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Author: Jay Mechling
Publisher: University Press of Kansas
ISBN: 0700632921
Category : History
Languages : en
Pages : 234
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Book Description
In Soldier Snapshots Jay Mechling explores how American men socially construct their performance of masculinity in everyday life in all-male friendship groups during their service in the military. The evidence Mechling analyzes is a collection of vernacular photographs, “snapshots,” of and by American soldiers, sailors, Marines, and aviators. Since almost all of the snapshots are photographs taken of men by other men, this book offers a unique view into the social construction, performance, and repair of American masculinity. Mechling guides the reader from the snapshots to ideas about the everyday lives of male soldiers to ideas about the lives of men in groups to ideas about American culture. In his introduction Mechling offers his thoughts about how to undertake the interdisciplinary study of American culture; he draws from history, folklore, anthropology, sociology, rhetoric, psychology, gender and sexuality studies, ethnic studies, popular culture studies, and visual studies to reveal the intricacies of how men use their folk practices in an all-male group to manage the paradoxes of their friendship and comradeship under sometimes stressful conditions. Soldier Snapshots begins with a brief history of war photography and establishes the nature of vernacular photography: the snapshot. This is followed by a jargon-free discussion of the key ideas about masculinity and the vernacular practices of men in groups, exploring male friendship, the important role of play in men’s relationships, and the ways “animal buddies” adopted by male friendship groups actually tell us even more about male friendship and issues of trust. In the final section Mechling’s careful analysis reveals how the men employ different folk practices—including rough-and-tumble playfighting, building human pyramids, bathing naked in public, cross-dressing, hazing, and gallows humor—in order to manage their relationships. Regardless of the man’s sexual orientation and sexual identity, the strong heterosexual norm in the military means that the men must find ways to understand and even enact or perform their feelings of bonding while still defining those feelings and acts as heterosexual.
Author: Jay Mechling
Publisher: University Press of Kansas
ISBN: 0700632921
Category : History
Languages : en
Pages : 234
Get Book Here
Book Description
In Soldier Snapshots Jay Mechling explores how American men socially construct their performance of masculinity in everyday life in all-male friendship groups during their service in the military. The evidence Mechling analyzes is a collection of vernacular photographs, “snapshots,” of and by American soldiers, sailors, Marines, and aviators. Since almost all of the snapshots are photographs taken of men by other men, this book offers a unique view into the social construction, performance, and repair of American masculinity. Mechling guides the reader from the snapshots to ideas about the everyday lives of male soldiers to ideas about the lives of men in groups to ideas about American culture. In his introduction Mechling offers his thoughts about how to undertake the interdisciplinary study of American culture; he draws from history, folklore, anthropology, sociology, rhetoric, psychology, gender and sexuality studies, ethnic studies, popular culture studies, and visual studies to reveal the intricacies of how men use their folk practices in an all-male group to manage the paradoxes of their friendship and comradeship under sometimes stressful conditions. Soldier Snapshots begins with a brief history of war photography and establishes the nature of vernacular photography: the snapshot. This is followed by a jargon-free discussion of the key ideas about masculinity and the vernacular practices of men in groups, exploring male friendship, the important role of play in men’s relationships, and the ways “animal buddies” adopted by male friendship groups actually tell us even more about male friendship and issues of trust. In the final section Mechling’s careful analysis reveals how the men employ different folk practices—including rough-and-tumble playfighting, building human pyramids, bathing naked in public, cross-dressing, hazing, and gallows humor—in order to manage their relationships. Regardless of the man’s sexual orientation and sexual identity, the strong heterosexual norm in the military means that the men must find ways to understand and even enact or perform their feelings of bonding while still defining those feelings and acts as heterosexual.
Author: Eric A. Eliason
Publisher: University Press of Colorado
ISBN: 0874219043
Category : Social Science
Languages : en
Pages : 281
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Book Description
Warrior Ways is one of the first book-length explorations of military folklife, and focuses on the lore produced by modern American warriors, illuminating the ways in which members of the armed services creatively express the complex experience of military life. In short, lively essays, contributors to the volume, all of whom have close personal or professional relationships to the military, examine battlefield talismans, personal narrative (storytelling), “Jody calls” (marching and running cadences), slang, homophobia and transgressive humor, music, and photography, among other cultural expressions. Military folklore does not remain in an isolated subculture; it reveals our common humanity by delighting, disturbing, infuriating, and inspiring both those deeply invested in and those peripherally touched by military life. Highlighting the contemporary and historical importance of the military in American life, Warrior Ways will be of interest to scholars and students of folklore, anthropology, and popular culture; those involved in veteran services and education; and general readers interested in military culture.
Author: Mette Mortensen
Publisher: Routledge
ISBN: 1134080506
Category : Art
Languages : en
Pages : 210
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Book Description
Building on the vast research conducted on war and media since the 1970s, scholars are now studying the digital transformation of the production of news. Little scholarly attention has been paid, however, to non-professional, eyewitness visuals, even though this genre holds a still greater bearing on the way conflicts are fought, communicated, and covered by the news media. This volume examines the power of new technologies for creating and disseminating images in relation to conflicts. Mortensen presents a theoretical framework and uses case studies to investigate the impact of non-professional images with regard to essential issues in today’s media landscape: including new media technologies and democratic change, the political mobilization and censorship of images, the ethics of spectatorship, and the shifting role of the mainstream news media in the digital age.
