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Author: Maureen Corrigan
Publisher: Back Bay Books
ISBN: 9780316230063
Category : Literary Criticism
Languages : en
Pages : 0
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Book Description
"Maureen Corrigan has produced a minor miracle: a book about The Great Gatsby that stands up to Gatsby itself" --Michael Cunningham. It's a revered classic and a rite of passage in the reading lives of millions. But how well do we really know The Great Gatsby? As "Fresh Air" book critic Maureen Corrigan points out, many of us first read Fitzgerald's masterpiece when we were too young to comprehend its power. Offering a fresh perspective on Gatsby, SO WE READ ON takes readers into archives, high school classrooms, and onto the Long Island Sound to explore the novel's hidden depths, revealing its surprising debt to noir, its rocky path to recognition as a "classic," and its profound commentaries on race, class, and gender. With rigor, wit, and infectious enthusiasm, Corrigan inspires us to re-experience Gatsby and, along the way, spins a fascinating story of her own.Maureen Corrigan is the book critic for NPR's "Fresh Air," the Critic-in-Residence at Georgetown University, and winner of the Edgar Award for Criticism. She is the author of Leave Me Alone, I'm Reading (Random House, 2005).
Author: Maureen Corrigan
Publisher: Back Bay Books
ISBN: 9780316230063
Category : Literary Criticism
Languages : en
Pages : 0
Get Book Here
Book Description
"Maureen Corrigan has produced a minor miracle: a book about The Great Gatsby that stands up to Gatsby itself" --Michael Cunningham. It's a revered classic and a rite of passage in the reading lives of millions. But how well do we really know The Great Gatsby? As "Fresh Air" book critic Maureen Corrigan points out, many of us first read Fitzgerald's masterpiece when we were too young to comprehend its power. Offering a fresh perspective on Gatsby, SO WE READ ON takes readers into archives, high school classrooms, and onto the Long Island Sound to explore the novel's hidden depths, revealing its surprising debt to noir, its rocky path to recognition as a "classic," and its profound commentaries on race, class, and gender. With rigor, wit, and infectious enthusiasm, Corrigan inspires us to re-experience Gatsby and, along the way, spins a fascinating story of her own.Maureen Corrigan is the book critic for NPR's "Fresh Air," the Critic-in-Residence at Georgetown University, and winner of the Edgar Award for Criticism. She is the author of Leave Me Alone, I'm Reading (Random House, 2005).
Author: F. Scott Fitzgerald
Publisher:
ISBN:
Category :
Languages : en
Pages : 113
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Book Description
The Great Gatsby is synonymous with parties, glitz and glamour - but this is just one of many misunderstandings about the book that began from its first publication. Few characters in literature or indeed life embody an era quite so tenaciously as Jay Gatsby does the Jazz Age. Almost a century after he was written into being, F Scott Fitzgerald's doomed romantic has become shorthand for decadent flappers, champagne fountains and never-ending parties. Cut loose by pop culture from the text into which he was born, his name adorns everything from condominiums to hair wax and a limited-edition cologne (it contains notes of vetiver, pink pepper and Sicilian lime). It's now possible to lounge on a Gatsby sofa, check in at the Gatsby hotel, even chow down on a Gatsby sandwich - essentially a supersize, souped-up chip butty. Incongruous though that last item sounds, naming anything after the man formerly known as James Gatz seems more than a touch problematic. After all, flamboyant host is just one part of his complicated identity. He's also a bootlegger, up to his neck in criminal enterprise, not to mention a delusional stalker whose showmanship comes to seem downright tacky. If he embodies the potential of the American Dream, then he also illustrates its limitations: here is a man, let's not forget, whose end is destined to be as pointless as it is violent. Of all the reviews, even the most enthusiastic, not one had the slightest idea what the book was about - F Scott Fitzgerald Misunderstanding has been a part of The Great Gatsby's story from the very start. Grumbling to his friend Edmund Wilson shortly after publication in 1925, Fitzgerald declared that "of all the reviews, even the most enthusiastic, not one had the slightest idea what the book was about." Fellow writers like Edith Wharton admired it plenty, but as the critic Maureen Corrigan relates in her book So We Read On: How The Great Gatsby Came to Be and Why It Endures, popular reviewers read it as crime fiction, and were decidedly underwhelmed by it at that. Fitzgerald's Latest A Dud, ran a headline in the New York World. The novel achieved only so-so sales, and by the time of the author's death in 1940, copies of a very modest second print run had long since been remaindered. The novel has become a force in pop culture, helped by Hollywood; the term 'Gatsbyesque' emerged a few years after the 1974 film starring Robert Redford Gatsby's luck began to change when it was selected as a giveaway by the US military. With World War Two drawing to a close, almost 155,000 copies were distributed in a special Armed Services Edition, creating a new readership overnight. As the 1950s dawned, the flourishing of the American Dream quickened the novel's topicality, and by the 1960s, it was enshrined as a set text. It's since become such a potent force in pop culture that even those who've never read it feel as if they have, helped along, of course, by Hollywood. It was in 1977, just a few short years after Robert Redford starred in the title role of an adaptation scripted by Francis Ford Coppola, that the word Gatsbyesque was first recorded.
