Author: Inayat Khan
Publisher: Omega Publications
ISBN: 9780930872809
Category : Religion
Languages : en
Pages : 0
Book Description
A clear and eloquent presentation of the essential spirit which inspires world religions.
Song of the Prophets
Author: Inayat Khan
Publisher: Omega Publications
ISBN: 9780930872809
Category : Religion
Languages : en
Pages : 0
Book Description
A clear and eloquent presentation of the essential spirit which inspires world religions.
Publisher: Omega Publications
ISBN: 9780930872809
Category : Religion
Languages : en
Pages : 0
Book Description
A clear and eloquent presentation of the essential spirit which inspires world religions.
An Exposition of the Divinely Prophetick Song of Songs which is Solomon's. Adjusted to the expositor's line of time, and illustrating it. And composed into verse
Author: Thomas Beverley
Publisher:
ISBN:
Category :
Languages : en
Pages : 88
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 88
Book Description
Prophet Singer
Author: Mark Allan Jackson
Publisher: Univ. Press of Mississippi
ISBN: 9781604731026
Category : Biography & Autobiography
Languages : en
Pages : 328
Book Description
This intelligent and thoroughly researched text examines the cultural and political significance of the words and music of folk singer Woodrow Wilson 'Woody' Guthrie.
Publisher: Univ. Press of Mississippi
ISBN: 9781604731026
Category : Biography & Autobiography
Languages : en
Pages : 328
Book Description
This intelligent and thoroughly researched text examines the cultural and political significance of the words and music of folk singer Woodrow Wilson 'Woody' Guthrie.
Prophets of the Hood
Author: Imani Perry
Publisher: Duke University Press
ISBN: 0822386151
Category : Music
Languages : en
Pages : 249
Book Description
At once the most lucrative, popular, and culturally oppositional musical force in the United States, hip hop demands the kind of interpretation Imani Perry provides here: criticism engaged with this vibrant musical form on its own terms. A scholar and a fan, Perry considers the art, politics, and culture of hip hop through an analysis of song lyrics, the words of the prophets of the hood. Recognizing prevailing characterizations of hip hop as a transnational musical form, Perry advances a powerful argument that hip hop is first and foremost black American music. At the same time, she contends that many studies have shortchanged the aesthetic value of rap by attributing its form and content primarily to socioeconomic factors. Her innovative analysis revels in the artistry of hip hop, revealing it as an art of innovation, not deprivation. Perry offers detailed readings of the lyrics of many hip hop artists, including Ice Cube, Public Enemy, De La Soul, krs-One, OutKast, Sean “Puffy” Combs, Tupac Shakur, Lil’ Kim, Biggie Smalls, Nas, Method Man, and Lauryn Hill. She focuses on the cultural foundations of the music and on the form and narrative features of the songs—the call and response, the reliance on the break, the use of metaphor, and the recurring figures of the trickster and the outlaw. Perry also provides complex considerations of hip hop’s association with crime, violence, and misogyny. She shows that while its message may be disconcerting, rap often expresses brilliant insights about existence in a society mired in difficult racial and gender politics. Hip hop, she suggests, airs a much wider, more troubling range of black experience than was projected during the civil rights era. It provides a unique public space where the sacred and the profane impulses within African American culture unite.
Publisher: Duke University Press
ISBN: 0822386151
Category : Music
Languages : en
Pages : 249
Book Description
At once the most lucrative, popular, and culturally oppositional musical force in the United States, hip hop demands the kind of interpretation Imani Perry provides here: criticism engaged with this vibrant musical form on its own terms. A scholar and a fan, Perry considers the art, politics, and culture of hip hop through an analysis of song lyrics, the words of the prophets of the hood. Recognizing prevailing characterizations of hip hop as a transnational musical form, Perry advances a powerful argument that hip hop is first and foremost black American music. At the same time, she contends that many studies have shortchanged the aesthetic value of rap by attributing its form and content primarily to socioeconomic factors. Her innovative analysis revels in the artistry of hip hop, revealing it as an art of innovation, not deprivation. Perry offers detailed readings of the lyrics of many hip hop artists, including Ice Cube, Public Enemy, De La Soul, krs-One, OutKast, Sean “Puffy” Combs, Tupac Shakur, Lil’ Kim, Biggie Smalls, Nas, Method Man, and Lauryn Hill. She focuses on the cultural foundations of the music and on the form and narrative features of the songs—the call and response, the reliance on the break, the use of metaphor, and the recurring figures of the trickster and the outlaw. Perry also provides complex considerations of hip hop’s association with crime, violence, and misogyny. She shows that while its message may be disconcerting, rap often expresses brilliant insights about existence in a society mired in difficult racial and gender politics. Hip hop, she suggests, airs a much wider, more troubling range of black experience than was projected during the civil rights era. It provides a unique public space where the sacred and the profane impulses within African American culture unite.
