Author: Haim Gordon
Publisher: BRILL
ISBN: 9004496084
Category : History
Languages : en
Pages : 149
Book Description
This book deals with a rejection of the widespread fakeries that have emerged in twentieth-century art, which we call by their Platonic name, sophistry. The book also presents brief descriptions of some of the ideas of Martin Heidegger and Nicolas Berdyaev as to what constitutes a beautiful work of art, and how an authentic relation to the beauty in a work of art enhances human existence.
Sophistry and Twentieth-Century Art
Author: Haim Gordon
Publisher: BRILL
ISBN: 9004496084
Category : History
Languages : en
Pages : 149
Book Description
This book deals with a rejection of the widespread fakeries that have emerged in twentieth-century art, which we call by their Platonic name, sophistry. The book also presents brief descriptions of some of the ideas of Martin Heidegger and Nicolas Berdyaev as to what constitutes a beautiful work of art, and how an authentic relation to the beauty in a work of art enhances human existence.
Publisher: BRILL
ISBN: 9004496084
Category : History
Languages : en
Pages : 149
Book Description
This book deals with a rejection of the widespread fakeries that have emerged in twentieth-century art, which we call by their Platonic name, sophistry. The book also presents brief descriptions of some of the ideas of Martin Heidegger and Nicolas Berdyaev as to what constitutes a beautiful work of art, and how an authentic relation to the beauty in a work of art enhances human existence.
German Expressionist Paintings and Education
Author: Haim Gordon
Publisher: Waxmann Verlag
ISBN: 3830971753
Category : Education
Languages : en
Pages : 162
Book Description
This book has two aims. The first aim is a modest attempt to help to overcome the neglect to which German expressionist paintings have been condemned by historians and art critics. The second aim is more difficult from an educational perspective. The book points out that a moving beauty and worthy truths call out from many German expressionist paintings. At times, this beauty and these truths may be comprehended straightforwardly. To complement the direct encounter with these paintings, the book suggests learning from concepts, ideas, and insights presented by existentialist philosophers. The book shows that these concepts, ideas, and insights can assist in harkening to the call of beauty and truth that calls out from the paintings of the six German expressionist painters which are discussed here: Max Beckmann, Otto Dix, Ernst Ludwig Kirchner, Otto Mueller, Karl Schmidt-Rottluff, and Erich Heckel. Thus, they can assist the educator in showing the grandeur of the works of the six painters. The book points to the educational value of the personal and existential encounter with the beauty and truths that call out from the paintings of these artists. Haim Gordon is professor emeritus at Ben Gurion University of the Negev in Israel. He has published, at times in collaboration with colleagues, 26 books and more than 150 papers in professional journals and books on philosophical, educational and political topics. He resides with his wife in Eilat, Israel.
Publisher: Waxmann Verlag
ISBN: 3830971753
Category : Education
Languages : en
Pages : 162
Book Description
This book has two aims. The first aim is a modest attempt to help to overcome the neglect to which German expressionist paintings have been condemned by historians and art critics. The second aim is more difficult from an educational perspective. The book points out that a moving beauty and worthy truths call out from many German expressionist paintings. At times, this beauty and these truths may be comprehended straightforwardly. To complement the direct encounter with these paintings, the book suggests learning from concepts, ideas, and insights presented by existentialist philosophers. The book shows that these concepts, ideas, and insights can assist in harkening to the call of beauty and truth that calls out from the paintings of the six German expressionist painters which are discussed here: Max Beckmann, Otto Dix, Ernst Ludwig Kirchner, Otto Mueller, Karl Schmidt-Rottluff, and Erich Heckel. Thus, they can assist the educator in showing the grandeur of the works of the six painters. The book points to the educational value of the personal and existential encounter with the beauty and truths that call out from the paintings of these artists. Haim Gordon is professor emeritus at Ben Gurion University of the Negev in Israel. He has published, at times in collaboration with colleagues, 26 books and more than 150 papers in professional journals and books on philosophical, educational and political topics. He resides with his wife in Eilat, Israel.
The New Werner Twentieth Century Edition of the Encyclopaedia Britannica
Author:
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 944
Book Description
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 944
Book Description
Hobbema and Heidegger
Author: Rivca Gordon
Publisher: Peter Lang
ISBN: 9780820481685
Category : Art
Languages : en
Pages : 158
Book Description
This book shows how the beautiful landscape paintings of Meindert Hobbema, a seventeenth-century painter of the Dutch Golden Age, are in accord with the thought of Martin Heidegger, a twentieth-century philosopher, on beauty and truth. Since little is known about Hobbema's life, this work concentrates on ideas that are central to Heidegger's philosophy of art and beauty and the way these ideas are attuned to Hobbema's landscapes. Heidegger holds that the beauty of a great work of art calls out from that work and is firmly linked to the disclosure of hidden truths concerning essences of beings. This book illustrates in detail that beauty and such truths indeed call out from Hobbema's paintings.
