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Author: Robert Adlington
Publisher: Oxford University Press
ISBN: 0190450657
Category : Music
Languages : en
Pages : 305
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Book Description
The role of popular music is widely recognized in giving voice to radical political views, the plight of the oppressed, and the desire for social change. Avant-garde music, by contrast, is often thought to prioritize the pursuit of new technical or conceptual territory over issues of human and social concern. Yet throughout the activist 1960s, many avant-garde musicians were convinced that aesthetic experiment and social progressiveness made natural bedfellows. Intensely involved in the era's social and political upheavals, they often sought to reflect this engagement in their music. Yet how could avant-garde musicians make a meaningful contribution to social change if their music remained the preserve of a tiny, initiated clique? In answer, Sound Commitments, examines the encounter of avant-garde music and "the Sixties" across a range of genres, aesthetic positions and geographical locations. Through music for the concert hall, tape and electronic music, jazz and improvisation, participatory "events," performance art, and experimental popular music, the essays in this volume explore developments in the United States, France, West Germany, Italy, the Netherlands, the Soviet Union, Japan and parts of the "Third World," delving into the deep richness of avant-garde musicians' response to the decade's defining cultural shifts. Featuring new archival research and/or interviews with significant figures of the period in each chapter, Sound Commitments will appeal to researchers and advanced students in the fields of post-war music, cultures of the 1960s, and the avant-garde, as well as to an informed general readership.
Author: Robert Adlington
Publisher: Oxford University Press
ISBN: 0190450657
Category : Music
Languages : en
Pages : 305
Get Book Here
Book Description
The role of popular music is widely recognized in giving voice to radical political views, the plight of the oppressed, and the desire for social change. Avant-garde music, by contrast, is often thought to prioritize the pursuit of new technical or conceptual territory over issues of human and social concern. Yet throughout the activist 1960s, many avant-garde musicians were convinced that aesthetic experiment and social progressiveness made natural bedfellows. Intensely involved in the era's social and political upheavals, they often sought to reflect this engagement in their music. Yet how could avant-garde musicians make a meaningful contribution to social change if their music remained the preserve of a tiny, initiated clique? In answer, Sound Commitments, examines the encounter of avant-garde music and "the Sixties" across a range of genres, aesthetic positions and geographical locations. Through music for the concert hall, tape and electronic music, jazz and improvisation, participatory "events," performance art, and experimental popular music, the essays in this volume explore developments in the United States, France, West Germany, Italy, the Netherlands, the Soviet Union, Japan and parts of the "Third World," delving into the deep richness of avant-garde musicians' response to the decade's defining cultural shifts. Featuring new archival research and/or interviews with significant figures of the period in each chapter, Sound Commitments will appeal to researchers and advanced students in the fields of post-war music, cultures of the 1960s, and the avant-garde, as well as to an informed general readership.
Author: Robert Adlington
Publisher: Oxford University Press
ISBN: 0199714363
Category : Music
Languages : en
Pages : 305
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Book Description
The role of popular music is widely recognized in giving voice to radical political views, the plight of the oppressed, and the desire for social change. Avant-garde music, by contrast, is often thought to prioritize the pursuit of new technical or conceptual territory over issues of human and social concern. Yet throughout the activist 1960s, many avant-garde musicians were convinced that aesthetic experiment and social progressiveness made natural bedfellows. Intensely involved in the era's social and political upheavals, they often sought to reflect this engagement in their music. Yet how could avant-garde musicians make a meaningful contribution to social change if their music remained the preserve of a tiny, initiated clique? In answer, Sound Commitments, examines the encounter of avant-garde music and "the Sixties" across a range of genres, aesthetic positions and geographical locations. Through music for the concert hall, tape and electronic music, jazz and improvisation, participatory "events," performance art, and experimental popular music, the essays in this volume explore developments in the United States, France, West Germany, Italy, the Netherlands, the Soviet Union, Japan and parts of the "Third World," delving into the deep richness of avant-garde musicians' response to the decade's defining cultural shifts. Featuring new archival research and/or interviews with significant figures of the period in each chapter, Sound Commitments will appeal to researchers and advanced students in the fields of post-war music, cultures of the 1960s, and the avant-garde, as well as to an informed general readership.
