sound engineers collaborate in the studio control room, Meintjes reveals not only how particular mbaqanga sounds are shaped technically, but also how egos and artistic sensibilities and race and ethnicity influence the mix. She analyzes how the turbulent identity politics surrounding Zulu ethnic nationalism impacted mbaqanga artists' decisions in and out of the studio. Conversely, she explores how the global consumption of Afropop and African images fed back into mbaqanga during the recording process. Meintjes is especially attentive to the ways the emotive qualities of timbre (sound quality or tone color) forge complex connections between aesthetic practices and political ideology. Vivid photos by the internationally renowned photographer TJ Lemon further dramatize Meintjes’ ethnography.
Publisher: Duke University Press
ISBN: 0822384639
Category : Music
Languages : en
Pages : 361
Book Description
Boosting the bass guitar, blending the vocals, overdubbing percussion while fretting over shoot-outs in the street. Grumbling about a producer, teasing a white engineer, challenging an artist to feel his African beat. Sound of Africa! is a riveting account of the production of a mbaqanga album in a state-of-the-art recording studio in Johannesburg. Made popular internationally by Mahlathini and the Mahotella Queens, mbaqanga's distinctive style features a bass solo voice and soaring harmonies of a female frontline over electric guitar, bass, keyboard, and drumset. Louise Meintjes chronicles the recording and mixing of an album by Izintombi Zesimanje, historically the rival group of the Mahotella Queens. Set in the early 1990s during South Africa’s tumultuous transition from apartheid to democratic rule, Sound of Africa! offers a rare portrait of the music recording process. It tracks the nuanced interplay among South African state controls, the music industry's transnational drive, and the mbaqanga artists' struggles for political, professional, and personal voice. Focusing on the ways artists, producers, and sound engineers collaborate in the studio control room, Meintjes reveals not only how particular mbaqanga sounds are shaped technically, but also how egos and artistic sensibilities and race and ethnicity influence the mix. She analyzes how the turbulent identity politics surrounding Zulu ethnic nationalism impacted mbaqanga artists' decisions in and out of the studio. Conversely, she explores how the global consumption of Afropop and African images fed back into mbaqanga during the recording process. Meintjes is especially attentive to the ways the emotive qualities of timbre (sound quality or tone color) forge complex connections between aesthetic practices and political ideology. Vivid photos by the internationally renowned photographer TJ Lemon further dramatize Meintjes’ ethnography.
The Sound of Africa Series
Author: Hugh Tracey
Publisher:
ISBN:
Category :
Languages : en
Pages : 182
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 182
Book Description
Sound Fragments
Author: Noel Lobley
Publisher: Wesleyan University Press
ISBN: 0819580783
Category : Music
Languages : en
Pages : 345
Book Description
Winner of IASPM Book Prize, given by IASPM, 2023 This book is an ethnographic study of sound archives and the processes of creative decolonization that form alternative modes of archiving and curating in the 21st century. It explores the histories and afterlives of sound collections and practices at the International Library of African Music. Sound Fragments follows what happens when a colonial sound archive is repurposed and reimagined by local artists in post-apartheid South Africa. The narrative speaks to larger issues in sound studies, curatorial practices, and the reciprocity and ethics of listening to and reclaiming culture. Sound Fragments interrogates how Xhosa arts activism contributes to an expanding notion of what a sound or cultural archive could be, and where it may resonate now and in future.
Publisher: Wesleyan University Press
ISBN: 0819580783
Category : Music
Languages : en
Pages : 345
Book Description
Winner of IASPM Book Prize, given by IASPM, 2023 This book is an ethnographic study of sound archives and the processes of creative decolonization that form alternative modes of archiving and curating in the 21st century. It explores the histories and afterlives of sound collections and practices at the International Library of African Music. Sound Fragments follows what happens when a colonial sound archive is repurposed and reimagined by local artists in post-apartheid South Africa. The narrative speaks to larger issues in sound studies, curatorial practices, and the reciprocity and ethics of listening to and reclaiming culture. Sound Fragments interrogates how Xhosa arts activism contributes to an expanding notion of what a sound or cultural archive could be, and where it may resonate now and in future.
Catalogue
Author: Hugh Tracey
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
African Polyphony and Polyrhythm
Author: Simha Arom
Publisher: Éditions de la Maison des sciences de l'homme, Paris
ISBN:
Category : Music
Languages : en
Pages : 706
Book Description
An original approach to the understanding of the complete and sophisticated patterns of polyphony and polyrhythm of African music.
Publisher: Éditions de la Maison des sciences de l'homme, Paris
ISBN:
Category : Music
Languages : en
Pages : 706
Book Description
An original approach to the understanding of the complete and sophisticated patterns of polyphony and polyrhythm of African music.
Catalogue
Author: Hugh Tracey
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 484
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 484
Book Description
Africa in Stereo
Author: Tsitsi Ella Jaji
Publisher: Oxford University Press
ISBN: 0199936374
Category : Art
Languages : en
Pages : 289
Book Description
Stereomodernism and amplifying the Black Atlantic -- Sight reading: early Black South African transcriptions of freedom -- Négritude musicology: poetry, performance and statecraft in Senegal -- What women want: selling hi-fi in consumer magazines and film -- 'Soul to soul': echo-locating histories of slavery and freedom from Ghana -- Pirate's choice: hacking into (post- )pan-African futures -- Epilogue: Singing songs.
Publisher: Oxford University Press
ISBN: 0199936374
Category : Art
Languages : en
Pages : 289
Book Description
Stereomodernism and amplifying the Black Atlantic -- Sight reading: early Black South African transcriptions of freedom -- Négritude musicology: poetry, performance and statecraft in Senegal -- What women want: selling hi-fi in consumer magazines and film -- 'Soul to soul': echo-locating histories of slavery and freedom from Ghana -- Pirate's choice: hacking into (post- )pan-African futures -- Epilogue: Singing songs.
Anthem
Author: Shana L. Redmond
Publisher: NYU Press
ISBN: 0814789323
Category : History
Languages : en
Pages : 358
Book Description
"An extraordinary, innovative, and generative book." - George Lipsitz, author of How Racism Takes Place
Publisher: NYU Press
ISBN: 0814789323
Category : History
Languages : en
Pages : 358
Book Description
"An extraordinary, innovative, and generative book." - George Lipsitz, author of How Racism Takes Place
The Sound of Africa Series
Author: Hugh Tracey
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description