Author: Johann Sebastian Bach
Publisher: Alfred Music
ISBN: 9781457485077
Category : Music
Languages : en
Pages : 32
Book Description
A Flute solo with Piano Accompaniment composed by Johann Sebastian Bach.
Sonata in G Minor, BWV 1020
Author: Johann Sebastian Bach
Publisher: Alfred Music
ISBN: 9781457485077
Category : Music
Languages : en
Pages : 32
Book Description
A Flute solo with Piano Accompaniment composed by Johann Sebastian Bach.
Publisher: Alfred Music
ISBN: 9781457485077
Category : Music
Languages : en
Pages : 32
Book Description
A Flute solo with Piano Accompaniment composed by Johann Sebastian Bach.
Sonatas for violin and basso continuo, opus 3
Author: Giovanni Battista Somis
Publisher: A-R Editions, Inc.
ISBN: 0895794225
Category : Music
Languages : en
Pages : 74
Book Description
Publisher: A-R Editions, Inc.
ISBN: 0895794225
Category : Music
Languages : en
Pages : 74
Book Description
Solo, a flauto traverso e basso
Author: Giuseppe Tartini
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 42
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 42
Book Description
Traverso
Author: Ardal Powell
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 224
Book Description
Accompanying CD-ROM contains ... "the entire publication [from 1989 to 2008] in PDF format."--P. [4] of cover.
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 224
Book Description
Accompanying CD-ROM contains ... "the entire publication [from 1989 to 2008] in PDF format."--P. [4] of cover.
Six sonatas for viola da gamba and basso continuo: 1 [in C major] ; 2 [in D minor
Author: Jacob Riehman
Publisher:
ISBN:
Category : Sonatas (Viola da gamba and continuo)
Languages : en
Pages : 54
Book Description
Publisher:
ISBN:
Category : Sonatas (Viola da gamba and continuo)
Languages : en
Pages : 54
Book Description
Perspectives on Early Keyboard Music and Revival in the Twentieth Century
Author: Rachelle Taylor
Publisher: Routledge
ISBN: 1351254944
Category : Music
Languages : en
Pages : 337
Book Description
The twentieth-century revival of early music unfolded in two successive movements rooted respectively in nineteenth-century antiquarianism and in rediscovery of the value of original instruments. The present volume is a collection of insights reflecting the principal concerns of the second of those revivals, focusing on early keyboards, and beginning in the 1950s. The volume and its authors acknowledge Canadian harpsichordist Kenneth Gilbert (b. 1931) as one of this revival’s leaders. The content reflects international research on early keyboard music, sources, instruments, theory, editing, and discography. Considerations that echo throughout the book are the problematics of source attributions, progressive institutionalization of early music, historical instruments as agents of artistic change and education, antecedents and networks of the revival seen as a social phenomenon, the impact of historical performance and the quest for understanding style and genre. The chapters cover historical performance practice, source studies, edition, theory and form, and instrument curating and building. Among their authors are prominent figures in performance, music history, editing, instrument building and restoration, and theory, some of whom engaged with the early keyboard revival as it was happening.
Publisher: Routledge
ISBN: 1351254944
Category : Music
Languages : en
Pages : 337
Book Description
The twentieth-century revival of early music unfolded in two successive movements rooted respectively in nineteenth-century antiquarianism and in rediscovery of the value of original instruments. The present volume is a collection of insights reflecting the principal concerns of the second of those revivals, focusing on early keyboards, and beginning in the 1950s. The volume and its authors acknowledge Canadian harpsichordist Kenneth Gilbert (b. 1931) as one of this revival’s leaders. The content reflects international research on early keyboard music, sources, instruments, theory, editing, and discography. Considerations that echo throughout the book are the problematics of source attributions, progressive institutionalization of early music, historical instruments as agents of artistic change and education, antecedents and networks of the revival seen as a social phenomenon, the impact of historical performance and the quest for understanding style and genre. The chapters cover historical performance practice, source studies, edition, theory and form, and instrument curating and building. Among their authors are prominent figures in performance, music history, editing, instrument building and restoration, and theory, some of whom engaged with the early keyboard revival as it was happening.
