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Author: Julie Rodrigues Widholm
Publisher: Yale University Press
ISBN: 9780300134278
Category : Art
Languages : en
Pages : 228
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Book Description
"Featuring the work of twenty artists, this bilingual volume includes several artists' writings ... about artist-run exhibition spaces"--P. [4] of cover.
Author: Julie Rodrigues Widholm
Publisher: Yale University Press
ISBN: 9780300134278
Category : Art
Languages : en
Pages : 228
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Book Description
"Featuring the work of twenty artists, this bilingual volume includes several artists' writings ... about artist-run exhibition spaces"--P. [4] of cover.
Author: Sarah Lowndes
Publisher: Luath Press Ltd
ISBN:
Category : Art
Languages : en
Pages : 508
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Book Description
Sarah Lowndes looks back at the rise of the Glasgow art scene through the decades, from community art to Thatcher, New Wave to Teenage Fanclub. Charting the emergence of performance and conceptual-related art, she looks at the background from which the art of the last 40 years emerged.
Author: Karen van den Berg
Publisher:
ISBN: 9783956794858
Category : Art and social action
Languages : en
Pages : 0
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Book Description
One of the most significant shifts in contemporary art during the past two decades concerns artists and collectives who have moved their artistic focus from representation to direct social action. This publication shows why this transition might change our understanding of artistic production at large and make us reconsider the role of art in society. The book gathers internationally recognized artists, scholars, and experts in the field of socially engaged art to reflect upon historical developments in this field and explore the role that German artist Joseph Beuys?s concept of social sculpture played in its evolution. The contributions provide theoretical reflections, historical analysis, and frame critical debates about exemplary socially engaged art projects since the 1970s in order to examine the strategies, opportunities, and failures of this practice--Back cover.
Author: Joseph Beuys
Publisher: CLAIRVIEW BOOKS
ISBN: 1905570562
Category : Art
Languages : en
Pages : 138
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Book Description
Joseph Beuys’s work continues to influence and inspire practitioners and thinkers all over the world, in areas from organizational learning, direct democracy and new money forms to new art pedagogies and ecological art practices. Here, in dialogue with Volker Harlan - a close colleague, whose own work also revolves around understandings of substance and sacrament that are central to Beuys - the deeper motivations and insights underlying ‘social sculpture’, Beuys’s expanded conception of art, are illuminated. His profound reflections, complemented with insightful essays by Volker Harlan, give a sense of the interconnectedness between all life forms, and the foundations of a path towards an ecologically sustainable future. This volume features over 40 b/w illustrations.
Author:
Publisher: Chronicle Books
ISBN: 1452129460
Category : Art
Languages : en
Pages : 177
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Book Description
Artists around the world have lately been turning to their bookshelves for more than just a good read, opting to cut, paint, carve, stitch or otherwise transform the printed page into whole new beautiful, thought-provoking works of art. Art Made from Books is the definitive guide to this compelling art form, showcasing groundbreaking work by today's most showstopping practitioners. From Su Blackwell's whimsical pop-up landscapes to the stacked-book sculptures of Kylie Stillman, each portfolio celebrates the incredible creative diversity of the medium. A preface by pioneering artist Brian Dettmer and an introduction by design critic Alyson Kuhn round out the collection.
Author: Shelley Sacks
Publisher: Temple Lodge Publishing
ISBN: 1906999562
Category : Art
Languages : en
Pages : 134
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Book Description
This collection of poetic, philosophical, and literary texts and full-color images offers an ATLAS of the Poetic Continent, a treasure to study, contemplate, and inspire action in the world. This ATLAS grew from of a social-sculpture process in a city that invited its citizens--individually and collectively--to enter a process of active reflection on this question: What am I doing in the world? This project confirmed that the connection between inner and outer work, and the inner work space, is central to all social-sculpture processes. The maps for this poetic continent open up pathways that enable us to come to our senses. Discovered only in our engagement with the world, and inspired by the constellations of the soul, they offer distilled understandings on the path to a new society: a viable future of free, humane, and ecological citizens.
