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Author: T. L. Higley
Publisher: Thomas Nelson Inc
ISBN: 1401686826
Category : Fiction
Languages : en
Pages : 418
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Book Description
In a city teetering at the brink of anarchy, Daria finds hope among people of The Way. She escaped a past of danger and found respite in beautiful Ephesus, a trading center on the Aegean coast, serving as tutor to Lucas, the wealthy merchant who rescued her. But the darkness she fled has caught up with her. The high priests of Artemis once controlled the city, but a group of sorcerers are gaining power. And a strange group who call themselves followers of The Way further threaten the equilibrium. As Daria investigates Lucas's exploits into the darker side of the city, her life is endangered, and she takes refuge in the strange group of believers. She's drawn to Paul and his friends, even as she wrestles with their teachings. When authorities imprison Lucas for a brutal crime, Daria wonders if even Paul's God can save him. Then she uncovers a shocking secret that could change everything--Lucas's fate, her position in his household, and the outcome of the tension between pagans and Christians. But only if she survives long enough to divulge what she knows. "Meticulously-researched, spellbindingly written with luscious prose and compelling and complex characters." --Tosca Lee, New York Times best-selling author of Havah: The Story of Eve
Author: T. L. Higley
Publisher: Thomas Nelson Inc
ISBN: 1401686826
Category : Fiction
Languages : en
Pages : 418
Get Book Here
Book Description
In a city teetering at the brink of anarchy, Daria finds hope among people of The Way. She escaped a past of danger and found respite in beautiful Ephesus, a trading center on the Aegean coast, serving as tutor to Lucas, the wealthy merchant who rescued her. But the darkness she fled has caught up with her. The high priests of Artemis once controlled the city, but a group of sorcerers are gaining power. And a strange group who call themselves followers of The Way further threaten the equilibrium. As Daria investigates Lucas's exploits into the darker side of the city, her life is endangered, and she takes refuge in the strange group of believers. She's drawn to Paul and his friends, even as she wrestles with their teachings. When authorities imprison Lucas for a brutal crime, Daria wonders if even Paul's God can save him. Then she uncovers a shocking secret that could change everything--Lucas's fate, her position in his household, and the outcome of the tension between pagans and Christians. But only if she survives long enough to divulge what she knows. "Meticulously-researched, spellbindingly written with luscious prose and compelling and complex characters." --Tosca Lee, New York Times best-selling author of Havah: The Story of Eve
Author: Tessa Gratton
Publisher: Margaret K. McElderry Books
ISBN: 1534460772
Category : Young Adult Fiction
Languages : en
Pages : 400
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Book Description
An orphan girl must face untold danger and an ancient evil to save her kingdom’s prince in this “dark, sensuous…queer and lush” (Kirkus Reviews) fantasy perfect for fans of Girls of Paper and Fire and Tess of the Road. How can you live without your heart? In the vast palace of the empress lives an orphan girl called Nothing. She slips within the shadows of the Court, unseen except by the Great Demon of the palace and her true friend, Prince Kirin, heir to the throne. When Kirin is kidnapped, only Nothing and the prince’s bodyguard suspect that Kirin may have been taken by the Sorceress Who Eats Girls, a powerful woman who has plagued the land for decades. The sorceress has never bothered with boys before, but Nothing has uncovered many secrets in her sixteen years in the palace, including a few about the prince. As the empress’s army searches fruitlessly, Nothing and the bodyguard set out on a rescue mission, through demon-filled rain forests and past crossroads guarded by spirits. Their journey takes them to the gates of the Fifth Mountain, where the sorceress wields her power. There, Nothing discovers that all magic is a bargain, and she may be more powerful than she ever imagined. But the price the Sorceress demands for Kirin may very well cost Nothing her heart.
Author: Amie Kaufman
Publisher: Allen & Unwin
ISBN: 1743439687
Category : Juvenile Fiction
Languages : en
Pages : 75
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Book Description
Don't miss the breathtaking short story that connects the first two novels in the Starbound trilogy, These Broken Stars and This Shattered World. Tarver still has nightmares about the night, six months before the Icarus crash, when he rescued a group of civilian researchers being held hostage by brutal mercenaries. Now Tarver and Lilac must reconcile his memories of that fateful night with the truth that they uncovered on a mysterious planet after the Icarus crashed. Includes three bonus preview chapters from This Shattered World! Download for free today for your e-reader or computer!
