Author: Wayne Slawson
Publisher: Yank Gulch Music
ISBN: 9780520051850
Category : Music
Languages : en
Pages : 300
Book Description
Sound Color
Author: Wayne Slawson
Publisher: Yank Gulch Music
ISBN: 9780520051850
Category : Music
Languages : en
Pages : 300
Book Description
Publisher: Yank Gulch Music
ISBN: 9780520051850
Category : Music
Languages : en
Pages : 300
Book Description
The Sound of Colors
Author: Jimmy Liao
Publisher: Little, Brown Books for Young Readers
ISBN: 9780316939928
Category : Juvenile Fiction
Languages : en
Pages : 80
Book Description
A young woman losing her vision rides the subway with her dog in search of emotional healing.
Publisher: Little, Brown Books for Young Readers
ISBN: 9780316939928
Category : Juvenile Fiction
Languages : en
Pages : 80
Book Description
A young woman losing her vision rides the subway with her dog in search of emotional healing.
The Sonic Color Line
Author: Jennifer Lynn Stoever
Publisher: NYU Press
ISBN: 1479835625
Category : Literary Criticism
Languages : en
Pages : 348
Book Description
The unheard history of how race and racism are constructed from sound and maintained through the listening ear. Race is a visual phenomenon, the ability to see “difference.” At least that is what conventional wisdom has lead us to believe. Yet, The Sonic Color Line argues that American ideologies of white supremacy are just as dependent on what we hear—voices, musical taste, volume—as they are on skin color or hair texture. Reinforcing compelling new ideas about the relationship between race and sound with meticulous historical research, Jennifer Lynn Stoever helps us to better understand how sound and listening not only register the racial politics of our world, but actively produce them. Through analysis of the historical traces of sounds of African American performers, Stoever reveals a host of racialized aural representations operating at the level of the unseen—the sonic color line—and exposes the racialized listening practices she figures as “the listening ear.” Using an innovative multimedia archive spanning 100 years of American history (1845-1945) and several artistic genres—the slave narrative, opera, the novel, so-called “dialect stories,” folk and blues, early sound cinema, and radio drama—The Sonic Color Line explores how black thinkers conceived the cultural politics of listening at work during slavery, Reconstruction, and Jim Crow. By amplifying Harriet Jacobs, Frederick Douglass, Elizabeth Taylor Greenfield, Charles Chesnutt, The Fisk Jubilee Singers, Ann Petry, W.E.B. Du Bois, and Lena Horne as agents and theorists of sound, Stoever provides a new perspective on key canonical works in African American literary history. In the process, she radically revises the established historiography of sound studies. The Sonic Color Line sounds out how Americans have created, heard, and resisted “race,” so that we may hear our contemporary world differently.
Publisher: NYU Press
ISBN: 1479835625
Category : Literary Criticism
Languages : en
Pages : 348
Book Description
The unheard history of how race and racism are constructed from sound and maintained through the listening ear. Race is a visual phenomenon, the ability to see “difference.” At least that is what conventional wisdom has lead us to believe. Yet, The Sonic Color Line argues that American ideologies of white supremacy are just as dependent on what we hear—voices, musical taste, volume—as they are on skin color or hair texture. Reinforcing compelling new ideas about the relationship between race and sound with meticulous historical research, Jennifer Lynn Stoever helps us to better understand how sound and listening not only register the racial politics of our world, but actively produce them. Through analysis of the historical traces of sounds of African American performers, Stoever reveals a host of racialized aural representations operating at the level of the unseen—the sonic color line—and exposes the racialized listening practices she figures as “the listening ear.” Using an innovative multimedia archive spanning 100 years of American history (1845-1945) and several artistic genres—the slave narrative, opera, the novel, so-called “dialect stories,” folk and blues, early sound cinema, and radio drama—The Sonic Color Line explores how black thinkers conceived the cultural politics of listening at work during slavery, Reconstruction, and Jim Crow. By amplifying Harriet Jacobs, Frederick Douglass, Elizabeth Taylor Greenfield, Charles Chesnutt, The Fisk Jubilee Singers, Ann Petry, W.E.B. Du Bois, and Lena Horne as agents and theorists of sound, Stoever provides a new perspective on key canonical works in African American literary history. In the process, she radically revises the established historiography of sound studies. The Sonic Color Line sounds out how Americans have created, heard, and resisted “race,” so that we may hear our contemporary world differently.
What Sound Does a Color Make?
Author: Kathleen Forde
Publisher:
ISBN: 9780916365714
Category : Art and music
Languages : en
Pages : 0
Book Description
Explores the subject of synesthesia in contemporary electronic art, where sound and visual stimuli seemingly fuse together in immersive sensory environments. Connecting recent developments in digital audiovisual art to their predigital roots, this exhibition provokes a renewed awareness of human cognition and perception through a selection of compelling works by an international group of artists.