The Song of Songs
Author: Yair Zakovitch
Publisher: Bloomsbury Publishing
ISBN: 0567676145
Category : Religion
Languages : en
Pages : 138
Book Description
The Hebrew Bible is religious literature, the fundamental interest of which lies in the relations between humankind, especially the people of Israel, and God. The Song of Songs, on the other hand, is interested in the relations between men and women. In this volume Yair Zakovitch examines the presence of the Song of Songs in the Hebrew Bible, and questions how this enigmatic collection of poetic writings came to be within the Bible. Zakovitch poses and addresses a range of enticing questions in the eight chapters of this volume, including: what does this erotic poetry have to do with Israel's formative texts? What do the poems tell us about gender relations in those years, and about early Israel's attitudes towards beauty, love, women, and sex? Do we finally get to hear women's voices in the Song, where the rest of the Bible gives a male perspective? How, despite our astonishment, is the Song of Songs nonetheless intrinsically biblical? What does it have in common with the Bible's other books? Was the allegorical interpretation of the Song just an excuse in order to include the book in Scripture?
Publisher: Bloomsbury Publishing
ISBN: 0567676145
Category : Religion
Languages : en
Pages : 138
Book Description
The Hebrew Bible is religious literature, the fundamental interest of which lies in the relations between humankind, especially the people of Israel, and God. The Song of Songs, on the other hand, is interested in the relations between men and women. In this volume Yair Zakovitch examines the presence of the Song of Songs in the Hebrew Bible, and questions how this enigmatic collection of poetic writings came to be within the Bible. Zakovitch poses and addresses a range of enticing questions in the eight chapters of this volume, including: what does this erotic poetry have to do with Israel's formative texts? What do the poems tell us about gender relations in those years, and about early Israel's attitudes towards beauty, love, women, and sex? Do we finally get to hear women's voices in the Song, where the rest of the Bible gives a male perspective? How, despite our astonishment, is the Song of Songs nonetheless intrinsically biblical? What does it have in common with the Bible's other books? Was the allegorical interpretation of the Song just an excuse in order to include the book in Scripture?
What Makes the Monkey Dance
Author: Stevie Simkin
Publisher: Jawbone
ISBN: 9781911036616
Category : Guitarists
Languages : en
Pages : 0
Book Description
What Makes The Monkey Dance tells the story of one of the most respected musicians of his generation--the singular rock'n'roll artist Chuck Prophet and his former band Green On Red.
Publisher: Jawbone
ISBN: 9781911036616
Category : Guitarists
Languages : en
Pages : 0
Book Description
What Makes The Monkey Dance tells the story of one of the most respected musicians of his generation--the singular rock'n'roll artist Chuck Prophet and his former band Green On Red.
The A to Z of Prophets in Islam and Judaism
Author: Scott B. Noegel
Publisher: Scarecrow Press
ISBN: 1461718953
Category : History
Languages : en
Pages : 552
Book Description
Both traditions recognize and draw theological and historical lessons from some of the same narrative sources, but this is the first comparative resource to provide interdisciplinary coverage of the history and textual sources associated with prophets and prophecy. This thorough treatment of a difficult and increasingly controversial subject area will encourage and cultivate knowledge and understanding. Entries are drawn from five main fields: 1. Ancient Near Eastern Studies 2. Bible and Biblical Studies 3. Judaism and Jewish Studies 4. The Quran and Quranic Studies 5. Islam and Islamic Studies The A to Z of Prophets in Islam and Judaism treat each entry as a compilation of relevant data culled from these different traditions in order to take the reader beyond the expected parameters of research. Originally envisioned as an initial resource for students of comparative religion, the extensive chronology, bibliography, and the overall accessibility of the passages make the book suitable for a much wider audience.
