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Author: David Hine, Brian Haberlin
Publisher: Image Comics
ISBN:
Category : Comics & Graphic Novels
Languages : en
Pages : 36
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Book Description
"THE CITADEL: FIELD OF NIGHTMARES" Part Four Sonata arrives at The Citadel, where the last Old God is waiting with his own perfect creation...Kah-Lee, the Angel of Death.
Author: David Hine, Brian Haberlin
Publisher: Image Comics
ISBN:
Category : Comics & Graphic Novels
Languages : en
Pages : 36
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Book Description
"THE CITADEL: FIELD OF NIGHTMARES" Part Four Sonata arrives at The Citadel, where the last Old God is waiting with his own perfect creation...Kah-Lee, the Angel of Death.
Author: William S. Newman
Publisher: UNC Press Books
ISBN: 1469643723
Category : Music
Languages : en
Pages : 482
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Book Description
This volume provides a full and careful history of what sonata meant and how the word was used from its first appearance as an instrumental title in the sixteenth century to the near end of the thorough-bass practice around 1750. The revised edition includes nearly three hundred new studies, editions, and other pertinent information. Originally published in 1966. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
Author: Richard Epstein
Publisher: WWW.Snowballpublishing.com
ISBN: 9781607964780
Category : Music
Languages : en
Pages : 322
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Book Description
Revised and edited by Richard Epstein with a biographical sketch of the composer by Philip Hale. All text is written both in English and Spanish.
Author: Iain M. Banks
Publisher: Orbit
ISBN: 0316212385
Category : Fiction
Languages : en
Pages : 426
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Book Description
The New York Times bestselling Culture novel. . . The Scavenger species are circling. It is, truly, provably, the End Days for the Gzilt civilization. An ancient people, organized on military principles and yet almost perversely peaceful, the Gzilt helped set up the Culture ten thousand years earlier and were very nearly one of its founding societies, deciding not to join only at the last moment. Now they've made the collective decision to follow the well-trodden path of millions of other civilizations; they are going to Sublime, elevating themselves to a new and almost infinitely more rich and complex existence. Amid preparations though, the Regimental High Command is destroyed. Lieutenant Commander (reserve) Vyr Cossont appears to have been involved, and she is now wanted -- dead, not alive. Aided only by an ancient, reconditioned android and a suspicious Culture avatar, Cossont must complete her last mission given to her by the High Command. She must find the oldest person in the Culture, a man over nine thousand years old, who might have some idea what really happened all that time ago. It seems that the final days of the Gzilt civilization are likely to prove its most perilous. The Culture Series Consider Phlebas The Player of Games Use of Weapons The State of the Art Excession Inversions Look to Windward Matter Surface Detail The Hydrogen Sonata
Author: Hal Leonard Corp
Publisher:
ISBN: 9781540024763
Category : Music
Languages : en
Pages : 168
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Book Description
(Piano Collection). 10 of the most popular classical piano sonatas by Beethoven, Haydn, Mozart, and Schubert. CONTENTS: LUDWIG VAN BEETHOVEN: Piano Sonata in F Minor, Op. 2, No. 1 * Sonata in C Minor, Op. 10, No. 1 * Piano Sonata No. 8, Op. 13 ("Pathetique") * Piano Sonata No. 14 in C-sharp minor, Op. 27, No. 2 ("Moonlight") * HAYDN: Piano Sonata in E-flat Major, Hob. XVI:52 * MOZART: Piano Sonata in C Major, K. 309 * Piano Sonata in A Minor, K. 310 * Piano Sonata in A Major, K. 331 * Piano Sonata in C Major, K. 545 * SCHUBERT: Piano Sonata in A Major, D. 664, Op. 120
Author: Thomas Schmidt-Beste
Publisher: Cambridge University Press
ISBN: 1107310547
Category : Music
Languages : en
Pages : 279
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Book Description
What is a sonata? Literally translated, it simply means 'instrumental piece'. It is the epitome of instrumental music, and is certainly the oldest and most enduring form of 'pure' and independent instrumental composition, beginning around 1600 and lasting to the present day. Schmidt-Beste analyses key aspects of the genre including form, scoring and its social context - who composed, played and listened to sonatas? In giving a comprehensive overview of all forms of music which were called 'sonatas' at some point in musical history, this book is more about change than about consistency - an ensemble sonata by Gabrieli appears to share little with a Beethoven sonata, or a trio sonata by Corelli with one of Boulez's piano sonatas, apart from the generic designation. However, common features do emerge, and the look across the centuries - never before addressed in a single-volume survey - opens up new and significant perspectives.
