Author: Dane Smith
Publisher: Lulu.com
ISBN: 1304928268
Category : Poetry
Languages : en
Pages : 247
Book Description
Let's just imagine you are getting ready for bed and you have a nightcap that proves to be one too many. You suddenly find yourself on the bathroom floor humming. The acoustics in the bathroom are so good that you can't help but sing. Makes for a fun night. Now imagine you had that nightcap at the club and never made it home. You sing along with the band and try not to get kicked. Another fun night. You just don't have clean teeth. Imagine how good that cool floor feels, and how nice the jazz trio sounds, "Oh, I know that one!" so you sing along. That's how you will feel about the poetry in this book! You will want to sing along. Bring your reading glasses and a nice snifter of your favorite spirits. Pour one for me, too.
Songs From the Barroom Floor
Author: Dane Smith
Publisher: Lulu.com
ISBN: 1304928268
Category : Poetry
Languages : en
Pages : 247
Book Description
Let's just imagine you are getting ready for bed and you have a nightcap that proves to be one too many. You suddenly find yourself on the bathroom floor humming. The acoustics in the bathroom are so good that you can't help but sing. Makes for a fun night. Now imagine you had that nightcap at the club and never made it home. You sing along with the band and try not to get kicked. Another fun night. You just don't have clean teeth. Imagine how good that cool floor feels, and how nice the jazz trio sounds, "Oh, I know that one!" so you sing along. That's how you will feel about the poetry in this book! You will want to sing along. Bring your reading glasses and a nice snifter of your favorite spirits. Pour one for me, too.
Publisher: Lulu.com
ISBN: 1304928268
Category : Poetry
Languages : en
Pages : 247
Book Description
Let's just imagine you are getting ready for bed and you have a nightcap that proves to be one too many. You suddenly find yourself on the bathroom floor humming. The acoustics in the bathroom are so good that you can't help but sing. Makes for a fun night. Now imagine you had that nightcap at the club and never made it home. You sing along with the band and try not to get kicked. Another fun night. You just don't have clean teeth. Imagine how good that cool floor feels, and how nice the jazz trio sounds, "Oh, I know that one!" so you sing along. That's how you will feel about the poetry in this book! You will want to sing along. Bring your reading glasses and a nice snifter of your favorite spirits. Pour one for me, too.
On The Trail Of Negro Folk-Songs
Author: Dorothy Scarborough
Publisher: Aegitas
ISBN: 0369407679
Category : Music
Languages : en
Pages : 339
Book Description
How often have I overheard alluring snatches of song, only to be baffled by denial when I asked for more. Kindly black faces smile indulgently as at the vagaries of an imaginative child, when I persist in pleading for the rest. "Nawm, honey, I wa and n and t singing nothing — nothing a-tall! " How often have I been tricked into enthusiasm over the promise of folk-songs, only to hear age-worn phonograph records, — but perhaps so changed and worked upon by usage that they could possibly claim to be folk-songs after all! — or Broadway echoes, or conventional songs by white authors! Yet cajolements might be in vain, even though all the time I knew, by the uncanny instinct of folk-lorists, that there were folk-songs there. And even when you get a song started, when you are listening with your heart in your ear and the greed of the folk-lorist in your eye, you may lose out. If you seem too much interested, the song retreats, draws in like a turtle and s head, and no amount of coaxing will make it venture back. And there is something positively fatal about a pencil! Songs seem to be afraid of lead-poisoning. Or perhaps the pencil is secretly attached by a cord (a vocal cord?) to the singer and s tongue. It must be so, for otherwise, why has it so often happened that when I, distrustful of my tricky memory to hold a precious song, have sneaked a pencil out to take notes, the tongue has suddenly jerked back and refused to wag again? Yet that is not always the case, for sometimes the knowledge that his song is being written down inspires a bard with more respect for it and he gives it freely.
Publisher: Aegitas
ISBN: 0369407679
Category : Music
Languages : en
Pages : 339
Book Description
How often have I overheard alluring snatches of song, only to be baffled by denial when I asked for more. Kindly black faces smile indulgently as at the vagaries of an imaginative child, when I persist in pleading for the rest. "Nawm, honey, I wa and n and t singing nothing — nothing a-tall! " How often have I been tricked into enthusiasm over the promise of folk-songs, only to hear age-worn phonograph records, — but perhaps so changed and worked upon by usage that they could possibly claim to be folk-songs after all! — or Broadway echoes, or conventional songs by white authors! Yet cajolements might be in vain, even though all the time I knew, by the uncanny instinct of folk-lorists, that there were folk-songs there. And even when you get a song started, when you are listening with your heart in your ear and the greed of the folk-lorist in your eye, you may lose out. If you seem too much interested, the song retreats, draws in like a turtle and s head, and no amount of coaxing will make it venture back. And there is something positively fatal about a pencil! Songs seem to be afraid of lead-poisoning. Or perhaps the pencil is secretly attached by a cord (a vocal cord?) to the singer and s tongue. It must be so, for otherwise, why has it so often happened that when I, distrustful of my tricky memory to hold a precious song, have sneaked a pencil out to take notes, the tongue has suddenly jerked back and refused to wag again? Yet that is not always the case, for sometimes the knowledge that his song is being written down inspires a bard with more respect for it and he gives it freely.
