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Author: Joanna Smalcerz
Publisher: Studies in the History of Coll
ISBN: 9789004421486
Category : Art
Languages : en
Pages : 243
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Book Description
Smuggling the Renaissance: The Illicit Export of Artworks Out of Italy, 1861-1909explores the phenomenon of art spoliation in Italy following Unification (1861), when the international demand for Italian Renaissance artworks was at an all-time high but effective art protection legislation had not yet been passed.Making use of rich archival material Joanna Smalcerz narrates the complex and often dramatic struggle between the lawmakers of the new Italian State, and international curators (e.g., Wilhelm Bode), collectors (e.g., Isabella Stewart Gardner) and dealers (e.g., Stefano Bardini) who continuously orchestrated illicit schemes to export abroad Italian masterpieces. At the heart of the intertwinement of the art trade, art scholarship and art protection policies the author exposes the socio-psychological dynamics of unlawful collecting.
Author: Joanna Smalcerz
Publisher: Studies in the History of Coll
ISBN: 9789004421486
Category : Art
Languages : en
Pages : 243
Get Book Here
Book Description
Smuggling the Renaissance: The Illicit Export of Artworks Out of Italy, 1861-1909explores the phenomenon of art spoliation in Italy following Unification (1861), when the international demand for Italian Renaissance artworks was at an all-time high but effective art protection legislation had not yet been passed.Making use of rich archival material Joanna Smalcerz narrates the complex and often dramatic struggle between the lawmakers of the new Italian State, and international curators (e.g., Wilhelm Bode), collectors (e.g., Isabella Stewart Gardner) and dealers (e.g., Stefano Bardini) who continuously orchestrated illicit schemes to export abroad Italian masterpieces. At the heart of the intertwinement of the art trade, art scholarship and art protection policies the author exposes the socio-psychological dynamics of unlawful collecting.
Author:
Publisher: BRILL
ISBN: 9004532455
Category : Art
Languages : en
Pages : 308
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Book Description
The volume exposes the modus operandi of Wilhelm Bode’s strategic involvement in the art market and the formation and dissolution of public and private collections, showcasing his complex agency within the art marketplace of the late nineteenth and early twentieth centuries.
Author: Gail Feigenbaum
Publisher: Getty Publications
ISBN: 1606068911
Category : Art
Languages : en
Pages : 386
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Book Description
This volume explores the crucial role of art dealers in creating a transatlantic art market in the late nineteenth and early twentieth centuries. “There was money in the air, ever so much money,” wrote Henry James in 1907, reflecting on the American appetite for art acquisitions. Indeed, collectors such as Henry Clay Frick and Andrew W. Mellon are credited with bringing noteworthy European art to the United States, with their collections forming the backbone of major American museums today. But what of the dealers, who possessed the expertise in art and recognized the potential of developing a new market model on both sides of the Atlantic? Money in the Air investigates the often-overlooked role of these dealers in creating an international art world. Contributors examine the histories of wellknown international firms like Duveen Brothers, M. Knoedler & Co., and Goupil & Cie and their relationships with American clients, as well as accounts of other remarkable dealers active in the transatlantic art market. Drawing on dealer archives, scholars reveal compelling findings, including previously unknown partnerships and systems of cooperation. This volume offers new perspectives on the development of art collections that formed the core of American art museums, such as the National Gallery of Art, the Metropolitan Museum of Art, and the Frick Collection.
Author: Carol Helstosky
Publisher: Cornell University Press
ISBN: 1501774581
Category : Art
Languages : en
Pages : 156
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Book Description
Italian Forgers takes an unorthodox approach to the fascinating topic of art forgery, focusing not on art forgery per se, but on the major forgery scandals that shifted the Italian art market in response to constant, and often intense, demand for Italian objects. By focusing on power dynamics that both precipitated forgery scandals and forged Italian cultural identities, this book connects the debates and discussions about three well-known Italian forgers—Giovanni Bastianini, Icilio Joni, and Alceo Dossena—to anchor and investigate the mechanics of the Italian art market from unification through the fascist era. Carol Helstosky examines foreign accounts of transactions and Italian writings about the art market. The actions and words of Italian dealers illustrate how the Italian art and antiquities market was an undeniably modern industry, on par with tourism in terms of its contribution to the Italian economy and to understandings of Italian identity. These accounts also reveal how dealers, artists, go-betweens, guides, and restorers worked to not only meet the intense demand for Italian products but also to develop highly sophisticated business practices to maintain financial stability and respond to shifts in demand consciously (but not always conscientiously). Italian Forgers weaves a compelling narrative about the history of Italian identity, forgery, and the value of the past. As a result, Helstosky brings historical perspective to the study of art forgery and art fraud. She reveals how historical circumstances and structural imbalances of cultural power shaped the market for art and antiquities and amplified incidents of art deception and forgery scandals.
Author: Liana De Girolami Cheney
Publisher: Cambridge Scholars Publishing
ISBN: 152757010X
Category : Art
Languages : en
Pages : 420
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Book Description
This volume studies some of Edward Burne-Jones’s paintings, focusing specifically on his approach to nature, both through his observations about the real, physical world and through his symbolic interpretations of earthly and celestial realms. Burne-Jones’s appreciation for natural formations grew from his interests in astronomy and geography, and was expanded by his aesthetic sensibility for physical and metaphysical beauty. His drawings and watercolors carefully recorded the physical world he saw around him. These studies provided the background for a collection of paintings about landscapes with flora and fauna, and ignited an artistic furor that inspired the imagery he used in his allegorical, fantasy, and dream cycles about forests, winding paths, and sweet briar roses. This study focuses on two main ideas: Burne-Jones’s concept of ideal and artificial or magical nature expressed and represented in his drawings and paintings, and the way in which he fused his scientific knowledge about nature with some of the symbolism in his paintings.