Publisher: Peter Lang
ISBN: 9780820481685
Category : Art
Languages : en
Pages : 158
Book Description
This book shows how the beautiful landscape paintings of Meindert Hobbema, a seventeenth-century painter of the Dutch Golden Age, are in accord with the thought of Martin Heidegger, a twentieth-century philosopher, on beauty and truth. Since little is known about Hobbema's life, this work concentrates on ideas that are central to Heidegger's philosophy of art and beauty and the way these ideas are attuned to Hobbema's landscapes. Heidegger holds that the beauty of a great work of art calls out from that work and is firmly linked to the disclosure of hidden truths concerning essences of beings. This book illustrates in detail that beauty and such truths indeed call out from Hobbema's paintings.
Existentialist Themes and Education
Author: Rivca Gordon
Publisher: Waxmann Verlag
ISBN: 3830977522
Category : Education
Languages : en
Pages : 271
Book Description
The existentialists presented a philosophical approach which raised questions and illustrated ideas that addressed the grounds and essence of human existence. Among the questions were those that related to the essences of truth, being, human existence, freedom, and of love. The major purpose of this book, is the attempt to counter the expansive reign of the 'passion for the mediocre'. The authors hold that the widespread acceptance of mediocrity effaces all excellence, degrades everyday human existence, and ruins spiritual life. The manner here of countering mediocrity is to present and carefully think about the thought-provoking questions and enlightening ideas which existentialists brought up and studied. The first section of this book looks at the relevance of three existentialist ideas for life in society. These being beauty, the revolt of the masses, and friendship. In the second section the book brings forth ideas that should enrich educational thought and enhance teaching. The last part addresses learning as a personally enhancing process. Rivca Gordon is an independent scholar who has co-authored six books with Haim Gordon. She has also published articles on existentialist philosophy and existentialist thinking in professional journals.
Publisher: Waxmann Verlag
ISBN: 3830977522
Category : Education
Languages : en
Pages : 271
Book Description
The existentialists presented a philosophical approach which raised questions and illustrated ideas that addressed the grounds and essence of human existence. Among the questions were those that related to the essences of truth, being, human existence, freedom, and of love. The major purpose of this book, is the attempt to counter the expansive reign of the 'passion for the mediocre'. The authors hold that the widespread acceptance of mediocrity effaces all excellence, degrades everyday human existence, and ruins spiritual life. The manner here of countering mediocrity is to present and carefully think about the thought-provoking questions and enlightening ideas which existentialists brought up and studied. The first section of this book looks at the relevance of three existentialist ideas for life in society. These being beauty, the revolt of the masses, and friendship. In the second section the book brings forth ideas that should enrich educational thought and enhance teaching. The last part addresses learning as a personally enhancing process. Rivca Gordon is an independent scholar who has co-authored six books with Haim Gordon. She has also published articles on existentialist philosophy and existentialist thinking in professional journals.
The Sculpted Ear
Author: Ryan McCormack
Publisher: Penn State Press
ISBN: 027108751X
Category : History
Languages : en
Pages : 225
Book Description
Sound and statuary have had a complicated relationship in Western aesthetic thought since antiquity. Taking as its focus the sounding statue—a type of anthropocentric statue that invites the viewer to imagine sounds the statue might make—The Sculpted Ear rethinks this relationship in light of discourses on aurality emerging within the field of sound studies. Ryan McCormack argues that the sounding statue is best thought of not as an aesthetic object but as an event heard by people and subsequently conceptualized into being through acts of writing and performance. Constructing a history in which hearing plays an integral role in ideas about anthropocentric statuary, McCormack begins with the ancient sculpture of Laocoön before moving to a discussion of the early modern automaton known as Tipu’s Tiger and the statue of the Commendatore in Mozart’s Don Giovanni. Finally, he examines statues of people from the present and the past, including the singer Josephine Baker, the violinist Aleksandar Nikolov, and the actor Bob Newhart—with each case touching on some of the issues that have historically plagued the aesthetic viability of the sounding statue. McCormack convincingly demonstrates how sounding statues have served as important precursors and continuing contributors to modern ideas about the ontology of sound, technologies of sound reproduction, and performance practices blurring traditional divides between music, sculpture, and the other arts. A compelling narrative that illuminates the stories of individual sculptural objects and the audiences that hear them, this book will appeal to anyone interested in the connections between aurality and statues in the Western world, in particular scholars and students of sound studies and sensory history.