Publisher:
ISBN: 9780916365714
Category : Art and music
Languages : en
Pages : 0
Book Description
Explores the subject of synesthesia in contemporary electronic art, where sound and visual stimuli seemingly fuse together in immersive sensory environments. Connecting recent developments in digital audiovisual art to their predigital roots, this exhibition provokes a renewed awareness of human cognition and perception through a selection of compelling works by an international group of artists.
The Physics of Music and Color
Author: Leon Gunther
Publisher: Springer Nature
ISBN: 3030192199
Category : Science
Languages : en
Pages : 482
Book Description
This undergraduate textbook aids readers in studying music and color, which involve nearly the entire gamut of the fundamental laws of classical as well as atomic physics. The objective bases for these two subjects are, respectively, sound and light. Their corresponding underlying physical principles overlap greatly: Both music and color are manifestations of wave phenomena. As a result, commonalities exist as to the production, transmission, and detection of sound and light. Whereas traditional introductory physics textbooks are styled so that the basic principles are introduced first and are then applied, this book is based on a motivational approach: It introduces a subject with a set of related phenomena, challenging readers by calling for a physical basis for what is observed. A novel topic in the first edition and this second edition is a non-mathematical study of electric and magnetic fields and how they provide the basis for the propagation of electromagnetic waves, of light in particular. The book provides details for the calculation of color coordinates and luminosity from the spectral intensity of a beam of light as well as the relationship between these coordinates and the color coordinates of a color monitor. The second edition contains corrections to the first edition, the addition of more than ten new topics, new color figures, as well as more than forty new sample problems and end-of-chapter problems. The most notable additional topics are: the identification of two distinct spectral intensities and how they are related, beats in the sound from a Tibetan bell, AM and FM radio, the spectrogram, the short-time Fourier transform and its relation to the perception of a changing pitch, a detailed analysis of the transmittance of polarized light by a Polaroid sheet, brightness and luminosity, and the mysterious behavior of the photon. The Physics of Music and Color is written at a level suitable for college students without any scientific background, requiring only simple algebra and a passing familiarity with trigonometry. The numerous problems at the end of each chapter help the reader to fully grasp the subject.
Publisher: Springer Nature
ISBN: 3030192199
Category : Science
Languages : en
Pages : 482
Book Description
This undergraduate textbook aids readers in studying music and color, which involve nearly the entire gamut of the fundamental laws of classical as well as atomic physics. The objective bases for these two subjects are, respectively, sound and light. Their corresponding underlying physical principles overlap greatly: Both music and color are manifestations of wave phenomena. As a result, commonalities exist as to the production, transmission, and detection of sound and light. Whereas traditional introductory physics textbooks are styled so that the basic principles are introduced first and are then applied, this book is based on a motivational approach: It introduces a subject with a set of related phenomena, challenging readers by calling for a physical basis for what is observed. A novel topic in the first edition and this second edition is a non-mathematical study of electric and magnetic fields and how they provide the basis for the propagation of electromagnetic waves, of light in particular. The book provides details for the calculation of color coordinates and luminosity from the spectral intensity of a beam of light as well as the relationship between these coordinates and the color coordinates of a color monitor. The second edition contains corrections to the first edition, the addition of more than ten new topics, new color figures, as well as more than forty new sample problems and end-of-chapter problems. The most notable additional topics are: the identification of two distinct spectral intensities and how they are related, beats in the sound from a Tibetan bell, AM and FM radio, the spectrogram, the short-time Fourier transform and its relation to the perception of a changing pitch, a detailed analysis of the transmittance of polarized light by a Polaroid sheet, brightness and luminosity, and the mysterious behavior of the photon. The Physics of Music and Color is written at a level suitable for college students without any scientific background, requiring only simple algebra and a passing familiarity with trigonometry. The numerous problems at the end of each chapter help the reader to fully grasp the subject.
Healing with Sound Color and Movement
Author: Fabien Maman
Publisher:
ISBN: 9780965771436
Category : Color
Languages : en
Pages : 121
Book Description
Publisher:
ISBN: 9780965771436
Category : Color
Languages : en
Pages : 121
Book Description
The Harmonics of Sound, Color and Vibration
Author: William David
Publisher: Devorss Publications
ISBN: 9780875164113
Category : Occultism
Languages : en
Pages : 0
Book Description
Publisher: Devorss Publications
ISBN: 9780875164113
Category : Occultism
Languages : en
Pages : 0
Book Description
CDC Bulletin
Author: Communicable Disease Center (U.S.)
Publisher:
ISBN:
Category : Communicable diseases
Languages : en
Pages : 494
Book Description
Publisher:
ISBN:
Category : Communicable diseases
Languages : en
Pages : 494
Book Description
Audiovisuals in Dermatology
Author: Dale T. Lukas
Publisher:
ISBN:
Category : Audio-visual materials
Languages : en
Pages : 64
Book Description
Publisher:
ISBN:
Category : Audio-visual materials
Languages : en
Pages : 64
Book Description
Current Bibliographies in Medicine
Author:
Publisher:
ISBN:
Category : Medicine
Languages : en
Pages : 472
Book Description
Publisher:
ISBN:
Category : Medicine
Languages : en
Pages : 472
Book Description