Sonic Somatic PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Sonic Somatic PDF full book. Access full book title Sonic Somatic by Christof Migone. Download full books in PDF and EPUB format.
Author: Christof Migone
Publisher: Errant Bodies
ISBN: 9780982743942
Category : Arts, Modern
Languages : en
Pages : 0
Get Book Here
Book Description
"This book delineates a territory of investigation for sound art and its various manifestations through historical, theoretical, polemical and critical analyses of artistic, musical and literary works. In doing so, Migone gives radical definition to an auditory study that includes the complexity of silence and mutism, identity and abjecthood, and language and its stutterances. The recurring site of these stagings is the somatic under all its forms: embodied and disembodied, fragmented and amplified, vocal and mute. Concrete sites that are investigated include: Antonin Artaud's writings, Alvin Lucier's recording I am sitting in a room, Erik Satie's composition Vexations, Marina Abramovic's performance Rhythm 0, Adrian Piper's Untitled Performance for Max's Kansas City, Melville's short story Bartleby, the Scrivener, Bob Connolly and Robin Anderson's documentary film First Contact, and John Cage's composition 4'3''." -- Back cover.
Author: Ruth Finnegan
Publisher: Routledge
ISBN: 1317970993
Category : Language Arts & Disciplines
Languages : en
Pages : 405
Get Book Here
Book Description
Many accounts of human communication suggest that we are limited to communicating through words, visual images, the mass media and by digital means. This perspective underestimates the multisensory qualities of much of our human interconnecting and the multiple sounds, touches, sights and material objects which humans use so creatively to interconnect both nearby and across space and time. Ruth Finnegan brings together research from linguistic and sensory anthropology, alternative approaches to 'material culture' and 'the body', non-verbal communication, cultural studies, computer-mediated communication, and illuminating work on animal communication. Examples from both western and non-western cultures together with plentiful illustrations enrich and deepen the analysis. The book uncovers the amazing array of sounds, sights, smells, gestures, looks, movements, touches and material objects which humans use so creatively to interconnect both nearby and across space and time - resources consistently underestimated in those western ideologies that prioritise 'rationality' and referential language. Focussing on embodied and material processes, and on practice rather than text, this comparative analysis challenges the underlying cognitive and word-centred model common to many approaches to communication. The second edition of Communicating includes a new introduction, updates to take account of recent work, an additional chapter covering ethereal non-verbal non-bodily communicating such as telepathy and dreams, fresh illustrations, a new conclusion and updated bibliography. This authoritative but accessible book is an essential transdisciplinary overview for researchers and advanced students in language and communication, anthropology and cultural studies.
Author: Christof Migone
Publisher: Errant Bodies
ISBN: 9780982743942
Category : Arts, Modern
Languages : en
Pages : 0
Get Book Here
Book Description
"This book delineates a territory of investigation for sound art and its various manifestations through historical, theoretical, polemical and critical analyses of artistic, musical and literary works. In doing so, Migone gives radical definition to an auditory study that includes the complexity of silence and mutism, identity and abjecthood, and language and its stutterances. The recurring site of these stagings is the somatic under all its forms: embodied and disembodied, fragmented and amplified, vocal and mute. Concrete sites that are investigated include: Antonin Artaud's writings, Alvin Lucier's recording I am sitting in a room, Erik Satie's composition Vexations, Marina Abramovic's performance Rhythm 0, Adrian Piper's Untitled Performance for Max's Kansas City, Melville's short story Bartleby, the Scrivener, Bob Connolly and Robin Anderson's documentary film First Contact, and John Cage's composition 4'3''." -- Back cover.
Author: Ruth H. Finnegan
Publisher: Psychology Press
ISBN: 9780415241175
Category : Language Arts & Disciplines
Languages : en
Pages : 332
Get Book Here
Book Description
Annotation Focusing on embodied and material processes rather than cognitive or mentalist models, and on practice rather than text, this book reveals why a limited view of human communication is unsatisfactory.
Author: Brandon LaBelle
Publisher: Bloomsbury Publishing USA
ISBN: 1623567734
Category : Music
Languages : en
Pages : 233
Get Book Here
Book Description
Lexicon of the Mouth surveys the oral cavity as the central channel by which self and surrounding are brought into relation. Questions of embodiment and agency, attachment and loss, incorporation and hunger, locution and the non-sensical are critically examined. In doing so, LaBelle emphasizes the mouth as a vital conduit for negotiating "the foundational narrative of proper speech." Lexicon of the Mouth aims for a viscous, poetic and resonant discourse of subjectivity, detailed through the "micro-oralities" of laughing and whispering, stuttering and reciting, eating and kissing, among others. The oral cavity is posed as an impressionable arena, susceptible to all types of material input, contamination and intervention, while also enabling powerful forms of resistance, attachment and conversation, as well as radical imagination. Lexicon of the Mouth argues for the revolutionary promise of the laugh, the spirited mythologies of the whisper, the schizophonics of self-talk, and the primal noise of gibberish, suggesting that the significance of voicing is fundamentally bound to the exertions of the mouth. Subsequently, assumptions around voice and vocality are unsettled in favor of an epistemology of the oral, highlighting the acts of the tongue, the lips and the throat as primary mediations between interior and exterior, social structures and embodied expressions. LaBelle makes a significant contribution to currents in sound and voice studies by reminding that to hear the voice, and to consider a politics of speech, is first and foremost to assume the mouth.
