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Author: Joanna Godlewicz-Adamiec
Publisher: V&R unipress
ISBN: 373701762X
Category :
Languages : en
Pages : 419
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Book Description
The book explores the multi-faceted nature of contemporary reflections on agency, focusing on various discursive practices that shape the posthumanist approach to the relationship between the human and non-human world from a planetary perspective. The chapters delve into critical human-animal studies, examine new non-anthropocentric identity constructs, and offer analyses that reinterpret meanings through semiotic inversions and challenge static cultural patterns. The book concludes with discussions on decolonization practices that aim to liberate agency from oppressive systems, particularly those dominated by imperial phallogocentrism.
Author: Joanna Godlewicz-Adamiec
Publisher: V&R unipress
ISBN: 373701762X
Category :
Languages : en
Pages : 419
Get Book Here
Book Description
The book explores the multi-faceted nature of contemporary reflections on agency, focusing on various discursive practices that shape the posthumanist approach to the relationship between the human and non-human world from a planetary perspective. The chapters delve into critical human-animal studies, examine new non-anthropocentric identity constructs, and offer analyses that reinterpret meanings through semiotic inversions and challenge static cultural patterns. The book concludes with discussions on decolonization practices that aim to liberate agency from oppressive systems, particularly those dominated by imperial phallogocentrism.
Author: United States. Congress. House. Committee on Interstate and Foreign Commerce
Publisher:
ISBN:
Category : Independent regulatory commissions
Languages : en
Pages : 904
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Book Description
Author: Chris Salter
Publisher: MIT Press
ISBN: 0262549611
Category : Art
Languages : en
Pages : 327
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Book Description
An investigation into what happens in creative practice when the materials of art and research behave and perform in ways beyond the creators' intentions. In Alien Agency, Chris Salter tells three stories of art in the making. Salter examines three works in which the materials of art—the “stuff of the world”—behave and perform in ways beyond the creator's intent, becoming unknown, surprising, alien. Studying these works—all three deeply embroiled in and enabled by science and technology—allows him to focus on practice through the experiential and affective elements of creation. Drawing on extensive ethnographic observation and on his own experience as an artist, Salter investigates how researcher-creators organize the conditions for these experimental, performative assemblages—assemblages that sidestep dichotomies between subjects and objects, human and nonhuman, mind and body, knowing and experiencing. Salter reports on the sound artists Bruce Odland and Sam Auinger (O+A) and their efforts to capture and then project unnoticed urban sounds; tracks the multi-year project TEMA (Tissue Engineered Muscle Actuators) at the art research lab SymbioticA and its construction of a hybrid “semi-living” machine from specially grown mouse muscle cells; and describes a research-creation project (which he himself initiated) that uses light, vibration, sound, smell, and other sensory stimuli to enable audiences to experience other cultures' “ways of sensing.” Combining theory, diary, history, and ethnography, Salter also explores a broader question: How do new things emerge into the world and what do they do?
Author: Bettina Bódi
Publisher: Taylor & Francis
ISBN: 1000829871
Category : Games & Activities
Languages : en
Pages : 173
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Book Description
Videogames and Agency explores the trend in videogames and their marketing to offer a player higher volumes, or even more distinct kinds, of player freedom. The book offers a new conceptual framework that helps us understand how this freedom to act is discussed by designers, and how that in turn reflects in their design principles. What can we learn from existing theories around agency? How do paratextual materials reflect design intention with regards to what the player can and cannot do in a videogame? How does game design shape the possibility space for player action? Through these questions and selected case studies that include AAA and independent games alike, the book presents a unique approach to studying agency that combines game design, game studies, and game developer discourse. By doing so, the book examines what discourses around player action, as well as a game’s design can reveal about the nature of agency and videogame aesthetics. This book will appeal to readers specifically interested in videogames, such as game studies scholars or game designers, but also to media studies students and media and screen studies scholars less familiar with digital games. The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license.
Author: Robert S. Hatten
Publisher: Indiana University Press
ISBN: 0253038014
Category : Music
Languages : en
Pages : 251
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Book Description
In his third volume on musical expressive meaning, Robert S. Hatten examines virtual agency in music from the perspectives of movement, gesture, embodiment, topics, tropes, emotion, narrativity, and performance. Distinguished from the actual agency of composers and performers, whose intentional actions either create music as notated or manifest music as significant sound, virtual agency is inferred from the implied actions of those sounds, as they move and reveal tendencies within music-stylistic contexts. From our most basic attributions of sources for perceived energies in music, to the highest realm of our engagement with musical subjectivity, Hatten explains how virtual agents arose as distinct from actual ones, how unspecified actants can take on characteristics of (virtual) human agents, and how virtual agents assume various actorial roles. Along the way, Hatten demonstrates some of the musical means by which composers and performers from different historical eras have staged and projected various levels of virtual agency, engaging listeners imaginatively and interactively within the expressive realms of their virtual and fictional musical worlds.