Author: John Dollison
Publisher: Simon and Schuster
ISBN: 0671886150
Category : Religion
Languages : en
Pages : 216
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Book Description
How many Catholics know that a priest invented the fax machine, or that monks were the first to make coffee, champagne, and pretzels? How many know why St. Elmo is portrayed in art with his intestines hanging out, or why St. Maximus is often shown commanding a bear to carry his luggage? Probably none. The Catholic Church is all too eager to tell us about the Ten Commandments, the Resurrection, and the glories of St. Peter's Basilica, but how often do you hear about items like "Pope on a Rope" soap, or the "Let Us Spray" lawn sprinkler (shaped like Pope John Paul II, the sprinkler squirts water out of his outstretched arms as it spins)? It's all here in "Pope-Pourri"-- an unprecendented collection of entertaining anecdotes, trivia, and intriguing information that the Catholic Church never told you about-- and in many cases doesn't want you to know about. Such as the bizarre story of the "Cadaver Synod", when Pope Stephen VI dug up the rotting corpse of his predecessor, Pope Formosus I, dressed it in papal robes, and put it on trial for "aspiring to the papacy" and other crimes. Other unusual footnotes to Catholic history include the Cataphrygians, an early separatist movement whose members prayed with their index and middle fingers inserted into their noses. "Pope-Pourri" celebrates the wealth of amusing trivia the Church has produced during its 2,000-year history-- from oddball saints to the Vatican's censorious movie reviews, from strange Virgin Mary sightings to embarrasing secret scandals-- presented for the first time in one fascinating volume that practicing Catholics, lapsed Catholics, and the merely curious will all enjoy.
Author:
Publisher: BRILL
ISBN: 9004680446
Category : Art
Languages : en
Pages : 501
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Book Description
In the late nineteenth and early twentieth centuries, Italian Renaissance art, objects, and even the idea of Italy itself figured heavily both in the dynamic international art market and in the eyes of the general public. The alternative objects that were actively dispersed and collected -- authentic works, pastiches, Renaissance-inspired counterfeits, and reproductions -- in the diverse media of paint, plaster, terracotta, and photography, had a tremendous impact on visual culture across social strata. These essays examine less studied aspects of this market through the lens of just a few of the countless successful sales of objects out of Italy.
Author: Christopher A. Williams
Publisher: Lexington Books
ISBN: 0739190067
Category : History
Languages : en
Pages : 275
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Book Description
Defining the Caymanian Identity analyzes the factions and schisms surging throughout the multicultural, multi-ethnic, and polarized Cayman Islands to identify who or what is considered a Caymanian. In the modern world where Caymanian traditions have all but been eclipsed, or forgotten, often due to incoming, overpowering cultural sensibilities, it is a challenge to know where traditional Caymanian culture begins and modern Caymanian culture ends. With this idea in mind, Christopher A. Williams investigates the pervasive effects of globalization, multiculturalism, economics, and xenophobia on an authentic, if dying, indigenous Caymanian culture. This book introduces and expounds the provocative solution that the continued prosperity of the Cayman Islands and their so-called indigenous people may well depend on a synergistic moral link between Caymanianness and foreignness, between Caymanianness and modernity.
Author: Douglas Robinson
Publisher: Springer Nature
ISBN: 3031179412
Category : Language Arts & Disciplines
Languages : en
Pages : 200
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Book Description
This book celebrates experimental translation, taking a series of exploratory looks at the hypercyborg translator, the collage translator, the smuggler translator, and the heteronymous translator. The idea isn’t to legislate traditional translations out of existence, or to “win” some kind of literary competition with the source text, but an exuberant participation in literary creativity. Turns out there are other things you can do with a great written work, and there is considerable pleasure to be had from both the doing and the reading of such things. This book will be of interest to literary translation studies researchers, as well as scholars and practitioners of experimental creative writing and avant-garde art, postgraduate translation students and professional (literary) translators.
Author: Tammie Jenkins
Publisher: Rowman & Littlefield
ISBN: 1793633797
Category : History
Languages : en
Pages : 161
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Book Description
In The Haitian Revolution, the Harlem Renaissance, and Caribbean Negritude: Overlapping Discourses of Freedom and Identity, Tammie Jenkins argues that the ideas of freedom and identity cultivated during the Haitian Revolution were reinvigorated in Harlem Renaissance texts and were instrumental in the development of Caribbean Negritude. Jenkins analyzes the precipitating events that contributed to the Haitian Revolution and connects them to Harlem Renaissance publications by Eric D. Walrond and Joel Augustus “J.A.” Rogers. Jenkins traces these movements to Paris where black American expatriates, Harlem Renaissance members, and Francophones from Africa and the Caribbean met once a week at Le Salon Clamart to share their lived experiences with racism, oppression, and disenfranchisement in their home countries. Using these dialogical exchanges, Jenkins investigates how the Haitian Revolution and Harlem Renaissance tenets influence the modernization of Caribbean Negritude's development.
