Songs of the Women Migrants PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Songs of the Women Migrants PDF full book. Access full book title Songs of the Women Migrants by Deborah James. Download full books in PDF and EPUB format.
Author: Deborah James
Publisher: Edinburgh University Press
ISBN: 1474469574
Category : SOCIAL SCIENCE
Languages : en
Pages : 248
Get Book Here
Book Description
This book gives an account of how migrant women, whose lives and experiences have heretofore been neglected in the pages of academic scholarship, dance and sing the vibrant and expressive musical style of kiba. In so doing, they build an identity as autonomous breadwinners whose aspirations and values are nonetheless rooted in 'tradition'.
Author: Deborah James
Publisher: Edinburgh University Press
ISBN: 1474469574
Category : SOCIAL SCIENCE
Languages : en
Pages : 248
Get Book Here
Book Description
This book gives an account of how migrant women, whose lives and experiences have heretofore been neglected in the pages of academic scholarship, dance and sing the vibrant and expressive musical style of kiba. In so doing, they build an identity as autonomous breadwinners whose aspirations and values are nonetheless rooted in 'tradition'.
Author: Tejaswini Niranjana
Publisher: Duke University Press
ISBN: 0822388421
Category : Social Science
Languages : en
Pages : 285
Get Book Here
Book Description
Descendants of indentured laborers brought from India to the Caribbean between 1845 and 1917 comprise more than forty percent of Trinidad’s population today. While many Indo-Trinidadians identify themselves as Indian, what “Indian” signifies—about nationalism, gender, culture, caste, race, and religion—in the Caribbean is different from what it means on the subcontinent. Yet the ways that “Indianness” is conceived of and performed in India and in Trinidad have historically been, and remain, intimately related. Offering an innovative analysis of how ideas of Indian identity negotiated within the Indian diaspora in Trinidad affect cultural identities “back home,” Tejaswini Niranjana models a necessary project: comparative research across the global South, scholarship that decenters the “first world” West as the referent against which postcolonial subjects understand themselves and are understood by others. Niranjana draws on nineteenth-century travel narratives, anthropological and historical studies of Trinidad, Hindi film music, and the lyrics, performance, and reception of chutney-soca and calypso songs to argue that perceptions of Indian female sexuality in Trinidad have long been central to the formation and disruption of dominant narratives of nationhood, modernity, and normative sexuality in India. She illuminates debates in India about “the woman question” as they played out in the early-twentieth-century campaign against indentured servitude in the tropics. In so doing, she reveals India’s disavowal of the indentured woman—viewed as morally depraved by her forced labor in Trinidad—as central to its own anticolonial struggle. Turning to the present, Niranjana looks to Trinidad’s most dynamic site of cultural negotiation: popular music. She describes how contested ideas of Indian femininity are staged by contemporary Trinidadian musicians—male and female, of both Indian and African descent—in genres ranging from new hybrids like chutney-soca to the older but still vibrant music of Afro-Caribbean calypso.
Author: Deborah James
Publisher: Edinburgh University Press
ISBN: 9780748613045
Category : History
Languages : en
Pages : 0
Get Book Here
Book Description
This book gives an account of how migrant women dance and sing the vibrant and expressive musical style of kiba
Author: Sadan Jha
Publisher: Taylor & Francis
ISBN: 1000429423
Category : Political Science
Languages : en
Pages : 332
Get Book Here
Book Description
This volume explores ideas of home, belonging and memory in migration through the social realities of leaving and living. It discusses themes and issues such as locating migrant subjectivities and belonging; sociability and wellbeing; the making of a village; bondage and seasonality; dislocation and domestic labour; women and work; gender and religion; Bhojpuri folksongs; folk music; experience; and the city to analyse the social and cultural dynamics of internal migration in India in historical perspectives. Departing from the dominant understanding of migration as an aberration impelled by economic factors, the book focuses on the centrality of migration in the making of society. Based on case studies from an array of geo-cultural regions from across India, the volume views migrants as active agents with their own determinations of selfhood and location. Part of the series Migrations in South Asia, this book will be useful to scholars and researchers of migration studies, refugee studies, gender studies, development studies, social work, political economy, social history, political studies, social and cultural anthropology, exclusion studies, sociology, and South Asian Studies.
Author: Omotayo Jolaosho
Publisher: Indiana University Press
ISBN: 025306323X
Category : Social Science
Languages : en
Pages : 289
Get Book Here
Book Description
You Can't Go to War without Song explores the role of public performance in political activism in contemporary South Africa. Weaving together detailed ethnographic fieldwork and an astute theoretical framework, Omotayo Jolaosho examines the cohesive power of protest songs and dances within the Anti-Privatisation Forum (APF), one of many social movements that emerged in the wake of South Africa's democratic transition after 1994. Jolaosho demonstrates the ways APF members adapted anti-apartheid songs and dance to create new expressive forms that informed and commented on their struggles for access to water, electricity, housing, education, and health facilities, the costs of which had been made prohibitive by privatization. You Can't Go to War without Song offers profiles of individual activists to amplify its central point: social movements like the APF are best understood as the coming together of individuals, and it is the songs and dances of the movement that bind these individual together and create opportunity for community organization. Chapters on women and youth complicate such understandings of community, however, showing how activist live and experiences are shaped by gender and generation.