Publisher: Scarecrow Press
ISBN: 1461718953
Category : History
Languages : en
Pages : 552
Book Description
Both traditions recognize and draw theological and historical lessons from some of the same narrative sources, but this is the first comparative resource to provide interdisciplinary coverage of the history and textual sources associated with prophets and prophecy. This thorough treatment of a difficult and increasingly controversial subject area will encourage and cultivate knowledge and understanding. Entries are drawn from five main fields: 1. Ancient Near Eastern Studies 2. Bible and Biblical Studies 3. Judaism and Jewish Studies 4. The Quran and Quranic Studies 5. Islam and Islamic Studies The A to Z of Prophets in Islam and Judaism treat each entry as a compilation of relevant data culled from these different traditions in order to take the reader beyond the expected parameters of research. Originally envisioned as an initial resource for students of comparative religion, the extensive chronology, bibliography, and the overall accessibility of the passages make the book suitable for a much wider audience.
Origen on the Song of Songs as the Spirit of Scripture
Author: J. Christopher King
Publisher: OUP Oxford
ISBN: 0191534080
Category : Religion
Languages : en
Pages : 306
Book Description
Christian exegesis of the Song of Songs has long interacted creatively with - and, more recently, reacted critically against - the allegorical interpretation developed by Origen of Alexandria (c.185-c.254) in his Commentary and two Homilies on the Song of Songs. Interest in Origen's exegesis of the Song's narrative elements has dominated past scholarship, which has almost entirely ignored how Origen assesses the Song itself, in its unity as a revealed text. This study aims to show that the Commentary and Homilies - when read in light of Origen's hermeneutic, his nuptial theology, his understanding of the prophetic mediation of inspired texts, and his doctrine of last things - clearly portray the Song of Songs itself as the divine Bridegroom's perfect marriage-song. As such, it mediates Christ's eschatological presence, as the `spirit' of Scripture, in and through the intelligible structures of the text itself.
Publisher: OUP Oxford
ISBN: 0191534080
Category : Religion
Languages : en
Pages : 306
Book Description
Christian exegesis of the Song of Songs has long interacted creatively with - and, more recently, reacted critically against - the allegorical interpretation developed by Origen of Alexandria (c.185-c.254) in his Commentary and two Homilies on the Song of Songs. Interest in Origen's exegesis of the Song's narrative elements has dominated past scholarship, which has almost entirely ignored how Origen assesses the Song itself, in its unity as a revealed text. This study aims to show that the Commentary and Homilies - when read in light of Origen's hermeneutic, his nuptial theology, his understanding of the prophetic mediation of inspired texts, and his doctrine of last things - clearly portray the Song of Songs itself as the divine Bridegroom's perfect marriage-song. As such, it mediates Christ's eschatological presence, as the `spirit' of Scripture, in and through the intelligible structures of the text itself.
The "manuscript Found"
Author: Solomon Spaulding
Publisher:
ISBN:
Category : America
Languages : en
Pages : 130
Book Description
Publisher:
ISBN:
Category : America
Languages : en
Pages : 130
Book Description
Making the Great Book of Songs
Author: Hilary Kilpatrick
Publisher: Psychology Press
ISBN: 0700717013
Category : History
Languages : en
Pages : 450
Book Description
This is the first systematic literary study of one of the masterpieces of classical Arabic literature, the fourth/tenth century Kitâb al-aghânî (The Book of Songs) by Abû I-Faraj al-Isbahânî. Until now the twenty-four volume Book of Songs has been regarded as a rather chaotic but priceless mine of information about classical Arabic music, literature and culture. This book approaches it as a work of literature in its own right, with its own internal logic and coherence. The study also consistently integrates the musical component into the analysis and proposes a reading of the work in which individual anecdotes and poems are related to the wider context, enhancing their meaning.
Publisher: Psychology Press
ISBN: 0700717013
Category : History
Languages : en
Pages : 450
Book Description
This is the first systematic literary study of one of the masterpieces of classical Arabic literature, the fourth/tenth century Kitâb al-aghânî (The Book of Songs) by Abû I-Faraj al-Isbahânî. Until now the twenty-four volume Book of Songs has been regarded as a rather chaotic but priceless mine of information about classical Arabic music, literature and culture. This book approaches it as a work of literature in its own right, with its own internal logic and coherence. The study also consistently integrates the musical component into the analysis and proposes a reading of the work in which individual anecdotes and poems are related to the wider context, enhancing their meaning.