American Ballads and Folk Songs
Author: Alan Lomax
Publisher: Courier Corporation
ISBN: 9780486282763
Category : Music
Languages : en
Pages : 674
Book Description
Music and lyrics for over 200 songs. John Henry, Goin' Home, Little Brown Jug, Alabama-Bound, Ten Thousand Miles from Home, Shack Bully Holler, Black Betty, The Hammer Song, Bad Man Ballad, Jesse James, Down in the Valley, The Bear in the Hill, Shortenin' Bread, The Ballad of Davy Crockett, and many more.
Publisher: Courier Corporation
ISBN: 9780486282763
Category : Music
Languages : en
Pages : 674
Book Description
Music and lyrics for over 200 songs. John Henry, Goin' Home, Little Brown Jug, Alabama-Bound, Ten Thousand Miles from Home, Shack Bully Holler, Black Betty, The Hammer Song, Bad Man Ballad, Jesse James, Down in the Valley, The Bear in the Hill, Shortenin' Bread, The Ballad of Davy Crockett, and many more.
Lead Belly, Woody Guthrie, Bob Dylan, and American Folk Outlaw Performance
Author: Damian A. Carpenter
Publisher: Routledge
ISBN: 1317107071
Category : History
Languages : en
Pages : 285
Book Description
With its appeal predicated upon what civilized society rejects, there has always been something hidden in plain sight when it comes to the outlaw figure as cultural myth. Damian A. Carpenter traverses the unsettled outlaw territory that is simultaneously a part of and apart from settled American society by examining outlaw myth, performance, and perception over time. Since the late nineteenth century, the outlaw voice has been most prominent in folk performance, the result being a cultural persona invested in an outlaw tradition that conflates the historic, folkloric, and social in a cultural act. Focusing on the works and guises of Lead Belly, Woody Guthrie, and Bob Dylan, Carpenter goes beyond the outlaw figure’s heroic associations and expands on its historical (Jesse James, Billy the Kid), folk (John Henry, Stagolee), and social (tramps, hoboes) forms. He argues that all three performers represent a culturally disruptive force, whether it be the bad outlaw that Lead Belly represented to an urban bourgeoisie audience, the good outlaw that Guthrie shaped to reflect the social concerns of marginalized people, or the honest outlaw that Dylan offered audiences who responded to him as a promoter of clear-sighted self-evaluation. As Carpenter shows, the outlaw and the law as located in society are interdependent in terms of definition. His study provides an in-depth look at the outlaw figure’s self-reflexive commentary and critique of both performer and society that reflects the times in which they played their outlaw roles.
Publisher: Routledge
ISBN: 1317107071
Category : History
Languages : en
Pages : 285
Book Description
With its appeal predicated upon what civilized society rejects, there has always been something hidden in plain sight when it comes to the outlaw figure as cultural myth. Damian A. Carpenter traverses the unsettled outlaw territory that is simultaneously a part of and apart from settled American society by examining outlaw myth, performance, and perception over time. Since the late nineteenth century, the outlaw voice has been most prominent in folk performance, the result being a cultural persona invested in an outlaw tradition that conflates the historic, folkloric, and social in a cultural act. Focusing on the works and guises of Lead Belly, Woody Guthrie, and Bob Dylan, Carpenter goes beyond the outlaw figure’s heroic associations and expands on its historical (Jesse James, Billy the Kid), folk (John Henry, Stagolee), and social (tramps, hoboes) forms. He argues that all three performers represent a culturally disruptive force, whether it be the bad outlaw that Lead Belly represented to an urban bourgeoisie audience, the good outlaw that Guthrie shaped to reflect the social concerns of marginalized people, or the honest outlaw that Dylan offered audiences who responded to him as a promoter of clear-sighted self-evaluation. As Carpenter shows, the outlaw and the law as located in society are interdependent in terms of definition. His study provides an in-depth look at the outlaw figure’s self-reflexive commentary and critique of both performer and society that reflects the times in which they played their outlaw roles.
