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Author: Patricia Hills
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 104
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Book Description
Author: Patricia Hills
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 104
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Book Description
Author: Boston University Art Gallery (Boston)
Publisher:
ISBN:
Category :
Languages : en
Pages : 96
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Book Description
Author: Patricia Hills
Publisher:
ISBN:
Category :
Languages : en
Pages : 96
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Book Description
Author:
Publisher: Penn State Press
ISBN: 9780271047164
Category : Art
Languages : en
Pages : 394
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Book Description
Author: Matthew Baigell
Publisher: Syracuse University Press
ISBN: 0815653212
Category : Social Science
Languages : en
Pages : 280
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Book Description
This book explores the important and barely examined connections between the humanitarian concerns embedded in the religious heritage of Jewish American artists and the appeal of radical political causes between the years of the Great Migration from Eastern Europe in the 1880s and the beginning of World War II in the late 1930s. Visual material consists primarily of political cartoons published in leftwing Yiddish- and English-language newspapers and magazines. Artists often commented on current events using biblical and other Jewish references, meaning that whatever were their political concerns, their Jewish heritage was ever present. By the late 1940s, the obvious ties between political interests and religious concerns largely disappeared. The text, set against events of the times—the Russian Revolution, the Depression and the rise of fascism during the 1930s as well as life on New York's Lower East Side—includes artists' statements as well as the thoughts of religious, literary, and political figures ranging from Marx to Trotsky to newspaper editor Abraham Cahan to contemporary art critics including Meyer Schapiro.
Author: Stacy I. Morgan
Publisher: University of Georgia Press
ISBN: 9780820325798
Category : Literary Criticism
Languages : en
Pages : 374
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Book Description
The social realist movement, with its focus on proletarian themes and its strong ties to New Deal programs and leftist politics, has long been considered a depression-era phenomenon that ended with the start of World War II. This study explores how and why African American writers and visual artists sustained an engagement with the themes and aesthetics of social realism into the early cold war-era--far longer than a majority of their white counterparts. Stacy I. Morgan recalls the social realist atmosphere in which certain African American artists and writers were immersed and shows how black social realism served alternately to question the existing order, instill race pride, and build interracial, working-class coalitions. Morgan discusses, among others, such figures as Charles White, John Wilson, Frank Marshall Davis, Willard Motley, Langston Hughes, Sterling Brown, Elizabeth Catlett, and Hale Woodruff.
Author: Ellen Wiley Todd
Publisher: Univ of California Press
ISBN: 9780520074712
Category : Art
Languages : en
Pages : 464
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Book Description
In the years between the world wars, Manhattan's Fourteenth Street-Union Square district became a center for commercial, cultural, and political activities, and hence a sensitive barometer of the dramatic social changes of the period. It was here that four urban realist painters--Kenneth Hayes Miller, Reginald Marsh, Raphael Soyer, and Isabel Bishop--placed their images of modern "new women." Bargain stores, cheap movie theaters, pinball arcades, and radical political organizations were the backdrop for the women shoppers, office and store workers, and consumers of mass culture portrayed by these artists. Ellen Wiley Todd deftly interprets the painters' complex images as they were refracted through the gender ideology of the period. This is a work of skillful interdisciplinary scholarship, combining recent insights from feminist art history, gender studies, and social and cultural theory. Drawing on a range of visual and verbal representations as well as biographical and critical texts, Todd balances the historical context surrounding the painters with nuanced analyses of how each artist's image of womanhood contributed to the continual redefining of the "new woman's" relationships to men, family, work, feminism, and sexuality.
Author: Colin Hill
Publisher: University of Toronto Press
ISBN: 1442664916
Category : Literary Criticism
Languages : en
Pages : 297
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Book Description
Much of the scholarship on twentieth-century Canadian literature has argued that English-Canadian fiction was plagued by backwardness and an inability to engage fully with the movement of modernism that was so prevalent in British and American fiction and poetry. Modern Realism in English-Canadian Fiction re-evaluates Canadian literary culture to posit that it has been misunderstood because it is a distinct genre, a regional form of the larger international modernist movement. Examining literary magazines, manifestos, archival documents, and major writers such as Frederick Philip Grove, Morley Callaghan, and Raymond Knister, Colin Hill identifies a 'modern realism' that crosses regions as well as urban and rural divides. A bold reading of the modern-realist aesthetic and an articulate challenge to several enduring and limiting myths about Canadian writing, Modern Realism in English- Canadian Fiction will stimulate important debate in literary circles everywhere.
Author: Jon Lance Bacon
Publisher: Cambridge University Press
ISBN: 9780521445290
Category : Literary Criticism
Languages : en
Pages : 198
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Book Description
Flannery O'Connor and Cold War Culture offers a radically new reading of O'Connor, who is known primarily as the creator of "universal" religious dramas. By recovering the historical context in which O'Connor wrote her fiction, Jon Lance Bacon reveals an artist deeply concerned with the issues that engaged other producers of American culture from the 1940s to the 1960s: a national identity, political anxiety, and intellectual freedom. Bacon takes an interdisciplinary approach, relating the stories and novels to political texts and sociological studies, as well as films, television programs, paintings, advertisements, editorial cartoons, and comic books. At a time when national paranoia ran high, O'Connor joined in the public discussion regarding a way of life that seemed threatened from outside - the American way of life. The discussion tended toward celebration, but O'Connor raised doubts about the quality of life within the United States. Specifically, she attacked the consumerism that cold warriors cited as evidence of American cultural superiority. The role of dissenter appealed greatly to O'Connor, and her identity as a Southern, Catholic writer - the very identity that has discouraged critics from considering her as an American writer - furnished a position from which to criticize the Cold War consensus.
Author: Cécile Whiting
Publisher: Yale University Press
ISBN: 9780300042597
Category : Philosophy
Languages : en
Pages : 262
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Book Description
Whiting examines the various manifestations of antifacist art, showing how each negotiated the competing demands of artistic conventions, aesthetic and political theories, and historical developments.