Publisher: Penn State Press
ISBN: 027108751X
Category : History
Languages : en
Pages : 225
Book Description
Sound and statuary have had a complicated relationship in Western aesthetic thought since antiquity. Taking as its focus the sounding statue—a type of anthropocentric statue that invites the viewer to imagine sounds the statue might make—The Sculpted Ear rethinks this relationship in light of discourses on aurality emerging within the field of sound studies. Ryan McCormack argues that the sounding statue is best thought of not as an aesthetic object but as an event heard by people and subsequently conceptualized into being through acts of writing and performance. Constructing a history in which hearing plays an integral role in ideas about anthropocentric statuary, McCormack begins with the ancient sculpture of Laocoön before moving to a discussion of the early modern automaton known as Tipu’s Tiger and the statue of the Commendatore in Mozart’s Don Giovanni. Finally, he examines statues of people from the present and the past, including the singer Josephine Baker, the violinist Aleksandar Nikolov, and the actor Bob Newhart—with each case touching on some of the issues that have historically plagued the aesthetic viability of the sounding statue. McCormack convincingly demonstrates how sounding statues have served as important precursors and continuing contributors to modern ideas about the ontology of sound, technologies of sound reproduction, and performance practices blurring traditional divides between music, sculpture, and the other arts. A compelling narrative that illuminates the stories of individual sculptural objects and the audiences that hear them, this book will appeal to anyone interested in the connections between aurality and statues in the Western world, in particular scholars and students of sound studies and sensory history.
The Radical Use of Chance in 20th Century Art
Author: Denis Lejeune
Publisher: Rodopi
ISBN: 9401207267
Category : Art
Languages : en
Pages : 269
Book Description
To many, chance and art are antagonistic terms. But a number of 20th century artists have turned this notion on its head by attempting to create artworks based on randomness. Among those, three in particular articulated a well-argued and thorough theory of the radical use of chance in art: André Breton (writer), John Cage (composer) and François Morellet (visual artist). The implications of such a move away from established aesthetics are far-reaching, as much in conceptual as in practical terms, as this book hopes to make clear. Of paramount importance in this coincidentia oppositorum is the suggested possibility of a correlation between the artistic use of chance and a system of thought itself organised around chance. Indeed placing randomness at the centre of one’s art may have deeper philosophical consequences than just on the aesthetical level.
Publisher: Rodopi
ISBN: 9401207267
Category : Art
Languages : en
Pages : 269
Book Description
To many, chance and art are antagonistic terms. But a number of 20th century artists have turned this notion on its head by attempting to create artworks based on randomness. Among those, three in particular articulated a well-argued and thorough theory of the radical use of chance in art: André Breton (writer), John Cage (composer) and François Morellet (visual artist). The implications of such a move away from established aesthetics are far-reaching, as much in conceptual as in practical terms, as this book hopes to make clear. Of paramount importance in this coincidentia oppositorum is the suggested possibility of a correlation between the artistic use of chance and a system of thought itself organised around chance. Indeed placing randomness at the centre of one’s art may have deeper philosophical consequences than just on the aesthetical level.
Structure and Thought
Author: Daniel Sacilotto
Publisher: Northwestern University Press
ISBN: 0810146622
Category : Philosophy
Languages : en
Pages : 284
Book Description
Offers a new understanding of representational cognition that synthesizes postwar philosophical approaches to the question of objective knowledge This study develops a novel account of representational cognition, explaining how cognitive systems progressively come to map the structure of their worlds. Daniel Sacilotto offers a constructive response to the critique of representation formulated throughout the post‐Kantian philosophical tradition. Rather than a skepticism or idealism whereby thinking can grasp appearances but never the real, representation, Sacilotto shows, is a constitutive dimension of cognitive systems’ creative capacity to know and intervene in the world of which they are part. Structure and Thought: Toward a Materialist Theory of Representational Cognition integrates various lines in contemporary philosophy, including those often seen as incommensurable or in irresolvable tension with one another. Sacilotto thus advances a productive synthesis of a materialist ambition to provide a creative and historical understanding of cognition with a structural realist account of representation. He shows how the different forms of sensory, discursive, and theoretical mediation that characterize human cognition are conducive to a realist epistemological framework that explains how the possibility of knowledge about a mind‐independent reality is conceivable.
Publisher: Northwestern University Press
ISBN: 0810146622
Category : Philosophy
Languages : en
Pages : 284
Book Description
Offers a new understanding of representational cognition that synthesizes postwar philosophical approaches to the question of objective knowledge This study develops a novel account of representational cognition, explaining how cognitive systems progressively come to map the structure of their worlds. Daniel Sacilotto offers a constructive response to the critique of representation formulated throughout the post‐Kantian philosophical tradition. Rather than a skepticism or idealism whereby thinking can grasp appearances but never the real, representation, Sacilotto shows, is a constitutive dimension of cognitive systems’ creative capacity to know and intervene in the world of which they are part. Structure and Thought: Toward a Materialist Theory of Representational Cognition integrates various lines in contemporary philosophy, including those often seen as incommensurable or in irresolvable tension with one another. Sacilotto thus advances a productive synthesis of a materialist ambition to provide a creative and historical understanding of cognition with a structural realist account of representation. He shows how the different forms of sensory, discursive, and theoretical mediation that characterize human cognition are conducive to a realist epistemological framework that explains how the possibility of knowledge about a mind‐independent reality is conceivable.