Three Songs, Three Singers, Three Nations
Author: Greil Marcus
Publisher: Harvard University Press
ISBN: 067491533X
Category : Music
Languages : en
Pages : 177
Book Description
Greil Marcus has been one of the most distinctive voices in American music criticism for over forty years. His books, including Mystery Train and The Shape of Things to Come, traverse soundscapes of folk and blues, rock and punk, attuning readers to the surprising, often hidden affinities between the music and broader streams of American politics and culture. Drawn from Marcus’s 2013 Massey Lectures at Harvard, his new work delves into three episodes in the history of American commonplace song: Bascom Lamar Lunsford’s 1928 “I Wish I Was a Mole in the Ground,” Geeshie Wiley’s 1930 “Last Kind Words Blues,” and Bob Dylan’s 1964 “Ballad of Hollis Brown.” How each of these songs manages to convey the uncanny sense that it was written by no one illuminates different aspects of the commonplace song tradition. Some songs truly did come together over time without an identifiable author. Others draw melodies and motifs from obscure sources but, in the hands of a particular artist, take a final, indelible shape. And, as in the case of Dylan’s “Hollis Brown,” there are songs that were written by a single author but that communicate as anonymous productions, as if they were folk songs passed down over many generations. In three songs that seem to be written by no one, Marcus shows, we discover not only three different ways of talking about the United States but three different nations within its formal boundaries.
Publisher: Harvard University Press
ISBN: 067491533X
Category : Music
Languages : en
Pages : 177
Book Description
Greil Marcus has been one of the most distinctive voices in American music criticism for over forty years. His books, including Mystery Train and The Shape of Things to Come, traverse soundscapes of folk and blues, rock and punk, attuning readers to the surprising, often hidden affinities between the music and broader streams of American politics and culture. Drawn from Marcus’s 2013 Massey Lectures at Harvard, his new work delves into three episodes in the history of American commonplace song: Bascom Lamar Lunsford’s 1928 “I Wish I Was a Mole in the Ground,” Geeshie Wiley’s 1930 “Last Kind Words Blues,” and Bob Dylan’s 1964 “Ballad of Hollis Brown.” How each of these songs manages to convey the uncanny sense that it was written by no one illuminates different aspects of the commonplace song tradition. Some songs truly did come together over time without an identifiable author. Others draw melodies and motifs from obscure sources but, in the hands of a particular artist, take a final, indelible shape. And, as in the case of Dylan’s “Hollis Brown,” there are songs that were written by a single author but that communicate as anonymous productions, as if they were folk songs passed down over many generations. In three songs that seem to be written by no one, Marcus shows, we discover not only three different ways of talking about the United States but three different nations within its formal boundaries.
Supplementary Listing of Recorded Songs in the English Language in the Library of Congress Archive of Folk Song Through Recording No. AFS 4332 (October 1940)
Author: Archive of Folk Song (U.S.)
Publisher:
ISBN:
Category : Folk songs
Languages : en
Pages : 90
Book Description
Publisher:
ISBN:
Category : Folk songs
Languages : en
Pages : 90
Book Description
Tequila, Senoritas and Teardrops
Author: Adrian Peel
Publisher: McFarland
ISBN: 1476617805
Category : Music
Languages : en
Pages : 514
Book Description
With opinions and personal testimonies from the artists themselves, this book takes a detailed look at the huge impact that Mexican music and culture has had--and continues to have--on Country music in its various forms. This very American form of cultural expression has changed over the last few years, but Mexico--with its bordertowns, beaches, colonial architecture and ancient ruins conjuring up a range of powerful images--has remained an influential presence in Nashville, Texas, and even places like Australia and South Africa. Featuring contributions from Merle Haggard, Jimmy Buffett, Randy Travis, Dwight Yoakam, Jessi Colter, Johnny Rodriguez and Flaco Jimenez, this book reveals the unique and largely undocumented relationship between "America's Music" and Mexico.
Publisher: McFarland
ISBN: 1476617805
Category : Music
Languages : en
Pages : 514
Book Description
With opinions and personal testimonies from the artists themselves, this book takes a detailed look at the huge impact that Mexican music and culture has had--and continues to have--on Country music in its various forms. This very American form of cultural expression has changed over the last few years, but Mexico--with its bordertowns, beaches, colonial architecture and ancient ruins conjuring up a range of powerful images--has remained an influential presence in Nashville, Texas, and even places like Australia and South Africa. Featuring contributions from Merle Haggard, Jimmy Buffett, Randy Travis, Dwight Yoakam, Jessi Colter, Johnny Rodriguez and Flaco Jimenez, this book reveals the unique and largely undocumented relationship between "America's Music" and Mexico.
Australian Folk Song
Author: Ron Edwards
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 250
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 250
Book Description
British ballads and songs
Author: Vance Randolph
Publisher: University of Missouri Press
ISBN: 9780826203007
Category : Music
Languages : en
Pages : 474
Book Description
Publisher: University of Missouri Press
ISBN: 9780826203007
Category : Music
Languages : en
Pages : 474
Book Description
True Tales of the Prairies and Plains
Author: David Dary
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 272
Book Description
This is a collection of stories set on the prairies and plains of middle America that stretch from Rio Grande northward into Canada.
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 272
Book Description
This is a collection of stories set on the prairies and plains of middle America that stretch from Rio Grande northward into Canada.