Author: Danilo Mandic
Publisher: University of Westminster Press
ISBN: 191438637X
Category : Social Science
Languages : en
Pages : 329
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Book Description
Hearing is an intricate modality of sensory perception. It is continuously enfolded in the surroundings in which it takes place. While passive in its disposition, hearing is integral to the movement and fluctuations of one’s environment. At all times, hearing remains open, (in)active but attuned to the present and continuously immersed in the murmur of its background. A delicate perception that is always situated but fundamentally overarching and extended into the open. Hearing is an immanent modality of being in and with the world. Beyond the capacity of sensory perception, hearing is also the ultimate juridical act, a sense-making activity that adjudicates and informs the spatio-temporal acoustics of justice. This penultimate volume of ‘Law and the Senses’ gathers contributions from across different disciplines working on the relationship between law and hearing, the human vocalisations and non-human echolocations, the spatial and temporal conditions in which hearing takes place, as well as the forms of order and control that listening entails. Through notions and practices of improvisation and noise, attunement and audibility sonic spatiality and urban sonicity they explore, challenge and expand the structural and sensorial qualities of law. Moreover, they recognise how hearing directs us to perceiving and understanding the intrinsic acoustic sphere of simultaneous relations, which challenge and break the normative distinctions that law informs and maintains. In an attempt to hear the ambiguous, indefinable and unembodied nature of hearing, as well as its objects – sound and silence – this volume approaches hearing as both an ontological and epistemological device to think with and about law.
Author: United States. Congress Senate
Publisher:
ISBN:
Category :
Languages : en
Pages : 2204
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Book Description
Author: Sarah Woodland
Publisher: Taylor & Francis
ISBN: 100078052X
Category : Performing Arts
Languages : en
Pages : 269
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Book Description
Sonic Engagement examines the relationship between community engaged participatory arts and the cultural turn towards audio, sound, and listening that has been referred to as the 'sonic turn'. This edited collection investigates the use of sound and audio production in community engaged participatory arts practice and research. The popularity of podcast and audio drama, combined with the accessibility and portability of affordable field recording and home studio equipment, makes audio a compelling mode of participatory creative practice. This book maps existing projects occurring globally through a series of case study chapters that exemplify community engaged creative audio practice. The studies focus on audio and sound-based arts practices that are undertaken by artists and arts-led researchers in collaboration with (and from within) communities and groups. These practices include—applied audio drama, community engaged podcasting, sound and verbatim theatre, participatory sound art, community-led acoustic ecology, sound and media walks, digital storytelling, oral history and reminiscence, and radio drama in health and community development. The contributors interrogate the practical, political, and aesthetic potentialities of using sound and audio in community engaged arts practice, as well as its tensions and possibilities as an arts-led participatory research methodology. This book provides the first extensive analysis of what sound and audio brings to participatory, interdisciplinary, arts-led approaches, representing a vital resource for community arts, performance practice, and research in the digital age.
Author: Sølvi Ystad
Publisher: Springer Science & Business Media
ISBN: 3642124380
Category : Computers
Languages : en
Pages : 505
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Book Description
This book constitutes the thoroughly refereed post-conference proceedings of the 6th International Symposium on Computer Music Modeling and Retrieval, CMMR 2009, held in Copenhagen, Denmark, in May 2009. The 25 revised full papers presented were specially reviewed and corrected for this proceedings volume. The conference's topics include auditory exploration of data via sonification and audification; real time monitoring of multivariate date; sound in immersive interfaces and teleoperation; perceptual issues in auditory display; sound in generalized computer interfaces; technologies supporting auditory display creation; data handling for auditory display systems; applications of auditory display.
Author: Yolanda Aixelà-Cabré
Publisher: Taylor & Francis
ISBN: 104030124X
Category : Social Science
Languages : en
Pages : 181
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Book Description
This book sketches out an innovative Afro-Iberian mosaic that puts forgotten memories and histories into circulation, constructing an Afro-Iberian past that is critical of the cultural racialization of Spaniards and Portuguese. It builds an early late modern and contemporary Afro-Iberian history and approaches African and Maghrebi experiences and memories in order to explain the close relation between race, class, ethnicity and gender in Portugal and Spain between 1850 and 2021. The book approaches the African presence in the Iberian Peninsula by identifying and documenting the traces of these population groups in Spain and Portugal. Cultural Studies, Anthropology and Sociology are some of the fields that weave together two stories in parallel that are little known: the similarities and differences in the social participation of Africans in Spain and Portugal; the degree of influence that the sociopolitical framework has had on Afro-Iberian coexistence and visibility; and the degree of historical depth that Iberian notions have about what is African. The volume promotes the study of unknown experiences of Africans in Europe that may allow future critical comparisons on the construction of what is Euro-African and Afro-European. As a result, the contributions offer an excellent analysis of the similarities and differences between the narratives and practices of African otherness of two Western European countries marked by twilight overseas empires, favouring re-readings of common Iberian-African and Afro-Iberian historical recognition. This book was originally published as a special issue of Ethnic and Racial Studies.