Sonate, D-dur, für Querflöte und Basso continuo
Author: Georg Philipp Telemann
Publisher:
ISBN:
Category : Sonatas (Flute and continuo)
Languages : en
Pages : 48
Book Description
Publisher:
ISBN:
Category : Sonatas (Flute and continuo)
Languages : en
Pages : 48
Book Description
Seven Sonatas
Author: George Frideric Handel
Publisher: Alfred Music
ISBN: 9781457470189
Category : Music
Languages : en
Pages : 70
Book Description
Kalmus presents the complete flute sonatas of Handel in one volume. Separate parts for the piano and flute are included. Kalmus Editions are primarily reprints of Urtext Editions, reasonably priced and readily available. They are a must for students, teachers, and performers.
Publisher: Alfred Music
ISBN: 9781457470189
Category : Music
Languages : en
Pages : 70
Book Description
Kalmus presents the complete flute sonatas of Handel in one volume. Separate parts for the piano and flute are included. Kalmus Editions are primarily reprints of Urtext Editions, reasonably priced and readily available. They are a must for students, teachers, and performers.
On Playing the Flute
Author: Johann Joachim Quantz
Publisher: UPNE
ISBN: 9781555534738
Category : Education
Languages : en
Pages : 470
Book Description
Originally published in 1752, this is a new paperback edition of the classic treatise on 18th-century musical thought, performance practice, and style
Publisher: UPNE
ISBN: 9781555534738
Category : Education
Languages : en
Pages : 470
Book Description
Originally published in 1752, this is a new paperback edition of the classic treatise on 18th-century musical thought, performance practice, and style
The Archive of the Sing-Akademie zu Berlin. Catalogue
Author: Axel Fischer
Publisher: Walter de Gruyter
ISBN: 3598441746
Category : Music
Languages : en
Pages : 777
Book Description
With The Archive of the Sing-Akademie zu Berlin. Catalogue a complete catalogue of the music archive of the Sing-Akademie zu Berlin is now available for the first time since the archive, which disappeared during World War II, was rediscovered in 1999. (The whole work is complete in English and German). Since 2001 the more than 260,000 pages of music manuscripts, copies and first prints (from 17th to early 19th cent.) were revised by two musicologists which compiled an index of shelf marks and an index of composers. Thus detailed searches in the holdings of the archive (which were filmed since 2002 in severeal parts on microfiche at K. G. Saur) are possible for the first time. The Catalogue lists 9,735 works of 1.008 different composers. It provides also a concordance signature – microfiche and therefore serves as a cumulated guide to the microfiche editions, all the more the registers have been revised and improved. The unique collection is introduced by a number of articles by the following musicologists: Axel Fischer (Archive of the Sing-Akademie, Berlin), Christoph Henzel (Hochschule für Musik, Würzburg), Klaus Hortschansky (University of Münster), Matthias Kornemann (Archive of the Sing-Akademie, Berlin), Ulrich Leisinger (Mozarteum, Salzburg), Mary Oleskiewicz (University of Massachusetts Boston), Ralph-J. Reipsch (Zentrum für Telemann-Pflege und -Forschung, Magdeburg), Tobias Schwinger (Berlin).
Publisher: Walter de Gruyter
ISBN: 3598441746
Category : Music
Languages : en
Pages : 777
Book Description
With The Archive of the Sing-Akademie zu Berlin. Catalogue a complete catalogue of the music archive of the Sing-Akademie zu Berlin is now available for the first time since the archive, which disappeared during World War II, was rediscovered in 1999. (The whole work is complete in English and German). Since 2001 the more than 260,000 pages of music manuscripts, copies and first prints (from 17th to early 19th cent.) were revised by two musicologists which compiled an index of shelf marks and an index of composers. Thus detailed searches in the holdings of the archive (which were filmed since 2002 in severeal parts on microfiche at K. G. Saur) are possible for the first time. The Catalogue lists 9,735 works of 1.008 different composers. It provides also a concordance signature – microfiche and therefore serves as a cumulated guide to the microfiche editions, all the more the registers have been revised and improved. The unique collection is introduced by a number of articles by the following musicologists: Axel Fischer (Archive of the Sing-Akademie, Berlin), Christoph Henzel (Hochschule für Musik, Würzburg), Klaus Hortschansky (University of Münster), Matthias Kornemann (Archive of the Sing-Akademie, Berlin), Ulrich Leisinger (Mozarteum, Salzburg), Mary Oleskiewicz (University of Massachusetts Boston), Ralph-J. Reipsch (Zentrum für Telemann-Pflege und -Forschung, Magdeburg), Tobias Schwinger (Berlin).