Sperone Speroni and the Debate over Sophistry in the Italian Renaissance
Author: Teodoro Katinis
Publisher: BRILL
ISBN: 9004354735
Category : History
Languages : en
Pages : 186
Book Description
In Sperone Speroni and the Debate over Sophistry in the Italian Renaissance Teodoro Katinis mines a number of little or unstudied primary sources and offers the first book on the rebirth of ancient sophists in the Italian literature of the fifteenth and sixteenth centuries, from Leonardo Bruni to Jacopo Mazzoni, with a focus on the Italian writer and philosopher Sperone Speroni (1500-1588). Katinis convincingly argues that Speroni is a unique case of an early modern thinker who explicitly rejected Plato’s demonization and defended the public role of the sophistic rhetoric, which enhanced the debate over the sophistic arts and scepticism in a variety of fields and anticipated some of the most revolutionary modern thoughts.
Publisher: BRILL
ISBN: 9004354735
Category : History
Languages : en
Pages : 186
Book Description
In Sperone Speroni and the Debate over Sophistry in the Italian Renaissance Teodoro Katinis mines a number of little or unstudied primary sources and offers the first book on the rebirth of ancient sophists in the Italian literature of the fifteenth and sixteenth centuries, from Leonardo Bruni to Jacopo Mazzoni, with a focus on the Italian writer and philosopher Sperone Speroni (1500-1588). Katinis convincingly argues that Speroni is a unique case of an early modern thinker who explicitly rejected Plato’s demonization and defended the public role of the sophistic rhetoric, which enhanced the debate over the sophistic arts and scepticism in a variety of fields and anticipated some of the most revolutionary modern thoughts.
Gorgias and the New Sophistic Rhetoric
Author: Bruce McComiskey
Publisher: SIU Press
ISBN: 0809390132
Category : Language Arts & Disciplines
Languages : en
Pages : 176
Book Description
In Gorgias and the New Sophistic Rhetoric, Bruce McComiskey achieves three rhetorical goals: he treats a single sophist's rhetorical technê (art) in the context of the intellectual upheavals of fifth-century bce Greece, thus avoiding the problem of generalizing about a disparate group of individuals; he argues that we must abandon Platonic assumptions regarding the sophists in general and Gorgias in particular, opting instead for a holistic reading of the Gorgianic fragments; and he reexamines the practice of appropriating sophistic doctrines, particularly those of Gorgias, in light of the new interpretation of Gorgianic rhetoric offered in this book. In the first two chapters, McComiskey deals with a misconception based on selective and Platonic readings of the extant fragments: that Gorgias's rhetorical technê involves the deceptive practice of manipulating public opinion. This popular and ultimately misleading interpretation of Gorgianic doctrines has been the basis for many neosophistic appropriations. The final three chapters deal with the nature and scope of neosophistic rhetoric in light of the non-Platonic and holistic interpretation of Gorgianic rhetoric McComiskey postulates in his opening chapters. He concludes by examining the future of communication studies to discover what roles neosophistic doctrines might play in the twenty-first century. McComiskey also provides a selective bibliography of scholarship on sophistic rhetoric and philosophy in English since 1900.
Publisher: SIU Press
ISBN: 0809390132
Category : Language Arts & Disciplines
Languages : en
Pages : 176
Book Description
In Gorgias and the New Sophistic Rhetoric, Bruce McComiskey achieves three rhetorical goals: he treats a single sophist's rhetorical technê (art) in the context of the intellectual upheavals of fifth-century bce Greece, thus avoiding the problem of generalizing about a disparate group of individuals; he argues that we must abandon Platonic assumptions regarding the sophists in general and Gorgias in particular, opting instead for a holistic reading of the Gorgianic fragments; and he reexamines the practice of appropriating sophistic doctrines, particularly those of Gorgias, in light of the new interpretation of Gorgianic rhetoric offered in this book. In the first two chapters, McComiskey deals with a misconception based on selective and Platonic readings of the extant fragments: that Gorgias's rhetorical technê involves the deceptive practice of manipulating public opinion. This popular and ultimately misleading interpretation of Gorgianic doctrines has been the basis for many neosophistic appropriations. The final three chapters deal with the nature and scope of neosophistic rhetoric in light of the non-Platonic and holistic interpretation of Gorgianic rhetoric McComiskey postulates in his opening chapters. He concludes by examining the future of communication studies to discover what roles neosophistic doctrines might play in the twenty-first century. McComiskey also provides a selective bibliography of scholarship on sophistic rhetoric and philosophy in English since 1900.