Author: Rudolf Steiner
Publisher: SteinerBooks
ISBN: 9780880104579
Category : Nature
Languages : en
Pages : 246
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Book Description
8 Lectures in Dornach, Nov 26, to Dec 22, 1923 (CW 351); 1 lecture in Dornach, February 3, 1923 (CW 348) In 1923 Rudolf Steiner predicted the dire state of today's honeybee. He stated that, within fifty to eighty years, we would see the consequences of mechanizing the forces that had previously operated organically in the beehive. Such practices include breeding queen bees artificially. The fact that over sixty percent of the American honeybee population has died during the past ten years, and that this trend is continuing around the world, should make us aware of the importance of the issues discussed in these lectures. Steiner began this series of lectures on bees in response to a question from an audience of workers at the Goetheanum. From physical depictions of the daily activities of bees to the most elevated esoteric insights, these lectures describe the unconscious wisdom of the beehive and its connection to our experience of health, culture, and the cosmos. Bees is essential reading for anyone interested in understanding the true nature of the honeybee, as well as those who wish to heal the contemporary crisis of the beehive. Bees includes an essay by David Adams, "From Queen Bee to Social Sculpture: The Artistic Alchemy of Joseph Beuys." The art and social philosophy of Joseph Beuys (1921-1986) is among the most influential of the twentieth century. He was strongly influenced by Rudolf Steiner's lectures on bees. The elemental imagery and its relationship to human society played an important role in Beuys's sculptures, drawings, installations, and performance art. Adams' essay on Beuys adds a whole new dimension to these lectures, generally considered to be directed more specifically to biodynamic methods and beekeeping. This volume consists of the 8 final lectures (of 15) from Mensch und Welt. Das Wirken des Geistes in der Natur. Über das Wesen der Bienen (GA 351), plus one lecture of Feb. 3, 1923, from Über Gesundheit und Krankheit. Grundlagen einer geisteswissenschaftlichen Sinneslehre (GA 348).
Author: Tom Finkelpearl
Publisher: Duke University Press
ISBN: 0822395517
Category : Art
Languages : en
Pages : 401
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Book Description
In What We Made, Tom Finkelpearl examines the activist, participatory, coauthored aesthetic experiences being created in contemporary art. He suggests social cooperation as a meaningful way to think about this work and provides a framework for understanding its emergence and acceptance. In a series of fifteen conversations, artists comment on their experiences working cooperatively, joined at times by colleagues from related fields, including social policy, architecture, art history, urban planning, and new media. Issues discussed include the experiences of working in public and of working with museums and libraries, opportunities for social change, the lines between education and art, spirituality, collaborative opportunities made available by new media, and the elusive criteria for evaluating cooperative art. Finkelpearl engages the art historians Grant Kester and Claire Bishop in conversation on the challenges of writing critically about this work and the aesthetic status of the dialogical encounter. He also interviews the often overlooked co-creators of cooperative art, "expert participants" who have worked with artists. In his conclusion, Finkelpearl argues that pragmatism offers a useful critical platform for understanding the experiential nature of social cooperation, and he brings pragmatism to bear in a discussion of Houston's Project Row Houses. Interviewees. Naomi Beckwith, Claire Bishop, Tania Bruguera, Brett Cook, Teddy Cruz, Jay Dykeman, Wendy Ewald, Sondra Farganis, Harrell Fletcher, David Henry, Gregg Horowitz, Grant Kester, Mierle Laderman Ukeles, Pedro Lasch, Rick Lowe, Daniel Martinez, Lee Mingwei, Jonah Peretti, Ernesto Pujol, Evan Roth, Ethan Seltzer, and Mark Stern
Author: Christa-Maria Lerm-Hayes
Publisher: LIT Verlag Münster
ISBN: 3825807614
Category : Art
Languages : en
Pages : 245
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Book Description
This collection of trans-disciplinary essays addresses the artistic, cultural, and political legacies of Joseph Beuys' expanded concept of art and its societal application, for example, through the Free International University (FIU). Since the 1980s, Beuys' practice has had a strong influence on the Peaceful Revolution, "relational aesthetics" and the "art and reconciliation" movement, attempting to bring about cultural understanding and reconciliation in situations of conflict. His work is pertinent to how we think about diversity and sustainability and may constitute an applied anthropology. (Series: European Studies in Culture and Policy - Vol. 6)
Author: JohnC. Welchman
Publisher: Routledge
ISBN: 1351549480
Category : Art
Languages : en
Pages : 477
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Book Description
Vitrines and glass cabinets are familiar apparatuses that have in large part defined modern modes of display and visibility, both within and beyond the museum. They separate objects from their contexts, group them with other objects, both similar and dissimilar, and often serve to reinforce their intrinsic or aesthetic values. The vitrine has much in common with the picture frame, the plinth and the gallery, but it has not yet received the kind of detailed art historical and theoretical discussion that has been brought to these other modes of formal display. The twelve contributions to this volume examine some of the points of origin of the vitrine and the various relations it brokers with sculpture, first in the Wunderkammer and cabinet of curiosities and then in dialog with the development of glazed architecture beginning with Paxton's Crystal Palace (1851). The collection offers close discussions of the role of the vitrine and shop window in the rise of commodity culture and their apposition with Constructivist design in the work of Frederick Kiesler; as well as original readings of the use of vitrines in Surrealism and Fluxus, and in work by Joseph Beuys, Paul Thek, Claes Oldenburg and his collaborators, Jeff Koons, Mike Kelley, Dan Graham, Vito Acconci, Damien Hirst and Josephine Meckseper, among others. Sculpture and the Vitrine also raises key questions about the nature and implications of vitrinous space, including its fronts onto desire and the spectacle; transparency and legibility; and onto ideas and practices associated with the archive: collecting, preserving and ordering.