Author: Tracy Higley
Publisher: Thomas Nelson
ISBN: 1401686818
Category : Fiction
Languages : en
Pages : 401
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Book Description
The untold story of King Nebuchadnezzar’s daughter For seven years the Babylonian princess Tiamat has waited for the mad king Nebuchadnezzar to return to his family and to his kingdom. Driven from his throne to live as a beast, he prowls his luxurious Hanging Gardens, secreted away from the world. Since her treaty marriage at a young age, Tia has lived an opulent yet oppressive life in the palace. But her husband has since died and she relishes her newfound independence. When a nobleman is found murdered in the palace, Tia must discover who is responsible for the macabre death, even if her own freedom is threatened. As the queen plans to wed Tia to yet another prince, the powerful mage Shadir plots to expose the family’s secret and set his own man on the throne. Tia enlists the help of a reluctant Jewish captive, her late husband’s brother Pedaiah, who challenges her notions of the gods even as he opens her heart to both truth and love. In a time when few gave their hearts to Yahweh, Tia must decide if she is willing to risk everything—her possessions, her gods, and her very life—for the Israelites’ one God. Madness, sorcery, and sinister plots mingle like an alchemist’s deadly potion as Tia chooses whether to risk all to save the kingdom—and her family. “The biblical story of Babylonian King Nebuchadnezzar’s seven years as a madman, found in the Old Testament Book of Daniel, deepens and broadens thanks to veteran author Higley’s historical research and vivid imagination . . . Readers will find much to enjoy here: fine writing, suspense, mystery, faith, love, and a new look at an old story.” —Publishers Weekly “Higley gives readers a dose of biblical history set in King Nebuchadnezzar’s palatial gardens and a character like no other in Tiamat, devoted daughter of a king gone mad. The author’s insights into a woman’s inner strength as she searches for the one true God will leave readers rejoicing.”—Romantic Times TOP PICK "Her story will appeal not just to readers of historical fiction but also to those with an interest in biblical history." —Booklist
Author: Anthony Hope
Publisher: BEYOND BOOKS HUB
ISBN:
Category : Fiction
Languages : en
Pages : 258
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Book Description
The following narrative falls naturally into three divisions, corresponding to distinct and clearly marked periods of Sophy’s life. Of the first and second—her childhood at Morpingham and her sojourn in Paris—the records are fragmentary, and tradition does little to supplement them. As regards Morpingham, the loss is small. The annals of a little maid-servant may be left in vagueness without much loss. Enough remains to show both the manner of child Sophy was and how it fell out that she spread her wings and left the Essex village far behind her. It is a different affair when we come to the French period. The years spent in and near Paris, in the care and under the roof of Lady Margaret Duddington, were of crucial moment in Sophy’s development. They changed her from what she had been and made her what she was to be. Without Paris, Kravonia, still extraordinary, would have been impossible. Yet the surviving history of Paris and the life there is scanty. Only a sketch is possible. A record existed—and a fairly full one—in the Julia Robins correspondence; that we know from Miss Robins herself. But the letters written from Paris by Sophy to her lifelong friend have, with some few exceptions, perished. Miss Robins accounts for this—and in view of her careful preservation of later correspondence, her apology must be accepted—by the fact that during these years—from 1866 to 1870—she was constantly travelling from town to town and from lodging to lodging, as a member of various theatrical companies; this nomadic existence did not promote the careful and methodical storage of her letters. It may, of course, be added that no such obvious interest attached to these records as gathered round Sophy’s doings after she had exchanged Paris and the Rue de Grenelle for Slavna and the Castle of Praslok. When this migration has been effected, the historian is on much firmer ground; he is even embarrassed sometimes by the abundance of material of varying value. Apart from public records and general memory (both carefully consulted on the spot), the two main sources flow from Sophy’s own hand. They are the Robins correspondence and the diary. Nearly to the end the letters are very constant, very full, very instructive; but they are composed with an obvious view to the tastes and interests of their recipient, and by no means always devote most space to what now seems of greatest interest. In one point, however, Miss Robins’s tastes prove of real service. This lady, who rose to a respectable, if not a high, position as a Shakespearian actress, was much devoted to the study of costume, and Sophy, aware of this hobby, never omits to tell her with minute care what she herself wore on every occasion, what the other ladies wore, and what were the uniforms, military or civil, in which the men were arrayed. Trivial, perhaps, yet of great value in