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Author: Wyatt Tee Walker
Publisher: Conran Octopus
ISBN:
Category : Music
Languages : en
Pages : 218
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Book Description
Tracing the relationship of black sacred music and social change, Wyatt Walker observes, ". . .if you listen to what black people are singing religiously, it will provide a clue as to what is happening to them sociologically." Walker traces the musical expressions of the black religious tradition from its roots in the "invisible church" of the slave society to its influence upon the black religious experience today. He challenges the black church to preserve this rich musical resource so that black sacred music will become one of the gifts of black people to the church universal [Publisher description]
Author: Wyatt Tee Walker
Publisher: Conran Octopus
ISBN:
Category : Music
Languages : en
Pages : 218
Get Book Here
Book Description
Tracing the relationship of black sacred music and social change, Wyatt Walker observes, ". . .if you listen to what black people are singing religiously, it will provide a clue as to what is happening to them sociologically." Walker traces the musical expressions of the black religious tradition from its roots in the "invisible church" of the slave society to its influence upon the black religious experience today. He challenges the black church to preserve this rich musical resource so that black sacred music will become one of the gifts of black people to the church universal [Publisher description]
Author: Rhondda Robinson Thomas
Publisher: University of Iowa Press
ISBN: 1609387414
Category : History
Languages : en
Pages : 313
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Book Description
Between 1890 and 1915, a predominately African American state convict crew built Clemson University on John C. Calhoun’s Fort Hill Plantation in upstate South Carolina. Calhoun’s plantation house still sits in the middle of campus. From the establishment of the plantation in 1825 through the integration of Clemson in 1963, African Americans have played a pivotal role in sustaining the land and the university. Yet their stories and contributions are largely omitted from Clemson’s public history. This book traces “Call My Name: African Americans in Early Clemson University History,” a Clemson English professor’s public history project that helped convince the university to reexamine and reconceptualize the institution’s complete and complex story from the origins of its land as Cherokee territory to its transformation into an increasingly diverse higher-education institution in the twenty-first century. Threading together scenes of communal history and conversation, student protests, white supremacist terrorism, and personal and institutional reckoning with Clemson’s past, this story helps us better understand the inextricable link between the history and legacies of slavery and the development of higher education institutions in America.
Author: Ben Fink
Publisher: New Village Press
ISBN: 1613321953
Category : Performing Arts
Languages : en
Pages : 260
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Book Description
Collaborative plays with diverse ensembles across the country address pressing issues of our times The plays in Volume 2 come from Roadside’s intercultural and issue-specific theater work, including long-term collaborations with the African American Junebug Productions in New Orleans and the Puerto Rican Pregones Theater in the South Bronx, as well as with residents on both sides of the walls of recently-built prisons. Roadside has spent 45 years searching for what art in a democracy might look like. The anthology raises questions such as, What are common principles and common barriers to achieving democracy across disciplines, and how can the disciplines unite in common democratic cause?
Author: Douglas Kearney
Publisher: Wave Books
ISBN: 195026873X
Category : Literary Collections
Languages : en
Pages : 179
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Book Description
Optic Subwoof is a collection of talks that poet and National Book Award finalist Douglas Kearney presented for the Bagley Wright Lecture Series in 2020 and 2021. As kinetic on the page as they are in person, these lectures offer an urgent critique of the intersections between violence and entertainment, interrogating the ways in which poetry, humor, visual art, music, pop culture, and performance alternately uphold and subvert this violence. With genius precision and an avant-garde sensibility, Kearney examines the nuances around Black visibility and its aestheticization. In myriad ways, Optic Subwoof is a book that establishes Kearney as one of the most dynamic writers and thinkers of the twenty-first century.
Author: Barbara L. Peacock
Publisher: Baker Books
ISBN: 1493441183
Category : Religion
Languages : en
Pages : 171
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Book Description
Experience the Richer Spiritual Life You Long For In this world of frantic activity and constant entertainment, it can be hard to identify and embrace the rhythms that lead to true flourishing. Your spirit longs for a stronger connection to the divine, a clearer sense of personal spiritual growth, a closer relationship with your creator and redeemer. But how do you integrate this kind of inner growth into the realities of your outer life? If you long for a deeper experience of God as you journey through this life, Spiritual Practices for Soul Care offers 40 ways to help you put the spiritual disciplines into action each day. From prayer and meditation to serving and socializing to resting and healing, these simple, restorative practices will help you develop the kind of Christian walk you desire. If you have been frustrated by slow or stalled progress, or if you simply yearn to go deeper, now is the time to pause, take a breath, and awaken to your transformative soul care journey--starting today.