Author:
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 772
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Book Description
Author: Orr Dunkelman
Publisher: Springer Science & Business Media
ISBN: 3642279538
Category : Computers
Languages : en
Pages : 445
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Book Description
This book constitutes the refereed proceedings of the Cryptographers' Track at the RSA Conference 2012, CT-RSA 2012, held in San Francisco, CA, USA, in February/March 2012. The 26 revised full papers presented were carefully reviewed and selected from 113 submissions. The papers are organized in topical sections on side channel attacks, digital signatures, public-key encryption, cryptographic protocols, secure implementation methods, symmetric key primitives, and secure multiparty computation.
Author: Dan P. McAdams
Publisher: Guilford Press
ISBN: 9781572301887
Category : Psychology
Languages : en
Pages : 340
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Book Description
This book should be value for all those who are interested in enhancing their self-understanding. It should also serve as useful classroom text for undergraduates and advanced students in personality and social psychology, counselling and psychotherapy.
Author: United States. Department of State
Publisher:
ISBN:
Category : Diplomatic and consular service, American
Languages : en
Pages : 68
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Book Description
Author: Renee Levine Packer
Publisher: Oxford University Press
ISBN: 0199781532
Category : Music
Languages : en
Pages : 257
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Book Description
This book is an invaluable chronicle of an exuberant time of artistic exploration and experimentation populated by now legendary figures such as John Cage, Morton Feldman, Cornelius Cardew, Terry Riley, Julius Eastman, David Tudor, and many others who were part of this under-known chapter of late 20th century music history. Levine Packer brings it to life once again.
Author: Brian Kane
Publisher: Oxford University Press
ISBN: 0199347859
Category : Music
Languages : en
Pages : 337
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Book Description
Sound coming from outside the field of vision, from somewhere beyond, holds a privileged place in the Western imagination. When separated from their source, sounds seem to manifest transcendent realms, divine powers, or supernatural forces. According to legend, the philosopher Pythagoras lectured to his disciples from behind a veil, and two thousand years later, in the age of absolute music, listeners were similarly fascinated with disembodied sounds, employing various techniques to isolate sounds from their sources. With recording and radio came spatial and temporal separation of sounds from sources, and new ways of composing music. Sound Unseen: Acousmatic Sound in Theory and Practice explores the phenomenon of acousmatic sound. An unusual and neglected word, "acousmatic" was first introduced into modern parlance in the mid-1960s by avant garde composer of musique concrète Pierre Schaeffer to describe the experience of hearing a sound without seeing its cause. Working through, and often against, Schaeffer's ideas, Brian Kane presents a powerful argument for the central yet overlooked role of acousmatic sound in music aesthetics, sound studies, literature, philosophy and the history of the senses. Kane investigates acousmatic sound from a number of methodological perspectives -- historical, cultural, philosophical and musical -- and provides a framework that makes sense of the many surprising and paradoxical ways that unseen sound has been understood. Finely detailed and thoroughly researched, Sound Unseen pursues unseen sounds through a stunning array of cases -- from Bayreuth to Kafka's "Burrow," Apollinaire to Žižek, music and metaphysics to architecture and automata, and from Pythagoras to the present-to offer the definitive account of acousmatic sound in theory and practice. The first major study in English of Pierre Schaeffer's theory of "acousmatics," Sound Unseen is an essential text for scholars of philosophy of music, electronic music, sound studies, and the history of the senses.
Author: Markus Jakobsson
Publisher: Springer
ISBN: 3540248528
Category : Computers
Languages : en
Pages : 524
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Book Description
The second International Conference on Applied Cryptography and Network Security (ACNS 2004) was sponsored and organized by ICISA (the International Communications and Information Security Association). It was held in Yellow Mountain, China, June 8–11, 2004. The conference proceedings, representing papers from the academic track, are published in this volume of the Lecture Notes in Computer Science (LNCS) of Springer-Verlag. The area of research that ACNS covers has been gaining importance in recent years due to the development of the Internet, which, in turn, implies global exposure of computing resources. Many ?elds of research were covered by the program of this track, presented in this proceedings volume. We feel that the papers herein indeed re?ect the state of the art in security and cryptography research, worldwide. The program committee of the conference received a total of 297 submissions from all over the world, of which 36 submissions were selected for presentation during the academic track. In addition to this track, the conference also hosted a technical/industrial track of presentations that were carefully selected as well. All submissions were reviewed by experts in the relevant areas.
Author: United States
Publisher:
ISBN:
Category :
Languages : en
Pages : 428
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Book Description