Author: Anne Maxwell
Publisher: Anthem Press
ISBN: 1839990805
Category : Photography
Languages : en
Pages : 147
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Book Description
Australian Women’s Historical Photography: Other Times, Other Views examines the photographs produced by six talented women photographers against the historical backdrop of settler violence towards Indigenous Australians, the First Women’s Movement, the Great War of 1914–1918, Australia’s imperial occupation of New Guinea, the final years of Chinese Nationalist Party rule in China and debates about photography’s status as an art form. Women’s works from the nineteenth and early twentieth centuries have been down-played or even ignored in existing accounts of Australia’s cultural history, and this study is aimed at rectifying this situation. At the same time, the book demonstrates why amateur works are just as important as commercial works to our understanding of the past. ● Methodologically, the book draws on scholarship from history, art history, anthropology, sociology, gender studies and cultural studies to create an interdisciplinary critical framework that will be of interest to a broad range of academic and archival researchers. It is also a framework that is critically sensible of its own groundings in the postcolonial and feminist present thereby reflecting what is meaningful at any given historical moment. ● Finally, this book responds to the pronounced lack of visibility of Australian realist, documentary and commercial women’s works. The few histories of Australian women’s photography that exist pay more attention to modernist and contemporary works, and when they do mention earlier women photographer’s works, they seldom go into much detail. They also ignore the works of the earliest Indigenous women photographers, women who traveled and made photographs abroad. By presenting a carefully contextualized and detailed study of works by six Australian women photographers who worked in the late colonial era and whose works in all sorts of small and surprising ways chronicled the impacts of some of the periods more disturbing as well as enlightened events, we will not only add to knowledge of Australian women’s photography, we will also broaden and enrich the frames of women’s photography and Australian history more generally.
Author:
Publisher:
ISBN:
Category : Courts-martial and courts of inquiry
Languages : en
Pages : 518
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Book Description
Author: Adi Kuntsman
Publisher: Stanford University Press
ISBN: 0804794979
Category : Social Science
Languages : en
Pages : 193
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Book Description
Israel's occupation has been transformed in the social media age. Over the last decade, military rule in the Palestinian territories grew more bloody and entrenched. In the same period, Israelis became some of the world's most active social media users. In Israel today, violent politics are interwoven with global networking practices, protocols, and aesthetics. Israeli soldiers carry smartphones into the field of military operations, sharing mobile uploads in real-time. Official Israeli military spokesmen announce wars on Twitter. And civilians encounter state violence first on their newsfeeds and mobile screens. Across the globe, the ordinary tools of social networking have become indispensable instruments of warfare and violent conflict. This book traces the rise of Israeli digital militarism in this global context—both the reach of social media into Israeli military theaters and the occupation's impact on everyday Israeli social media culture. Today, social media functions as a crucial theater in which the Israeli military occupation is supported and sustained.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 104
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Book Description
LIFE Magazine is the treasured photographic magazine that chronicled the 20th Century. It now lives on at LIFE.com, the largest, most amazing collection of professional photography on the internet. Users can browse, search and view photos of today’s people and events. They have free access to share, print and post images for personal use.
Author: Frederick Kempe
Publisher: Indiana University Press
ISBN: 9780253109217
Category : History
Languages : en
Pages : 356
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Book Description
"A joy to read, in fact, a book so good one doesn't want it to end…. Kempe has written a piece of contemporary history as it should be written, in clear, engaging prose, and with judicious and sensible arguments. He has expertly handled the history of modern Germany, and given us insights into the German soul, including his own, that are crucial for an understanding of our modern world." -Kirkus Reviews "While Kempe does not sugarcoat Germany's current problems-its dyspeptic tolerance of immigrants, its pervasive bureaucracy and pedantry, the viciousness of the neo-Nazis-he argues that young Germans are right to no longer feel guilt for the Holocaust, as long as they learn its lessons." -Newsday "This is a fascinating and important book for anyone interested in the New and Old Germany. Fred Kempe, a distinguished foreign correspondent who has reported from many countries, turns in Father/Land to a different land-the mysteries and dark secrets of his German family that lay shrouded since the Third Reich. As painful as it is, this is a search that Kempe could no longer refuse if he was to bring some sense to his American character and German roots. As he interweaves his family's history with that of the German nation, his personal quest becomes a window not only into the German past but also into Germany's future." -Daniel Yergin, Pulitzer Prize-winning author of The Prize and coauthor of The Commanding Heights "Father/Land takes us on a spellbinding journey into Germany's past and present that begins with a musty olive trunk of old papers Fred Kempe inherited from his father. Inside that trunk lies the enduring mystery of the German people. Kempe's lively writing makes us see the paradox of modern Germany in small things-such as the trashcans at the Frankfurt airport or the personal quirks of Kempe's teammates on an amateur basketball team in Berlin. When Kempe finally discovers