Author: Ruth Finnegan
Publisher: Lulu.com
ISBN: 0244533008
Category : Art
Languages : en
Pages : 399
Get Book Here
Book Description
What is the role of sound in human like?and of music? What do we use it for and ow does it vary across the world? Where does it come from and above all why should we - as we do - care about it? This series of reflections by the celebrated anthropologist Ruth Finnegan tackles these questions and more in her inimitable friendly and accessible style. An Informative and inspiring book, unique.
Author: Paul Hegarty
Publisher: Bloomsbury Publishing USA
ISBN: 1501335464
Category : Music
Languages : en
Pages : 297
Get Book Here
Book Description
Noise has become a model of cultural and theoretical thinking over the last two decades. Following Hegarty's influential 2007 book, Noise/Music, Annihilating Noise discusses in sixteen essays how noise offers a way of thinking about critical resistance, disruptive creativity and a complex yet enticing way of understanding the unexpected, the dissonant, the unfamiliar. It presents noise as a negativity with no fixed identity that can only be defined in connection and opposition to meaning and order. This book reaches beyond experimental music and considers noise as an idea and practice within a wide range of frameworks including social, ecological, and philosophical perspectives. It introduces the ways in which the disruptive implications of noise impact our ways of thinking, acting, and organizing in the world, and applies it to 21st-century concerns and today's technological ecology.
Author: Tristam Adams
Publisher: Springer Nature
ISBN: 303162050X
Category :
Languages : en
Pages : 290
Get Book Here
Book Description
Author: Daniela Cascella
Publisher: John Hunt Publishing
ISBN: 1782798161
Category : Art
Languages : en
Pages : 144
Get Book Here
Book Description
Listening into writing, reading into writing take shape in F.M.R.L. through a collection of short texts, fragments and ‘deranged essays’, with attention to pacing and linguistic derives. An archive of books, notebooks, events and records prompts the texts in these pages, responding to encounters with Michel Leiris’s autobiographical fictions; concerts and events at Café Oto and the Swedenborg House in London; visits to museums such as the Pitt Rivers in Oxford and exhibitions such as Ice Age Art at the British Museum, among the others. F.M.R.L. is a book constructed across sonic patterns, assonance, repetitions, comprising texts that intermittently drift from sense to sound and to nonsense and back. A flip from the immateriality of sound to the sounds of letters and words as material, a call from reading to voicing.
Author: Michele Hilmes
Publisher: Oxford University Press
ISBN: 0197551122
Category : Performing Arts
Languages : en
Pages : 793
Get Book Here
Book Description
The Oxford Handbook of Radio and Podcasting provides a concise yet in-depth overview of the development of radio as a creative and cultural form, from early broadcasting to the digital present. Organized around major aspects of radio's social and political impact - on the arts, on news and documentary, on community, nation, identity, and culture - it draws on contributors from interdisciplinary backgrounds and many nationalities to explore the world of sound-based communication across a century of practice. Links are provided to illustrative sound clips in many chapters, along with chapter-by-chapter audiographies offering digital links to enable further listening.
Author: Sara Jane Bailes
Publisher: Routledge
ISBN: 1317175905
Category : Music
Languages : en
Pages : 302
Get Book Here
Book Description
Discussion concerning the ’musicality’ of Samuel Beckett’s writing now constitutes a familiar critical trope in Beckett Studies, one that continues to be informed by the still-emerging evidence of Beckett’s engagement with music throughout his personal and literary life, and by the ongoing interest of musicians in Beckett’s work. In Beckett’s drama and prose writings, the relationship with music plays out in implicit and explicit ways. Several of his works incorporate canonical music by composers such as Schubert and Beethoven. Other works integrate music as a compositional element, in dialogue or tension with text and image, while others adopt rhythm, repetition and pause to the extent that the texts themselves appear to be ’scored’. But what, precisely, does it mean to say that a piece of prose or writing for theatre, radio or screen, is ’musical’? The essays included in this book explore a number of ways in which Beckett’s writings engage with and are engaged by musicality, discussing familiar and less familiar works by Beckett in detail. Ranging from the scholarly to the personal in their respective modes of response, and informed by approaches from performance and musicology, literary studies, philosophy, musical composition and creative practice, these essays provide a critical examination of the ways we might comprehend musicality as a definitive and often overlooked attribute throughout Beckett’s work.
