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Author: Simon Frith
Publisher: Pantheon
ISBN: 9780394504612
Category : Rock music
Languages : en
Pages : 294
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Book Description
An academic study of the sociology of rock looks at the roots of the musical form, the social importance and power of rock as reflected in the music industry itself, and the relationship between rock music and its consumers
Author: Simon Frith
Publisher: Pantheon
ISBN: 9780394504612
Category : Rock music
Languages : en
Pages : 294
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Book Description
An academic study of the sociology of rock looks at the roots of the musical form, the social importance and power of rock as reflected in the music industry itself, and the relationship between rock music and its consumers
Author: Alex Case
Publisher: CRC Press
ISBN: 113612358X
Category : Technology & Engineering
Languages : en
Pages : 432
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Book Description
FX introduces today's up and coming musician to the fantastic creative potential of the most popular instrument today- the home studio. Explaining the basic and advanced signal processing techniques used in professional music production (EQ, compression, delay, reverb etc), using real world popular music examples and an emphasis on the perceptual results and musical value of these effects, FX teaches the Recording Musician how to achieve professional production standards and maximise their creative potential. The accompanying website www.soundfx-companion.com includes audio exaples of FX featured in the book. Features: A chapter dedicated to each key effect: Distortion Equalization Compression and Limiting Delay Expansion and Gating Pitch Shift Reverb Volume More than 100 line drawings and illustrations. Accompanying website featuring examples of all FX covered in the book. Discography of FX at the end of each relevant chapter. From the Sound FX Intro: The most important music of our time is recorded music. The recording studio is its principle musical instrument. The recording engineers and music producers who create the music we love know how to use signal processing equipment to capture the work of artists, preserving realism or altering things wildly, as appropriate. While the talented, persistent, self-taught engineer can create sound recordings of artistic merit, more productive use of the studio is achieved through study, experience and collaboration. This book defines the technical basis of the most important signal processing effects used in the modern recording studio, highlights the key drivers of sound quality associated with each, shares common production techniques used by recording engineers with significant experience in the field, references many of the touchstone recordings of our time, and equips the reader with the knowledge needed to comfortably use effects devices correctly, and, more importantly, to apply these tools creatively.
Author: Jean-Michel Réveillac
Publisher: John Wiley & Sons
ISBN: 1786301318
Category : Technology & Engineering
Languages : en
Pages : 404
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Book Description
For decades performers, instrumentalists, composers, technicians and sound engineers continue to manipulate sound material. They are trying with more or less success to create, to innovate, improve, enhance, restore or modify the musical message. The sound of distorted guitar of Jimi Hendrix, Pierre Henry’s concrete music, Pink Flyod’s rock psychedelic, Kraftwerk ‘s electronic music, Daft Punk and rap T-Pain, have let emerge many effects: reverb, compression, distortion, auto-tune, filter, chorus, phasing, etc. The aim of this book is to introduce and explain these effects and sound treatments by addressing their theoretical and practical aspects.
Author: Robert L. Mott
Publisher: McFarland
ISBN: 0786494719
Category : Performing Arts
Languages : en
Pages : 241
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Book Description
This work, first published in 1989, includes discussions of the history of sound effects, the different types of sound effects, creating sound effects from scratch, recording sounds in the studio and field, the advantages of live sounds over tape, knowing why and when to use sound effects, the difference between radio, TV and film sounds, Foleying and the Foley stage, and recording and editing equipment.
Author: Ric Viers
Publisher:
ISBN: 9781615932047
Category : Performing Arts
Languages : en
Pages : 0
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Book Description
Introduction - What is a sound effect? - The science of sound - The microphone - Mocrophone models and applications - Microphone accessories - Recorders - Building a field recording package - The ten recording commandments - Sound effects gathering - Building a Foley Stage for a home studio - The art of Foley - Digital audio - Studio equipment - Designing your own studio - The ten sound editing commandments - File naming and metadata - Sound design - The sound effects encyclopedia - The future of sound design - Resources.
Author: Robert L. Mott
Publisher: McFarland
ISBN: 1476615837
Category : Performing Arts
Languages : en
Pages : 241
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Book Description
This work, first published in 1989, includes discussions of the history of sound effects, the different types of sound effects, creating sound effects from scratch, recording sounds in the studio and field, the advantages of live sounds over tape, knowing why and when to use sound effects, the difference between radio, TV and film sounds, Foleying and the Foley stage, and recording and editing equipment.
Author: Laura Jayne Wright
Publisher: Manchester University Press
ISBN: 1526159171
Category : Literary Criticism
Languages : en
Pages : 166
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Book Description
This book shows that the sounds of the early modern stage do not only signify but are also significant. Sounds are weighted with meaning, offering a complex system of allusions. Playwrights such as Jonson and Shakespeare developed increasingly experimental soundscapes, from the storms of King Lear (1605) and Pericles (1607) to the explosive laboratory of The Alchemist (1610). Yet, sound is dependent on the subjectivity of listeners; this book is conscious of the complex relationship between sound as made and sound as heard. Sound effects should not resound from scene to scene without examination, any more than a pun can be reshaped in dialogue without acknowledgement of its shifting connotations. This book listens to sound as a rhetorical device, able to penetrate the ears and persuade the mind, to influence and to affect.
Author: Johnston McCulley
Publisher: Independently Published
ISBN:
Category :
Languages : en
Pages : 266
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Book Description
The Curse of Capistrano is a 1919 novel by Johnston McCulley and the first work to feature the Californio character Diego Vega, the masked hero also called Zorro (zorro is the Spanish word for fox). It first appeared as a five-part magazine serial. The story was adapted into the silent film The Mark of Zorro in 1920. It appeared in book form in 1924, also using the title The Mark of Zorro.
Author: Robert L. Mott
Publisher: McFarland
ISBN: 9780786422661
Category : Performing Arts
Languages : en
Pages : 308
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Book Description
To today's radio listener, it is difficult to imagine the influence radio once held over the American people. Unlike movies or newspapers, radio both informed and entertained its audience without requiring them to participate. Part of its success depended upon the people who created the sound effects--a squeaking door, the approach of a horse, or a typewriter. The author did live sound effects during the "Golden Age" of radio. He provides many insights into the early days of the medium as it grappled with entertaining an audience based on a single sense (hearing). How the sounds were produced is fully covered as are the artists responsible for their production. Stories of successful effects production are balanced by embarrassing or funny failures. A list of artists and their shows is included.
Author: United States. Office of Education. Educational Radio Script Exchange
Publisher:
ISBN:
Category : Radio
Languages : en
Pages : 72
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Book Description
