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Author: Lucille Fletcher
Publisher: Dramatists Play Service Inc
ISBN: 9780822210597
Category : Drama
Languages : en
Pages : 44
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Book Description
Presents two one-act plays by Lucille Fletcher including "Sorry, Wrong Number," based upon the radio classic of the same title in which an invalid woman overhears the plot to her own murder.
Author: Lucille Fletcher
Publisher: Dramatists Play Service Inc
ISBN: 9780822210597
Category : Drama
Languages : en
Pages : 44
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Book Description
Presents two one-act plays by Lucille Fletcher including "Sorry, Wrong Number," based upon the radio classic of the same title in which an invalid woman overhears the plot to her own murder.
Author: John Brignell
Publisher:
ISBN: 9780953910809
Category : Measurement
Languages : en
Pages : 243
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Book Description
Author: Lucille Fletcher
Publisher: Dramatists Play Service Inc
ISBN: 9780822208266
Category : Drama
Languages : en
Pages : 80
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Book Description
THE STORY: Unable to sleep, Elaine Wheeler paces the living room of her Manhattan townhouse, troubled by unsettling memories and vague fears. Her husband tries to comfort her, but when he steps away for a moment Elaine screams as she sees (or belie
Author: Lucille Fletcher
Publisher:
ISBN:
Category : American drama
Languages : en
Pages : 60
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Book Description
Author: Lynn Painter
Publisher: Penguin
ISBN: 0593437276
Category : Fiction
Languages : en
Pages : 352
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Book Description
Things get textual when a steamy message from a random wrong number turns into an anonymous relationship in this hilarious rom-com by Lynn Painter. Bad luck has always followed Olivia Marshall...or maybe she's just the screw-up her family thinks she is. But when a "What are you wearing?" text from a random wrong number turns into the hottest, most entertaining—albeit anonymous—relationship of her life, she thinks things might be on the upswing.... Colin Beck has always considered Olivia his best friend's annoying little sister, but when she moves in with them after one of her worst runs of luck, he realizes she's turned into an altogether different and sexier distraction. He's sure he can keep his distance, until the moment he discovers she's the irresistible Miss Misdial he's been sort of sexting for weeks—and now he has to decide whether to turn the heat up or ghost her before things get messy.
Author: Fredrik Backman
Publisher: Simon and Schuster
ISBN: 1501115073
Category : Fiction
Languages : en
Pages : 400
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Book Description
A cloth bag containing 10 paperback copies of the title, 1 large print edition, 1 audio book, that may also include a folder with sign out sheets.
Author: Amy Lawrence
Publisher: Univ of California Press
ISBN: 9780520070820
Category : Performing Arts
Languages : en
Pages : 236
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Book Description
Do women in classical Hollywood cinema ever truly speak for themselves? In Echo and Narcissus, Amy Lawrence examines eight classic films to show how women's speech is repeatedly constructed as a "problem," an affront to male authority. This book expands feminist studies of the representation of women in film, enabling us to see individual films in new ways, and to ask new questions of other films. Using Sadie Thompson (1928), Blackmail (1929), Rain (1932), The Spiral Staircase, Sorry,Wrong Number, Notorious, Sunset Boulevard (1950) and To Kill a Mockingbird (1962), Lawrence illustrates how women's voices are positioned within narratives that require their submission to patriarchal roles and how their attempts to speak provoke increasingly severe repression. She also shows how women's natural ability to speak is interrupted, made difficult, or conditioned to a suffocating degree by sound technology itself. Telephones, phonographs, voice-overs, and dubbing are foregrounded, called upon to silence women and to restore the primacy of the image. Unlike the usage of "voice" by feminist and literary critics to discuss broad issues of authorship and point of view, in film studies the physical voice itself is a primary focus. Echo and Narcissus shows how assumptions about the "deficiencies" of women's voices and speech are embedded in sound's history, technology, uses, and marketing. Moreover, the construction of the woman's voice is inserted into the ideologically loaded cinematic and narrative conventions governing the representation of women in Hollywood film.
Author: Michelangelo Capua
Publisher: McFarland
ISBN: 1476618704
Category : Performing Arts
Languages : en
Pages : 219
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Book Description
During his 40-year career, director-producer Anatole Litvak (1902-1974) made films of all genres in Russia, Germany, England, France and the United States. His rootless background was cited by critics lamenting his lack of consistent style, but it also added to his mystique as a chameleon-like realisateur. Litvak directed Hollywood greats like Edward G. Robinson, John Garfield, Kirk Douglas, Ingrid Bergman, Vivien Leigh, Sophia Loren, Anthony Perkins, Olivia de Havilland, Yul Brynner, Burt Lancaster, Barbara Stanwick and many others. He was twice nominated for Best Director by the Academy of Motion Picture Art and Sciences for The Snake Pit (1948) and for Decision Before Dawn (1951). These films--along with Mayerling (1936), Sorry, Wrong Number (1946) and Anastasia (1956)--are considered classics, but his pictures don't offer many clues about Litvak the man. Apart from passing references to his wartime service as combat documentarian, he never discussed his life in print, allowing only brief interviews relating exclusively to his work. This biography fills that void, providing the first detailed portrait of an artist described by film historian Richard Schickel as "an adept, adaptable and prolific man; the kind of director that Hollywood likes best."
Author: Margaret Simpson
Publisher:
ISBN: 9780233964164
Category :
Languages : en
Pages : 256
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Book Description
Author: Ned Schantz
Publisher: Oxford University Press
ISBN: 0195335910
Category : Literary Criticism
Languages : en
Pages : 199
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Book Description
For over two hundred years of narrative culture, when female characters try to get together, crazy things happen. Indeed, the greater the means at women's disposal, the more severe and twisted is the anxious reaction. Behind this broad anxiety lurks the powerful ideal of sympathetic and strategic female networks, an ideal that takes its intimate shape from the expectations of communications media, and that underwrites the very culture that would deny it. Ned Schantz examines novelistic culture from the British novel to Hollywood film as a series of responses to the threat and promise of female networks. Reading texts from Clariss;, Emma; and The Portrait of a Lady, to Sorry, Wrong Number; Vertigo; and You've Got Mail, Schantz argues that a recurring gothic nightmare haunts plots of courtship, marriage, and female advancement even as the female networks themselves illuminate the path to clarity. And while this study must of necessity visit an uncanny realm of lost messages and false suitors, telepathy and artificial intelligence, locked rooms and time-traveling stalkers, these occult concerns only confirm the tangible, material power at stake in the most basic modes of female communication, in gossip, letters, and phones.