picturing the scenes! In her letters Sophy is also copious in depicting places, houses, and landscapes—matters on which the diary is naturally not so full. So that, in spite of their great faults, the letters form a valuable supplement to the diary. Yet what faults—nay, what crimes! Sophy had learned to talk French perfectly and to write it fairly well. She had not learned to write English well or even decently; the letters are, in fact, a charnel-house of murdered grammar and broken-backed sentences. Still there emerge from it all a shrewdness and a rural vigor and raciness which show that the child of the little Essex farm-house survived in the writer. But for this Kravonian period—the great period—the diary is the thing. Yet it is one of the most unconscientious diaries ever written. It is full of gaps; it is often posted up very unpunctually; it is sometimes exasperatingly obscure—there may be some intention in that; she could not tell into what hands it might fall. But it covers most of the ground; it begins almost with Sophy’s arrival in Slavna, and the last entry records her discovery of Lord Dunstanbury’s presence in Kravonia. It is written for the most part in French, and she wrote French, as has been said, decently—nay, even forcibly, though not with elegance; yet she frequently relapses into English—often of a very colloquial order: this happens mostly under the influence of anger or some other strong emotion. And she is dramatic—that must be allowed to her. She concentrates her attention on what she conceives (nor is her instinct far out) to be her great scenes; she gives (or purports to give) a verbatim report of critical conversations, and it is only just to say that she allows her interlocutors fair play. She has candor—and that, working with the dramatic sense in her, forbids her to warp the scene. In the earlier parts of the story she shows keen appreciation of its lighter aspects; as times grow graver, her records, too, change in mood, working up to the tense excitement, the keen struggle, the burning emotions of her last days in Kravonia. Yet even then she always finds time for a laugh and a touch of gayety. When Sophy herself ceases to be our guide, Lord Dunstanbury’s notes become the main authority. They are supplemented by the recollection of Mr. Basil Williamson, now practising his profession of surgery in Australia; and this narrative is also indebted to Colonel Markart, sometime secretary to General Stenovics, for much important information which, as emanating from the enemy’s camp, was not accessible to Sophy or her informants. The contributions of other actors in the drama, too numerous to mention here, will be easily identified in their place in the story. A word seems desirable on one other subject, and no mean one; for it is certain that Sophy’s physical gifts were a powerful ally to her ambition, her strong will, and her courage; it is certain, too, that she did not shrink from making the most of this reinforcement to her powers. All the authorities named above—not excepting Sophy herself—have plenty to say on the topic, and from their descriptions a portrait of her may be attempted. Of actual pictures one only exists—in the possession of the present Lord Dunstanbury, who succeeded his father—Sophy’s Earl—a few years ago. It is a pastel, drawn just before she left Paris—and, to be frank, it is something of a disappointment; the taste of the ‘sixties is betrayed in a simper which sits on the lips but is alien to the character of them. Still the outline and the color are there. Her hair was very dark, long, and thick; her nose straight and fine, her lips firm and a trifle full. Her complexion was ordinarily very pale, and she did not flush save under considerable agitation of mind or exertion of body. She was above the middle height, finely formed, and slender. It was sometimes, indeed, objected that her shape was too masculine—the shoulders a trifle too square and the hips too small for a woman. These are, after all, matters of taste; she would not have been thought amiss in ancient Athens. All witnesses agree in describing her charm as lying largely in movement, in vivacity, in a sense of suppressed force trying to break out, or (as Mr. Williamson puts it) of “tremendous driving power.” The personality seems to stand out fairly distinct from these descriptions, and we need the less regret that a second picture, known to have been painted soon after her arrival in Kravonia, has perished either through carelessness or (more probably) by deliberate destruction; there were many in Kravonia not too anxious that even a counterfeit presentment of the famous “Red Star” and its wearer should survive. It would carry its memories and its reproach. “The Red Star!” The name appears first in a letter of the Paris period—one of the few which are in existence. Its invention is attributed by Sophy to her friend the Marquis de Savres (of whom we shall hear again). He himself used it often. But of the thing we hear very early—and go on hearing from time to time. Sophy at first calls it “my mark,” but she speedily adopts Monsieur le Marquis’s more poetical term, and by that description it is known throughout her subsequent career. The polite artist of the ‘sixties shirked it altogether by giving a