Author: Terri Brinegar
Publisher: Univ. Press of Mississippi
ISBN: 1496839285
Category : Biography & Autobiography
Languages : en
Pages : 338
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Book Description
In the late 1920s, Reverend A. W. Nix (1880–1949), an African American Baptist minister born in Texas, made fifty-four commercial recordings of his sermons on phonographs in Chicago. On these recordings, Nix presented vocal traditions and styles long associated with the southern, rural Black church as he preached about self-help, racial uplift, thrift, and Christian values. As southerners like Nix fled into cities in the North to escape the rampant racism in the South, they contested whether or not African American vocal styles of singing and preaching that had emerged during the slavery era were appropriate for uplifting the race. Specific vocal characteristics, like those on Nix’s recordings, were linked to the image of the “Old Negro” by many African American leaders who favored adopting Europeanized vocal characteristics and musical repertoires into African American churches in order to uplift the modern “New Negro” citizen. Through interviews with family members, musical analyses of the sounds on Nix’s recordings, and examination of historical documents and relevant scholarship, Terri Brinegar argues that the development of the phonograph in the 1920s afforded preachers like Nix the opportunity to present traditional Black vocal styles of the southern Black church as modern Black voices. These vocal styles also influenced musical styles. The “moaning voice” used by Nix and other ministers was a direct connection to the “blues moan” employed by many blues singers including Blind Willie, Blind Lemon, and Ma Rainey. Both Reverend A. W. Nix and his brother, W. M. Nix, were an influence on the “Father of Gospel Music,” Thomas A. Dorsey. The success of Nix’s recorded sermons demonstrates the enduring values African Americans placed on traditional vocal practices.
Author: Joseph A. Brown
Publisher: Wipf and Stock Publishers
ISBN: 1610975685
Category : Religion
Languages : en
Pages : 225
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Book Description
"If I could, I surely would stand on the rock where Moses stood." --from the Spiritual "Elijah Rock" Taking its theme from the pastoral letter of the Black Catholic bishops of the United States, which spoke of the challenge of being "authentically Black and truly Catholic," To Stand on the Rock invites us "to linger awhile in the garden of our imagination and try to see with the eyes of faith and art how the old ones . . . took a twisted version of Christianity and re-twisted it into a culture of liberation, transcendence, creativity and wholeness."Father Brown begins by recalling the religion and identity of those Africans who were brought to these shores in bondage: the original source in the quest for what it means to be "authentically Black." He then explores the style of Christianity they forged through the sufferings of slavery, which found expression in the Spirituals. Brown then reflects on the struggle of Black Catholics to claim their own style of faith and spirituality and to assert their distinctive gifts to the church universal.
Author: Ezekiel A. Ajibade
Publisher: HippoBooks
ISBN: 1839734981
Category : Religion
Languages : en
Pages : 274
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Book Description
How can expository preaching, rooted in a textual analysis of Scripture, be effectively utilized in oral cultures? In Expository Preaching in Africa, Ezekiel A. Ajibade engages this challenge directly, offering practical techniques for integrating African oral elements – such as myths, proverbs, folklore, dance, drama, poetry, and storytelling – into preaching that is both biblical and African. Alongside numerous examples and tools, Ajibade provides a rich overview of the nature of orality, the history and development of African preaching, and the reason biblical exposition must be central to gospel proclamation. He reminds us that it is the word of God, incarnated among us, that has the power to transform lives and revitalize nations. Contextualized expository preaching is not, therefore, one technique to be utilized among many; it is, rather, the heart of biblical teaching and the future of the African church. While contributing significantly to studies in contextualization and homiletics, this book is immediately applicable to practitioners, especially African preachers and those working in oral contexts.
Author: Gayle Fisher-Stewart
Publisher: Church Publishing, Inc.
ISBN: 1640654798
Category : Religion
Languages : en
Pages : 144
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Book Description
A personal story of the struggle for authentic inclusion in the church. From a strong voice in the dialogue about what Black lives matter means in relation to faith, a powerful lament and a hopeful message about the future. Historically, to be Episcopal/Anglican, as it was to be American, was to be white. Assimilation to whiteness has been a measure of success and acceptance, yet, assimilation requires that people of color give up something of themselves and deny parts of their heritage including religious practices that sustained their ancestors. Despite the fact that Blackness is on display on Black History Month for example, and Black/African heritage is given primacy in the liturgy, music, and preaching during that time, at other times this doesn't seem to be the case. The author argues that whiteness is embedded in every aspect of religious life, from seminary to Christian education to last rites. Is it possible to be Black and Episcopalian and not feel alien, she asks. In her words we learn that inclusivity, above all, must be authentic.
Author: Mary E. McGann, R.S.C.J.
Publisher: Fordham Univ Press
ISBN: 9780823229932
Category : Religion
Languages : en
Pages : 181
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Book Description
Let It Shine! probes the distinctive contribution of black Catholics to the life of the American church, and to the unfolding of lived Christianity in the United States. This important book explores the powerful spiritual renaissance that has marked African American life and selfunderstanding over the last several decades by examining one critical dimension: the forging of new expressions of Catholic worship rooted in the larger Catholic tradition, yet shaped in unique ways by African American religious culture. Starting with the 1960s, the book traces the dynamic interplay of social change, cultural awakening, and charismatic leadership that have sparked the emergence of distinctive styles of black Catholic worship. In their historical overview, McGann and Eva Marie Lumas chronicle the liturgical and pastoral issues of a black Catholic liturgical movement that has transformed the larger American church. McGann then examines the foundational vision of Rev. Clarence R. J. Rivers, who promoted forms of black worship, music, preaching, and prayer that have enabled African American Catholics to reclaim the fullness of their religious identity. Finally, Harbor constructs a black Catholic aesthetic based on the theological, ethical, and liturgical insights of four African American scholars, expressed through twenty-three performative values. This liturgical aesthetic illuminates the distinctive gift of black Catholics to the multicultural tapestry of lived faith in the American church and can also serve as a pastoral model for other cultural communities. Blending history, theology, and liturgy, Let It Shine! is a valuable resource for scholars, teachers, and students and a practical pastoral guide to bringing African American spirituality more firmly into the sacramental life of American parishes.