Author: Mark Seidenberg
Publisher:
ISBN: 0465019323
Category : Science
Languages : en
Pages : 385
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Book Description
We’ve been teaching reading wrong—a leading cognitive scientist tells us how we can finally do it right
Author: Janice A. Radway
Publisher: Univ of North Carolina Press
ISBN: 0807898856
Category : Social Science
Languages : en
Pages : 289
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Book Description
Originally published in 1984, Reading the Romance challenges popular (and often demeaning) myths about why romantic fiction, one of publishing's most lucrative categories, captivates millions of women readers. Among those who have disparaged romance reading are feminists, literary critics, and theorists of mass culture. They claim that romances enforce the woman reader's dependence on men and acceptance of the repressive ideology purveyed by popular culture. Radway questions such claims, arguing that critical attention "must shift from the text itself, taken in isolation, to the complex social event of reading." She examines that event, from the complicated business of publishing and distribution to the individual reader's engagement with the text. Radway's provocative approach combines reader-response criticism with anthropology and feminist psychology. Asking readers themselves to explore their reading motives, habits, and rewards, she conducted interviews in a midwestern town with forty-two romance readers whom she met through Dorothy Evans, a chain bookstore employee who has earned a reputation as an expert on romantic fiction. Evans defends her customers' choice of entertainment; reading romances, she tells Radway, is no more harmful than watching sports on television. "We read books so we won't cry" is the poignant explanation one woman offers for her reading habit. Indeed, Radway found that while the women she studied devote themselves to nurturing their families, these wives and mothers receive insufficient devotion or nurturance in return. In romances the women find not only escape from the demanding and often tiresome routines of their lives but also a hero who supplies the tenderness and admiring attention that they have learned not to expect. The heroines admired by Radway's group defy the expected stereotypes; they are strong, independent, and intelligent. That such characters often find themselves to be victims of male aggression and almost always resign themselves to accepting conventional roles in life has less to do, Radway argues, with the women readers' fantasies and choices than with their need to deal with a fear of masculine dominance. These romance readers resent not only the limited choices in their own lives but the patronizing atitude that men especially express toward their reading tastes. In fact, women read romances both to protest and to escape temporarily the narrowly defined role prescribed for them by a patriarchal culture. Paradoxically, the books that they read make conventional roles for women seem desirable. It is this complex relationship between culture, text, and woman reader that Radway urges feminists to address. Romance readers, she argues, should be encouraged to deliver their protests in the arena of actual social relations rather than to act them out in the solitude of the imagination. In a new introduction, Janice Radway places the book within the context of current scholarship and offers both an explanation and critique of the study's limitations.
Author: Shane Parrish
Publisher: Penguin
ISBN: 0593719972
Category : Business & Economics
Languages : en
Pages : 209
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Book Description
Discover the essential thinking tools you’ve been missing with The Great Mental Models series by Shane Parrish, New York Times bestselling author and the mind behind the acclaimed Farnam Street blog and “The Knowledge Project” podcast. This first book in the series is your guide to learning the crucial thinking tools nobody ever taught you. Time and time again, great thinkers such as Charlie Munger and Warren Buffett have credited their success to mental models–representations of how something works that can scale onto other fields. Mastering a small number of mental models enables you to rapidly grasp new information, identify patterns others miss, and avoid the common mistakes that hold people back. The Great Mental Models: Volume 1, General Thinking Concepts shows you how making a few tiny changes in the way you think can deliver big results. Drawing on examples from history, business, art, and science, this book details nine of the most versatile, all-purpose mental models you can use right away to improve your decision making and productivity. This book will teach you how to: Avoid blind spots when looking at problems. Find non-obvious solutions. Anticipate and achieve desired outcomes. Play to your strengths, avoid your weaknesses, … and more. The Great Mental Models series demystifies once elusive concepts and illuminates rich knowledge that traditional education overlooks. This series is the most comprehensive and accessible guide on using mental models to better understand our world, solve problems, and gain an advantage.