the horrific story that lies buried in his own family's history, the reader has the shock of experiencing the nightmare of Nazism from the inside." -David Ignatius, columnist, The Washington Post, and author of A Firing Offense "From a skilled American reporter's search for his German ancestry emerges a rich and rewarding portrait of a nation moving toward a promising future even as it remains tied to an inescapable past." -Ronald Steel, author of Walter Lippmann and the American Century "No foreign correspondent knows Germany as well as Frederick Kempe. He understands us sometimes better than we understand ourselves. His book is a refreshing, human look at where Germany is going, and it shows deep understanding for where it has been." -Volker RÃ1⁄4he, former defense minister of Germany Father/Land is a brilliant, unorthodox work of observation, insight, and commentary, a provocative book that will become required reading for anyone seeking to understand modern Germany. And it is something more. For in researching the past, Kempe discovered that the ghosts of Germany's past were not limited to others, that the contradictory threads of good and evil wove through his own family as well. After years of denying his own Germanness, he would have to confront it at last. During a pilgrimage to Germany with his father, Fred Kempe promised him he would write about modern Germany. Twelve years later, as a correspondent for The Wall Street Journal Europe, Kempe began a long journey of exploration in an attempt to answer questions that haunted him about his father's land: "How could such an apparently good people with such a rich cultural history have done such evil things? What causes evil, and what breeds good? After only half a century of reeducation and reconstruction, could the strength of German democracy and liberalism be as great as it seemed?" In this book, Fred Kempe delves into Germany's demographic change, its modern military, its youth, and America's role in the remaking of Germany after the war. He also looks at German pre-war history and how that history plays into shaping the future of the newly intact Germany. While searching modern Germany for the answers to his philosophical questions, Kempe finds himself in a parallel search for the roots of his own German heritage. Through seeking out relatives and searching documents that might enlighten him about the unspoken mysteries of his family's past, he discovers more than he bargained for, and at the same time learns a great deal about himself. The journey that began as the fulfillment of a promise to his father, led him as he had hoped, to a greater understanding his father's Heimat. In the last chapter of his book, Kempe calls modern Germany "America's Stepchild." He theorizes that Germans, because of their past atrocities, feel a great responsibility to their European neighbors as well as to the world. In their process of atonement, they have become a kinder and gentler people, while their strength remains. Their role as a world leader beckons them to heights to which they no longer aspire. Reaching great heights makes the world seem conquerable. This is the mistake they must avoid. Reaching out makes the world more united. This is the direction they know they must go.
Author: Frank Jacob
Publisher: Vernon Press
ISBN: 1622734513
Category : Social Science
Languages : en
Pages : 180
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Book Description
For many the postcard may seem trivial, little more than a mundane souvenir or a way to keep in touch with friends and relatives while on vacation. But if we look carefully, postcards offer valuable insights into the time periods in which they were created and the mentalities of those who bought or sent them. Frank Marhefka, while serving in the U.S. Army Motor Transportation Corps during the First World War, amassed a collection of more than 150 postcards and photographs while in France, and bound them into a souvenir album. Marhefka’s collection provides a diverse and vivid look into a period of history that – in many soldiers’ accounts – is not usually visualized with all its cruelties. Emphasizing the pictorial turn of the Great War, this album offers personal insight into a conflict that caused so much death and destruction. The book begins with an introduction providing a history of postcards and their extensive use by soldiers during the Great War. Then, after a biography of Marhefka, his postcard collection is presented in its entirety. Accompanying the images are brief texts that place them into historical context, as well as suggestions for further reading. As a visual artifact of the First World War and the perspective of one U.S. soldier, this book is aimed at students, scholars, postcard collectors, and general readers alike who have an interest in military history and popular culture.
Author: Janina Struk
Publisher: Routledge
ISBN: 1000213455
Category : Art
Languages : en
Pages : 242
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Book Description
Snapshots taken by American soldiers of Iraqi prisoners stripped naked, humiliated and tortured shocked the world in 2004 and more have followed from the conflict in Afghanistan, but whether the public have been horrified by the soldiers' conduct or the fact they have taken pictures has not been clear. In fact, as this remarkable book reveals and relates, soldiers have taken photographs of war and its atrocities for more than 100 years. But their pictures are private, intended mainly for the soldiers themselves, as mementoes or as attempts to make sense of the chaos, brutality and boredom of war. They can be gruesome or sociable, shocking or mundane and they are seldom regarded as serious contributions to a visual culture of war, which since 1939 has been dominated by professional war photography. But with the 21st-century shift to simple digital photography, transmission by the internet available to all, and a new 'citizen journalism', soldiers' pictures are acquiring a new resonance."Private Pictures" traces this unacknowledged genre of photography from the origins of popular photography in the Boer War through to the present day; it discusses how the images have been used and it asks: what effect might the wider appreciation of soldiers' pictures have on the popular perception of war?