half-profile view of his subject, thus not showing the left cheek where the “star” was situated. It was, in fact, a small birth-mark, placed just below the cheek-bone, almost round, yet with a slightly indented outline. No doubt a lover (and M. de Savres was one) found warrant enough for his phrase. At ordinary times it was a very pale red in color, but (unlike the rest of her face) it was very rapidly sensitive to any change of mood or temper; in moments of excitement the shade deepened greatly, and (as Colonel Markart says in his hyperbolic strain) “it glowed like angry Venus.” Without going quite that length, we are bound to allow that it was, at these moments, a conspicuous and striking mark, and such it clearly appeared to the eyes of all who saw it. “La dame à l’étoile rouge,” says the Marquis. “The Red-starred Witch,” said the less courteous and more hostile citizens and soldiers of Kravonia. Sophy herself appears proud of it, though she feigns to consider it a blemish. Very probably it was one of those peculiarities which become so closely associated and identified with the personality to which they belong as at once to heighten the love of friends and to attract an increased dislike or hatred from those already disposed or committed to enmity. At any rate, for good or evil, it is as “Red Star” that the name of Sophy lives to-day in the cities and mountains of Kravonia. So much in preface; now to the story. Little historical importance can be claimed for it. But amateurs of the picturesque, if yet there be such in this business-like world, may care to follow Sophy from Morpingham to Paris, to share her flight from the doomed city, to be with her in the Street of the Fountain, at venerable Praslok, on Volseni’s crumbling wall, by the banks of the swift-flowing Krath at dawn of day—to taste something of the spirit that filled, to feel something of the love that moved, the heart of Sophy Grouch of Morpingham, in the county of Essex. Still, sometimes Romance beckons back her ancient votaries...FROM THE BOOKS.
Author: Lemony Snicket
Publisher: Hachette+ORM
ISBN: 0316225053
Category : Juvenile Fiction
Languages : en
Pages : 159
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Book Description
Best to start at the beginning, but the whole’s an enjoyable ride.”—Kirkus Reviews Before the Baudelaires became orphans, before he encountered A Series of Unfortunate Events, even before the invention of Netflix, Lemony Snicket was a boy discovering the mysteries of the world. This is his story. Train travel! Murder! Librarians! A Series Finale! On all other nights, the train departs from Stain'd Station and travels to the city without stopping. But not tonight. You might ask, why is this night different from all other nights? But that's the wrong question. Instead ask, where is this all heading? And what happens at the end of the line? Will the final book in Lemony Snicket's bestselling series, All the Wrong Questions offer any answers? "Snicket...closes his quartet of smart, noirish mysteries...with several bangs (and a poison dart or two). Most questions (wrong and right) are answered by the satisfying close."—Kirkus Reviews
Author: Lily Roscoe
Publisher: Scholastic Inc.
ISBN: 0545617340
Category : Juvenile Fiction
Languages : en
Pages : 36
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Book Description
A bedtime book in the vein of Everywhere Babies, Harold and Purple Crayon, and In the Night Kitchen, THE NIGHT PARADE is a dreamworthy story.Have you ever wondered what happens at night while mothers and fathers lie sleeping?Children wake up. They climb out of their beds some crawling, some running, some leaping.As the moon shines down they escape into townTo the Night Parade they go sneaking...THE NIGHT PARADE is a goodnight book filled with the whimsical wilderness of children's imaginations just before they fall asleep. Written by first time author, Lily Roscoe, and illustrated by bestselling illustrator, David Walker, THE NIGHT PARADE is a truly dreamworthy read-aloud.
Author: Mary Cowden Clarke
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 880
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Book Description
Author: Patrick Bentley
Publisher: Tate Publishing
ISBN: 1598866362
Category : Music
Languages : en
Pages : 256
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Book Description
Author Patrick Bentley challenges his readers to labor for the meat that will never perish in his new book The Birth of a Song. Many years of trials in Patricks life has created some extraordinary testimonies that include giving birth to hundreds of new songs to the glory of the Lord Jesus Christ. Included in these beautifully written pages, Bentley unveils many hidden mysteries, such as how to count the mark of the beast (Revelation 13: 18) and why the United States of America is in the heart of Jer USA lem. The Birth of a Song is a must read for all believers in Christ Jesus. In these spiritually inspirational lyrics, you can feel the love of the lord through your very soul
Author: Katherine Havener
Publisher:
ISBN: 9780615756424
Category : Bedtime
Languages : en
Pages : 0
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Book Description
A picture book to help mothers night-wean their nursing toddlers.
