Sonata in G Minor, Opus 2, No. 8 PDF Download
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Author: George Frideric Handel
Publisher: Alfred Music
ISBN: 9781457479632
Category : Music
Languages : en
Pages : 36
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Book Description
A Violin solo for 2 Violins with Piano Accompaniment composed by George Frideric Handel.
Author: George Frideric Handel
Publisher: Alfred Music
ISBN: 9781457479632
Category : Music
Languages : en
Pages : 36
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Book Description
A Violin solo for 2 Violins with Piano Accompaniment composed by George Frideric Handel.
Author: Charles Rosen
Publisher: Yale University Press
ISBN: 9780300090703
Category : Music
Languages : en
Pages : 284
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Book Description
In this comprehensive and authoritative guide, Rosen places Beethoven's sonatas in context and provides an understanding of the formal principles involved in interpreting and performing this unique repertoire. Includes a CD of the author performing extracts from several of the works.
Author: David Gramit
Publisher: University Rochester Press
ISBN: 9781580462501
Category : Biography & Autobiography
Languages : en
Pages : 302
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Book Description
Carl Czerny was a highly successful composer of popular piano music, and his pedagogical works remain fundamental to the training of pianists. But Czerny's reputation in these areas has obscured the remarkable breadth of his activity, and especially his work as a composer of serious music. This collection aims to address this.
Author: Alexander Wheelock Krehbiel, Henry Edward Deiters, Hermann Riemann, Hugo Thayer
Publisher: BoD – Books on Demand
ISBN: 9925084695
Category : Music
Languages : en
Pages : 362
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Book Description
Nachdruck des Originals.
Author: Sabby Sagall
Publisher: Springer Nature
ISBN: 1137520957
Category : Political Science
Languages : en
Pages : 368
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Book Description
This book argues that the need for music, and the ability to produce and enjoy it, is an essential element in human nature. Every society in history has produced some characteristic style of music. Music, like the other arts, tells us truths about the world through its impact on our emotional life. There is a structural correspondence between society and music. The emergence of 'modern art music' and its stylistic changes since the rise of capitalist social relations reflect the development of capitalist society since the decline of European feudalism. The leading composers of the different eras expressed in music the aspirations of the dominant or aspiring social classes. Changes in musical style not only reflect but in turn help to shape changes in society. This book analyses the stylistic changes in music from the emergence of ‘tonality’ in the late seventeenth century until the Second World War.
Author: Nicola Francesco Haym
Publisher: A-R Editions, Inc.
ISBN: 0895795043
Category : Music
Languages : en
Pages : 106
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Book Description
Author: David Breitman
Publisher: Boydell & Brewer
ISBN: 1648250106
Category : MUSIC
Languages : en
Pages : 229
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Book Description
A guide, linked to an online suite of video examples, to how historical instruments influenced the composers of keyboard music, and a way to look at their scores with fresh eyes and ears.
Author: Janet Schmalfeldt
Publisher: Oxford University Press
ISBN: 0190656123
Category : Music
Languages : en
Pages : 350
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Book Description
With their insistence that form is a dialectical process in the music of Beethoven, Theodor Adorno and Carl Dahlhaus emerge as the guardians of a long-standing critical tradition in which Hegelian concepts have been brought to bear on the question of musical form. Janet Schmalfeldt's ground-breaking account of the development of this Beethoven-Hegelian tradition restores to the term "form" some of its philosophical associations in the early nineteenth century, when profound cultural changes were yielding new relationships between composers and their listeners, and when music itself-in particular, instrumental music-became a topic for renewed philosophical investigation. Precedents for Adorno's and Dahlhaus's concept of form as process arise in the Athenäum Fragments of Friedrich Schlegel and in the Encyclopaedia Logic of Hegel. The metaphor common to all these sources is the notion of becoming; it is the idea of form coming into being that this study explores in respect to music by Beethoven, Schubert, Mendelssohn, Chopin, and Schumann. A critical assessment of Dahlhaus's preoccupation with the opening of Beethoven's "Tempest" Sonata serves as the author's starting point for the translation of philosophical ideas into music-analytical terms-ones that encourage listening "both forward and backward," as Adorno has recommended. Thanks to the ever-growing familiarity of late eighteenth-century audiences with formal conventions, composers could increasingly trust that performers and listeners would be responsive to striking formal transformations. The author's analytic method strives to capture the dynamic, quasi-narrative nature of such transformations, rather than only their end results. This experiential approach to the perception of form invites listeners and especially performers to participate in the interpretation of processes by which, for example, a brooding introduction-like opening must inevitably become the essential main theme in Schubert's Sonata, Op. 42, or in which tremendous formal expansions in movements by Mendelssohn offer a dazzling opportunity for multiple retrospective reinterpretations. Above all, In the Process of Becoming proposes new ways of hearing beloved works of the romantic generation as representative of their striving for novel, intensely self-reflective modes of communication.
Author:
Publisher:
ISBN:
Category : Electronic journals
Languages : en
Pages : 716
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Book Description
Author: Brent Auerbach
Publisher: Oxford University Press
ISBN: 0197526047
Category : Music
Languages : en
Pages : 336
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Book Description
All music fans harbor in their memories vivid fragments of their favorite works. The starting guitar solo of "Satisfaction" by the Rolling Stones, the da-da-da-DUM gesture that opens Beethoven's Fifth Symphony, the lush swelling chords of a beloved movie soundtrack: hearing the briefest snippet of any of these is enough to transport listeners into the piece's sonic and emotional world. But what makes musical motives so powerful? In Musical Motives, author Brent Auerbach looks at the ways that motives the small-scale pitch and rhythm shapes that are ever-present in music unify musical compositions and shape our experiences of them. Motives serve both to communicate basic musical meaning and to tie together sound space like the motifs in visual art. They present in all genres from classical and popular to jazz and world music, making them ideally suited for analysis. Musical Motives opens with a general introduction to these fundamental building blocks, then lays out a comprehensive theory and method to account for music's structure and drama in motivic terms. Aimed at both amateur and expert audiences, the book offers a tiered approach that progresses from Basic to Complex Motivic Analysis. The methods are illustrated by small- and large-scale analyses of pieces by Mozart, Beethoven, Handel, Chaminade, Verdi, Radiohead, and many more.