Author: New York (State). Legislature
Publisher:
ISBN:
Category :
Languages : en
Pages : 994
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Book Description
Author: Iain Quinn
Publisher: Taylor & Francis
ISBN: 1315470640
Category : Music
Languages : en
Pages : 139
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Book Description
This volume considers the influences and development of the English organ sonata tradition that began in the 1850s with compositions by W. T. Best and William Spark. With the expansion of the instrument’s capabilities came an opportunity for organist-composers to consider the repertoire anew with many factors reinforcing a desire to elevate the literature to new heights. This study begins by examining the legacy of the keyboard sonata in Britain and especially the pedagogical lineage that was to be seen through Mendelssohn and ultimately the early organ sonatas. The abiding influence of William Crotch’s lectures are studied to illuminate how a culture of conservatism emboldened the organist-composers towards compositions that were seen to represent the ideals of the Classical era but in a contemporary vein. The veneration of Bach, Mozart and Beethoven is then examined as composers wrote "portfolio" sonatas, each with a movement in a contrasting style to exhibit their compositional prowess while providing repertoire for the novice and connoisseur alike. Finally the volume considers how the British organist-composers who studied at the Leipzig Conservatorium had a direct bearing on the furtherance of an organ culture at home that in turn set the ground for the seminal work in the genre, Elgar’s Sonata of 1895.
Author: Donna Louise Gunn
Publisher: Oxford University Press
ISBN: 0190493879
Category : Music
Languages : en
Pages : 273
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Book Description
Discoveries from the Fortepiano uncovers eighteenth-century performance practices and philosophical beliefs, enabling modern performers to craft an authentic, historically influenced style. Using a variety of primary sources and scholarly interpretations, noted keyboard pedagogue Donna Gunn offers a guide on Classical Era piano performance practice that is at once accurate to the scholarship and accessible to the performer. Gunn surveys and explains eighteenth-century music notational language, and from this develops tools that get at the heart of the otherwise enigmatic sound aesthetic of the era. Through over 100 music examples, Gunn provides specific answers to performance questions regarding period influences on the modern piano, including technique, dynamics, articulation, rhythm, ornamentation, and pedaling. A Companion Website houses recordings of three versions for each music example that demonstrate different interpretations and deliveries. Gunn encourages the reader to study the sources, listen carefully, and experiment with the past in the present. Remarkably researched and engagingly written, Discoveries from the Fortepiano is an indispensable aid to any pianist who seeks both an academically and artistically sound approach to performing in the Classical Era style.
Author: James Hepokoski
Publisher: Oxford University Press
ISBN: 0199890234
Category : Music
Languages : en
Pages : 692
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Book Description
Elements of Sonata Theory is a comprehensive, richly detailed rethinking of the basic principles of sonata form in the decades around 1800. This foundational study draws upon the joint strengths of current music history and music theory to outline a new, up-to-date paradigm for understanding the compositional choices found in the instrumental works of Haydn, Mozart, Beethoven, and their contemporaries: sonatas, chamber music, symphonies, overtures, and concertos. In so doing, it also lays out the indispensable groundwork for anyone wishing to confront the later adaptations and deformations of these basic structures in the nineteenth and earlier twentieth centuries. Combining insightful music analysis, contemporary genre theory, and provocative hermeneutic turns, the book brims over with original ideas, bold and fresh ways of awakening the potential meanings within a familiar musical repertory. Sonata Theory grasps individual compositions-and each of the individual moments within them-as creative dialogues with an implicit conceptual background of flexible, ever-changing historical norms and patterns. These norms may be recreated as constellations "compositional defaults," any of which, however, may be stretched, strained, or overridden altogether for individualized structural or expressive purposes. This book maps out the terrain of that conceptual background, against which what actually happens-or does not happen-in any given piece may be assessed and measured. The Elements guides the reader through the standard (and less-than-standard) formatting possibilities within each compositional space in sonata form, while also emphasizing the fundamental role played by processes of large-scale circularity, or "rotation," in the crucially important ordering of musical modules over an entire movement. The book also illuminates new ways of understanding codas and introductions, of confronting the generating processes of minor-mode sonatas, and of grasping the arcs of multimovement cycles as wholes. Its final chapters provide individual studies of alternative sonata types, including "binary" sonata structures, sonata-rondos, and the "first-movement form" of Mozart's concertos.