Author: Wolfgang Gratzer
Publisher: Taylor & Francis
ISBN: 1000955028
Category : Music
Languages : en
Pages : 600
Get Book Here
Book Description
The Routledge Handbook of Music and Migration: Theories and Methodologies is a progressive, transdisciplinary paradigm-shifting core text for music and migration studies. Conceptualized as a comprehensive methodological and theoretical guide, it foregrounds the mobile potentials of music and presents key arguments about why musical expressions matter in the discussion of migration politics. 24 international specialists in music and migration set methodological and theoretical standards for transdisciplinary collaborations in the field of migration studies, discussing 41 keywords, such as mobility, community, research ethics, human rights, and critical whiteness in the context of music and migration. The authors then apply these terms to 16 chapters, which deal with ethnomusicological, musicological, sociological, anthropological, geographical, pedagogical, political, economic, and media-related methodologies and theories which reflect and contest current discourses of migration. In their interdisciplinary focus, these chapters advance interrelations between music and migration as enabling factors for socio-cultural studies. Furthermore, the authors tackle crucial questions of agency, equality, and equity as well as the responsibilities and expectations of writers and artists when researching migration phenomena as innate human experience. As a result, this handbook provides scholars and students alike with relevant and applicable methodological and theoretical tools in addition to an extensive literature and research review for further research.
Author: Gavin J. Andrews
Publisher: Routledge
ISBN: 1317052358
Category : Social Science
Languages : en
Pages : 355
Get Book Here
Book Description
Unearthing the messy and sprawling interrelationships of place, wellbeing, and popular music, this book explores musical soundscapes of health, ranging from activism to international charity, to therapeutic treatments and how wellbeing is sought and attained in contexts of music. Drawing on critical social theories of the production, circulation, and consumption of popular music, the book gathers together diverse insights from geographers and musicologists. Popular music has become increasingly embedded in complex and often contradictory discourses of wellbeing. For instance, some new genres and sub-cultures of popular music are associated with violence, drug-use, and the angst of living, yet simultaneously define the hopes and dreams of millions of young people. At a service level, popular music is increasingly used as a therapeutic modality in holistic medicine, as well as in conventional health care and public health practice. The genre of popular music, then, is fundamental to human wellbeing as an active and central part of people’s emotional lives. By conceptually and empirically foregrounding place, this book demonstrates how - music whether from particular places, about particular places, or played in particular places ” is a crucial component of health and wellbeing.
Author: Janet Sturman
Publisher: SAGE Publications
ISBN: 1483317749
Category : Music
Languages : en
Pages : 2730
Get Book Here
Book Description
The SAGE Encyclopedia of Music and Culture presents key concepts in the study of music in its cultural context and provides an introduction to the discipline of ethnomusicology, its methods, concerns, and its contributions to knowledge and understanding of the world's musical cultures, styles, and practices. The diverse voices of contributors to this encyclopedia confirm ethnomusicology's fundamental ethos of inclusion and respect for diversity. Combined, the multiplicity of topics and approaches are presented in an easy-to-search A-Z format and offer a fresh perspective on the field and the subject of music in culture. Key features include: Approximately 730 signed articles, authored by prominent scholars, are arranged A-to-Z and published in a choice of print or electronic editions Pedagogical elements include Further Readings and Cross References to conclude each article and a Reader’s Guide in the front matter organizing entries by broad topical or thematic areas Back matter includes an annotated Resource Guide to further research (journals, books, and associations), an appendix listing notable archives, libraries, and museums, and a detailed Index The Index, Reader’s Guide themes, and Cross References combine for thorough search-and-browse capabilities in the electronic edition
Author: David B. Coplan
Publisher: University of Chicago Press
ISBN: 9780226115740
Category : Literary Criticism
Languages : en
Pages : 340
Get Book Here
Book Description
The workers who migrate from Lesotho to the mines and cities of neighboring South Africa have developed a rich genre of sung oral poetry—word music—that focuses on the experiences of migrant life. This music provides a culturally reflexive and consciously artistic account of what it is to be a migrant or part of a migrant's life. It reveals the relationship between these Basotho workers and the local and South African powers that be, the "cannibals" who live off of the workers' labor. David Coplan presents a moving collection of material that for the first time reveals the expressive genius of these tenacious but disenfranchised people. Coplan discusses every aspect of the Basotho musical literature, taking into account historical conditions, political dynamics, and social forces as well as the styles, artistry, and occasions of performance. He engages the postmodern challenge to decolonize our representation of the ethnographic subject and demonstrates how performance formulates local knowledge and communicates its shared understandings. Complete with transcriptions of full male and female performances, this book develops a theoretical and methodological framework crucial to anyone seeking to understand the relationship between orality and literacy in the context of performance. This work is an important contribution to South African studies, to ethnomusicology and anthropology, and to performance studies in general.
Author: Alexei Eremine
Publisher: ACIDI, I.P.
ISBN:
Category : Social Science
Languages : en
Pages : 140
Get Book Here
Book Description
Following the format of the journal, the texts, in three parts, testify musical experience in different representations, from elementary school practices to music festivals and resident chamber music, mentioning categories accepted in the Portuguese society, among others, referring to the popular, folk/world and art music.