Author: Graydon Carter
Publisher: Penguin
ISBN: 0698170091
Category : Literary Collections
Languages : en
Pages : 434
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Book Description
Offering readers an inebriating swig from the great cocktail shaker of the Roaring Twenties—the Jazz Age, the age of Gatsby—Bohemians, Bootleggers, Flappers, and Swells showcases unforgettable writers in search of how to live well in a changing era. Vanity Fair editor Graydon Carter introduces these fabulous pieces written between 1913 and 1936, when the magazine published a Murderers’ Row of the world’s leading literary lights, including: F. Scott Fitzgerald on what a magazine should be Clarence Darrow on equality e. e. cummings on Calvin Coolidge D. H. Lawrence on women Djuna Barnes on James Joyce John Maynard Keynes on the collapse in money value Dorothy Parker on a host of topics, from why she hates actresses to why she hasn’t married
Author: Maureen Corrigan
Publisher: Little, Brown
ISBN: 0316230081
Category : Literary Criticism
Languages : en
Pages : 303
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Book Description
The "Fresh Air" book critic investigates the enduring power of The Great Gatsby -- "The Great American Novel we all think we've read, but really haven't." Conceived nearly a century ago by a man who died believing himself a failure, it's now a revered classic and a rite of passage in the reading lives of millions. But how well do we really know The Great Gatsby? As Maureen Corrigan, Gatsby lover extraordinaire, points out, while Fitzgerald's masterpiece may be one of the most popular novels in America, many of us first read it when we were too young to fully comprehend its power. Offering a fresh perspective on what makes Gatsby great -- and utterly unusual -- So We Read On takes us into archives, high school classrooms, and even out onto the Long Island Sound to explore the novel's hidden depths, a journey whose revelations include Gatsby 's surprising debt to hard-boiled crime fiction, its rocky path to recognition as a "classic," and its profound commentaries on the national themes of race, class, and gender. With rigor, wit, and infectious enthusiasm, Corrigan inspires us to re-experience the greatness of Gatsby and cuts to the heart of why we are, as a culture, "borne back ceaselessly" into its thrall. Along the way, she spins a new and fascinating story of her own.
Author: Melanie Dickerson
Publisher: Thomas Nelson
ISBN: 0718026764
Category : Young Adult Fiction
Languages : en
Pages : 336
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Book Description
New York Times bestselling author Melanie Dickerson beautifully re-imagines “The Goose Girl” by the Brothers Grimm into a medieval tale of adventure, loss, and love. “When it comes to happily-ever-afters, Melanie Dickerson is the undisputed queen of fairy-tale romance, and all I can say is—long live the queen!” —JULIE LESSMAN, award-winning author of The Daughters of Boston, Winds of Change, and Heart of San Francisco series She lost everything to the scheme of an evil servant. But she might just gain what she’s always wanted . . . if she makes it in time. The impossible was happening. She, Magdalen of Mallin, was to marry the Duke of Wolfberg. Magdalen had dreamed about receiving a proposal ever since she met the duke two years ago. Such a marriage was the only way she could save her people from starvation. But why would a handsome, wealthy duke want to marry her, a poor baron’s daughter? It seemed too good to be true. On the journey to Wolfberg Castle, Magdalen’s servant forces her to trade places and become her servant, threatening not only Magdalen’s life, but the lives of those she holds dear. Stripped of her identity and title in Wolfberg, where no one knows her, Magdalen is sentenced to tend geese while she watches her former handmaiden gain all Magdalen had ever dreamed of. When a handsome shepherd befriends her, Magdalen begins to suspect he carries secrets of his own. Together, Magdalen and the shepherd uncover a sinister plot against Wolfberg and the duke. But with no resources, will they be able to find the answers, the hiding places, and the forces they need in time to save both Mallin and Wolfberg?
Author: David Shannon
Publisher: Scholastic Inc.
ISBN: 1338113151
Category : Juvenile Fiction
Languages : en
Pages : 38
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Book Description
It's the first day of school, and Camilla discovers that she is covered from head to toe in stripes, then polka-dots, and any other pattern spoken aloud! With a little help, she learns the secret of accepting her true self, in spite of her peculiar ailment.
Author: Melissa Gregg
Publisher: John Wiley & Sons
ISBN: 0745637469
Category : Social Science
Languages : en
Pages : 232
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Book Description
This book provides a long-overdue account of online technology and its impact on the work and lifestyles of professional employees. It moves between the offices and homes of workers in the knew "knowledge" economy to provide intimate insight into the personal, family, and wider social tensions emerging in today’s rapidly changing work environment. Drawing on her extensive research, Gregg shows that new media technologies encourage and exacerbate an older tendency among salaried professionals to put work at the heart of daily concerns, often at the expense of other sources of intimacy and fulfillment. New media technologies from mobile phones to laptops and tablet computers, have been marketed as devices that give us the freedom to work where we want, when we want, but little attention has been paid to the consequences of this shift, which has seen work move out of the office and into cafés, trains, living rooms, dining rooms, and bedrooms. This professional "presence bleed" leads to work concerns impinging on the personal lives of employees in new and unforseen ways. This groundbreaking book explores how aspiring and established professionals each try to cope with the unprecedented intimacy of technologically-mediated work, and how its seductions seem poised to triumph over the few remaining relationships that may stand in its way.
